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With the innocence of the boy in mind, one can assume that Out, Out- is a critique
relating to how warfare can force the innocence and morality out of young boys who leave their
childhood behind and go off to war, conclusively being destroyed by situation and circumstance
created by war, or the responsible adult. Frost uses his poem to raise awareness of one of the
grimmest issues surrounding his time by using diction and imagery, along with personification of
the buzz saw. It uses these to show that the speaker of the poem has come to terms with death in
a time of war, manifesting itself in the young boy.
Another question of this poem is whether it was nature that took its course, in return
taking the boys life, or was it humanitys corruption of nature through the use of the saw and
other technological advances created by people. The boys familys response was that his death
was simply a fact of nature, said in the phrase, And they, since they Were not the one dead,
turned to their affairs, (Line 33-34) they moved on with their lives, and turned back to their own
lives, their own jobs that had to be done, jobs similar to the boys, chopping wood with a buzz
saw, not a tragedy to be dwelled upon.
Much the same as war when someone dies, the rest move on with their lives, they dont
have the leisure of dwelling upon one life lost. The boy with the buzz saw in the poem relates to
a boy in war, not understand or knowing what to do, eventually losing their life. Frost
successfully conveys the message of his poem, the importance and frugality of life, by using
personification, tone, and imagery. The boy with the buzz saw died from doing a mans job, and
in the process of doing so lost his innocence, and in the end, his life.
Citations
Frost Robert. Out, Out- The Bedford Introduction to Literature. Ed. Michael Meyer.
10th ed. Boston: Bedford/St. Martins, 2013. 1105. Print