Академический Документы
Профессиональный Документы
Культура Документы
www.pianoandorgantechnique.com
Barbara Lister-Sinks website describing her method for injury-preventive piano
technique. Includes description of method, an annotated resource list,
information on workshops and courses, and video clips.
Cisler, Valerie and Maurice Hinson. Technique for the Advancing Pianist: An
Essential Collection of Progressive Exercises and Etudes. Van Nuys, CA: Alfred
Publishing, 2004.
This practical volume draws from numerous recognized piano methods and
organizes exercises and etudes into skill sections, such as scales, chords, agility,
etc. Includes traditional scale and arpeggio fingerings. All exercises and etudes
are cited, so it is easy to look up the original volume if you are eager for more.
Conable, Barbara and William Conable. How to Learn the Alexander Technique: A
Manual for Students. Columbus, OH: Andover Press, Third Edition, 1995.
Concise and easy-to-use manual explaining the principles of Alexander
Technique. Includes chapters for teachers (How to help students with their
maps), as well as a chapter on types of exercise, body mapping, and
recommended reading, among others.
Conable, Barbara and Benjamin Conable. What Every Musician Needs to Know
About the Body: The Practical Application of Body Mapping to Making Music.
Revised edition. Andover, 2000.
Based on concept of body mapping and the Alexander Technique, this book
focuses on body awareness in a compelling visual format. Each page includes
multiple helpful pictures and diagrams with text boxes to explain body
construction. Tips for all instruments and voices are included. Great for use
with students who do well with visual learning, or younger students who dont
yet have the attention for Thomas Marks book.
Mark, Thomas. What Every Pianist Needs to Know about the Body. With
supplementary material for organists by Roberta Gary and Thom Miles.
GIA Publications, 2003. Videocassette also available under the same title.
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Every keyboardist should own this important reference book! Readers will come
away with an accurate body map after having read through the book. Organized
systematically (bones, joints, muscles) and with numerous guided exercises that
help readers get to know they body better. This book piggy-backs on Barbara
Conables What Every Musician Needs to Know about the Body, using many of the
same pictures and figures, but it fleshes out concepts with extensive and
informative explanation. Comment boxes and an additional chapter written by
Roberta Gary and Thom Miles make this book especially useful for organists.
_____. A Guide to Duo and Trio Playing. Sneek, Holland: Edition Boeijenga
Sneek, 2000.
Practical studies in historical fingering, pedaling, coordination, articulation, and
polyphonic playing composed by the author.
Ritchie, George and George Stauffer. Organ Technique: Modern and Early. New
York: Oxford University Press, 2000.
One of the few modern method books that presents a variety of techniques
(modern and early). Designed for beginning to intermediate organ students
who have had previous background at the keyboard. Includes exercises and
practice pieces for both legato technique and early technique (ca. 1700) with
fingerings and pedalings. Additional practical material, such as discussions of
position at the keyboard, hymn-playing guide, and introduction to various organ
building traditions.
Soderlund, Sandra. How Did They Play? How Did They Teach? A History of
Keyboard Technique. Chapel Hill, NC: Hinshaw Music, 2006.
A valuable collection of commentary on historical sources dealing with keyboard
technique, organized chronologically from the 15th to the 20th centuries.
Soderlund reprints many exercises, prefaces, and quotes from the sources in
English translation. A great place to start if you want to check on fingering
systems or other technique-related performance practice issues for a specific
repertoire.
Speerstra, Joel. Bach and the Pedal Clavichord: An Organists Guide. Rochester, NY:
University of Rochester Press, 2004.
Includes discussion on how to produce good sound on the clavichord, exercises
to help a student play with more arm and leg weight, articulation, fingering and
pedaling, and playing figures with gesture. The book also includes chapters on
the history of the clavichord, reception history, and discussions of J. S. Bachs trio
sonatas and passacaglia.
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Figure 2
Barbara Conable, What Every Musician Needs to Know About the Body, p. 22 & 50.
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Figure 3
Jacques van Oortmerssen, A Guide to Duo and Trio Playing, p. 5.
Figure 4
Joel Speerstra, J. S. Bach and the Pedal Clavichord, p. 121 & 123.
Figure 5
Joel Speerstra, J. S. Bach and the Pedal Clavichord, p. 96.
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Figure 6
Johann Sebastian Bach, Toccata in F.
Figure 7
Csar Franck, LOrganiste.