Академический Документы
Профессиональный Документы
Культура Документы
Period 7
Olympia, a painting by douard Manet, shows a nude white woman whose name is
Olympia lying on a bed being brought flowers by a black servant. Olympia's confrontational
gaze caused shock and astonishment when the painting was first exhibited because a number of
details in the picture identified her as a prostitute. "Olympia" was a name associated with
prostitutes in 1860s Paris. Olympia's left hand appears to block, which has been interpreted as
symbolic of her sexual independence from men and her role as a prostitute, granting or
restricting access to her body in return for payment. The painting deviates from the academic
canon in its style, characterized by broad, quick brushstrokes, studio lighting that eliminates mid-
The Coiffure, painted by Mary Cassat in 1891 reflects ideals of American Impressionism
and modern art. This drypoint etching of a woman adjusting her hair is one of the hundreds that
Mary Cassatt made in her in-home studio. The word la coiffure evokes a precise image, one of
wealthy women in glamorous settings. The ritual of grooming, dressing, and preparing ones hair
from the seventeenth and eighteenth century court days of Anne of Austria and Marie Antoinette
was passed down to nineteenth-century ideals of femininity and beauty. La coiffure was part of
a specific lifestyle, yet the woman in Cassatts print is tending to her hair alone. Contrasting from
Olympia by douard Manet, the woman in this image is not sexualized as the details of her body