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Luo Jingmei | Kenneth Cheong
Yvonne Xu | Elaine Lee | Neo Disheng
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Neo Aik Sing
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Khaili Teoh
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iN THIS ISSUE
In habitat this issue are three houses in Singapore, that focussed on the celebrated feature of a courtyard,
light- and air-well at the heart of their spatial organisations:
The three-storey Courtyard House by HYLA Architects has, in the centre of its rectilinear space, a prominent
courtyard lined with a thick band of timber that not only emphasises its importance within the home, but
has the effect of framing an artwork a solitary frangipani tree floating above a pond of bronze mosaic. The
pond is raised to seating height, becoming part-feature, part-furniture. The courtyard rises diagonally to the
second storey such that one entire face of the house is open p38
In Formwerkz Tree House on Saraca Road, a triple-volume central atrium is introduced on the ground floor
family room, where a planter holds two towering Sterculia foetida that connects the communal spaces
through all three floors, rising up to a pitch-roof skylight on the third-storey attic p44
The 7 Degree House by wynk;collaborative, a young design consultancy set up in 2011, is conceived from
the inside out with a cavernous light well punctured through its centre. Built up from a previously two-storey
house to fit the additional number of rooms required, the introduction of the void has resulted in a light-filled
house and a more engaged way of living as well as the sense of a bigger home for the occupants p50
The Muse des Confluences, a science centre and anthropology museum located in Lyon, France, is
conceived as a public gateway that stimulates a direct, active use, not only as a place of contemplation, but
also as a meeting place in the city...The striking interface situation of the construction site at the eponymous
confluence of the Rhne and the Sane (rivers) inspired the superposition in urban space of two complexly
linked architectural units crystal and cloud p16
Heatherwick Studios intrinsic masterplan and design of Bombay Sapphires first dedicated distillery and
headquarters in Laverstoke, south of England, included building two intertwining botanical glasshouses to
house and cultivate the 10 plant species that give Bombay Sapphire gin its particularity. The glasshouse
structures spring from a gin distillation hall, recycling the spare heat from the machinery to make the perfect
growing conditions for tropical and mediterranean plants p70
iNSIDE
IS S U E 0 8 4 . 2 015
spin
wide\angle
habitat
browse
60 | SUSTAINABLE LUXURY
The new Singapore House; Solutions for a livable future
Book by Tuttle Publishing, a review
CASA
Exclusive Distributor :
Singapore 149544
E: gallery@bravat.biz
iNSIDE
community
dfusion
pulse
92 | STILL REFLECTION
Reflection model of the Itsukushima Shinto Shrine by contemporary artist
Takahiro Iwasaki at the National Gallery of Victoria, Melbourne
96 | A COMMON SENTIMENT
A Thing of Beauty by Dawn Ng at Chan Hampe Galleries
100 | BLUEPRINT
Exhibition at Storefront for Art and Architecture, New York
iNTRO 03 | CATALOGUE 101 to 107 | SUBSCRIPTIONS 108
spin
8
spin
10
Building On
Sustenance
more than 130 countrieS participating in EXPO
MILANO 2015 (MAY 1 TO OCT 31) will be presenting their
experiences and solutions in the field of nutrition, based
on the event theme FEEDING THE PLANET, ENERGY FOR
LIFE, expanded on through the architecture of spaces,
exhibitions, and appointments and shows during the sixmonth period. Expo Milano 2015 aims to be the place
for dialogue among many voices (countries, international
organizations, civil society and businesses) on issues
of agriculture, sustainable development and the fight
against hunger for the common good. The keywords
are innovation, energy saving, environmental protection
and natural resources. The event is expected to draw 20
million visitors from all over the world, bringing together
Inspired by the lotus, the Vietnamese pavilion by Vo Trong Nghia features a number
of bamboo clad, umbrella-like structures supporting trees above a pool of water, in a
composition reminiscent of their Kontum Indochine Cafe. Say the architects: The Lotus
is Vietnams national flower, a symbol of purity, commitment and optimism for the future...
Growing from the muddy ponds it rises above the surface to bloom with remarkable
beauty. The flower is proof that patience can turn difficulties into advantages.
In addition to the symbolism behind the lotus, Vo Trong Nghia also uses the flower as
a metaphor for resourcefulness: Apart from its beauty, the lotus has a strong connection
with Vietnamese cuisine; none of the plant is left for waste, with all parts of the plant
considered a delicacy...As a temporary event, the architects role in designing the pavilion
is to reduce its impact.
To do so, the design uses bamboo extensively, a fast-growing and low-carbon
material. The pavilion is also designed to be disassembled so that its parts can be reused.
For its visitors, the pavilion will provide shade under the bamboo structures and trees,
while the Lotus Pond that permeates the buildings floor will provide a cool microclimate
inside the pavilion. A folding screen will provide protection from the elements on cooler
days; however, on warm days the screen can be removed, and the pavilion will be cooled
by the breeze. With the pavilion, Vo Trong Nghia hopes to demonstrate the Vietnamese
love of nature which will be shared with the whole world.
12
Rejecting the typical notion of a pavilion as an object in a plaza, the China Pavilion by Tsinghua University and York-based
Studio Link-Arc is instead conceived as a field of spaces. Designed as a cloud hovering over a field of hope, the pavilion is
experienced as a sheltered public plaza beneath a floating roof that incorporates the buildings cultural and exhibition programs.
The roofs distinctive profile creates an iconic image for the project and will foster a unique presence within the Expo grounds.
The undulating roof form, which is derived by merging the profile of a city skyline on the buildings north side with the profile of a
landscape on the southern side, expresses the idea that hope can be realized when nature and the city exist in harmony.
The Pavilions floating roof is designed as a timber structure that references the raised-beam system found in traditional
Chinese architecture, but is adapted to accommodate modern construction technology. The roof is clad in shingled panels
that reference traditional Chinese terra-cotta roof construction, but are reinterpreted as large bamboo panels that reduce
structural weight, create a shaded public space below, and further enhance the Pavilions unique silhouette. Beneath this roof,
the buildings ground plane is defined by a landscape of wheat (the field of hope) that references Chinas agrarian past and
transitions seamlessly into a multimedia installation in the centre. This installation, formed from a matrix of LED stalks that mimic
the form of the wheat, forms the centrepiece of the buildings exhibition program.
The Pavilions full exhibition and cultural offerings are experienced as a
sequence of spaces, beginning with an exterior waiting area in the landscape,
leading to a themed exhibition space with interactive installations and cultural
offerings from 40 Chinese provinces. After this, visitors are guided up a
gently sloped public stair to a panoramic viewing platform above the LED
matrix installation, after which they are guided into a multimedia space,
which will feature a short film focused on returning home for the Spring
Festival. This sequence concludes with visitors stepping outside onto a
platform above the bamboo roof that enjoys expansive
views of the Expo grounds.
For the French pavilion, Paris-based X-TU has envisioned a cohesive, sustainable market where food is not
only grown and harvested, but sold and consumed on the spot. The design scheme celebrates the countrys
rich genetic heritage and future in innovative food production with a timber fertile market that supports the
growth of the produce it sells. Inside the vaulted halls of the market, herbs, vegetable and hops take over
the wooden lattice structure. On the ground floor, visitors walk through a living exhibition of Frances food
production, before heading upstairs to a terraced restaurant that serves the pavilions fresh produce.
The Russian pavilion, designed by Moscow-based practice SPEECH, is an expansive 4,000m2 timber
structure with a pronounced roof-line that features a mirrored canopy extending 30 meters over the
pavilions main entrance. The principal challenge in the development of the design was to create a
remarkable building that resonates with contemporary architectural trends, says Sergei Tchoban,
the pavilions chief architect. Our basic starting point was to combine a simple yet memorable
architectural structure with a faade formed from sustainable, ecologically sound materials. But an
equally important task in our architectural development was to inject the essence of Russia into the
design. Russia is a country of vast expanses, of endless vistas, of huge tracts of forest. Therefore, as
we have embodied Russian-ness in our design by framing it an apparent infinite rhythm of wooden
elements, there are obvious references to the typology of Russian landscape, with its rich forest
cover and its gently sloping elevations, and to the traditions of wooden architecture of Russia, all
coming together to create a modest, yet daring architectural statement.
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14
advertorial
D e lt a F a u c e t
companys
Hot trenDs
This New Year, natural aesthetics, vibrant patterns and
the perfect blend of masculine lines and soft curves
take the cake for the design outlook.
This is why Delta Faucet Companys award-winning
industrial design team is exploring natural aesthetics,
bold motifs and a streamlined style in its 2015 interior
design trendspotting report. Understanding the everchanging design landscape is essential for both product
manufacturers and consumers as home improvement
spending continues to increase year-to-year, according
to the Home Improvement Research Institute.
The design team at Delta Faucet Company is
constantly identifying trends and inspiration across
design, travel, fashion and more, whether a new finish
or the resurgence of a vintage style, said Judd Lord,
Delta Faucet Company senior director of industrial
design. Our products undergo arduous research,
evaluation and testing and they need to be designed
to last for years. To innovate our design, we must be
vigilant about finding the ways to inspire, motivate and
excite our consumers.
The following trends will fuel the design industry in 2015,
according to the Delta Faucet Company design team:
Natural Aesthetics
Organic shapes, woods washed with colour, powdery
surfaces and uneven edges the natural, organic trend
continues to gain favour among home design enthusiasts.
Look for colours found in nature that stand out, such as
blurred bronze, worn copper or oxidised layers. While
natural does not mean neutral, its important to integrate
softer hues into the home with earth tones such as soft
gray, sky and sand. This style allows homeowners to get
creative whether transforming a stained piece of wood
into a kitchen counter or incorporating staghorn ferns into
a wall mount.
Boldly Feminine
Simply put, this trend has an outgoing, courageous
disposition. Feminine curves paired with boisterous
colours, subtle creams next to loud lace, this movement
is an exercise in creativity and imagination. Pretty and
practical, bold and bright, the style brings cheerful
comfort to the home through robust, oversized floral
patterns. Homeowners can add colour and flair by
showcasing their favourite print in a large frame for
a beautiful living room backdrop. Art fans can explore
their creativity by collecting a variety of frames in
different finishes and shapes to construct a unique
home gallery.
Smooth Geometry
Simplistic design paired with angled blocking results
in a balanced and clean environment. The Delta AraTM
collection emulates a streamlined, geometric look in
the bath. Influenced by angular silhouettes featured on
modern residential architecture, the collection boasts
a crisp rectangular shape with a slim profile. The
Brizo SotriaTM collection features unique triangular
wide\angle
16
g r i d-l e s s r e l a t i v e s p a c e
Story and planS/diagramS/modelS courteSy Coop Himmelb(l)au
The newly completed Muse des Confluences, a science centre and anthropology museum
located in the 2nd arrondissement of Lyon, France, had finally opened in Dec 2014, after four
years of construction that costs nearly 180m. Although Coop Himmelb(l)au won the international
design competition in 2001, the building of the 22,111m2 museum began only much later in 2010.
It sits ideally on the tip of a peninsula at the confluence of the majestic Rhne and Sane rivers.
Unlike musty predecessors, the new natural history museum opens itself up psychologically
and architecturally to a broader audience, trading the traditional paradigm of the museum as a
treasure house in favour of a more extroverted institution, housed in a porous structure. As much
as it is a sculptural landmark, the scheme that Coop Himmelb(l)au proposed was also an urban
plan for the peninsula. Financed mostly by the regional government, the museum is a catalyst
for a district of new offices, housing and government buildings. (NYTimes)
18
cristAl / crysTal
20
NuAge / cloud
socle / PlinTh
Abords / surroundings
The elemenTs
roof sTrucTure
consultants (France)
planning
execution
project management
construction survey
costs
patriarche & co
tabula rasa/grgory perrin
chabanne & partenaires
debray ingnierie
mazet & associs, cuBic
structural engineering
design B+g ingenieure, Bollinger und grohmann
gmbH, Frankfurt, germany
executive coyne et Bellier, lyon, France
VS-a, lille, France
HVaC
security fire consultation
acoustics
media
lighting
landscape
itee-Fluides
cabinet casso & cie
cabinet lamoureux
cabinet labeyrie
Hars Hollands (eindhoven, netherlands)
design egiS amnagement
Photo by matthieudu06
22
facade sud
facade esT
facade ouesT
wide\angle
24
a n e c o - f r i e n d ly l i b r a r y
Story and imageS courteSy Lemay (Canada) | PhotograPhy by yien Chao
The Bibliothque du Bois in St Laurent, Montreal, Canada, aims to become a place fostering a feeling
of belonging, promoting exploration and discovery. Designed in consortium by Cardinal Hardy, Labont
Marcil and Eric Pelletier architectes, it is located between the busy Boulevard Thimens and MarcelLaurin Park, an area of protected woodland in the Montreal borough of Ville St-Laurent. The woodland
became an important generator in the design of the library, the idea being to create new connections and
experiences that would reinforce its value to the community, and contribute to the creation of a new and
attractive centre for cultural activities. It was a winner of the 2014 Canadian Green Building Awards for
being one of the most exemplary, sustainably designed buildings in Canada: The crafting of this project
was compelling from the site planning, through the programming, right down to the execution of the
details. The building has a variety of beautifully lit and welcoming spaces, in keeping with the new role
that libraries play as community living rooms. This is also a very high-performance building - an impressive
achievement altogether. (Jury)
26
SITE PLAn
28
ELEVATIonS
ELEVATIonS
habitat
30
SiTe PLan
boxes in
the landscape
by Kenneth Cheong | PhotograPhy by Albert lim
32
34
LOngiTUDinaL SeCTiOn
36
habitat
38
inside out
by Luo Jingmei | PhotograPhy by Derek SwaLweLL
f r o n T e L e vAT i o n
r e A r e L e vAT i o n
s i d e e L e vAT i o n
s e C T i o n A C r o s s s TA i r C A s e
40
1sT sToreY
bAsemenT
2nd sToreY
THird sToreY
AT T i C
site area
gFa
architect
principal architect
assistant architects
main contractor
structural engineer
42
habitat
44
roles reversed
by ElainE lEE | Images courtesy FormwErkz | PhotograPhy by JErEmy San and albErt lim
46
FiRSt StoRey
Second StoRey
Attic
RooF
2013
766.20m2
568.40m2
Formwerkz architects
alan tay, Foo yue yee
Portwood & associates
emma contracts Pte Ltd
Kosin contractor
48
50
habitat
subtle shifts
by Luo Jingmei | PhotograPhy by edward Hendricks
ynk;collaborative is a young
design consultancy set up
in 2011 by three friends, Si
Jian Xin, Dennis Huang and
Hon Kit Leong, who met while
studying at the National University of Singapores School
of Architecture. Their portfolio comprises residential and
commercial projects that reflect the trios interest in
experimenting with textures, colours, and forms.
One of the first few projects they were commissioned
to take on is the 7 Degree House, which was recently
completed. The design of the intermediate terrace
house appears simple but on closer observation, reveals
careful thought in the way it has created a new home for
the occupants.
The occupants, a couple with three daughters, had
been living in same plot for 30 years. There was the need
for more space and a consideration for the allocation of
private and common designations of space after one of
the daughters got married and decided to stay with the
parents. At the same time, they desired a home with more
52
SectIon AA
223m2
467m2
wynk;collaborative
DDa resources architects
Dennis huang, Si Jianxin,
Leong hon Kit, yang Lichuan
builder builders 265 Pte Ltd
c&s engineer J S tan & associates
54
56
habitat
linear nostalgia
by ElainE lEE | PhotograPhy by Edward HEndricks
Removal of the existing false ceiling reveals a highvolume interior space. The additional volume offers the
opportunity to include a loft, in order to fit more programs
into the compact space. The uniquely long and narrow
living space is accentuated by the high ceiling, which
helps to improve air and light circulation. The length of
the apartment is emphasised in one bold stroke that
split the apartment into two linear sections along its
longitudinal side. The living quarters are kept to one
side, in a space that is visually unimpeded with a soaring
double volume height. The private quarters are tucked to
the other side, which is even longer.
Guests enter the apartment via a modest vestibule.
A right turn leads to the living quarters, which integrates
58
pLan
ConCept DiagraM
browse
60
SUSTAINABLE
LUXURY
by Dr Paul McGillick
Photography by Masano Kawana
2014 Tuttle Publishing
Review by Neo DisheNg | images fRom the book couRtesy TuTTle PublishiNg
on luxury
It is known that in land-scarce Singapore, landed
residences are a physical symbol of economic success;
the ability to engage the services of an architect to
design a well-crafted home is a form of luxury. Luxury, as
opposed to opulence, is a human desire for refinement
62
on sustainable luxury
3
4
community
64
66
Serviced Areas
rooms Area
68
DETAil oF uNiTS
70
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client
site area
architect
project team
SiTE Plan
dfusion
74
upbeat transparency
Story and imageS courteSy Molteni&C/MaCsk
The Glass Cube, a pavilion-like showroom for Molteni&C designed by Ron Gilad,
who was specially commissioned to convey the distinctive Molteni identity, is
located on the grounds of the 81-year-old companys headquarters in Giussano,
an area 25km north of Milan in the province of Monza and Brianza, Italy.
Transformed from a previously existing space built in 2013 known as the Glass
House, the all-new Glass Cube is a 400m2 exhibition space made up of voids,
glass, and surprise installations full of humour and creative wit!
Wunderkammer
dfusion
78
many fragments
in a formula
by TLH | Images courtesy MoLTeni&C/MaCsk and FLos/Moooi/spaCe FurniTure
RON GILAD has emerged as arguably the next best-known designer that
hails from Tel Aviv, Israel, and makes it into the glitzy stratosphere of bigname contemporary Italian furnishings in Milan after the illustrious Ron
Arad (born 1951, Tel Aviv) who made the huge international leap some
two decades earlier. Like Arad, Gilad (born 1972) was similarly schooled
at the Bezalel Academy of Arts and Design in his early years, with equal
ambition and yearning to do design. As his education developed, the
younger talent, unlike his older compatriot (who is currently based in UK),
was less inclined to architecture, and even less to the machinery of an
industry-driven career, preferring instead for a measured pace exploring the
sophisticated possibilities of industrial design in academia, as well as at his
own test lab for ideas, Designfenzider, which he co-founded in New York
in 2001. After several years in New York, he now lives and works in Tel Aviv
and Milan. His philosophical ruminations on the conceptual, abstract and
functional had resulted in some fine, witty conundrums in 3D actualized
forms that caught the eyes of producers such as Molteni&C and Flos,
clinched awards, and placed in permanent collections at the Metropolitan
Museum in New York and the Tel-Aviv Museum of Modern Art. Ron Gilad
was in Singapore for the official opening of Macsk on Jan 29, where several
of his pieces for Molteni&C, such as the enigmatic Grado collection, the
Segreto shelf/writing desk and Sweetdreams bed, are presented, along
with collections by other well-starred names. We catch a lively chat with the
outwardly easy-mannered designer, who speaks of his passion with insightful
moments of candour and seriousness.
As in one house?
As in the most number of pieces that youve
designed (for a company)
45 TAVOLINO/coffee table
(GRADO by MOLTENI&C)
45 TAVOLO/table (GRADO
collection)
80
10
11
12
13
CONTRORA armchair
and sofa (Molteni&C)
10 MENSOLE/shelves
(GRADO collection)
PANNACOTTA
TAVOLINO/coffee table
(GRADO collection)
56 Cabinet (Adele-C)
82
14
15
16
17
dfusion
84
a montage of
high-style living
Story and imageS courteSy Macsk
Macsk, Singapores all-new luxury furnishings store, has opened its showroom
on Jan 29, prominently fronting Mohamed Sultan Road within the upmarket
Robertson Quay neighbourhood of trendy cafes and restaurants, shops, hotels and
condominiums. The contemporary lifestyle destination offers A Life of Distinction
in an enticing range of exquisite home solutions by its flagship brands Molteni&C
and Dada, along with a host of other top international names such as Kettal,
Louis Poulsen and Alessi.
dfusion
86
a cage for
belongings
Story and imageS courteSy imm cologne/neri & Hu
From the outside, the dark grey painted walls did not
look very inviting. Only the irregular window openings in the
Cages for Living containers for the objects we use for
living communicated the idea even from the outside that
this structure contained more than just cool aesthetics. Here
is a unique, sensual synthesis of the arts of architecture,
design, interior design, art and philosophy.
The architectural composition of Das Haus 2015 is
compact and urbane: five tall rooms, closed on all sides,
creates an exciting ensemble around a large interior
courtyard, conceived as a semi-public living space. Winding
through this compressed architecture is a bridge, its path
zig-zagging through and over Das Haus, intersecting the
rooms at different points, breaking through walls, swerving
over dining tables, and granting the visitor precisely
calculated insights into the installations of living space.
The inside of the house revealed itself to be far
more homely than the outside. Neri & Hu had specified a
colour palette of muted shades inspired by the traditional
Shanghai lanes (nongtangs), by houses overgrown with ivy,
red painted doors and crumbling plaster walls.
88
dfusion
90
Featured at the recent imm cologne 2015 (Jan 19 to 25) were Interior
Innovation Awards that honoured 15 products as Best of Best. In the
Pure Talents Contest, The Cooking Table (a prototype still in development)
by Moritz Putzier, an independent product designer based in Bremen,
Germany, took the first prize of 3,000. He had created the product as his
graduation project in 2014 to much fanfare in design hype.
pulse
92
still reflection
by Yvonne Xu | Images courtesy national GallerY of victoria in Melbourne, australia.
94
Reflection Model (Itsukushima) 201314, installation view at Aomori Contemporary Art Centre (ACAC), National Gallery
of Victoria, Melbourne; Felton Bequest, 2014. Takahiro Iwasaki, courtesy of the artist and ARATANIURANO
Takahiro Iwasakis studio showing the making of the working model for
Reflection model (Itsukushima) Takahiro Iwasaki
pulse
96
a common
sentiment
by Luo Jingmei | Images courtesy Chan hampe gaLLeries
Walter (2013), for instance, is the nowrecognisable large inflatable rabbit that visits various
heartland locations across Singapore in photographs to
give a fresh perspective to these normally boring places;
in Everything You Ever Wanted is Right Here (2012), a
series of phases cut out of large-scale photographs of
scenes in Singapore combines journalism and art, acting
as socio-commentaries on the tensions, idiosyncrasies
98
pulse
100
BLUEPRINT
Storefront for Art and Architecture
97 Kenmare Street, New York
Jan 24 to Mar 21
Curated by Sebastiaan Bremer, and
Florian Idenburg and Jing Liu of SOIL
www.storefrontnews.org
catalogue
catalogue
102
SPACE FURNITURE
77 Bencoolen St
Singapore 189653
t: +65 6415 0000
info@spacefurniture.com.sg
Lot 3-12 Intermark Mall
The Intermark
348 Jalan Tun Razak
50400 Kuala Lumpur
t: +603 2166 2212
info@spacefurniture.com.my
www.spacefurniture.asia
104
catalogue
TEKA SINGAPORE
P T E LT D
83 Clemenceau Avenue
#01-33/34 UE Square
Singapore 239920
t: +65 6734 2415
f: +65 6734 6881
www.teka.com.sg
105
catalogue
106
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e: gallery@bravat.biz
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