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Professor Fielding
WRTC 103
As our world continues to evolve, so does the power of women. The Philadelphia
Inquirer, author of We See a Movement Here, published January 23rd of 2017, argues that women
standing united have built an invincible community allowing their power to grow. Katrina
Siscos PSA, History is Herstory, too, also portrays a similar message, encouraging viewers to
contribute to the evolution of this prominent matter. Two such pieces, Philadelphia Inquirers
article and Katrina Siscos PSA, developed credibility with personal research and acknowledging
feminist icons, applying facts and statistics, and portraying strong emotional appeals. From these
two pieces, readers can examine how the same message can be presented and empathized
The article We See a Movement Here, written and published by the Philadelphia Inquirer,
offers an overview of the womens rights movement that took place in January of 2017. The
reporter explains the specific event then the motivation and plan behind this movement becomes
a focal point. Social media contributed a huge amount to making these movements happen. This
article empowers individuals and supports women of all ages; it conveys passion for this topic
and advocates for individual voice. The authors goal is to convince readers to get involved and
voice their passions or concerns about a matter. The author describes the march as more than just
crediting figures of feminism and applying personal research. The Philadelphia Inquirer is the
third-oldest surviving daily newspaper in the United States and has won nineteen Pulitzer Prizes
(A Brief History of the Inquirer). It was founded by John Norvell, former editor of Pennsylvania's
largest newspaper (A Brief History of the Inquirer). Individuals such as Gloria Steinem and
Emily Morse were credited in this article as individuals that made this movement happen
(Philadelphia Inquirer). The reporter's personal research on these figures proved to readers that
the reporter has done their homework and is a trustworthy source. The author briefly introduces
an overview of the most recent election and why women gathered together all over the country to
make a change (Philadelphia Inquirer). Informing readers on the motives of this event gives them
more of an understanding of the impact of the movement and how relevant the topic actually is.
Now that the readers are more aware of how important and valuable individual rights are, the
Adding to the Philadelphia Inquirers appeal to ethos, the staff emphasizes the impact of
this movement to womens power through facts and statistics. The appeal to logos begins when
the author describes The downside, the election of a troublingly unqualified man as president,
motivated about 3 million women, men and children to gather in 637 locations around the world,
(Philadelphia Inquirer). This fact immediately shows readers how large the movement was and
the author goes on to demonstrate how the power will continue to grow from there by explaining
March organizers have collected names and, going forward, will provide specific ways to
harness this new energy into civic action that goes beyond political campaigns (Philadelphia
Inquirer) These ideas and statistics progress the reporters argument about the growth of
womens power. If individuals unite, they will become an unstoppable force and inevitably
expand; the change people have hoped for will become a reality.
Along with strong logos and ethos appeals, the author closes the article with an appeal to
pathos by using emotional language. He first introduces what is at stake for women today: their
freedom and equality. He achieves this by stating: Friday's grim Inauguration Day, which
began a new, frightening era in these United Divided States (Philadelphia Inquirer). He is
appealing to everybody, not just women, by noting how the entire populations reputation is at
risk. Now that the readers are aware of the consequences, the author goes on to suggest a
solution, which, in this case, is advocating for individual rights. This is done by creating an
image of strong, united women; the reporter explains that the movement established a
community. One couldn't be in the midst of those throng of like-minded people in high spirits on
Saturday and feel isolated or helpless (Philadelphia Inquirer). The authors goal when using
emotional language is to motivate readers and radiate personal confidence; this appeal to pathos
Although the author shows various rhetorical appeals throughout the article, this piece
could use more outside credentials to enhance the argument even more and offer more
knowledge about womens rights. The only outside sources the Philadelphia Inquirer uses are the
mention of three figures that have contributed to this specific movement and one statistic that
listed demographics. Although those sources assisted the development of the authors argument,
additional facts about the general topic would not only intensify the authors views but it would
also make him/her more credible. Considering the piece as a whole, the author seems to only
reach surface-level and never goes in-depth when appealing to ethos, logos and pathos. If the
author dove deeper into the topic by adding more sources and analyzing their main points, this
This PSA, designed by Katrina Sisco, asserts feminine dominance and individual power.
A black background with white, pink and red lettering evokes passion and femininity. The main
slogan is written at the top in a bold font that states: History is Herstory, Too. A picture from
the womens march in Washington in January of 2017 is shown. Focusing in on feminist icon
Gloria Steinem, this PSA captures an individuals emotion towards womens movements,
especially their power and rights. Underneath the women-marching image lies a slogan
encouraging viewers to stand up and fight for what they think is right for themselves and
everyone else. The designers intended audience is any individual, teenager and beyond, that
prioritize individual rights and equality. The womens power symbol is incorporated and the Ms.
Foundation for Women logo, a non-profit organization striving for womens equality. Coca-Cola
The designer appeals to ethos by incorporating trustworthy sponsors, symbols and images
into the PSA that relate to the progress of womens power. A main focal point of this PSA is the
photo of Gloria Steinem in the center. She is a feminist icon that has written several best sellers
about womens power, has spoken at hundreds of womens marches/events, and co-founded Ms.
Foundation for Women (Linda Napikoski). Having a powerful icon like Gloria Steinem be a
prominent part of this PSA proves that the author knows a lot about her as an individual and how
shes brought success to this topic. Along with the image portrayed in the advertisement, two
large organizations sponsor the PSA to emphasize the importance of this focus- Ms. Foundation
for Women and Coca-Cola. Ms. Foundation for Women is the oldest womens foundation in the
United States and the CEO of this sponsor works at the Womens Campaign School at Yale
University (Forwomen.org). The author has clearly done her research and provides viewers
On top of the authors strong credentials, the intensity of the background image in the
PSA appeals to logos through a more visual approach. Viewers can observe the passion and
inspiration in these movements through the image of thousands of women all marching together
(Sisco). The location of the march and the estimated population can be determined through this
PSA (Sisco). The population of a womens march is essential to a womens power PSA because it
strengthens the designers initial goal for creating this advertisement. Katrina Siscos goal is to
not only inform viewers on the significance of this matter but to persuade them to get involved
and support as well. Because the viewers can visually interpret how big these marches are and
how many other ordinary people participate, they are more likely to become inspired and engage.
With a strong appeal to pathos through images, colors and fonts, the designer
accomplishes her goal of inspiring viewers to support womens rights. The march in the
background is bursting with pink and is filled with meaningful signs, such as one that states: We
may have not chosen the time but the time has chosen us (Sisco). Adding onto the emotions that
the background evokes, Gloria Steinem staring into the distance, smiling, is another approach to
emotion. Her soft smile demonstrates an open-minded, positive outlook and her eyes gazing into
the distance symbolizes potential success and hope for the future of women. Steinems facial
expressions can motivate viewers to also have a positive and open-minded perspective on this
topic. Another way the designer convinces viewers to gain passion and inspiration is through her
color and font choices. The pink words radiate passion and the white words establish the
innocence and neutrality women desire. While these colors express a softer tone, the word her
is all capitalized and red, provoking dominance and power for women (Sisco). The ray of colors
and fonts grab the viewers attention and the words like herstory, change, and support
formulate enthusiasm for the matter and make the viewers want to contribute to this movement
(Sisco).
Although Katrina Sisco has various rhetorical appeals present in her PSA, she couldve
strengthened her claim by adding more facts and statistics into the advertisement. The PSA has
several credentials that prove the significance of womens rights and many emotions that
persuade viewers to grow an interest in the subject. However, adding a powerful fact or statistic
into the advertisement can potentially make the viewers even more intrigued and the designers
The Philadelphia Inquirers We See a Movement Here and Katrina Siscos History is
Herstory, too are similar because they both persuade readers to capture the power of uniting.
These two pieces are different because the verbal argument drifts off and discusses how one can
start a movement so easily (social media) and the PSA does not. When it comes to how well each
author conveys their messages, the PSA is more powerful because viewers get a visual
representation as to how big, how colorful and how diverse the movement in January of 2017
was. Even though the verbal argument also includes the population of the movement, nothing
compares to actually seeing something in an image. Also, the PSAs messages are inspiring-
although they are concise, they still get the message across whereas the author of the verbal
Siscos History is Herstory, too appeals to ethos, logos and pathos by weaving in facts and
statistics, using emotional language, and recognizing important individuals that contributed to
the upbringing of womens power. Both authors take one event and address its background and
motives to prove to readers that personal beliefs brought together can bring success.
Works Cited
"About." Gloria Steinem. Office of Gloria Steinem, Brooklyn, New York, n.d. Web. 22
Feb. 2017.
"Find out More about the Ms. Foundation for Women!" Ms. Foundation for Women. N.p.,
Jan. 2016. Web. 22 Feb. 2017.
Luscombe, Belinda. "10 Questions for Gloria Steinem." Time. Time Inc., 15 Aug. 2011.
Web. 22 Feb. 2017.
Staff, Journey. "The History of the Coca-Cola Logo | Our History | Coca-Cola GB." The
History of the Coca- Cola Logo | Our History | Coca-Cola GB. The Coca-Cola
Company, n.d. Web. 22 Feb. 2017.
"Symbols of Feminism: Past, Present and Outside the Box." VitaminW. VitaminW, 7 Oct.
2013. Web. 22 Feb. 2017.
Williams, Edgar. "A Brief History of The Inquirer." Philly.com. Philadelphia Inquirer, 25
Sept. 2009. Web. 22 Feb. 2017.
""We See a Movement Here"." Infobase Learning - Login. Ed. Philadelphia Inquirer.
Philadelphia Inquirer, 23 Jan. 2017. Web. 16 Feb. 2017.
Wolf, Bryon. "Comparing Trump's Inauguration Crowd to the Women's March." CNN.
Cable News Network, 21 Jan. 2017. Web. 22 Feb. 2017.