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McLuhan For Beginners
McLuhan For Beginners
McLuhan For Beginners
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McLuhan For Beginners

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Marshall McLuhan was one of the most brilliant and original thinkers of the 20th century. He was so far ahead of his time that he predicted the future and offered a critique of human behavior in a media saturated world that is perhaps more valuable in today’s Internet age than it was in his own time.

McLuhan pioneered the study of Media, unified Art and Science, and warned us about the perils of a televised, computerized, famous-for-15-minutes, social media world. A world where we would live in each other’s faces, and become so alike, so isolated, so anonymous that violence would become a scream of identity, a way of saying, “I am not invisible.” McLuhan tried to teach us to guard against these dehumanizing, debasing effects of technology, and a thousand other things, but we got reality television anyway.

The centennial celebration of McLuhan’s life and the re-release of his books has led to a surge of new interest in his thinking and teachings. McLuhan For Beginners provides an essential introduction that is clear, comprehensive, and easy to remember. It is full of wise and witty art by Susan Willmarth that is a perfect match to W. Terrence Gordon’s writing. McLuhan envisioned the media generated Global Village before it existed, and no one since McLuhan has described its allure and pitfalls better.
LanguageEnglish
PublisherFor Beginners
Release dateOct 30, 2012
ISBN9781939994165
McLuhan For Beginners
Author

W. Terrence Gordon

W. Terrence Gordon has published more than twenty books, including McLuhan For Beginners and Linguistics For Beginners. He is currently at work on a book about James Joyce and a biographical fiction about the legendary linguist Charles Kay Ogden. When he is not busy writing or teaching, Gordon photographs the haunting beauty of Nova Scotia, Canada, where he has lived since the 1970s.

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    Book preview

    McLuhan For Beginners - W. Terrence Gordon

    For Beginners LLC

    155 Main Street, Suite 211

    Danbury, CT 06810 USA

    www.forbeginnersbooks.com

    Text: © 2012 W. Terrence Gordon

    Illustrations: © 2012 Susan Willmarth

    All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior permission of the publisher.

    A For Beginners® Documentary Comic Book

    Copyright © 2012

    Cataloging-in-Publication information is available from the Library of Congress.

    eISBN: 978-1-939994-16-5

    For Beginners® and Beginners Documentary Comic Books® are published by For Beginners LLC.

    v3.1

    CONTENTS

    Marshall McWHO?

    What Is So Special About Marshall McLuhan?

    McLuhan’s Point Of View

    Stepping Into McLuhan’s Bio

    Influences

    Student & Teacher

    THE MECHANICAL BRIDE

    EXPLORATIONS & Idea Consultants

    Exploring THE GUTENBERG GALAXY

    Understanding UNDERSTANDING MEDIA

    (Re)Defining Media

    (Re)Defining Message

    Medium = Message

    Media Gains & Losses

    Classifying Media: Hot & Cool

    Station Break

    Amputations

    Sense Ratios

    The Microphone At Mass

    Rubbing Media Together

    Medium + Medium = Message

    It’s A Triple Play!

    The Alphabet

    Media Metaphors

    The Money Is The Metaphor

    The Key To The Car

    Art For Our Sake

    Electronic Pentecost

    Comparing Media

    McLuhan On Television

    Mosaic Man And All-At-Onceness

    Connecting The Dots

    TV As Teaching Tool

    McLuhan On Advertising

    CULTURE IS OUR BUSINESS =

    Business Is Our Culture

    The Global Village

    FROM CLICHE TO ARCHETYPE

    Clichés & Probes

    Archetypes

    THE MECHANICAL BRIDE: Comic Strips

    Kroker’s PANIC ENCYCLOPEDIA

    Panic Art

    Panic Ads

    Closure: THE LAWS OF MEDIA

    The Four Laws

    Extension

    Obsolescence

    Retrieval

    Reversal

    Media Tetrads

    A Tetrad Sampler

    Wrapping It Up

    What haven’t you noticed lately?

    Bibliography

    Index

    The author gratefully acknowledges the help of the following people:

    Eric McLuhan

    Arthur Kroker

    Greg Skinner

    John Barry

    Lee Robertson

    Jane Williamson

    and Tim, isn’t this a surprise,

    after all these years?

    f you are like most people, you’ve probably heard of Marshall McLuhan—the man Playboy magazine called the High Priest of popcult and the Metaphysician of Media—and You probably even recognize a couple of the phrases he came up With—the medium is the message arid the global village—but that’s about it. Not only have you never read any Of McLuhan’s books, you’ve probably never read anything that makes you. think you should.

    ...the new environment that McLuhan discerns should be studied as carefully as the O2 system in the Apollo spaceship. Just possibly, understanding McLuhan may help ensure that earth’s environment sustains rather than destroys the crew.

    McLuhan is a synthesizer. He has gathered amorphous and scattered ideas, thought them through with force and vivacity, and opened up new areas of awareness.

    NOVELIST GEORGE P. ELLIOTT

    McLuhan’s teaching is radical, new, animated by high intelligence, and capable of moving people to social action. If he is wrong, it matters.

    AUTHOR TOM WOLFE

    "Suppose he is what he sounds like, the most important thinker since Newton, Darwin, Freud, Einstein, and Pavlov…what if he is right?"

    McLuhan was an obscure Canadian professor of English till he published Understanding Media: The Extensions of Man in 1964. The paperback edition became the fastest selling nonfiction book at Harvard and other universities—with no advertising or promotion! Understanding Media was the book that brought Marshall McLuhan to public attention as a media analyst and catapulted him to international prominence. For the next fifteen years, McLuhan lectured passionately to academic and popular audiences, engaging in all kinds of debates and forums around the world on his key theme: how technology affects the forms and scale of social organization and individual lives.

    By 1980, the year McLuhan died, cable TV had not yet come to the Amazon jungle. The inhabitants of the global village he spoke of still knew nothing, or little, about interactive television, PCs, CDs, talking books, the world wide web, terminal node controllers, optical discs, pocket computers, the Internet, optical fiber or laser technology.

    A few years ago, when Wired, the terminally hip, future-friendly, magazine of the computer age was hyper-conceived, Marshall McLuhan was chosen as the magazine’s patron saint. Wired exploded into 1996

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