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  • Digital Divide Contemporary Art and New Media Artforum Com by Claire Bishop Sept 2012

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    Digital Divide Contemporary Art and New Media Artforum Com by Claire Bishop Sept 2012

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    Digital Divide Contemporary Art and New Media Artforum Com by Claire Bishop Sept 2012

    Авторское право:

    © All Rights Reserved
    Скачайте в формате PDF или читайте онлайн в Scribd
    Отметить как неприемлемый контент
    4 просмотров8 страниц

    Digital Divide Contemporary Art and New Media Artforum Com by Claire Bishop Sept 2012

    Загружено:

    Luisina Antena
    Digital Divide Contemporary Art and New Media Artforum Com by Claire Bishop Sept 2012

    Авторское право:

    © All Rights Reserved
    Скачайте в формате PDF или читайте онлайн в Scribd
    Отметить как неприемлемый контент
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    9/3/12 Aigital divide: contemporary art and new media - arforum.com / in print vik 00 WoRDS ARTFO bogh [ORE ADVERTISE EACKESUES CONTACTUS SUESCRIE sear ARTOUDE OARY PICKS NENG WFRINT FLA SOOWORDS OED PREVIGNS TALMEACK ABE FOOKFORUM ASR In PRINT ‘serreusen 2012 Digital Divide CLARE BISHOP ON CONTEMPORARY A AND NEK MEDIA ‘SUBSORIBE sepemer 012 woy2012 ront012 Feonay 2012 WHATEVER HAPPENED TO DIGITAL ART? Cast your mind back tothe ate 10005. uhen we got ou fat eral scons Mas thre pease srs th tal a a> gong ‘0. hamessing the new ser us transom our = ‘errs neve realy gained tacion— say i3 uichanne! io instaliions. Photoshopped mages, tl pis, tutana pasted tls (wouhere beter exemplifed than n Oistian Marclay’s The oek, 2010) These Se cbiqutovs forme, ther ormpresencefacitated bythe aecessbity and aforeabsty of aig Cameras and eating softrare. There ae plenty of exarples ofa that makes use of Second Lie (C20 Feb creegae gies tes Manta) YuTie cps (Cr Aang. Phowe ps Ay ‘Se why do Ihave a sense thatthe appearance and content of contemporary at have been curiously rsp th etl eae lab asus yh dtl econ’? ie any atts use Thaw many ely contort she queston ot aa mean ot {eran erate! ough gta Hou any mates free el ono we ‘patene,and we are bythe Sign of ur sstence? [Sed ange hat [om aun cnne ‘Eling fuuah avesome mages of Slown-spat bodies ona touch screen oocasionaly pavsna te nla. oom in, move on(Tousting Realty, 2012) the feneti.qabled sense offen Tecatins ideas (uch a5 K-Coea [NOK [Seaton AJ 2000) Fach suggests the endlessly disposable, rapidly inutale ephemera ofthe vital age and ts impact on our consumption of relationships. mages, and Cormmuicaion; each articulates something ofthe toubing scilaion between intimacy and dsiance ‘hat characters our new technological rege, and proposes anincommensurabity between our doggedly physiologial ives andthe sreens to which wear glued But these exception just point up the nd. Theres, of couse, an entre sphere of"hew media at, but ‘Sete apesred Sofi ober sy eoatape eit paeten at tod para CE CBeserncdaeueumr etree nes eric eneiect ate Parting on canvas the "archival impulse,” analog fm, andthe fascination wth modems design and saehtectur: fst cance none ofthese fats angearta have anthna todo wih dal madi, {EIGury" But when we examine these dorainat forme of contemporary at mae closely ther 19444pagenu artforum.com/inprint/issue=201207 &i spn2 ‘artforum.com/inprint/issue=2012076i Aigital divide: contemporary art and new media - artforum.com / in print Ts subteranean presence is comparable othe rise of lesion 235 the backdrop toa of the 1000s. n de Boer, Matinew Buckingham, Tacta Dean, Rodney Graham, Fosand Nashasha, and Fiona Tan ae just 2 few names fom 3 eng rll cal of ast atracted to the materialty of preigital fim and photography. Toda lctapsione: ‘GALLERY he gently chunking carousel of side projector or sathout some fom of bulky, obsolet tchnolom—t ‘he whiring ofan mm or Tb-ren fm rea paticularly the irreducion ofthe DVD in 1007. Overight, VHS became obsolete, rendering ts oun aesthetic and prejection equpmert open ‘eo nostalgi reuse, but the older technology of celulid was and remains the favre. Today. fms sof ‘¥amth fel inimte compared wih the cola, hard dal mage. wth te excese of sual infomation (Gach sil contains far moe deal than the human eve ould evec need) Meanwhile, numerous apps and sotuae pogams eforlessly impersonate the anaiog witha the chore of developing and j moves srbued withthe elegiac mood of Super 8 can now be taken on your cell phone. SO sts ke Dean the preeninert spokesperson for medias unquestionably seductive, but ts desrabity also arses fom the impression that tis scarce, ‘are, precious. A.igtal tm can be copied auch and cheaply, ad ingntum not soa Wem fin ‘medium may be pleashed tthe ver moment offs obstescence. Bu today tis assertion needs to Be subject to sertiny. ‘aso seems sinking that this @scussion Gt happen decades ago, when adeo began to supplant cebu page 1234 contnusas ARTOUDE | o«ARY | PS | NARS | PROT | FAL | SOOMDRDS | vIED | FREVIENS | TALKEACK [ABE | HOOKFORUM | =m ‘Alighs seme artorum com kamgke md tademan otAronum wenatorallfagazie New You, NY 319444pagenum=0 ele 22 9/3/12 Aigital divide: contemporary art and new media - arforum.com / in print .» visit500 WORDS Wi Sa a bogh [ORE ADVERTISE EACKESUES CONTACTUS SUESCRIE eta SOOWOROS VIDED PREVENS TALNEACK ABE SOOKFORUM SOR re) In PRINT ‘serreusen 2012 bee Digital Divide = ony | cant shop Ov coERCR ATO NE VEDA exam PIE! &READ cet aus sores. Sous aa! rat tse rrr reaper cD ma ‘Siow é Se Ty ee vik Severn stare tS sci ee oe fer Wbeos | mizqmny sini sruet Toe tor” sepa eine \rthin the tradtonalfomat ofthe exhiitin n 2001, Lev Vanowch pesciertly observed that in ‘oregroundingtwoay communioton a= a Andamenta cara act (a coposedte the one-xay {ow of sim or book ‘teed eame soso cd mn crobmsaictans | ‘Manovich’s question also haunts more traditinal Seulptural|practic®S. The recent prevalence of ‘Sioilg hares Sentai ep Steed Foe Fi senae fer ta Souler ches) wena tey nese feed fe rsSeratets ison etpesip anaes cisco ony Sse San sas gg tu peel St estoy Se Se eee aes Sout scy Gl actly aa steepest best ae ‘Sens ene ot rl fea anh Surennr se, [Detenas ehose histones ae moderta then the more prevalent satenysinoe the 1000s has been to ‘iain the cultural tenn of the rued atta fo mvoke and sustain te usar, conostatons. and “Thnk of Carl Bove's or Pashd Johnson's shelves of carely ranged Inckdnacks or Pauina Obuska's copies of panings by Plsh artist ofa Srjehiska (801-1070). ‘This trend is manvestin ther Sscoines too" Poetry, theter, and danoe Nave al enacted ther own {ams ofsesupasing i syne with visual for Elevator Repar Senice's eight-hour play Gat (utich Uses F.SeattPtzgerad's The Grea Gatsby). to Rob Fterman's poems (epupesing ancnymous {eats and Yelp reviews), to chard Moves eperomances ofthe modemist choreographer Martha (Graham, ‘These fos ofreoumosina ditfs fom annroosation at ofthe 1200s, ‘xthsstony(Sheme Lewne)oradverisng (Henard Ponce) ath 2 ew fo questonna athorsp and ‘nnalty whledrasng atenton. vet agin, tothe plight ofthe image nthe age of mechanical bul new ses fom ‘uistng components ater than eating fom soratch. tists whose werk revelves arcund chosing bjects for dspay Gove, ohnson) or uho reuse prevous at (lowska wth Stryjehisa, Simon Sting Moore, Ryan Gander uth Wendin ven ae the ocare is decisively analog, atforum.com/inprint/issue=201207 bid=31944.épagenum=t 12 9/3/12 Aigital divide: contemporary art and new media - arforum.com / in print For Foster the tem denctes af that ungetakes an \osyporate probing ito particular figures, objects, and ever in modem aft philosophy, ad history.” (Cotten fel as if dnt listen to music so ‘uch 35 perm upkeep on my Tunes cotecton-—dowoacing new seasons. eteporzing them and deacoessining uarted tacks.) page 1254 contrusa» ARTOUIDE | DARY | PCHS | NEN | IN PRINT | FM | EOWORDS | VIDED | PREVIEWS | TALIUACK | AZE | 1OOKFORUM | IER Aight ested artim com ka mght ed tademad otArtorm i natoral Magazine, New YOR, NY artforum.com/inprint/issue=201207 &i ) Ail Gavia Brown's enterprise 22 9/3/12 Aigital divide: contemporary art and new media - arforum.com / in print art&education ARTFORUM bogh [ORE ADVERTISE EACKESUES CONTACTUS SUESCRIE wart ARTOUDE OARY PICKS NENG WFRINT FLA SOOWORDS OED PREVIGNS TALMEACK ABE FOOKFORUM ASR In PRINT ‘serreusen 2012 Digital Divide CLARE BISHOP ON CONTEMPORARY A AND NEK MEDIA ‘suse sepemer 012 woy2012 ront012 Feonan 2012 bu Untnaen arose sanay2012 (eva rae. ri sot pect mae, srowedon manes pave - ‘Atists select and aggregate not only inthe production ofindvidual works but alsin the exhtions s ‘they cute. nthe 1000s, this practice was reeively attuned tothe instuional context (Fred Wlson, os “Mark fon). tin the past decade thas taken a more atomatit for, subodnaing legible or Ke

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