GUITAR NOTFOR SALE PROPERTY OF | 229 West 28" Street « 11" Floor * New York, NY 10001 ‘Tel 800/400.8160 or 212/564.4000 + Fax 212/268.1245 ‘www.rnhtheatricals.com ‘IMPORTANT WARNING! ‘DO NOT affix inserts into this material by any means whatsoever including staples, tape, paste or glue. Make marks lightly in black pencil only and erase thoroughly before returning, Charges will ‘be assessed for all unerased, damaged, missing and overdue material per the signed License Agreement relating to this rental material,Book By MUSIC AND Lyrics BY KEVIN DEL AGUILA GARY ADLER & MICHAEL PATRICK WALKER CONCEIVED BY MARC KESSLER & KEN DAVENPORT Yocal Arrangements By Orchestrations By Gary Adler & Michael Patrick Walker Doug Katsaros & Lynne Shankel Dance Music and Additional Arrangements By Lynne Shankel Original production produced by Ken Davenport & Robyn Goodman, Original Off-Broadway production directed by Stafford Arima. ba CALS 229 West 28" Street « 1" Floor * New York, NY 10001 ‘Tel (212) 564-4000 + Fax (212) 268-1245 www.rnhtheatricals.com Copyright © 2007 by Vocalovely Music and Three Names Music, Publication and allied rights throughout the world administered by Williamson Music. International Copyright Secured. All Rights Reserved.COMPOSERS’ NOTE While the original cast album of ALTAR BOYZ is a wonderful resource in terms of the style and feel of the music and lyrics, the CD tempos are often different than the metronome markings indicated throughout the score. The album was intended to be a recreation of an actual boy band album, and that intention was reflected in the tempos chosen for the recording. The tempos marked in the score, on the other hand, should be considered more correct. They will help in maintaining the quick pace of the show, and will also make the songs more "act-able.” We hope you enjoy putting the rhythm in yourselves! Sincerely, Gary Adler & Michael Patrick WalkerGuitar ALTAR BOYZ Table of Contents 1. We Are The Altar Boyz.. 2, Rhythm In Me .. 2A. — Soul Sensor DX- 2B. Soul Sensor 1 3. Church Rulez. 3A. Soul Sensor 2. 4. The Genesis of 5. The Calling. 6. The Miracle Song 7. Everybody Fits 7A. — Confession Sessions 7B. Confession Sessions - Part Il. 7C. Something About You - Intro 8 Something About You 8A. Soul Sensor 3. 9 Body, Mind & Soul! 9A. Cruci-funk-shun! 9B. Soul Sensor 4. 10. La Vida Eternal 10A. Soul Sensor 5. 11. Bpiphany (Mark's Turn). HA. BESEARSSRBRE 8s 1B. 3 12, 54 12A, After “Number 918” 8 13. Believe., 59 13A. Finale “Prayout” 2, 14. We Are The Altar Boyz (Remix) 3 15. Bows & Exit Music... 65 Appendix App 1 Epiphany (Mark’s Turn) [Alternate Key F# minor]. App 2. Epiphany (Mark’s Turn) [Alternate Key F minor]Guitar 1 We fire The Altar Boyz “marta Orchestration by DOUG RATSAROS ‘Music and Lyrtes by GARY ADLER Slow and Religious and Frightening 4-01 13 ODrive «_[w/Dekay ‘Quasi Acoustic Dm Cre F z a nf2 1: We fire The fitter Boyz Clean] Dm c FC = Tempo di Backstreet 2 ODrive 3 2 f —= = mf Gm? FIA Em75) Ge g Cee ee Ce ‘ODriveGultar Li ‘1: We fire The fittar Boyz ‘Clean “Shaft” Wah Wah OO Clean 98 9 mp ‘ODriveGuitar 2 Rhythm In Me Rede Orehestratien by DOUS RATSAROS Music and Lyrtes by MICHAEL PATRICR WALKER Tempo di Funky White Boy a vi Gm High Voicings be F D Csus4 ”eaiter 2 2: Rgthas i Be am be E Dsus4 D Gm Am Dsus4 Gm po TIS 9 9 TIS te IS I ‘ODrive Slide! ‘ODrive‘ODrive] 2:Rigthi In BeGuitar 2a Soul Sensor D8-12 = Orchestration by DOUG HATSAROS ‘ Music and Lgrtes by GARY ADLER and MICHAEL PATRICK WALKER L —_—= 3Guitar (TACET) 2b Soul Sensor 1 ie ‘Orchestration by L¥IINE SHANREL ‘Music and Lyrtes by MICHAEL PATRICH WALKER and GARY ADLERGuitar 3 Church Rutez Lala! Orchestration by LYMINE SHANHEL . 1 ‘Music and Lyrics by GARY ADLER Instructional #=120 Med. Dist] & ca Fm f mf ; Dist. Off f [ight "shank”] 2 Ab Bbm7, Bae a Fm @ w/ Med. Dist. 1 Ab(no3rd) AbinoSrd) Db ab ‘Ab(noSrd) Db eb Ab(no3rd) Big-Ass Slide 0 prnosra) = ob ab Ab(noSrd) Db eb 2 Pa q ‘Ab(n08rd) Db Ab Ab(noSrd) 104Gultar 2 5: Chuarch Rater Solo ab @ bb > EbIG —_Ab(no3rd) >> y abeb Sol ee ogy, fe BRIDGE ‘Med. Wa-wa] Cbmajz Db ChMaj7 ob “ = ra mp ab Db Eb 2 VS. [ PLAY ] -lleWa-Wa Off, Med. Distortion On BHnoSrd) Bbsust Bb Bhino3rd) ss f & Bh(nosrd) &> Bb Bhino3rd) 2 @ ar ————————— Fsus Fsus mp ——— e ‘ A ( f solo Fil em A A eb pb -12-Guitar (TACET) 3a Soul Sensor 2 a Seteton by LINE SEL and Uyries by MICHAEL PATRICK WALHER and GARY ADLERGuitar 4 The Genesis of the Altar Boyz ™""**" Orchestration by DOUG RATSARGS firranged by LYNNE SHANHEL ‘Quasi Acoustic v- at Vamp Vamp = 5. as — Mildly ODriven e7(to) Ad Lib mf E7(H9) x2 3 34 = 7 Ch) Ao E7 Vain (eut on eve) -14-Guitar 2 & The Genesis of the Attar Boyz Dramatic Flamenco] £ E mo mm m Freely Am Eat 3 -15- [-5-]Guitar 3 & The Genesis of the Attar Boyz Vamp (cut on cue) Clean/Muted | ab A ab a mf Vamp (cut on cue) G. . . 12 FY ‘ODriveGuitar 4 & The Genesis of the Altar Boyz = = Moderately Slow 4 mA a Segue as One to #5 "The Calling” -17-Guitar “fittar Boyz” (Orchestration by LYIINE SHANREL ‘Muste and Lyrics by GARY ADLER with delay - =~ -~~~ ~~ === = 777 - == 22 === = 22-2 ee “Acoustic” Gtr 4 6 Ta Ric ee eb Absus4 Ab 8 = ig:Guttar 2 5 The Caltng Fm Dm70s) bs @biab ae Ae Dim6iab Ab 39 “0 a ae Absust Ab 2 b eo & Absus4 is EB g 3 Dir be © Fm O7 Fm fo DbMaj7 pm7e5) Ebsus4 D> ‘Abie Dbc7 ea Fill > Fm pm7(5) bm pez ae> v7, ahziab wo eee pi OR Abe DbmBiab abbattar 3 5 The Calling @ Ae Light fll—> ab ‘ “Power Ballad” Lead 88 Chim” D A Dsus? A Dsus? poco ralGuitar 6 The Miracle Song “trie ">Guitar 2 The Miracle Song Perle ‘Orchestration by LYNNE SHANHEL ‘Music and Lyrics by MICHAEL PATRICH WALKER No faster than 4-1 [Onstage beat-box] (Fast Wa-wa (“Shaft’-ish) Funk Bbn ab Bh ab Bbm Ab Raunchy Slide Wa-wa, Muted Strgs - Ad-lib Bio > > > Bhm (sim) a 2 ain 76th) 99.Gultar 3 & The Miracte. an e764) o Unmuted Wa-wa Bh Aa Bb 3 7 AP Bbn Muted evi) Bb. si Keep it going! Bbm (sim) . _ o 8b e7(ia) A bit faster ns VS. [ PLAY ] -23-bultar 4 & The Miracte Song ‘Slow Wa-wa ‘Med. Wa-Wa Bm a Em Bm Fe Fill» wo ‘Unmuted Wa-wa Raunchy Slide Bm A Bm A Bm A Fi’sus4 Solo Fil eee OM A Bm 7 7Guitar 7 Everybody Fits nt (Grehestratisn by LYNNE SHANREL ‘lMusie and Lyrtes by GARY ADLER Medium Distortion Inclusive J 126 and Overdrive 13 ‘ ‘Alla Brian May f ng poe Am ae a7 em Maj7_ Am — DsusGattar 2 7: Everybody Fits Medium Distortion and Overdrive ‘Slow Wa-Wa —" tf re B7 Em Mai7 Fiim75) — B7sust CMai7_Fim7(5) B7sus4 Em Fim??5) 7 a GMaj7_ Am —Dsus*cy gb Ebsus4 Ebsust ie 7 > Segue to #7a “Confession Sessions”Guitar 7a Confession Sessions. Orchestratien by DOUG HATSAROS Musée and Ugrics by MICHAEL PATRICK WALAER Tempo di Mentos Commercial a 120 ‘Over Compressed Vamp Gump Cue) = = = gaits = fGuitar i) Confession Sessions - Parti = ==" Orchestration by DOUG HATSAROS Muste and Lyrics by MICHAEL PATRICK WALKER.Guitar (Optional TACET) 7c ing About You - Intro “fittar Boyz” Orchestration by DOUG RATSAROS: Music and Lyrics by GARY ADLER Clean Chorus Optional: am(add2) C(ada2) Gm(add2) Cladd2) Fsust F Gm(add2) C(adda) Fsust F F(add2) Bh(add2) SEGUE AS ONE to #8 "Something About You" -30-Guitar 8 Something About You “filtar Boyz” Orchestration by DOUG HATSAROS Muste and Lyrics by GARY ADLER d-00 as ‘Quasi Acoustic BbMaj9 Dm f A, ce Fsust F Gm? FIA bua Dm Poco rit. C7sus4 a Gm? AbMaj7 » oT Fast turn [ PLAY] 3102 ‘& Something About You F Gm FIA F @m FIA F Gm FIA DiMaj? —C7sus4 poco accel. 20 a Gm? FIA BbMaj® C. Dm? Gm FIA F am FIA DiM7 C7sus4 F am FIA sus g Poxvace BbMaj? Am7 Gm? BhcGuitar 3 & Something About You Safety VAMP. Gm? FA BbMa® cC Dm? a Poco rit. Gm7 AbMaj7 C7sust n 4 oF am FIA F am FIA Dbmaj? C7 sus4 F Gm FIA ‘al og Poor. ObMej7 C7sus4 F am FIA -33-Guitar (TACET) ea] Soul Sensor 3 ater Orchestration by LYMNE SHANHEL ‘Muste and Lyrtes by MICHAEL PATRICK WALKER and GARY ADLERi Guitar 9 Body, Mind & Sout! “mrtg Orchestration by DOUG RATSAROS Tempo di Funk-i-licious d= 120 Tuscan tes bg HCREL PATRICK URLAER Funky Clean/ Wah Wild Slide! | Muted aw af VS. [PLAY] -35-Guitar 2 9 Body, Mind & Soul! Slight ODrive f xl last time only Muted “ s a 7Guitar 3 ‘% Body, Mind 6 Sout! Slight ODrive n iy -37-Guitar 4 Body, Mind 6 Soult Funky Clean] Wah ns BOIS Ad Lib, nf hts 09 8 Bb13 pots 8 pbis c ce? c poco eres -38-8: Body, Mind 6 Soutt VS. [ PLAY] -39-Gutter 6 9: Body, Wind & Soult Bright Gospel 2 d 160 13 9 180 E 181 12 a 183, fGuitar u & Body, Mind & Sout Vamp e13, (cue for last time) 9 ee A E13 = Quick Segue tp #9a "Cruci-funk-shun!” aGuitar 9a Cruci-funk-shun! “mr Orchestration by DOUG RATSAROS ‘Music and Lyrics by GARY ADLER Disco! ¢=18 ODrive Muted Vamp Guitar (TACET) 9b| Soul Sensor 4 — Orchestration by LYMIME SHANKEL ‘(Music and Lyrics by MICHAEL PATRICK WALKER and GARY ADLER -42-Guitar 10 la Vida Eternal — Orchestration by LYTINE SHANREL Music and Lyrics by GARY ADLER Salsa! J= 100 Bo 1 Am B75) e7 Am Bm7r) e7 Solo Bm7¢5) &7 Am Bm75) £7 ey [ ‘ Tight "Santana" Fills {pm7h9) ev B75) Ev -43-2 10s La Wida Eternal Am Bm7e5) E7 Am am7?) DET 7 7 Am ou) Bm7es : 75010 Fill —> 7Guitar 7 10 La Vida Eternal ‘Am(Maj7) Solo Fill —> B75) 2 Am Fillslong lines G 9 100 1a fa E7sus Am G F = VS.[—3—] -45-Guitar 4 10: La Uida Eternal ice Break, ‘w/ Santana Distortion 6 Solo a la Santana! f Couey no pressure) og ev of m7e5) Ev 117 7 Dm Em7s) a7 Dm Em75) av Solo (con't) —> Fill er aa eEm705) Cy ern 17 pi a tempo Am : sap (chords) yoGattar 5 ‘10: La Uida Eternal E «7 Am = E7 Am «7 Am E7 Ab w—I—_—s wtGuitar (TACET) ie Soul Sensor 5 ane Orchestration by LYNNE SHANHKEL ‘ ‘Mastic and Lyrics by IMICHAEL PATRICH WALKER and GARY ADLERGuitar 11 Epiphany “Altar Boyz” Mark's Tam) rerestroton yy ooU6 HaTSARGS J Muste and Lyrics by MICHREL PATRIC WALKER 2 ‘Shimmer Acoustic eb Bho. cm BD nf Am7_ Ftim7(P5) bE ‘poco rall. VS. [PLAY] -49-butter 2 ‘i: Gplphany (Mark's Turn) Bb Dm? EbMaj7 Bhp cm? bE F Dsus4 Gm bMai? f Dsust D ‘Shimmer Acoustic Bb Dm7 EbMaj7 BhD Cm7 Ebr 2 eb BD Cm? BIC Bbsus4 BbGuitar 3 ‘Ti: Epiphany (Mark's Tam} b eb 7 : Boom? A Bit Slower 3 a& OF obn7 5 tm a & Ctm7 @ Dictated @ oeGuitar (TACET) lla Soul Sensor 6 a Orchestration by LYINE SHANHEL Music and Lyrics by MICHAEL PATRICR WALKER and GARY ADLER -52-Guitar (TACET) 11b The Box ee Orchestration by LYIINE SHANKEL Muse and Lyries by MICHAEL PATRICK WALKER Freely (mba) SEGUE AS ONE to #12 “Number 918” “sy.Guitar 12 Number 918 “rb Orchestration by LYMINE SHANKEL iuste and Lyries by MICHAEL PATRICH WALKER Bombastic d= 1s : ooo ral ey Dinoard) Dbnosrd) Heavy Distortion, Overdrive Big-ass a. > i = = tem = : bE: sem cen PEN Moderate Fast & Devilish 4 J-10 Tempo di Linda Blair ee 5 6 7 . Dist. Off 4 Clean Qu o mp Flanger on, Heavy Distortion Dist. Off, Flanger On ry Flanger off Csust Disco - Fast Wa-wa (nord) pas C(noSrd) a? 0 saGuitar 2 ‘12: amber 918 Disco - Fast Wa-wa C(noard) a > > 2 x0 B79) c(po3ra) (nord) a” Fm cm Dm7(?5) > % Wa-wa off Flanger on, Heavy Distortion Flanger off, Muted w/ light distortion, o a 2 3 mp “ Unmuted, w/ Med, Distortion C(no3rdy cm _ pmes) cm abmajz res ° > > oe a >>> 2 wf VS.[—1-—]alter 3 ‘12: Reamber 918 Dm7(P5) G7eus Disco - Fast Wa-wa —=—_ #£ ‘C(no3rd) a? aes = ss 2 o> = > ‘(no3rd) a? a> > > @ e rN Sor f ‘Wa-wa off, Overdrive! Whammy!) Whar!) Heavy Di = Ci 16 = 6 >> > Fle Efi 0 f. ‘Bitch Slap” = 8 > >> > +ChordsE @13 Pa Huge slide!Guitar 4 ‘12: umber 918 (om. 108) Dm(noard) 104 = nf 100. af ese. : f ‘Asust Bsus? — F(n03rd) a sr w E(noard) CMal7 D(nosrd) —C(noSrd)B(noSrd) (nord) 0 i D(nosrd) E(noard) —D{no8rd)_C(noBrd) “B(no3rd) ws oi.Guitar | After “Bumber 918” === Orchestration by LYNNE SHATREL Muste and Lyrtes by MICHAEL PATRICK WALAER _ 160 Em(no3rd) ‘ad lib hellish slides - — 1 2 = 2: CUT ON CUE! mf mf _————_———~ . 2 eeGuitar I Believe “filtar Boyz” Orchestratien by LYTNE SHANREL ‘Music and Lyrics by MICHAEL PATRICK WALAER Gently, In2 ie 5 58 ‘Mellow, w/ chorus Sc -59-Guitar 2 ‘13: 1 Believe Soto Csus* Bhic c 6 Alittle faster sc chorus ad Shm7suse Ab “Power Ballad” Lead. Csust c 100 101 yo Bick f o——— ¢Gutter 3 13: [Belleve poco rall. D E B och DP Fi oc 12. 120 a cappella Fe 15Guitar 13a] Finale “Prayout” wre Orchestration by LYNNE SHANHEL Muste and Lyrtes by MICHAEL PATRICK WALKER d a Solo FH (possible cut 10m. 19) A Little Faster 2 ‘Segue as One to #14 "We Are The Altar Boyz (Remix)” -62-Guitar 14 We fire The Altar Boyz (Remix) “™"" Orchestration by DOUG HATSAROS Music and Lyrtes by GARY ADLER Tempo di Remix 4-150 {Onstage beat box} 138 VS. [ PLAY ] -63Flange Let Ringgg. A7sus4 14 We fire The Ailtar Boyz (Remix) Bb7sustGuitar 15 Bows & Exit Music “wer Orchestration by DOUG RATSAROS and LYNNE SHANHEL Muste and Ugries by GARY ADLER and MICHAEL PATRICA WALAER =46 ‘Clean/Muted Gm7 FIA 3 (Dr. Fill. = ~~ 1 12 Asust A Asust A “Number: ors = 160 Dm(nosrd) 18 19 20. Za SS nf 2@— >, Sas nf res > : ‘Asus4 Bsus* ae E(ngard) 23 A wr 1+]Guitar 2 15: Bows 6 Gxt Basie D(no3rd) — C(noard) B(nosrd) EE (noard) 35 (KIT Solo) ~ 32 = = Ze E(nogrd) D(no3rd) C(noard) B(no3rd)Guitar Epiphany fipp1 (Mark's Tarn} “Attar Boyz” [Alternate Key: F# minor] Crehestration by DOUG RATSAROS Muste and Lyrics by MICHAEL PATRICR WALKER ‘Shimmer Acoustic 5 Arch Bm Arce y mf Gti? Etm7(P5) DE poco rall. = A 10 u - ° V.S. [ PLAY ]2 1 Epiphany (Mark's Tarn) iteroate Hey Fiver] Chm? Dal? AICH Bm7 De 3 u Asust A E/GHF im Flim(Mal7) Fim? Bo D Arch ‘Shimmer Acoustic A os ‘ODrive Bm7 AB Asus4 A E/Gt a Ciisus4 Fim DMaj7_ CHsus4 ce’ 2 Chm? DMaj7 Arce Bm? De Asust A D Arch E/GHFim Fim(Maj”) Ftim7 Be 2 Bm7 Are Asust A ODrive pas POCO CrESC.ultar 3 1: Eplphang (Mark's Tarn) (Aiternate Key F} miner] ABit Slower 3 4 = oO:Guitar Epiphany (Mark's Turn} [Alternate Key: F minor] Orchestration by DOUG RATSAROS Muste and Lyrics by MICHAEL PATRICK WALKER Shimmer Acoustic bby AbiC : Bbm abic 7 Gm? Em7(+5) heb ab m7 Dbmai7 AbIC Bbm7 Dbie> 3 Absus4 Ab EbIG Fm Fm(Mai7) Fm? Bie 18 6 ODrive ob AbIC Bbm7 Abra> Abus ab EbG 1 Fm DbMaj? & Csust Fm DbMaj7 Csus4 cGutter 2 1: Epiphany (Mark's Turn) [Alternate Hey: F miner] ‘Shimmer Acoustic Ab m7 Dba AbIC. Bb? Deb 2» Fa Absus4 Ab Eb/G Fm FEm(Maj?) Fm? Be a 2 bb AbIC Bbm7 Abr —Absus4 Ab 3 ‘ODrive 7 V.S. [ PLAY] -11-Guitar 3 1: Epiphany (Mark's Turn) [fAitternate Hey: F miner) A Bit Slower ss 4 s 56 Do & am? D & am? D & -72-