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1.3 Ends
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1.1
1.5 Key
Clues that establish the tone, manner, or spirit of the
speech act.[7] The aunt might imitate the grandmothers
voice and gestures in a playful way, or she might address
the group in a serious voice emphasizing the sincerity and
respect of the praise the story expresses.
Divisions
1.6 Instrumentalities
1.8 Genre
The kind of speech act or event; for the example used
here, the kind of story. The aunt might tell a character
anecdote about the grandmother for entertainment, or an
1
exemplum as moral instruction. Dierent disciplines develop terms for kinds of speech acts, and speech communities sometimes have their own terms for types.[9]
References
[1] Note that the categories are simply listed in the order demanded by the mnemonic, not by importance
[2] Hymes (1974), p.53-62.
[3] Hymes (1974), p.55.
[4] Hymes (1974), pp.55-56.
[5] Hymes (1974), pp.54 and 56.
[6] Hymes (1974), pp.56-57.
[7] Hymes (1974), p.57.
[8] Hymes (1974), pp.58-60.
[9] Anticipating that he might be accused of creating an (English language) ethnocentric mnemonic and, thus,
by implication, an (English language) ethnocentric theory Hymes comments that he could have, for instance,
generated a French language mnemonic of P-A-R-L-AN-T: namely, participants, actes, raison (resultat), locale,
agents (instrumentalities), normes, ton (key), types (genres) (1974, p.62).
REFERENCES
3.1
Text
3.2
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