University of Brighton New Designers

CONSIDERED
3D Design & Craft Part 1

THINGS
. Craft

ALL
Design
3D
 FOREWORD
We are 3D Design and Craft.

We think; we discuss; we draw; we design; we make.

So here we are; All Things Considered.

We hope that our show represents the vast spectrum of design

and craft that together we inhabit. Weve come on a long winding
journey learning new skills and new ways of thinking. We have
crafted valuable objects, whilst made invaluable friendships and
lifelong creative bonds.

To our tutors, we thank them for their constant questioning; their

support, and their motivation, helping us realise, to our fullest
potential, these final projects. To our technical staff, we thank them
for all the knowledge they have shared and all the problems they
have solved, without whom none of this would be possible.

After three years of non-stop around the clock projects (as well as
a few parties, trips away and dips in the sea) weve come to the end
of our journey together.

New Designers may be our last time as a collective, but it is the

beginning of our individual journeys. Taking with us our new
perspectives and craftsmanship, we move our focus from our
bubble by the sea into the bigwideworld

Cheers,

D&C
 Bennita Adair George
bennitaadairgeorge@gmail.com
bennitaadairgeorge.co.uk
The Visual Planter Series
Each piece from this collection
is individually wheel thrown and
uniquely designed for the plant
they carry. By exploring how
the consumer feels about caring
1 2
for house-plants I created each
planter with visual reminders and
interactive components that make
the process of caring easier and
more enjoyable.
A Personal Pilgrimage
My work is centred around the
walks I take from my home to the
local coastline, these walks are
my own personal pilgrimage. I
capture the views in photographic
Alison Attwood
info@alisonattwood.co.uk
@alison.attwood
form which I use as inspiration for
the decorative elements on my
pieces; the forms being taken from
historical pilgrim vessels.
 Bethany Ashton

Katie Barton
contact@katiebartonceramics.com
bethanyashton.wix.com/ceramics

katiebartonceramics.com
bethanya@live.co.uk

Coffee Rituals be shared. The set elements can Wild Food and glazing techniques I was able
be combined as desired, with to create patterns on the plates
Two rituals and a coffee different personalities offered by This project is a set of tableware to represent the birds feathers,
ceremony designed to cater to two colour palettes of yellow and inspired by my personal autumn leaves and even the
the needs of the modern British orange. experiences obtaining food by woodland I hunted in.
coffee lover. The ceremony is a foraging and hunting with birds
leisurely experience that is to of prey. Using decorative slip
3 4
 Savita Burke

Evangeline Corton
evangelinecorton.wix.com/jewellery
eviecorton@hotmail.co.uk
savitaburke@gmail.com
savitaburke.co.uk

Beads for Rice... Is a community Food Wastage and Hunger ... A Narrative of Mental Health interpretation of mental illness
project in South Africa that will Seeks to raise awareness in to generate a new perspective
initiate work opportunities for schools about food waste in the An in-depth personal narrative and raise awareness. The signet
its members using local materials. UK. into a fragmented cognitive rings collectively communicate my
Resulting products will support landscape, depicted through mental instability but individually
economic growth, independence informative jewellery pieces. This through material and process,
and sustainability. project encompasses a creative they celebrate every triumph.
5 6
Vasiliki Danai Derpanopoulou
vdderp@gmail.com
Social Masks
Presenting a certain face to the
world is something that most
people are very familiar with.
Expressive social masks are
presented, each one representing
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a different emotion/feeling.
The purpose of this project is to
make people become aware of
how we disguise ourselves daily,
act upon it, and finally take off the
social masks.
Cwtch
Cwtch : A double meaning, Welsh
word. Embrace, safe place. A
house, a fence, and its landscape.
Looking at how these things make
you feel safe, my jewellery reflects
Beca Fflur
b.fflur@live.co.uk
@Beca__Fflur
on how our memories are kept.
I look at the invisible boundaries
which shape us; the landscapes
of our childhood; our memories
from childhood to adulthood;
and where our most precious
memories lie.
 Sydney Foster

Zak Holden
zak.holden1@brighton.ac.uk
sydfoster92@gmail.com
sydfoster.com

@zak.holden
Time to Blow the Whistle awareness about unspoken issues, Meditation, Mindfulness & processes can be seen as a central
leaving the audience engaged with Craft aspect of craft practice.
Recent global whistle blowing whistle blowing stories in the
events have raised difficult media in a more protrusive way. Is I make ceramic vessels and Through the exploration of
questions about topics that have it time to blow the whistle? stones that employ techniques mark-making and repetition
been concealed for some time. of meditation, wanting to of line, I attempt to evoke the
The collection of whistles raise demonstrate that mindful same stillness and attentiveness
9 10
 Maisie Jones
maisiejonesceramics@gmail.com
maisie-jones.squarespace.com
Indian Palette
A range of thrown tableware
inspired by traditional Indian
cuisine/culture, focusing on a
vibrant colour palette which
reflects the rich ingredients used
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in traditional Indian cooking.
Accompanying this is a series
of cooking vessels; the concept
of the measuring vessels is to
educate people about traditional
cooking in a playful way.
Connecting Urban Living to
the Natural Environment
A collection of home-ware,
exploiting varied textures from
organic forms. The tree vessels
relate to that of trees in a forest
Daisy Kelly
info@daydesign.co
daydesign.co
enabling individuals to purchase
their own unique collection.
The honeycomb serving-ware
reference the importance of
bees to agriculture and the vital
contribution they make to the
food on our table.
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 Nedine Luke
enquiries@lauren-veronica.com
lauren-veronica.com
Du-Rag or Do Right
From observation, the majority of
black men adhere to the positive
stereotypes, leading hard-working
and respectable lifestyles; the
negative image of them is what is
13
strongest and hinders their public
perception. These stereotypes and
prejudices are usually subtle. My
project aims to target this taboo
topic that needs to be discussed
and addressed.
Interactive outdoors
Interactive outdoors explores
possibilities of collaborative
outdoor making. The drinks
can smelter requires multiple
participants to operate; tasks
Richard Maloney
richardmaloney@hotmail.co.uk
seasidemaker.tumblr.com
include supplying air intake, feeding
the fire, crushing cans, lifting,
pouring and creating clay moulds.
The activity ultimately provides a
fun and educational experience,
producing 3D outcomes such as
necklace pendants.
14
 Victoria Manclus
victoriamanclus@yahoo.com
victoria.manclus
Gateway Tools.
Jewellery based on basic tools that
can be adapted and finished by the
wearer. By inviting engagement the
objects are intended to generate a
sense of curiosity and to become
15
a gateway to further practical
activity.
Object = Jewllery
Mundane objects held within
pockets obtain temporary and
personal value. Discovering this
potential within everyday objects,
their familiarity is investigated
Mared Morgan
essenceofobjectsblog.wordpress.com
mared.morgan@googlemail.com
to alter our perceptions and
experiences, placing them in a
new context. Highlighting their
emotional value, the objects
importance can be reassessed, and
thus become jewellery form and
wearable sculptures.
16

Paul Morley
info@morleyceramicdesign.co.uk
morleyceramicdesign.co.uk
Concrete Enviroments
My work explores concrete
environments and the connection
to people, place and time.The idea
of non-places such as the land
below motorway intersections has
17
been explored. The work reflects
the uncomfortable psychological
element associated with such
dystopian places and contemplates
the traces that have been left by
previous occupants.
Body Landscape
My work derives from natural
rock surfaces and textures from
my own environment. Initially I
started working in a very linear
way and then I explored ways
Kerry Smith
kerry_1910@hotmail.co.uk
@KerryLeighRoseDesigns
of making my work more three-
dimensional. I began to use the
body as the new landscape,
connecting these two intrinsic
parts of our identities.
18

Alice Stewardson
alicestewardsonceramics.wordpress.com
alicestewardsonceramics@gmail.com
On Food and Ceramics
A drip of chocolate suspended
as it tumbles down the side of a
mug; sprinkles held forever at the
perfect angle; and cream which
will never wilt and spoil. I use my
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gloriously gooey glazes to create
pieces which entice both the eyes
and the taste buds.
Anastasia Telegina
teleginaanastacia@gmail.com
@anastaciatelegina
Aesthetic of Disgust in the by personal contact, relationship
Production of Ceramic between the user and the object
Tableware with the conflict in senses and
feelings (tactile, emotional,
I am creating expressive tableware attraction or rejection) by using
that can be used in everyday life texture, glazes and surface of
and communicate with people delicate and fine ceramic pieces.
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14 16 1 7

10 6 5 9

3D
.
15 9 4 5

Design
Craft
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10 11 6 2

15 2 4 20

13 12 8 3

7 18 3 14
 Veega Tankun
Ugne Vilickaite

Crafting Comfort feel like today using traditional No Screw, No Glue in construction brings a playful
textiles techniques such as simplicity to the nature of these
My work aims to explore knitting, crochet and weaving. These furniture pieces are defined pieces.
and define modern comfort. by no screws and no glues,

tankun@veegadesign.com
veegadesign.com
ugne_vilickaite@hotmail.co.uk
ugne.co.uk

Challenging the role of interior designed to be multifunctional

space, answering questions such and to be used in smaller spaces.
as what does comfort look and The exclusive use of dry-fit joints
15 16
 Hannah Stewart
Izzy Stone-Wilson

The Franklin Theatre world where different characters TreeHugger assembled and dissembled
Company form a theatre group, I can use an without the need for tools. Its
animation and a story box with The Tree Hugger is a water potential application is vast, from
I wanted to create an educational a selection of props and scenes resistant, flat pack transportable picnics, fetes, community events

hannah@kinnoull.com
crimsonmirrortoyideas.wordpress.com
Isabella@isw.london
isw.london

toy that can help tell tales that to help explain these stories to table that is designed to use to festivals and large-scale public
may be too complex for children children. the support of trees as its core events.
to understand. By creating a strength. The table is easily
13 14
 Jack Scott
Camillla Small

What Constitutes a Chair? changed my attitude to chairs and Design for well-being re-imagine existing well-being
seating. Each chair created raises development activities. This
The project started with questions on seating, examples A range of tools designed in project forms part of a two stage
The Chairometer a playful such as stability or comfort. Each collaboration with a resilience research project investigating the

jack-scott@msn.com
@jackscott_design
camilla.mariasmall@gmail.com
camillamariasmall.wix.com/design

Calculator that judges anything Chair is unique, interactive and research and practise group influence of co-design and material
in terms of how Chairy it is. functional. including young people and consideration on personal and
The Chairometer has drastically social workers. These proposals community well-being.
11 12
 Evan Reinhold
Indigo Rumbelow

Sound Objects: Sound-scape, between people and their aural The Archive of Embodied pace and body. The recordings
Interaction & Communication environment. This work concerns Experience. form an archive of current
itself with principles of sound- understandings of our physical
The Sound-scape of the world scape and interaction, aiming to How can we record the traces bodies, for the reality of a virtual

evanreinhold@btinternet.com
@evanreinhound
indigorumbelow@gmail.com
indigorumbelow.com

and its impact on humans is find ways of engaging people with our bodies leave behind? This future.
under appreciated. Too little each other and their surroundings. participatory project uses devices
time is spent on the relationship to record reflection, touch, pulse,
9 10

Melina Nikolaidou
Enhancing Experiences of
social and Cultural Events
As a Cypriot, I learnt how to
melina_nikolaidou@msn.com
melinanic.com
celebrate events in a loud manner.
Whilst recording everyday
experiences new patterns are
7 8
revealed. The final outcomes
include an interactive tablecloth,
enhancing creative collaborations
and social communication
between people and a series of
breakable vessels derived from the
Greek custom of plate smashing.
Organised Chaos
Misplaced belongings in overly
cluttered environments create
mental fatigue in a time when
technology already requires most
of our attention. This collection
Ellie Rains
of playful and aesthetically
harmonised vessels disguises the
chaos of scattered belongings;
rich natural materials and calming
ellie.rains@outlook.com
ellierains.com
pastel tones form simple clutter
containers to help soften and
brighten stressful lives.
 Tim Kay
Charlotte Kay

Re-contextualizing the Aiming to extract both materials Replicating Natural are subject to constant growth
material language of flint from their pre-existing contexts, Mechanisms and adaptation. Each lampshade
and willow by means of re-imagining them through questions how seemingly inanimate
aesthetically informed manipulating their material Most manufactured objects have objects can replicate plants nastic
charlotte.kay00@hotmail.com
charlottekaydesign.com

tim@timkay.co.uk
timkay.co.uk
furniture. aesthetics and applications, to a static disposition, contrasting to movement behaviours, through
perhaps allow people to relate to everything that surrounds us in user interaction and different
them in a new way. our natural world, whose forms opening and closing contraptions.
5 6
 Helen Jones
Alternate Endings
My work hopes to challenge
throw-away culture and inspire
hcjones993@gmail.com
hcjdesign.wordpress.com
the realisation that we are
discarding our possessions long
before their time. It features
3 4
objects that have been repaired,
reinvented or re-completed with
the hope of value being reinstated.
A bespoke restoration website
was created for interaction with
participants, resulting in a more
personal outcome.
Forgotten and Future Foods
We live in a time of culinary
mono-culture, consuming the
same foods regardless of location
or season. In order to live more
sustainably we need to be open to
Ella Hetherington
consuming a wider variety of food,
as well as finding new approaches
to eating entirely. These projects
explore the way that we will eat
ellahethdesign@gmail.com
ellahetherington.com
in the future.
 Matt Davis
(de)generative ceramics
Matt Davis works with ceramics
& 3D printing to create physical
@ceramics.x
ceramicsx.co.uk
pixels. His intention is to
explore ideas of digital / physical
hyperreality by creating binary
1 2
objects; the methods employ the
degenerate use of high technology
to produce lo-tech generative
forms.
The work is slip cast in bone china
& black porcelain.
How can minimal domestic
space be maximised?
With the use of a modular system
to store, this allows the user to
add or take away parts of the
system suiting the space it is
Tyla Garrett
situated in and the object that is
being stored with minimal space
wasted.
tylagarrett@live.co.uk
www.tylagarrettdesign.co.uk
 FOREWORD
We are 3D Design and Craft.

We think; we discuss; we draw; we design; we make.

So here we are; All Things Considered.

We hope that our show represents the vast spectrum of design

and craft that together we inhabit. Weve come on a long winding
journey learning new skills and new ways of thinking. We have
crafted valuable objects, whilst made invaluable friendships and
lifelong creative bonds.

To our tutors, we thank them for their constant questioning; their

support, and their motivation, helping us realise, to our fullest
potential, these final projects. To our technical staff, we thank them
for all the knowledge they have shared and all the problems they
have solved, without whom none of this would be possible.

After three years of non-stop around the clock projects (as well as
a few parties, trips away and dips in the sea) weve come to the end
of our journey together.

New Designers may be our last time as a collective, but it is the

beginning of our individual journeys. Taking with us our new
perspectives and craftsmanship, we move our focus from our
bubble by the sea into the bigwideworld

Cheers,

D&C
University of Brighton New Designers
3D Design & Craft Part 2

. Craft

Design
3D
THINGS
CONSIDERED

ALL