Answer

the following questions

1 Give a brief description of the processing you used, on which tracks or

groups of tracks to help the mix and why.
BassDI
Sansamp to give it more midrange and body.
Bass mic 1
Sansamp to give it more midrange and body.
Bass Aux
Created in order to have all the bass tracks together in one place
Kick In
Eq and expander to get rid of the bleed of other instruments
Sansamp to give it more aggressiveness and midrange.
Kick Out
Eq high frequencies to get rid of some bleed of the other parts of the drums
Snare Down
Sansamp to give it more power
Kick and Snare Aux
Created in order to have the kick and snare together in one place
Maxim to make it louder
Tambourine
Clip gain to make the overall volume louder.
Drums Aux
Created in order to have all the drum kit tracks together in one place
Short Reverb
Plate Reverb
Drums Aux duplicate
Created in order to have a more aggressive mix of the drums to blend in.
Short Reverb
Plate Reverb
Electric guitar 1 mic 1
Clip gain to make it louder in the guitar solo and choruses.
Electric guitar 1 mic 2
Clip gain to make it louder in the guitar solo and choruses.
Electric guitar 1 mic 3
Clip gain to make it louder in the guitar solo and choruses.
Electric guitar 2 mic 1
Clip gain to make it louder in choruses.
Electric guitar 2 mic 2
Clip gain to make it louder in choruses.
Guitars Aux
Created in order to have all the guitar tracks together in one place
Short Reverb
Trombone
Clip gain to compensate for quiet parts
Saxophone 1

Clip gain to compensate for quiet and loud parts

Trumpet 1
Eq some of the high end to make it darker and get rid of harsh frequencies.
Clip gain to compensate for quiet and loud parts
Trumpet 2
Eq some of the high end to make it darker and get rid of harsh frequencies.
Clip gain to compensate for quiet and loud parts
Horns Aux
Created in order to have all the horn tracks together in one place
Short Reverb
Choir1
Clip gain to make the overall volume louder
Choir2
Clip gain to make the overall volume louder and make the choir more prominent in
the intro.
Choir and Background Vocals Aux
Created in order to have all the choir and background vocal tracks together in one
place
Short Reverb
Plate Reverb
Long Reverb
Lead Vocal
Compressor so when he sings louder all the sudden the levels arent all over the
place.
Short Reverb
Plate Reverb
Long Reverb
Delay
Delay
ModDelay 3. L delay 125ms. FBK 0%. LPF Off. Tempo 120 bpm.
R delay 128ms FBK 0%. LPF 2759Hz.
Short Reverb
D-verb Room 2. Large. Decay 1 sec. Pre-delay 0ms. HF CUT Off. Diffusion 100%. LP
Filter 11.11 kHz.
Plate Reverb
D-verb Plate. Medium. Decay 1.5 sec. Pre-delay 26ms. HF CUT 13.45 kHz. Diffusion
87%. LP Filter Off.
Long Reverb
D-verb Hall. Large. Decay 4.5. Pre-delay 0ms. HF Cut 15.10 kHz. Diffusion 100%. LP
Filter 14.41 kHz.
Stereo Bus
Automation in the end to make it louder in the outro jam
Maxim to make the overall volume louder

2 Describe which tracks gave you the most trouble and why.
The trumpets gave me the most trouble because they were very loud at times and
their really high frequencies were very harsh.

3 If you had more time, what changes or adjusts would you make to the mix?
More detailed automation and equalization.

4 What things should this class cover to make it better?
How to deal with phasing issues.
Most common equalization issues and how to resolve them.
More tips and tricks like the one creating a duplicated drum aux track, adding the
sansamp to it to make it different and then blend it with the other drum aux track.