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https://en.wikipedia.org/wiki/Octave
Octave
From Wikipedia, the free encyclopedia
Perfect octave
Inverse
unison
Name
Other names
Abbreviation
P8
Size
Semitones
12
Interval class
Just interval
2:1
Cents
Equal temperament
1200
24 equal temperament
1200
Just intonation
1200
Contents
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Octave - Wikipedia
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https://en.wikipedia.org/wiki/Octave
1 Theory
2 Notation
2.1 First octave
3 See also
4 References
5 External links
Theory
An example of
an octave, from
G4 to G5
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https://en.wikipedia.org/wiki/Octave
right, but rather by analogy like the first day of a new seven-day week".[8]
Monkeys experience octave equivalency, and
its biological basis apparently is an octave
mapping of neurons in the auditory thalamus
of the mammalian brain.[9] Studies have also
shown the perception of octave equivalence in
"Twinkle Twinkle Little Star" melody doubled at
rats (Blackwell & Schlosberg, 1943), human
fifths: fairly consonant but not equivalent. Play
infants (Demany & Armand, 1984),[10] and
musicians (Allen, 1967) but not starlings
(Cynx, 1993), 4-9 year old children (Sergeant, 1983), or nonmusicians (Allen, 1967).[4]
While octaves commonly refer to the perfect
octave (P8), the interval of an octave in music
theory encompasses chromatic alterations
within the pitch class, meaning that G to G
(13 semitones higher) is an Augmented
"Twinkle Twinkle Little Star" melody doubled at
octave (A8), and G to G (11 semitones
seconds: neither consonant nor equivalent. Play
higher) is a diminished octave (d8). The use
of such intervals is rare, as there is frequently
a preferable enharmonically equivalent notation available, but these categories of octaves must be
acknowledged in any full understanding of the role and meaning of octaves more generally in
music.
Notation
Octaves are identified with various
naming systems. Among the most
common are the scientific, Helmholtz,
organ pipe, MIDI, and MIDI note
systems.
In writing, a specific octave is often
indicated through the addition of a
number after the note letter name.
Thus middle C is "C4", because of the
note's position as the fourth C key on a
standard 88-key piano keyboard, while the C above is "C5", in a system known as scientific pitch
notation.
The notation 8a or 8va is sometimes seen in sheet music, meaning "play this an octave higher than
written" (all' ottava: "at the octave" or all' 8va). 8a or 8va stands for ottava, the Italian word for
octave (or "eighth"); the octave above may be specified as ottava alta or ottava sopra). Sometimes
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Octave - Wikipedia
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First octave
In music theory, the first octave, also called the contra octave,
ranges from C1, or about 32.7 Hz, to C2, about 65.4 Hz, in equal
temperament using A440 tuning. This is the lowest complete octave
of most pianos (excepting the Bsendorfer Imperial Grand). The
lowest notes of instruments such as double bass, electric bass,
extended-range bass clarinet, contrabass clarinet, bassoon,
contrabassoon, tuba and sousaphone are part of the first octave.
The ability of vocalists to sing competently in the first octave is rare,
even for males. A singer who can reach notes in this range is known
as a basso profondo, Italian for "deep bass". A Russian bass can also
sing in this range, and the fundamental pitches sung by Tibetan
monks and the throat singers of Siberia and Mongolia are in this
range.
Six octaves on a
monochord
See also
Blind octave
Decade
Eight foot pitch
Octave species
Pitch circularity
Pseudo-octave
Pythagorean interval
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https://en.wikipedia.org/wiki/Octave
Short octave
Solfege
References
1. ANSI/ASA S1.1-2013 Acoustical Terminology
2. Cooper, Paul (1973). Perspectives in Music Theory: An Historical-Analytical Approach, p.16. ISBN
0-396-06752-2.
3. William Smith & Samuel Cheetham (1875). A Dictionary of Christian Antiquities. London: John
Murray.
4. Burns, Edward M. (1999). "Intervals, Scales, and Tuning", The Psychology of Music second edition, ,
p.252. Deutsch, Diana, ed. San Diego: Academic Press. ISBN 0-12-213564-4.
5. e.g., Nettl, 1956; Sachs, C. and Kunst, J. (1962). In The wellsprings of music, ed. Kunst, J. The Hague:
Marinus Nijhoff.
6. e.g., Nettl, 1956; Sachs, C. and Kunst, J. (1962). Cited in Burns, Edward M. (1999), p.217.
7. Clint Goss (2012). "Flutes of Gilgamesh and Ancient Mesopotamia". Flutopedia. Retrieved 2012-01-08.
8. Leon Crickmore (2008). "New Light on the Babylonian Tonal System". ICONEA 2008: Proceedings of
the International Conference of Near Eastern Archaeomusicology, held at the British Museum,
December 46, 2008. 24: 1122.
9. "The mechanism of octave circularity in the auditory brain (http://www.neuroscience-of-music.se
/eng7.htm)", Neuroscience of Music.
10. Demany L, Armand F. The perceptual reality of tone chroma in early infancy. J Acoust Soc Am
1984;76:5766.
11. Ebenezer Prout & David Fallows. "All'ottava". In L. Root, Deane. Grove Music Online. Oxford Music
Online. Oxford University Press. (subscription required)
External links
Anatomy of an Octave (http://www.kylegann.com/Octave.html) by Kyle Gann
Retrieved from "https://en.wikipedia.org/w/index.php?title=Octave&oldid=755120679"
Categories: Octaves Perfect intervals Superparticular intervals Musical notes
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