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Make your bed on a Delphic tripod and you will lead a nobler life. Everyone, woman
or man, can do it, because sleep is the most readily available oracle of all.
(Synesius, De Insomniis 144B)
The following chapters are the results of my personal explorations into dream magic
over the last decades. Many techniques described can also be found in the well-
established literature on dreams and lucid dreaming. Surprisingly the most
illuminating work I found so far is still the small German booklet Trume Erinnern by
Christoph Gassmann. I am deeply thankful to the author for his wonderful work.
However, what I couldnt find in books when I picked up my own experiments with the
subconscious side of our lives was a concise instruction that brought together all
necessary steps in a single place. That is why I created the following instructions - for
my own and personal use first and foremost.
Since then I spoke to many people about their experiences in dreams; many of them
found the advise brought together on these pages helpful (originally this used to be a
PDF document in German language). Yet, it took me another half decade to
understand that the conscious engagement with our dreams actually is the best
preparation for thorough ritual work and spirit contact. The skills of actively engaging
with our subconscious, being non-judgmental in face of intense emotions, remain
objective to our own experiences and - ultimately - find a place for every living
creature in our worlds, may they be destructive or constructive, appalling or dulcet,
have proven invaluable for my magical works.
It took some time to translate, revise and update the original content, yet it is now all
available online, a new Circle coming to live. I also expanded it by a Third Part. This
additional section will share more advanced techniques to engage constructively with
dominant or aggressive dream beings.
May this work be brought to live by experience.
LVX,
Frater Acher
a course in dream magic - part 1
1) increasing dream consciousness
Remember yourself always and everywhere.
(George Gurdijeff)
Dream consciousness is not a single solid state but a fluid continuum of a million
slightly different states. On one end of this continuum we find complete
unconsciousness of our dreams - while we experience them as well as once we drift
back to day consciousness. At the other end we find what is often called lucid
dreaming combined with coherent dream recollection when we come back to day
consciousness in the morning.
In between those two rather extreme states we can find all sorts of passages,
thresholds and transitions. We find moments of clarity following immediate darkness
of consciousness, we find recollection of dream images more vivid than many day
experiences yet completely stripped bare of any context by the silent censor that
guards trespassing between conscious and subconscious. We also find nights of
lucid dream experience followed by months or even years of unsuccessful attempts
to achieve the same state again.
Before we start I feel its helpful to set expectations: Our normal orientation towards
action, results and competition is as useful for dream workings as throwing chalk
against a wall to make our own shadow disappear. It simply wont work.
The following article is written to support anyone who wants to practice magic in their
dreams. The few essential preconditions to do so are the following:
to be able to remember your dreams,
to be able to understand the basics of dream language,
to successfully conduct dream incubations and
to be patient - i.e. not to force but to allow things to emerge in their own time.
Before you embark on this journey - or continue the one that you started already -
lets remember that nature does everything for a reason. If we have never
remembered our dreams thus far we need to consider the option that this might be a
good thing? If the censor between conscious and subconscious locks something into
oblivion it normally does this for a reason.
In order to become able to remember dreams and develop a clearer form of dream
consciousness we need to take a holistic approach. We first need to understand what
keeps us from remembering our dreams today: Which of our actions during daytime
foster a dull and dark dream consciousness, which of our daily habits require our
subconscious to work undisturbed from our waking mind at night?
Developing a new skill is as much about unlearning an existing one as it is about
acquiring a new one. In cases when we struggle to develop a new skill it is often
because it is a complementary skill to a behavior that we are currently overusing. I.e.
if we struggle to remember our dreams it might be because during daytimes we are
feeding habits that are disadvantageous to it.
To give you a better idea of such potentially harmful habits during daytime, here is a
short and certainly incomplete list:
In order to become successful at dream magic it is not uncommon to spend more
time on daytime habits than on nighttime exercises in the beginning. The outcome
once we are able to consciously work magic in our dreams is certainly worth the
effort. Moreover, the therapeutic effect of building bridges between our nighttime and
daytime experiences is incredibly rewarding and charged with healing and power in
its own right.
The simple goal of reality tests is to raise our level of consciousness by deliberately
challenging our common everyday life perceptions of reality. If performed over a
continuous period our subconsciousness will adopt this new formed habit in our
dreams - and raise the level of dreamtime consciousness.
Therefore the goal of any reality test has to be to unsettle our consciousness for a
short period of time. The way we do this is to question perception of ourselves and of
the reality around us in multiple situations - as nothing should be taken for granted for
the waking mind.
One single form of reality test might not be sufficient to break the existing habits of
unconsciousness - but multiple forms will work hand in hand to change and break
apart what has probably been a well functioning part of our mind-machine for many
years. Here is how we do it:
Reading Test: Read something in your environment, e.g. the digital display of
a clock, an advertisement or your mobile screen. Look away and imagine
something that will replace whatever you saw before. Then look back. Did the
text or image change? If not, its likely you are awake and not dreaming.
Sensation Test: Pause for a moment and become fully aware of whats here
and now. Are there any unexpected sensations? Any sort of dream sensation,
an exciting yet alarming feeling in your chest? Are you fully present, can you
remember who you are, who are your family and friends? Do you know where
you are on your way to and where you came from? Do you reckon any breaks
or gaps in time elapse?
Person Test: Is the person in front of you actually real or is it a character made
up of fragments of other people you know? Is this person actually capable of
living in the way you perceive it, does its body and stature make logical sense?
In essence - is it a real person or could it be made up your own imagination?
Color Test: In dreams we experience colors that do not exist in daytime reality.
Consciously observe your environment. Are all colors realistic? Do you
perceive any self-luminous bodies or shapes? Are any colors changing? Are
the shadows of objects aligned to the angle of the light source?
Perspective Test: Are objects further away from you smaller than the ones
closer to you? Are sounds coming from far away in the right relation to sounds
closer to you? Is the perspective distorted in a strange way? Pay attention to
any possible aberration.
Spinning Test: A good test if you are on your own. Spin around your own axis
once with eyes open. In dreams it often occurs that the environment either
remains stable while you turn around or keeps on spinning once you finished
the move. Once you achieved a state of lucid dreaming youll realize the full
benefits of this test.
Other Tests: The common cliche of scratching or pinching yourself doesnt
seem to work well as a reality test. Our dream bodies are perfectly able to
sense pain, sexual arousal as well as all other sensual impression. We can
only challenge and test our perception, not our bodies. However, we do have
plenty of additional skills, abilities and choices in dream-reality than we tend to
have in our daytime reality. Why not trying to fly over the market square today
instead of walking? Why not trying to pierce slowly and consciously through a
wall with your fingers? In dream-reality this should be simple.
1.4 summary
In order to get started with Dream Magic here is a helpful overview on the basic facts
to observe. The goal of this first phase is to 1) achieve reliable dream memory on a
daily basis, 2) to gather first experiences with the technique of dream incubations and
3) to understand what types of images, characters and stories our dream
consciousness uses to answer our incubations.
during daytime
Read about dream and dream interpretation
Conduct at least ten reality tests a day
Over the course of a day affirm repeatedly your conscious intent to remember
your dreams
Completely stop using the words sleep and sleeping, Instead replace them
with dream and dreaming.
Create space for the topic of dreaming in your daily live. Express your dream
experiences creatively e.g. in painting pictures, writing short stories, blogging
about your progress, etc. There are no limits to creative expression.
With the newly gained ability to remember and transcribe our dreams we have made
a huge leap forward. However, the pure transcription of our dreams only presents the
surface of our dream reality. In this chapter we will delve deeper into the language,
story scripts and images of our dreams. The goal is to decipher the basic grammar of
our personal dream language and to start engaging in more interactive dialogues
between our dream and daytime consciousness.
The first step in understanding the grammar of our dreams is to enhance our ability to
observe without judgement. Over-interpretation of our dream experiences certainly is
the most common trap at this stage. Rather than interpreting, doing a thorough and
non-biased inventory of the dream is the secret to success. This is also why this
chapter is called dream objectification and not interpretation.
The first step in dream objectification is to understand the fact that the first person
perspective through which we experience our dreams is not the same as our
personality or daytime conscious. Your dream-ego is different from your daytime ego;
they represent two aspects of consciousness of your individuality.
Here is how we can delve below the surface of our dreams in four simple steps:
dream script
Summarize the main plot of the dream in a few short sentences. In doing so identify
the basic script that underlies the dream experience. However, youll need to change
to an objective perspective on capturing your dream: instead of I or myself when
talking about the dream-ego use the third person singular (he/she). I.e. instead of I
am taking flight from the burglar. you will note: The dream-ego or s/he takes flight of
the burglar.
dream acts
Ascertain if the dream follows the sequence of dream acts as suggested by C.G.
Jung. You will find that this is the case for most coherent dream stories:
First Act: description of starting point. Which characters are part of the plot,
where and when does it occur?
Second Act: presentation of central conflict. Conflicts and tensions become
apparent.
Third Act: accentuation. The climax of the script is reached and leads to a
positive or negative turn of events.
Fourth Act: description of end point.
dream heading
Chose a fitting heading for your dream. If your dream was a short story in a book,
which title would it bear? Feel free to get inspired by todays newspaper headings.
However, rather than being overly imaginative or romantic the heading should give a
first impression of the dreams central plot or conflict.
dream conflict
As a last step take time to answer the following questions:
Which main symbols are present in the dream (characters, natural or artificial
objects, animals, etc.)?
Which emotions do these symbols trigger in you?
Which forces are working against or in each others favor in the dream? Where
is conflict, where is harmony, where is paradox?
Does the dream present any solutions? If yes, which ones? If not, what are
the obstacles?
What is the dream-ego doing, what is it not doing? What are other dream
characters doing, what are they not doing? (In considering what isnt done we
may find unnoticed opportunities or potential, equally the actual choices and
deeds of the dream characters are accentuated.)
3. dream-self observation
Dream-Self observation is an extension to dream objectification and was first
introduced by Strephon Kaplan. The goals of this method are twofold: 1) to gain more
insights on the motivation and grounds based on which the Dream-Self is acting and
2) to increase consciousness about the difference between our daytime and Dream-
Self.
Just like we have spent years of our daytime life to discover our own personalities,
our likes and dislikes, strengths and weaknesses this method allows us to discover
our Dream-Selves and compare these to our daytime personalities.
Generally we have to assume that our Dream-Self acts more spontaneously and
emotionally driven than our daytime Self. At the same time it is also less considerate
and farsighted as it is less conscious. In its deeds our Dream-Self will act out all the
attitudes, desires and needs which we forbid ourselves during daytime and which
sink into our subconscious if suppressed over long periods. Often this can explain
why our experiences during daytime and in dreams seem to be mirror-images. At the
same time the actions of our Dream-Self can be understood as rehearsals: we are
given the chance to experiment and rehearse attitudes and actions that we arent
ready to practice during daytime. This opens up new possibilities for our daytime Self.
In order to better understand our Dream-Selves the following questions present
helpful starting points:
What is our Dream-Self doing and what is it not doing? Is it involved or
detached from the actions of the dream?
Which dream situation triggers the actions of our Dream-Self?
How is our Dream-Self characterized by its emotions, its desires, believes and
prejudices? What does this tell us about our Dream-Self personalities?
How is our Dream-Self behaving in the situation - proactively or reactively,
passive or active?
Which role is our Dream-Self taking in the plot of the dream? With what or
whom does our Dream-Self identify?
Do we react in similar ways during daytime? If yes, on which occasions; if not
how do our daytime deeds differ?
4. dream symbols
4.1 Context
The intent of the first chapter was to gain access to the material of our dreams and to
realize and understand it from different perspectives. The previous chapters provided
techniques to reduce the common over-identification between our daytime Selves
and Dream-Selves, between dreamer and dream - and thus introduce the required
distance for a rather objective analysis and understanding of our dreams. The
following chapter will introduce us to the actual material of our dreams - especially to
the symbols we encounter in dreams.
The word symbol is based on the greek verb symballein which means throwing
together or assembling. Originally it was used in sayings that referred to compiling,
concealing or veiling. The sign that becomes a symbol encrypts, it masks the
meaning of an act or expression. The uninitiated spectator isnt able to understand
the encrypted message any longer.
Understanding the symbols in our dreams is the essential element of dream
interpretation: The meaning of most of our dreams is concealed to our daytime
conscious, to our intellectual mind and understanding. As long as our conscious
doesnt thrive to penetrate the surface of our dreams our dreamworld is a world that
is completely dependent on our emotional (unconscious) experiences. This is
because the symbols of our dreams are well accessible to our emotional lives, yet
they are arcane to our intellectual minds.
The goal of this chapter is to support your conscious in gaining access to the
concealed meaning of your dream symbols. To illustrate this process lets take a look
at the following model. It depicts the way of perceiving reality that most people would
call common or normal and suppresses our dream reality, i.e. experiences of our
Dream-Selves:
Once we have opened the gates of our dream reality to our conscious and started to
connect daytime experiences and experiences of our Dream-Selves the model will
change. What used to be a unidimensional and reactive model explaining our Egos
reactions to the impressions of the world becomes multidimensional and interactive.
We start to realize the interconnectedness of ourselves and the world around us, of
our experiences during daytime and in dreams:
4.2 Free Association
In order to unveil the individual meaning of our dream symbols we can turn to the
most classical technique of dream interpretation and Psychoanalysis, Free
Association (FA). The power of this method that was derived from early approaches
to hypnosis lies in the fact that rather than confining us in a pre-set framework or
codex of interpretations it sets us free to discover and learn the unique language of
our dream symbols. It is the dreamer that speaks, not the analyst.
Once we have used it for the first time successfully applying FA becomes incredibly
easy. We can simply note down one or more dream symbols we encountered during
our dreams on a piece of paper. Then - without trying to control - we write down all
catchwords and prompts that spring to our mind spontaneously. The only important
thing during this process is maintaining a completely open state of mind and not to
start filtering words that come up as associations. Each idea, each term is of equal
value until we feel we have noted down all important associations this symbol evokes
in our minds. What has happened at this point is that the symbol has opened up, it
has expanded and revealed its individual meaning to us. This meaning doesnt need
to be stable but can change from dream to dream. Often it involves puns and play of
words that make us blush or smile and allow to further uncover the meaning of our
dream.
In addition to the results of our FA we can also draw on resources shared in classic
books on dream interpretation. (For all German speakers I can recommend Didymos
Traumlexikon which is available for free online.) The content of these books,
however, should never weigh more than our own findings. In case we encounter
unrelated or even contradictory explanations of dream symbols we should always
follow our own guidance first - and not allow for the words of a book to speak louder
than the words of our unconscious. Probably the most central pillar of successful
dream interpretation is that the interpretation has to be evident and illuminative for
the dreamer first and foremost. In cases of contradictions between personal and
traditional dream symbol interpretations the authentic and personal interpretation
always has to be favored.
Once we discovered the meaning of our dream symbols we should revisit the dream
plot identified at an earlier stage. How do these new insights change, enrich or
accentuate the experiences of our dreams? The following guiding questions can be
helpful to re-integrate the meaning of our dream symbols into the broader dream plot:
Lets replace the symbols in our dreams with their actual meaning. Where do
these meanings oppose each other, where do they harmonize?
How does the headline of your dream change if you replace the dream
symbols with their meaning?
Which secret motives of action of your Dream-Self become apparent once the
symbolic meaning is laid open?
Which differences do you see in how you deal with the meaning of your
symbols during daytime and in dreams? Which commonalities are apparent?
Which role do the meaning of your dream symbols play in your everyday life?
Are they easy to discover or rare and only seldom to be encountered?
selected resources
Aeppli, E.: Der Traum und seine Deutung; Knaur-Verlag
Becker, U.; Lexikon der Symbole; Herder Taschenbuch
Jung, C.G.: Traum und Traumdeutung; dtv
Gassmann, Ch.: Trume erinnern; Walter
Tholey, P.: Schpferisch Trumen; Klotz, Eschborn Verlag
Faraday, A.: Deine Trume - Schlssel zur Selbsterkenntnis; Fischer-Verlag,
Frankfurt a. M. 1978, original "The dream game", 1975
Gackenbach, Bosveld: Herrscher im Reich der Trume; orig. "Control your
dreams", New York, bersetzt von Christian Stephan, Aurum-Verlag,
Braunschweig, 1991
Garfield, P.: Kreativ trumen; Mnchen, Knaur-Verlag, 1980