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MUED 273
Summary: David Kolbs model of experiential learning can be broken down into
2 separate parts, the Experiential Learning Cycle and the 4 Learning Styles.
is the process where knowledge is created through the reflection and analysis of
experience. In Kolbs cycle, students will learn through the repetitions between 4
that could potentially explain the new idea. Finally, in the Active Experimentation stage, students test their
hypothesis and the cycle continues. Kolb believes that for effective learning, a student must progress through
these 4 stages and no single stage is more important or more effective than another.
The second part of Kolbs Learning Theory are the 4 Learning Styles. Kolb states that different people
prefer different learning styles which lie to 2 axis. The east-west axis is called the Processing Continuum (how
we approach a task), and the north-south axis is called the Perception Continuum (our emotional response, or how
very artistic, tend to work really well in groups, and has an open mind for feedback.
Assimilating People with an assimilating learning style are less focused on people and more interested in ideas
and abstract concepts. People with this style are more attracted to logically sound theories than approaches based on
practical value.
Converging People with a converging learning style can solve problems and will use their learning to find
Accommodating The Accommodating learning style is 'hands-on', and relies on intuition rather than logic. They
are attracted to new challenges and experiences, and to carrying out plans.
For me, I think this learning theory could easily be applied into music classrooms as well as any general
classroom. This would be a great theory a teacher could use to make sure that their lesson plans can engage with
students from all 4 learning styles. This would also be great if the teacher ever needed to form groups, the teacher
could group students from the different learning styles (or group similar learning styles) to help the groups come up
with different approaches a problem. My only problem with the Kolb Learning Cycle being applied in the music
classroom and other classrooms is that there is not way for a teacher to regulate or to enforce students to go through
all 4 stages. The teacher can suggest this to the students by teaching new topics and having them keep a reflective
journal but I have trouble seeing how teachers can formally assess how students progress through these stages.