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HARO'-EE LIBRARY

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BR,GHA
^ROVO.UT^

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.Kb!

"*The Universal Library


of Music
Graded Masterpieces

in

Pianoforte Compositions

Edited by

Karl Klauser
With an

Introduction hy

George Proctor
Of The New England

Conservatory of Music

Also Special Copyrighted Compositions Written Exclusively for

this

Work

by the Following American Composers

WILLIAM MASON
REGINALD DE KOVEN
RICHARD HOFFMAN
FRANK VAN DER STUCKEN

FREDERIC GRANT GLEASON


EMIL LIEBLING
HENRY SCHOENEFELD
W. C. E. SEEBOECK

HENRY HOLDEN HUSS

KROEGER
W. L. BLUMENSCHEIN
GEORGE W. CHADWICK
ARTHUR FOOTE
MARGARET RUTHVEN LANG
CLAYTON JOHNS
E. R.

GERRIT SMITH

MACDOWELL
ARTHUR WHITING
E. A.

WILLIAM W. GILCHRIST
CONSTANTIN STERNBERG

ETHELBERT NEVIN
BENJ. E. WOOLF
GEORGE E. WHITING
MARTIN ROEDER
CLARA K. ROGERS
HORATIO W. PARKER
ARTHUR BIRD
WILSON G. SMITH
AD. M FOERSTER
EDGAR S. KELLEY

Volume III

INSTRUMENTAL

Musicians' League of America


Boston

Chicago
I

9I

MAROL^ B LEE LIBRARY


RS,TY
eu
oT

B^K r

1894, BY
MILLET COMPANY

COPYRIGHT,
J.

B.

COPYRIGHT 1910, 1913


MUSICIANS' LEAGUE OF AMERICA

TABLE OF CONTENTS
VOL.

III.

Page

Beethoven,
Bendel,

Pastoral,

F.

602

F major

776

Scherzino,

Boccherini, L.

Minuet

Chopin,

Mazurka, Op.

50,

Prelude,

28,

F.

Godard,

Valse,

"

Album

Leaf,

Postilion,

Grieg, E.

Andantino

in G,

Gavotte, Op.

B.

No.

major

16,

No.

gutmann,
Haydn,

a.

so fair,"

566

"

HUSS, HENRY HOLDEN

Jadassohn,

S.

Jensen, A.

8,

588
1

59 2

C major

in

Solitaire,

major

770
598

Three Intermezzi, No.

577

"

"

"

2,

t<

it

(i

Album

"Twilight"

580
582

Leaf, Op. 63, No.

725

Country Dance, Op.

t,^,

Second Valse,

33>

716

2,

B minor

746

Leaf,

6,

No.

major

Sleigh Ride, Op.

Song

of

Protrait

No. 4

762

542

44,

No. 9

Water Nymphs, Op.

55 1

44, No. 10

and Biographical Sketch

Arabian Song,

Lack, Theodore

778

575

Album

E. R.

696

Portrait and Biographical Sketch

Kjerulf, H.

KROEGER,

670

1 2,

No.

Promenade d'un

Arabesque, Op.

Kleinmichel, R.

"

C major

Karganoff, G.
.

587

75 2

4i,

Minuet from Symphony

Heller, Stephen

No.

Leaf, Op. 66

Intermezzo,

J.

754

12,

Nocturne, Op.

12,

"

Album

747

612

Waltz,

GrOtzmacher, Fr.

544

55,

Op.

is

20

Folk Song,

She

662

"

718

"

69,

Arietta,

"

545

major

Bendix, V. E.

Claussen, W.

Symphony

Allegretto from the Eighth

von

L.

Op. 31, No.

556

679

6S5

Declaration,

"

31,

"

681

Humoreske Negre,

"

31,

"3

688

Le Chant du Ruisseau, Op. 92

764

TABLE OF CONTENTS
Leschetizky, Th.

Mazurka, Op.

Mattei, Tito

Victoria Gavotte

Mendelssohn,

No.

24,

"Oh, Rest

Lord," from Elijah, Op.

in the

"

Reinhold, Hugo

Symphony

"

Nocturne, Op. 34, No.

"

Leaf,

major

Scherzo from Sonata


Barcarole, Op. 45

Rubinstein, A.

Romance, Op.
First

Saint-Saens, C.

21

Schumann,

R.

SEEBOECK, W.

Stradella, A.

Weber,

C.

M. von

646
7i4

minor

F majo

E.

643
672

606

major

57

533

Impatience, Op. 25, No.

666

No.

40,

No.

23,

Stranger, Op. 68, No.

28

706
722

655

Forest Scenes, Solitary Flowers, Op. 8 2, No. 3

698

Mignon, Op.

618

No. 29

68,

29,

No.

711

Portrait and Biographical Sketch

523

Gavotte a l'Antique

525

Portrait N. D.

53

Portrait

S.

and Biographical Sketch

Le Tourbillon, Op.

68,

No.

Songe d'Amour,

68,

"

"

73i

733

739

....

54o

Gypsy Chorus from Preciosa


Siciliano from Sonata for Violin

WOOLF, BENJAMIN

638

624

Church Air

"

"Ave Maria," Das Maricnbild

Moonlit Night, Op.

STERNBERG, CONSTANTIN,

5.

691

Tetite Mazurka, Op.

C. E.

59 6

Shepherd's Song, Op.

Schytte, L.

Marche Meroique, Op.


J.

535

No.

1,

Scherzino, Op. 26, No.

SCHULHOKK,

702

50,

No.

SCHOLTZ, H.
.

700

75 6

Mazurka, Op.

Musical,

774
658

in

in

Moment

F.

in

SCHAHWENKA, PHILLIPP

SCHUBKRT,

No.

26,

Gavotte, Op. 23

Sapellnikokk, W.

7.

Valse Pittoresque, Op.

Album

620

....

Serenade, D-flat

Rohde, Ed.

648

Op. 45

in B-flat,

Minuet from String Quartet

Mozart, W. A.

560

.....
1

Andante from Sonata

F.

...

Tage

668

and Piano

in

minor

743

Portrait and Biographical Sketch

627

Melody, Op. 103

629

Digitized by the Internet Archive


in

2011 with funding from

Brigham Young University

http://www.archive.org/details/universallibrary03klau

WILLIAM CHARLES ERNEST SEEBOECK


ILLIAM CHARLES ERNEST

SEEBOECK

was born

He

in i860.

seems

in

to

Vienna

have

herited his taste for music

plished singer.

in-

from

India, he

his instructors in

His

compo-

Brahms and Hermann Graedener.

to St. Petersburg,

extensive

came

Serenade

soprano in

Marie;

Gipsey Boy;

for

How

flat

for

The

Fair and Sweet and

Folks at

his studies in

Vienna,

where he studied with

in

Home ;

major

travels

to the

in

Turkey,

Egypt and

United States and settled

Chicago in 1881, where

many

in

years he was

Bouree Antique ; Minuet Antique

/ Come

to thy

Lattice

"A. T. M.," and "W. V. L."


Caprice ;

False

in

minor

Two

Portraits,

Three Bourees

La Fontaine

de Treves ;

Berceuse

B re tonne

Barcarolle ;

Mazurka

piano; Danse

for

False in

minor

Canzonetta in

the Apollo Club.

tasie for

his

unpublished works

piano

and a Quintet

quartet, dedicated

was

to

is

for

the Bendix

the

Faust Fan-

piano and string


Quartet, which

the pianist for the Apollo Club, giving his entire

performed in public in April, 1894; a


of twenty-seven Concert Etudes ; two Concertos

time to composing, teaching and playing in public.

piano

He died in 1906.
Among his published works

for

for

are:

Three Spanish

Hunting Song (male quartet), performed by

flat;

Among

Anton Rubinstein.
After

Serenade

received a thorough collegiate

As soon as he had completed


he went

Dewdrop ;

He

and Epstein, and


J.

tenor in

Hongroise/

Holy ; It was a Dream; Concert paraphrase, Old

musical instructors on the piano were Nottebohm,

were

la

piano and

for

mother, who was an accom-

sianum, one of the finest institutions in Vienna.

sition

violin

Berceuse

his

education in Vienna, having attended the There-

Grill

Fairy Dance;

Dances;

first

two Sonatas for piano

two pianos

set
for

a set of variations

an opera, The Gladiators ; and over

two hundred songs.

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EDITOR'S NOTE TO THE ALLEGRETTO

Beethoven became interested


suggested a humorous Canon
in

in the invention

Breitkopf

&

This Canon with

bars of the "Allegretto Scherzando."

phrases of Italian operas then

in

of Maelzel, called the " Metronome."

Its

tickings

Haitel edition, Series 23, No. 43) in honor of the invention,

which the chorus sang the accompaniment

lables "ta, ta ta," etc.

FROM THE EIGHTH SYMPHONY.

in imitation

its first

The

of the tickings of the instrument on the syl-

melodic phrase

is

almost identical with the

first

two

three closing bars are a burlesque on the accepted closing

vogue, often ending

qjlJ
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felicita," thus:

545

Allegretto scherzando
from the

SYMPHONY N2

in

F MAJOR.
L.v.

BEETHOVEN, Op.93.

35

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PHILIPP SCHARWENKA.
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HENRY HOLDEN HUSS


ENRY HOLDEN

HUSS,

Among

a lineal

his principal

Piano concerto in

descendant of the martyr John

lowing

Huss, was born in Newark, N.

accompaniment;

June

He

21, 1862.

J.,

studied piano

with his father, and composition


with O. B. Boise.

many

Like

musicians, he de-

cided at a very early age to be a composer.

age of five Mozart was his musical

At the
but the

idol,

compositions of a few years later revealed his

modern

strong leaning toward the ultra

school.

compositions are the

orchestral

fol-

major, with orchestral

violin concerto in

accompaniment;

Forest

minor, with

Idyll

for

or-

Romanza and Polonaise for solo, violin


and orchestra; Festival March for orchestra; trio
in D minor for piano, violin and cello; String
Quartet in E major (written when sixteen years
old)
Ave Maria for female chorus, solo, soprano,
and alto, accompanied by string orchestra, harp
chestra;

Munich, especially to study theory and composition

and organ; Festival Sanctus and Benedictus for


mixed chorus, solo, violin, orchestra and organ;

His piano studies were

Cleopatra, a dramatic fragment for solo, soprano

continued with Prof. Josef Giehrl, who, as a student

mixed chorus;
Festival Anthem for Easter for mixed chorus and
orchestra or organ; Sonata, for violin and piano.
His Piano Concerto in D major is pronounced by
Robert Carter as the best American concerto.
Some smaller works are as follows. For the
voice: Three songs from the German, Du bist wie
eine Blume; Der Jasimen Strauch; Der Friihling;
Home they Brought her Warrior Dead, from Ten-

In 1882 he entered the Royal Conservatory of

with Josef Rheinberger.


for three or four years

with Franz Liszt, acquired

Mr. Huss made


his first appearance with orchestra in Munich, 1884,
playing the G major piano concerto of Beethoven.
the traditions of the Liszt school.

In 1885 he graduated with honor, being requested

by Rheinberger

to extemporize for the entire fac-

At the

ulty of the conservatory.


of

the

conservatory year

C minor

Rhapsody

in

He made

his first public

by playing the

same

for

he

played his

appearance
composition

symphony

own

piano and orchestra.

Gericke's direction in October,


at one of the

closing concert

in

America,

under Mr.

1886, in

Boston

and orchestra;

nyson's "Princess,"

for

Sirens, for soprano, with

or orchestra;
little

Wings;

alto;

Before Sunrise;

My

Jean

for

The Song

accompaniment

of the

of piano

While Larks with

Ich Liebe Dich.

For piano: Ballade; Minuet

In 1904 he

concerts.

The Winds,

in

major; Polo-

married the well-known concert singer, Hildegard

naise de Concert in

Hoffman.

minor and C major; To the Night; Valse


Nocturne; Four Preludes; Gavotte, Op. 20, Six Piano
Pieces; Etude Romantique; Two Intermezzi; Album

Hoffman
and apHis compo-

Since that date Mr. and Mrs.

have resided

in

New York

City, teaching

pearing quite frequently in concerts.


sitions

have been widely performed

in

Europe.

in

Leaf.

sharp major; two preludes

57:

Three Intermezzi.
N21.

HENRY HOLDEN HUSS.


Allegretto con Grazia.

turn

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Copyright 1894 by

<to.
J.

"to.

B. Millet Company.

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Three Intermezzi.
N22.

"LE CREPUSCULE"
("THE TWILIGHT')

HENRY HOLDEN HUSS.


Andante molto tranquillo ma non troppo

?teE

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una corda

4.

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Copyright 1894 by

J. B.

Millet Company.

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an poco animato

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582

Three Intermezzi.
N2 3.
HENRY HOLDEN HUSS.
Allegro moderato

giojoso

-"~~~~5

5u-

'to.

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j

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'to.

Copyright iX94 by

&

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to.

'to

J.

B. Millet

Company.

**

// corda

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583

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Arietta.
Poco Andante

Edw.GRIEG,Op.l2.N91.
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612

Postilion.
A cheval
En
La

Au

postilion

route,

mon

galop, au galop

Postilion; allons, hop!

gar^on.

Le

brise matinale est fraiche et parfume'e.

soleil resplendit sur la plaine

embaume*.

Enfourche ton bidet

Va, ne t'arrete pas;

Et

Va, Ton m'attend la-bas

fais

claquer ton fouetl

Les sansonnets joeux chantent sous

la

Va, plus

ramee.

vite,

en avant

Va

vers

ma

bien-aime^e.

B.GODARD,Op.55.N91.
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R.

Op.68. N929.

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F.

MENDELSSOHN BARTHOLDY,
Op. 45.

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SCHUBERT.

Fr.

with devotion.

vd

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BENJAMIN
.ENJAMIN
in

WOOLF

E.

was born

London, on February

1836.

16,

Edward Woolf, was a


musician of culture, and came to

His

this

New York

as a

son inherited

father,

country in

member

father's

his

1839,

talent

received from him most thorough

for

one, and he

came

Boston as

to

Eichberg,

at

which time

this

was a

Alcantara.

first

first

and was the beginning


writings.

at the

Museum,

Altogether, over sixty plays have been

One

of

them, The Mighty

Dollar, held the stage for a long time.


ability, together

with his

skill,

or Djakh and

Djill,

in manuscript.

orchestra provided

His musical

enabled him to write

for

which he wrote

He composed the operatic comedietta Lawn

His

of the

Pounce df Co.,

most prom-

both text and music.

also

six operas.

His

the

In

Tennis

and others which were not pro-

madrigals,

all

last

overtures,
last

string

quartets

named have remained

he wrote over sixty plays and


important musical work was

Westward Ho, published

under Mr. Julius

performed

is

and symphonies,

of a long series of dramatic

produced by Mr. Woolf.

inent of which

and

opera book was The Doctor of

This was

several successful operatic works, the

The

the public with the best theatre music there was.

Mr. Woolf's

WOOLF

duced;

practical

first violinist

Museum

orchestra of the Boston

music,

instruction.

training with the theatre orchestra

in

settling

of a theatre orchestra.

E.

in 1894.

After a sojourn in Philadelphia and

New

Orleans,

where he conducted theatre orchestras, he returned


to

Boston in 187 1, and took a position on the Boston

Saturday Evening Gazette as musical editor.

an

After

active association of twenty-three years with that

paper, during the last years of which he

was

in chief, he severed his connection with

and joined

the editorial

charge of

its

forces of the Boston

it

Herala

editor

to

take

musical departments, in which position

he remained until his death, February

7,

1901.

629

Melody.

Andante cantabile

B.

Op.103.

sempre legato

037

E.WOOLF.

Copyright

1894 by

J. B. Millet

Company.

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Copyright. 1905. by

J.

C".

Strauss. St. Louis

ERNEST RICHARD KROEGER


KROEGER

1RNEST RICHARD
was born

in St. Louis,

1862.

10,

His

Mo., Aug.
education

early

was obtained at the public schools


of that city, and from his father, a
good amateur musician, he received when very
young his first musical training. When fifteen
years of age he was compelled by circumstances to
enter a mercantile life, but he kept up his musical
and devoted nearly

studies,

in

and Chateaubriand's "Atala"; Overture Pittoresquf


to Keats' "Endymion"; and several smaller pieces.
For chamber music he has composed four String
Quartets; one String Quintet; two Trios for Piano,
Violin and Cello; a Quartet for Piano, Violin, Viola

and
and
in

for

professional

pianoforte

career.

were

playing

his

His

instructors

father,

Egmont

Cello; a Quintet for


Cello; Sonata in

for

for

two Violins, two Violas


Piano and Violin; Sonata

Piano and Viola; Sonata in

minor for

Piano and Cello.

For pianoforte

Several years later he relinquished a busi-

them.
ness

his spare time to

all

Byron's "Sardanapalus," Longfellow's "Hiawatha,'

flat for

a Suite in

his

works include a Concerto in

piano and orchestra; a Sonata in

flat;

minor; twelve Concert Studies (pub-

foremost pianists in this country, and a pupil of

by Breitkopf & Hartel), and many smaller


works, such as the Dance 0} the Elves, Hnmoreskes,
etc., which have been played by many artists and

Gottschalk.

students.

Froelich,

and W.

Malmene.

Later

he

worked

under the direction of Charles Kunkel, one of the

He

of

lished in 1906; Egina; Five Pieces (Op. 68); Eight

learned

harmony from W. Malmene, counterpoint from


G. Anton, and composition from W. Goldner
Paris,

who

visited St.

Louis during the winter of

1884-85.

When

fifteen years of

Trinity Church,

St.

age he became organist at

Louis, Mo., and from that time

New

at

Women, and

is

is

flat;

Suite in C;

an

new

set of ten

songs

Mr. Kroeger has


his

fingers'

ends,

at least

of

the

Dawn

(Op.

1500 compositions

repertory

that

perhaps

not equalled by half a dozen living pianists.

He

has added to every department of composition and

concert pianist of the Kroeger School of Music.

His orchestral compositions are: Symphony in

Pieces (Op. 67); and a

accompaniment, The Romance

Since 1887 he has been the director of the College


for

music,

(Op. 65), has recently been published with English


and German text. Also a recitation with piano

63).

Park University

concerted vocal

songs,

has given considerable attention to organ playing.

of Music, Forest

has also written a large number of

P.

studying for ten years

under the guidance of Ernst Spiering.

He

Organ Sonata
and smaller pieces for the organ, some anthems for
church purposes, etc.
Among his later compositions are Memory, a song cycle w ith piano, pub-

In the meantime he had varied his pianoforte


studies with violin lessons,

lished

Symphonic Overtures founded upon

the catalogue of his published works runs into the

hundreds.

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Declaration.
MELODY.
E.R.KROEGER, Op.SLNQl.
Andante con espressione.

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Copyright 1894 by

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B. Millet Company.

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(CHANT ARABE.)
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13

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Op.31N?3.

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CONSTANTIN (IVANOVITCH EDLER VON) STERNBERG


ONSTANTIN (IVANOVITCH
EDLER VON) STERNBERG
bom

was

music

Two

Petersburg

St.

and took up the study

1852,

Moscheles,

at

at

Leipsic

1865

starting

closing

at

the

in

of

delphia.

under

Leipsic with light opera,

court

and

Mecklenburg.

opera in

In

1874 he resumed the study of the piano, studying


with
court

1879

Kullak,
of

and was then made

Frederick

he played in

Francis
all

the

II.

concert

1879

all

Russia, including Siberia, into Asia

returning to Berlin he was

has

friendly

relations

with

Moszkovvski, both the Scharwenkas, Godard, and

almost

other

all

He

European composers.

has

taken an active part in the promotion of music

America as a composer, player,

in

essayist,

con-

ductor and teacher.

number

to
in

piano pieces, most of which are of value for their

the

through

Minor and

Central Asia.

Upon

He

entirely.

1874

trip

in

in Phila-

has not, however, given up concert

concerts

From

to

Germany, Switzerland, Austria and Turkey, and

made an extended

work

He

Georgia, but

Music

and chamber music works, he has written over two hundred

pianist

principal

at Atlanta,

in 1890 established his School of

years later he began the career of opera con-

ductor,

Music

of the College of

in

Hauptmann.

and

Richter

Reinecke,

in

In 1886 he became director

novelties every season.

summoned

be-

Emperor William I. and immediately afterwards came to the United States for a season of

Besides a

construction

as

of orchestral, vocal,

well

as

them may be mentioned


Op.

20:

their

brilliancy.

especially the

Among

following:

Three pieces (Caprice, Gavotte, Etude),

Ten

piano pieces, Al Fresco, Op. 9: Con-

Op.

22:

cert

Polonaise in D, Op. 38: Concert- Polonaise in

On

fore

C, Op. 26: Humoreske, Op. 49:

one

Op. 50: Staccatclla, Op. 56: Six Scenes


Mignonnes, Op. 57: Chasseresse, Op. 58: Passe-

hundred

concerts.

With

the

exception

of

occasional visits to Europe he has remained here


ever since, and has introduced a large

number

of

the

Lagoon and

Tarantella,

pied,

Op. 59: Seladon, Impromptu Valse, Op. 63:

Air de danse.

733

To Miss Josephine Edelheim,

Le

Tourbillon.
CONSTANTIN STERNBERG,
Op. 6 8.

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CONSTANTIN STERNBERG.
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F.

CHOPIN,

Op. 69. N91. Oeuvre posthume.

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EDITOR'S NOTE TO CHOPIN'S VALSE, OP.


Edward Dannreuther
relates

in his interesting

essay on Chopin, published in "

" Another and similar journey to Marienbad, Dresden, Leipsic, was


principal object of both tours being,
as follows:

would seem, an

The family

now and then wrote

left

Poland

their parents iu the country,

after the

He

to them.

parents' wishes,

'

The

etc.
little

present writer's impression


elders

were at

ually, a better

di valse' in

Famous Composers and Their Works, n

made in

the following summer,

matrimony.

1836,

visited

them

first

iu

the

Briefly stated, the facts are

and made the acquaintance of

at Dresden in 1835,

As

when they were on

their little sis-

the

1836, where he proposed to Mdlle. Maria,

a boy

Chopin

still

way back

to

in her teens.

we may accept the lady's statement, that she could not run counter to her
Not long afterwards she was married to a son of Chopin's godfather, Count Frederick
The
love story has been variously related, and turned into something like a novel.

was rejected on the ground,

Skarbeck.

1.

Russian occupation, and settled temporarily at Geneva.

Poland; and joined them again at Marienbad

He

affair of

NO.

Three sons of Count Wodzinski had been educated at the school of Chopin's father.

Chopin had repeatedly stayed with


ter Maria.

it

69,

is

if

'

that the relatives on both sides

desirous of a

match

partie was found for her.

minor (op. 69, No.

1 )

of which she treasured as L' Adieu.

that the young lady

Among

probably the younger people more than the

was courted comme

Chopin's posthumous works there

is

U faut;

and

a plaintive

that, event-

little

'

Tempo

dated 'Dresden, September, 1835, pour Mdlle. Marie,' the autograph

752

Folk- Song.
Edw.GRIEG,Op.l2.N95.

Con moto.

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Ad.JENSEN,Op.33.N9 4.

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THEODORE LACK,Op.92
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