intentCITY

the political city

Architects for Peace
Edited by Beatriz C. Maturana & Anthony McInneny

PUBLISHER PUBLISHERS ADDRESS

ARCHITECTS FOR PEACE 255 NICHOLSON STREET, BRUNSWICK EAST VIC 3057, AUSTRALIA WWW.ARCHITECTSFORPEACE.ORG 2010 ALL RIGHTS RESERVED. NO PART OF THIS PUBLICATION MAY BE REPRODUCED, OR STORED IN A RETRIEVAL SYSTEM, OR TRANSMITTED IN ANY FORM OR BY ANY MEANS, ELECTRONIC, MECHANICAL, PHOTOCOPYING, RECORDING OR OTHERWISE, WITHOUT PERMISSION OF THE PUBLISHER.

PUBLICATION DATE

ISBN HTML DESIGNERS EDITORS TITLE SUBTITLE

978-0-646-49074-8 WWW.ARCHITECTSFORPEACE.ORG EVA RODRIGUEZ REISTRA, SHELLEY FREEMAN, ELEANOR CHAPMAN BEATRIZ C. MATURANA AND ANTHONY MCINNENY INTENTCITY THE POLITICAL CITY

AUTHORS/ CONTRIBUTORS

ALI ALIZADEH, MELISSA BRIGHT, IMM C. CHEW, LIZ COLEMAN, GREGORY COWAN, AMY CRAWFORD, STACEY CROOK, ROGER DUNSTAN, RAEWYN EASTON, LUKE FLANAGAN, SHELLY FREEMAN, CERI HANN, GEOFF HOGG, WOLF HORNER, ROBERTO IOLINI, PAUL IRVING, DR KIT LAZAROO, DAVID LINDSTROM, BEATRIZ C. MATURANA, ANTHONY MCINNENY, SU MELLERSH-LUCAS, KEN MURRAY, MICK PEARCE, MARC PURCELL, DR DARKO RADOVIC, GITA SIVAGNANAM, MARTIN AND JOSIE TALIANA, DETAIL OF THE SCULPTURE, FLY, BY CAT MCCLEOD AND MICHAEL BELLEMO, HARBOUR ESPLANADE, VICTORIA HARBOUR, DOCKLANDS, MELBOURNE, AUSTRALIA. IMAGE REPRODUCED WITH THE KIND PERMISSION OF THE ARTISTS.

COVER IMAGE

INTENTCITY - A FREE PUBLIC FORUM TO DISCUSS THE POLITICAL CITY - THE PUBLIC SPACE THAT AFFECTS US ALL - THE BUILT ENVIRONMENT, ECOLOGY, CITIZENS, AND PARTICULARLY OUR INVOLVEMENT IN WAR AND WHAT CAN BE DONE TO PREVENT IT. INTENTCITY IS ABOUT CITIES, CITIZENSHIP , COLLABORATION AND FRIENDSHIP AT LOCAL AND INTERNATIONAL LEVELS. IT IS ABOUT BOUNDARIES, SOCIAL AND SPATIAL, ABOUT THE SOCIAL REALITIES OF CITIES.

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THANK YOU

CONTENT
FOREWORD ANTHONY MCINNENY P2 RIGHT TO THE CITY DARKO RADOVIC P6 MANAGUA: WHERE THE CITY USED TO BE BEATRIZ C. MATURANA P30 TANGO MARTIN & JOSIE P40 EAST TIMOR TWO YEARS ON MARC PURCELL P42 100 HOUSES SHELLEY FREEMAN & MELISSA BRIGHT P60 TRUTH IS GOD SU MELLERSH-LUCAS P66 AMNESTY INTERNATIONAL POSTERS: NEWCASTLE UNIVERSITY P73 STOP BURNING DIAMONDS MICK PEARCE P80 WORK-ZONE ALI ALIZADEH P87 CROSS CULTURAL PRACTICE GEOFF HOGG P88 PLACE, STORY AND MAPS OF MEANING DR. KIT LAZAROO & LIZ COLEMAN P96 DISCONTENT CONSTRUCTIONS MIGRATION NOMADOLOGY AND ARCHITECTURE GREGORY COWAN P106 PAUL IRVING & CERI HANN & GITA SIVAGNANAM & IMM C.CHEW P107 RAE EASTON P109
l

ANTHONY MCINNENY

FOREWORDDEBATE PUBLIC SPACE AND PUBLIC

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DR DARKO RADOVIC

RIGHT TO THE CITY

ON BRIDGES AND THE ESSENCE OF PUBLIC LIFE

DR DARKO RADOVIC

1.

MY CITIES

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d f s W W b ` d X g f d b d q d u b Y W V b q d

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f v c a Y u b W V b q d i W s c s ` Y ` W d W V U

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THE WAR

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4.

1999

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BRIDGES AS COMMUNICATION

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{ s r q s q n r q y o z n r n w o r n s t q t w z | { t z n w x v n q r w ~ | { t z n w

A POST SCRIPTUM 6. THE DEFEATED BARBARIANS

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W ` a ` h g Y g b e W

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f X e d b i i s r s q

BIBLIOGRAPHY

BEATRIZ C MATURANA

MANAGUA, WHERE THE CITY USED TO BE:

EARTHQUAKES, REVOLUTION, COVERT WAR AND MEMORIES

BEATRIZ C MATURANA

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o d G I Q b y V I Q

BIBLIOGRAPHY

TANGO

MARTIN AND JOSIE

MARC PURCELL

TWO YEARS ON
WHAT FUTURE FOR AN INDEPENDENT EAST TIMOR?

MARC PURCELL

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OXFAM COMMUNITY AID ABROAD IN EAST TIMOR

w e s q q p t v w v u t s q u t u v u q u t u w u d x s u u w u q p t q q p w s x

~ } r { | t { r y | ~ y y ~ x w r

} s q v q s q p t v x q u

l t } r { | t } x y | } { y | y x r  y s } t

w s s q v t q x s w u t x s

1. SNAPSHOT OF AN INDEPENDENT EAST TIMOR

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w & 3 1 $ # A ( 3 # & A 2 3 4 6 B @ 2 # ) 8 8 4 ( 3 # & A 2 # A 2 $ ! & A & " 4 3 5 8 # ! ( @ & A 2 2 ! A 2 0 @ ! 7

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2. POVERTY AND THE TIMOR BUDGET GAP

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3. AUSTRALIA AND EAST TIMOR A LONG HISTORY

4. MARITIME BOUNDARIES IN THE TIMOR SEA

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5. HISTORY OF NEGOTIATION OF MARITIME BOUNDARIES

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6. A PERMANENT MARITIME BOUNDARY WITHIN 3 TO 5 YEARS

7. COMMITMENT TO TRANSPARENCY OF OIL REVENUES

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B % ) 1 # % 1 %  % $ # " !    

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% 5  " # $ 4 % 6 2 % ' % $   3 8 2  ) ! #

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8. IS AUSTRALIA BEING A GOOD NEIGHBOUR?

9. WHAT DO THE EAST TIMORESE THINK?

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10. WHAT DOES THE INTERNATIONAL COMMUNITY THINK?

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z q i r x } w v p w g w f p x h w x x g e i p w y w i h t p g g x y q s y g e c d

NOTES

100 HOUSES

SHELLEY FREEMAN AND MELISSA BRIGHT

SU MELLERSH-LUCAS

TRUTH IS GOD
HARM MINIMISATION THROUGH THE PRACTICE OF ECOLOGICALLY SUSTAINABLE DESIGN AND BUDDHISM

SU MELLERSH-LUCAS

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INTRODUCTION

ECOLOGICALLY SUSTAINABLE DESIGN



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d V i b a R S R V p W V S a i b a R V R U i

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d d r h b R h t Y V a Y R ` i q U T V p Y T e Y c

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T T q i h h c U i T V T U t Y T X d ` V R h `

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Y e Y U f V V T c Y U X r i ` a T e T h `

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T t Y V T ` i U ` V p W V r i c R V d h X T h `

Q T b i b a T Y ` d ` R r R p i U T h V R h a R

h s V S U Y Q U T h ` Y a R V T V V T c Y U X

R T r Y U r i ` R q i V d i r X S a R e t Y T ` i ` V

d T q R ` R a b Y c b a R U W S a Y R ` i U b T ` a R

W V U T a b R V T S T h ` ` i h ` T V R a b Y c T U Y `

Y r i a Y U W T a T r i c V u T b U i r a Y

V d V i T V R ` R T r R h x f V V T c Y U X r r i U T q Y

T V T R S W ` V r i ` a T e R U T X T h b W Y U h `

X T h ` a R h ` R Q V R V i h X e T T r ` ` R r Y V

u V V T a V W Y R c V a Y c a i e W h Y ` a R

` S T q R T c T U V i h U T a b R V T S T h ` t Y

s h c U i T V T U a U T ` V T x b a R U T T a Y R X

x S a R e t Y T ` i ` V T h ` d h Q a R i r X T

SCIENCE OF CONSCIOUSNESS
f d ` R r R p i a R i ` V W V r i c R b Y r Y c T a U Y t b a R a b R V T S a R d r T q R ` c T t t T T U Y e T b i b a T Y ` U T a b R V T S T h ` U Y t r i R ` a T ` Y X T h ` V T V R i U r T q T r V R h ` ` i a Y R V V W c V R S r W t T V W f S a R e t Y T ` i ` V V T a Y ` c T t t i ` i h ` V T R U i b i q T h ` S a i ` V U T S a W U T ` ` T p Y ` d ` R a W ` U Y X X Y a i T h V T S R q Y U X ` a T e X Y r T q T S r i ` a T e T U Y ` h c i Y U X X i ` V R h S S W v T h f a Y R ` i e U Y t V a i U ` s r i a Y V U T X V i T Q V i s r i a Y R V V T t Y U X t Y ` U i X V i u a Y S U i T h b a R T p d r b a R V i T U c a R T U i T b a i h c r i U W Y R q i h T p r i c R S i U s d ` R V U Y t V r r i c s d ` U i X T U i V U T a b R V T S S a i V ` c T ` R h c U i h c R h Q Y ` V T R U W Y R q i h T p c R U ` a T c u Y e Y h S a i r r c R U ` a T c u Y b T t Y a Y R ` c T T U i ` Y Y U V ` R ` i T p Y ` S Y Y ` V U T S a W T c U V R ` a T e a Y U R q a T ` r R W p T h ` V i V T U T q T Q Y f V V T c Y U X a b R V T S T h ` ` U i X T ` i U T p R r T S i V i S T W V U W X f V

x j o q s g o j

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r z l g ~ i h v p q h l t k | h l h o j j s g {

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ECOLOGICAL SCIENCE
x q i p l h w w s n i k f s o p l n h v p q h u i h j n p h l s g k l j z k j i h f k r i s w h n h o j u r i k j n l h r i s n p f k j k o j n u n p r i k } | w z h n r h p i s n j i h f g f f s j i k s h o j r i k } | h u i h q l h f h k q i p z t s g u z k l s j u s l j n u i g u h n h o j w g j n l h o j h r i s f n p o r r s x r i p f g p j k q p j n h v i p w g m l g j n p o m r i k n s g o j w z k o k r i k g n j p o q s g l o j r h o u k h l z k j i h f k r i s w o u s n i g z h q i k o u z k l s g p v k o h m g w f k l q g l t q i p o u k h j k k p j i h n n h n p f n p o r r s

BUDDHISM

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CONCLUSION

NOTES

AMNESTY INTERNATIONAL
POSTERS BY STUDENTS

ROGER DUNSTAN, DESIGN LECTURER UNIVERSITY OF NEWCASTLE

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MICK PEARCE

STOP BURNING DIAMONDS

MICK PEARCE

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QUESTIONS FROM THE FLOOR TO MICK PEARCE ABOUT CH2, THE PROJECT WHICH BROUGHT HIM TO AUSTRALIA

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SUBURBS AND SIGNPOSTS.

POROUS CROSS-CULTURAL PRACTICE: LOCAL AND GLOBAL

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DR KIT LAZAROO

PLACE, STORY AND MAPS OF MEANING

DR KIT LAZAROO AND LIZ COLEMAN

INTRODUCTION

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STORIES AS TOLD BY LIZ COLEMAN

Gregory Cowan Curtin University of Technology, Australia gregory.cowan.com

Nomadology is critical to the meaning of architecture in Australia. Nomadology engenders ephemeral, mobile and collaborative constructions, strongly metaphorical of the meaning of dwelling in a place. The indigenous Australians were exemplary practitioners of nomadology. The British First Fleet invaded Australia in 1788, intent on building a colony. They aimed to civilise what they saw as a Terra Nullius a practically unoccupied country. The first settlement emplaced by these white men was a camp a flag and a group of tents. Colonists in Australia deployed a tentative architecture, in an unfamiliar landscape. Yet, similar dwelling structures had existed in Australia for a long time. Instead of canvas, indigenous dwellings were often made of vegetation or animal skins. While early colonists dismissed these structures as crude huts, the indigenous humpies were stretched out, expressing a tenacious relationship to the country.

BLACK AND WHITE HAD SOMETHING IN COMMON THE TENT EPHEMERAL, MOBILE, COLLABORATIVE
Over the next century of Western immigration, unconscious similarities developed between marginal settlers huts and hovels, and those of the marginalised Aborigines. With the cultural globalisation of the twentieth century, Western architecture in Australia developed, but conditions for reconciliation with Aboriginal peoples worsened. Human rights protest movements in the 1960s finally led to Australias Aboriginal peoples being granted citizenship and the right to freely travel throughout the country.

In 1972, the Aboriginal Tent Embassy appeared in the grounds of the Federal Parliament House, symbolically claiming land and identity for the nations Aborigines. This was a dramatic architectural symbol of the need to highlight basic human rights. Ephemeral, mobile, and collaboratively constructed and maintained, the Aboriginal Tent Embassy marked the advent of a rich architectural metaphor of activism and civil disobedience. Activists for the last thirty years have deployed the Aboriginal Tent Embassys structure and symbolism to reclaim the freedom to dwell nomadically across Australia.

OMADOLOGY AND ARCHITECTURE POSTER BY GREGORY COWA

Discontent: Nomadology and Architecture in Australia

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