Crop Circles as Multidimensional Keys

Q: Youre linking harmonic resonance to the crop circles.

B: Yes.
Q: Theres a mathematician now in England whos taken
the mathematic ratios of the geometric patterns. . .
B: Yes.Q: . . . of the circles and translated them into
harmonic formulas.
B: Yes, yes. This is all part and parcel of what we are
talking about in terms of these geometric resonance
patterns in the crop circles, as you call them. You are
actually seeing, in certain circumstances, shall we say,
two dimensional cross-sections of many of the resonant
patterns that this infinite particle takes to allow you to
see formulas, that when they are translated into
harmonics will actually be like keys that will unlock
certain dimensional access.
Yes, you can use them that way; you can use them in a
variety of ways. I would translate them into sound,
translate them into light; translate them into moving
patterns; translate them into mathematical
understanding, into magnetic resonance, into
architectural ratios. They are encoded holographically
with every possible direction of understanding this idea of
the different pattern expressions of the overall Prime
Radiant geometric path. You understand? Theyre all in
different unique keys, expressing a different aspect of the
Prime Radiants primary template geometric path.
You are all, generally, on the right track, though there are
many other aspects of the crop circles you have yet to
think about in terms of how you interpret them.
Q: What do you do mean?
B: For instance, you can understand that they are, as we
said, just two dimensional shadows of much larger fourth
dimensional, fifth dimensional, and sixth dimensional,
seventh dimensional. . . tenth dimensional forms, so to
speak. So you are only seeing a slice through these
things. If you will start to extrapolate them into unfolding
flowers, you will really get a bigger sense of the kind of
dimensional resonance they represent. Youre just getting
shadows on the ground.
Q2: But to be absorbed by the average person who is not
into mathematical formulas, or whatever, is then just
viewing them in one form or another being absorbed?
B: Yes. We would suggest that one particular strong
methodology with which you can access this information
is to play or, shall we say, project the images of the crop
circles at high speeds, one after another, in front of a
persons eyes in the order in which they were created.
Running though the entire sequence over and over again.
And watch the different patterns that form in the
animation.
Q: And who is creating them?
B: They are a mutable creation of many different
dimensions of consciousness, including your own future,
including your own past selves. Including alternate time
track selves, including your collective
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