together with

proudly present the

Vocal & Instrumental

Eisteddfod
2017 SYLLABUS
ENTRIES CLOSE Wednesday 18 January
(Office will remain open until 4pm on this day)
FESTIVAL DATES Monday 27 February Friday 24 March
CONCERTS Final : Saturday 25 March, 6:30pm
Junior Highlights : Sunday 26 March, 11am
BANK ACCOUNT CABS 1002617219 (National Institute of Allied Arts)
(State school name as depositor)

NIAA Office: Flat A5 Northern Heights, 5 J Tongogara Avenue, Harare

Office hours: 9am 12:30pm Mon-Fri (during term time)
Phone: 04-702989 (with answerphone); 04-250921 (fax/phone)
Cell: 0778 457773; Email: niaa@yoafrica.com;
Website: www.niaazim.co.zw Facebook: National Institute of Allied Arts (NIAA)
EISTEDDFOD ENTRIES CHECKLIST
1. Display the syllabus on a notice board / where your candidates are able to read it. Tell your
candidates they can also find the syllabus on the website and Facebook page.
2. Ensure you and your candidates have noted all the relevant rules.
They appear in three places:
(a) Page 1-2 of the syllabus which apply to all entries;
(b) At the beginning of each section eg. African Vocal;
(c) Under each class heading - printed in italics.
3. Remember to enter all the candidates from your school - including those of other teachers:
Individuals? Groups? In all six sections?
4. Check that the classes entered are the appropriate ones for the candidates.
(a) Language of vocals - African in African sections, Western in Western sections
(b) Vocal classes - school grade / form
(c) Instrumental classes - musical grade / competence level
5. List all candidates for the same class on a single entry form.
6. Provide contact details - especially email and cellphone number.
7. Inform NIAA of any candidates with scheduling constraints, eg. sports commitments, church
attendance.
8. Calculate and pay the correct entry fees.

PAYMENT CALCULATION

Fee (f) No. of entries (n) Total Fee (f x n)

$2 Solos - African Instrumental
$2 Solos - African Vocal
$2 Solos - Western Instrumental
$2 Solos - Western Vocal; Lieder
$5 Western Instrumental or Vocal Recital
$5 Duets; Own Composition
$7 Trios/Quartets
$10 Most Ensembles; Drum Corps
$15 Madrigals
$25 Jazz Ensembles
$25 Orchestras; Bands; Instrumental Choirs
$25 Choirs - African
$25 Choirs - Western
TOTAL
Dear Music Teachers and Musicians
Welcome to the 2017 Eisteddfod! The closing date for entries is Wednesday 18th January: we
urge you to study the syllabus now and start completing your Entry Forms so as to minimise your
load in the first week of next term. Please email the NIAA office without delay if you have a
query. Early submission of entries is welcomed.

We would like to draw your particular attention to the following:-

Compulsory Documents for Adjudicator. Every candidate performing in the Eisteddfod must
submit a supporting script for the Adjudicators use when Checking-in to avoid disqualification;
see Rule 3(a) for details.
Performance times. Penalties will be applied if these are not adhered to read Rule 3(e).
Late Withdrawals are an increasing problem please see Rule 3(j).
Maximum of 3 entries now applies to all classes. Please conduct auditions to select your best
candidates. Be sure to use the 2017 Entry Form which can be found at the back of the
syllabus. Note that candidate gender is now required we battle with unisex names!
African Instrumental, and all Vocal classes are now defined by school grade/form.
However, we still need the candidates Date of Birth on the Entry Form.
African Vocal classes. The Mbira may now be used for accompaniment in these classes but as
with all accompaniments, will not be adjudicated. See Rule 3(b).
Piano Solo classes. We have limited the classes available to junior pianists: Grade 1 and 2
candidates may enter Own Choice only, Grades 3 and 4 may enter Baroque and Own Choice.
Western Vocal solo classes. These have been changed significantly. The Popular
Contemporary category is no longer offered. Film and Country becomes Film Pre-2000 with
its own songlist that candidates must choose from. Sheet music for all the prescribed songs is
available from the NIAA Office. Candidates entering a Western Gospel class may choose any
gospel song by an artist on the set list. Pre-recorded accompaniments are now permitted
where an accompanist is not available, although an actual accompanist is always preferable.

Dates. The Eisteddfod runs over four weeks, including Saturdays and Sundays. Soloists and
small groups must be prepared to perform anytime from the first day of the festival. The first
week will predominantly be African Music classes but may include some Western classes. African
Choirs days will be in the second week; Western Junior School Choirs in the third week; and
Western Senior School/Open choirs, Orchestras, and Bands will be in the last week.

ZSMT Mini Eisteddfod will be on Saturday 25th February 2017. This event is open to beginner
instrumentalists and young singers. Please contact ZSMT Secretary, Dawn Siemers, for more
information: siemers@utande.co.zw.

NIAA needs more volunteers if it is to survive! Please could your school print the advert on
Page 9 of this syllabus in their next newsletter. If new volunteers are not forthcoming, we will
have no option but to reduce the number of entries accepted from each school.

Sincere thanks to all teachers, schools, parents and participants for your hard work, loyal
support and enthusiasm which are so vital to the continued success of the Eisteddfod!

Yours sincerely,
Nicky Hammond
Vocal and Instrumental Eisteddfod Director October 2016
 [1]

RULES OF THE FESTIVAL

Please read these rules carefully to avoid disappointment.
1. General
(a) The Adjudicators decision is final, and is not open for discussion. No public protests are permitted.
(b) Nobody may approach the Adjudicator while he/she is on duty.
(c) Stage access is restricted to performers and officials.
(d) No private pupil, relative or employee of the Adjudicator shall enter a section of which that Adjudicator is in
charge, except where:
(i) the individual is a member of a choir, band or orchestra; or
(ii) a panel of judges is in operation; or
(iii) more than 3 years has elapsed since regular tuition was received.
(e) All queries and requests must be put in writing, addressed to the Festival Director and copied to the NIAA
office. If a response is not received within a week please follow up.

2. Submission of Entries
(a) Pupils must enter through their teachers or schools to facilitate scheduling. Private entries will only be accepted
with permission from the Festival Director.
(b) All entries must be submitted on the current entry form (as provided with this syllabus), by the prescribed
closing date and with the stipulated fee. Please be sure to complete all the required information. It is the
responsibility of the school or teacher to ensure that candidates are entered in the correct class, otherwise they
may face disqualification. If changes are allowed in exceptional circumstances, a penalty fee will be charged.
See Rule 2(h)(ii).
(c) Maximum entries. 3 entries per class, per school or private studio. We recommend auditioning to select
your best candidates. All entries for the same class to be included on a single form. Teachers must apply in
writing to the Festival Director prior to closing date if they wish to enter more than the stipulated number
in any senior class. Refer also Rule 5(a).
(d) Candidates may enter only once in any class, with the following exceptions:
(i) In Quartet/Ensemble/Orchestral/Choral classes, an individual may enter a second time provided that
there is at least a 50 percent change in the composition of the group. In this event, names of all
participants in each group must be submitted at check-in.
(ii) In Instrumental classes, individuals may enter a second time provided that a different instrument is
played.
(e) All classes except the Open classes are for amateurs only.
(f) Candidate age.
(i) Please provide dates of birth (dd/mm/yy) or state over 21 for all entries (except choirs/orchestras).
(ii) In duet and group classes, the age/level of the most senior member determines the appropriate class.
(g) Candidate name. Please ensure the candidates name is clearly printed and correctly spelt, as this is what
will appear on the certificate. Please note:
(i) In duet and trio classes, the names of all the performers are required on the form or reverse side.
(ii) In quartet and ensemble classes, the Candidate Name is the name of the group, eg. school.
(h) Fees.
(i) Fees are not refundable in the event of non-attendance.
(ii) Changes are strongly discouraged, but if authorised will incur a penalty fee of $10.
(i) Special Requests. Please give details on a separate letter attached to your entry forms if:
(i) you have any special scheduling constraints you wish to have considered, eg: sporting commitments,
religious restrictions. We will do our best to accommodate these provided the schedule permits.
(ii) you have furniture requests eg. chairs.
(iii) your performance uses electronic equipment; or you require an MP3 player.

3. Performance Requirements
(a) All candidates, in whatever genre/class, must provide a supporting script for the Adjudicators use. This
must be labelled with the Class number and candidates Ballot number - no names of schools or participants;
and handed over at time of check-in. Failure to submit this will lead to disqualification.
(i) For African Music sections and Drumkit classes: a brief written outline giving the structure or story of
the piece to be performed;
(ii) For all classes in the Western sections except where otherwise specified; and also for the African SATB
choir classes: a printed (or handwritten) copy of the full music score.
 [2]

(b) Supporting accompaniment.

(i) Must be played by one person (any age) on either piano, keyboard (in piano mode) or acoustic guitar; in
African classes either a pair of hosho, or one mbira, or one marimba, or a traditional drum would be
acceptable.
(ii) If no other option exists a pre-recorded single-instrument accompaniment may be used. Candidate to
supply music on a flash-stick in MP3 format.
(iii) Same instrument to be used throughout a performance.
(iv) An accompanist may not perform any other role eg. singing, humming.
(v) The supporting accompaniment is not adjudicated.
(c) Candidates performing in the wrong class will not be rescheduled. At the Adjudicators discretion, a
commentary may be given, but no grade will be awarded.
(d) Teachers are expected to ensure that candidates are adequately prepared. The Adjudicator has the right to
ask a candidate to leave the stage if their performance is sub-standard.
(e) Performances over the maximum time will be penalised, and under the minimum will be disqualified. If
a senior candidate is unable to perform their chosen piece within the specified time, a written request must be
submitted to the Festival Director at time of entry.
(f) The NIAA will provide a piano and an electronic keyboard (to be played in piano mode only.) An MP3
player will be available. All other instruments, music stands and equipment must be supplied by the
candidate.
(g) No special effects (eg. amplification, lighting, props etc) are allowed in this festival except where
otherwise stated. In classes allowing amplification, or where own keyboard is being used, the candidate
must supply all equipment, including cables and adaptors organised and labelled so as to streamline stage
set-up. Candidates in these classes must arrive at least 30 minutes before their scheduled start time.
(h) Dress Code.
(i) No costumes are allowed in any classes in this Festival, unless otherwise specified.
(ii) Candidates of school age should wear regular school uniform, number ones or a simple black
and/or white outfit; no fancy accessories or hairstyles.
(iii) Candidates in Open classes may wear their own choice of outfit taking note of (i) and (ii) above.
(iv) Female marimba and cello players should wear trousers - school uniform or black.
(i) The candidates performing on the day must be those named on the ballot. No substitutions may be made
without the express permission of the Festival Director.
(j) Withdrawals must be notified at least 24 hours prior to performance. Failing this we reserve the right to
impose a fine of $5 per entry, unless extenuating circumstances exist.
(k) A candidate (including groups and choirs) may not repeat any item in two consecutive years.

4. Grades, Certificates and Concerts

(a) Adjudication criteria are detailed on the next page. The adjudicator will place a tick for each relevant criterion
somewhere along the continuum between Outstanding and Weak. The distribution of the ticks will determine
the performers overall grade between Honours and Ungraded. Grades may include a + where appropriate.
Honours First Second Third Ungraded

Outstanding Good Adequate Weak

(b) Candidates will not receive a certificate if their performance is Ungraded (a weak performance) or Disqualified
(which represents an infringement of syllabus).
(c) Only teachers or their accredited representatives may collect certificates.
(d) The concluding concerts will include a cross-section of the best performances from the Festival, selected by the
adjudicators in consultation with the Executive Committee. Performers by invitation only.

5. The Executive Committee

This is the administering body and reserves the right to:
(a) withdraw any class or challenge for which, in their opinion, insufficient entries have been received; and limit
entries where there are too many;
(b) accept or reject any entry submitted without being bound to give reasons;
(c) appoint an alternative adjudicator or a panel of adjudicators, should the need arise through illness or other
unforeseen cause; and
(d) settle all disputes concerning candidates or procedures. No public protests are permitted.
 [3]

ADJUDICATION CRITERIA
Intonation Accuracy to required pitches
Rhythm Accuracy of note and rest values, tempo, duration, pulse, steadiness, fluency, correctness of
Meters, use of patterns/form
Technique Posture, bowing/breath management/articulation/diction, attacks, releases, control of ranges,
musical and/or mechanical skill, dexterity
Tone Quality Resonance, control, clarity, focus, consistency, warmth, polyphonic mastery
Interpretation, Performance Style, phrasing, dynamics, musicality, conveying character of instrument,
emotional involvement, stage presence, appropriate appearance

Note: not all criteria will be relevant to every section/class

Outstanding Good Adequate Weak

Intonation Highly accurate Largely accurate Generally correct Frequent note errors
Pitch Accuracy notes and notes and intonation notes Insufficiently
intonation Pitch adjustments Sufficiently reliable reliable intonation
Pitch adjustments usually successful intonation to to maintain tonality
made instantly maintain tonality Pitch adjustment
Pitch adjustment skills not developed
skills developing

Rhythm Fluent, with Sustained, effective Suitable tempo Unsuitable and/or

Tempo flexibility where tempo Generally stable uncontrolled tempo
appropriate Good sense of pulse Irregular pulse
Rhythmic rhythm Overall rhythmic Inaccurate rhythm
character well accuracy
conveyed

Technique Technical Technical demands Technical demands Technical demands

and demands well mostly fulfilled generally managed often not managed
Tone quality fulfilled Tone mainly Tone generally Tone uneven and/or
Tone well controlled and reliable unreliable
projected consistent Adequate tonal Inadequate tonal
Sensitive use of Good tonal awareness awareness
tonal qualities awareness

Interpretation Expressive, Clear musical Some realisation of Musical shape and

Performance idiomatic musical shaping, well musical shape detail insufficiently
shaping and detail realised detail and/or detail conveyed
Positive, fully Secure; carrying Generally secure, Insecure, inadequate
committed musical conviction prompt recovery recovery from slips
Vivid Character and style from slips Insufficient musical
communication of communicated Some musical involvement
character and style Stage manner involvement Stage manner
Assured stage developing well Some lapses in stage lacking
manner manner
 [4]

SECTION 1 : AFRICAN INSTRUMENTAL

PLEASE CAREFULLY READ THE RULES OF THE FESTIVAL IN CONJUNCTION WITH THOSE
BELOW TO ENSURE THAT YOU ENTER THE CORRECT CLASS.

The name of the piece (with English translation) and composer must be written on
the back of the ballot before arrival at Check-in. State if own composition.
A brief written outline, in English, reflecting the structure of the piece is required for
the Adjudicator for all classes in this section. Marks will be deducted if not provided.
Candidates must provide their own instruments, or make a prior arrangement to
borrow from another school.
For duets and ensembles, players must perform in classes equivalent to, or above,
their solo level.
This is an Instrumental section: singing and movement are not encouraged. If used
they should play a minor role.
All performers must play an instrument except in classes 34-35.

MBIRA NYUNGA-NYUNGA SOLO

01 NYS1 Form 1-3 Max 2 mins Fee per Entry: $2
02 NYS4 Form 4-6 Max 3 mins
03 NYSA Adult Max 3 mins

MBIRA NYUNGA-NYUNGA DUET

Two mbira players to perform. See Rule 2(f).
04 NYD1 Form 1-3 Max 2 mins Fee per Entry: $5
05 NYD4 Form 4-6 Max 3 mins
06 NYDA Adult Max 3 mins

MBIRA NYUNGA-NYUNGA ENSEMBLE

3 - 9 players. All must play a traditional African instrument; at least two thirds to be on mbira. A few players may also sing but
instruments must dominate. See Rule 2(d), 2(f).
07 NYEJ Grade 3-7 Max 2 mins Fee per Entry: $10
08 NYE1 Form 1-3 Max 3 mins
09 NYE4 Form 4-6 Max 3 mins
10 NYEA Adult Max 3 mins

MBIRA NHARE SOLO

11 NHS1 Form 1-3 Max 2 mins Fee per Entry: $2
12 NHS4 Form 4-6 Max 3 mins
13 NHSA Adult Max 3 mins

MBIRA NHARE DUET

Two mbira players to perform. See Rule 2(f).
14 NHD1 Form 1-3 Max 2 mins Fee per Entry: $5
15 NHD4 Form 4-6 Max 3 mins
16 NHDA Adult Max 3 mins

MBIRA NHARE ENSEMBLE

3 - 9 players. All must play a traditional African instrument; at least two thirds to be on mbira. A few players may also sing but
instruments must dominate. See Rule 2(d), 2(f).
17 NHEJ Grade 3-7 Max 2 mins Fee per Entry: $10
18 NHE1 Form 1-3 Max 3 mins
19 NHE4 Form 4-6 Max 3 mins
20 NHEA Adult Max 3 mins

!!! VOLUNTEERS NEEDED ! ! !

We are always in need of helpers in the running of the festival.
If you think you could help please give us a call as soon as possible on
702989 or 0778 457773; or e-mail us at niaa@yoafrica.com
 [5]

MARIMBA SOLO
21 MRS1 Form 1-3 Max 2 mins Fee per Entry: $2
22 MRS4 Form 4-6 Max 3 mins
23 MRSA Adult Max 3 mins

MARIMBA DUET
Variation essential. Other traditional African percussion optional but must be played by the two marimba players. See Rule 2(f).
24 MRD1 Form 1-3 Max 2 mins
25 MRD4 Form 4-6 Max 3 mins Fee per Entry: $5
26 MRDA Adult Max 3 mins

MARIMBA ENSEMBLE
3 - 9 players; all must play an instrument. No Western instruments (including drumkit). Minimal movement and singing allowed;
must not detract from the playing. No drama, no costumes, no props. See Rule 2(d), 2(f).
27 MREJ Grade 3-7 Max 2 mins Fee per Entry: $10
28 MRE1 Form 1-3 Max 3 mins
29 MRE4 Form 4-6 Max 3 mins
30 MREA Adult Max 3 mins

OTHER TRADITIONAL AFRICAN INSTRUMENTS

For traditional African instruments (other than mbira and marimba), including drums and other percussion. Traditional
instruments from other African countries encouraged. Choice of instrument/s to be stated on the entry form. Players may also
sing.
31 OAIS Solo (any level) Max 2 mins Fee per Entry: $2
32 OAID Duet (two players of any level) Max 2 mins Fee per Entry: $5
33 OAIE Ensemble (3-9 players of any level) Max 3 mins Fee per Entry: $10

PAN-AFRICAN ORCHESTRA
Min 10, max 30 performers, of which at least three quarters must be playing an instrument. Traditional African instruments
only: must include marimba, mbira, drums and shakers in harmonious balance. Singing and dancing allowed; no drama, no
costumes, no props.
34 PAOJ Junior School / 13 and under Max 3 mins Fee per Entry: $25
35 PAOO Open (any age) Max 4 mins

MARIMBA CHALLENGES
Candidates receiving an Honours Grade in Marimba Ensemble Classes 27-30
are welcome to enter these Challenges.
Must perform the same piece in the same manner as when originally adjudicated.
NICK MANOMANO CHALLENGE TROPHY - Junior Schools
KUTINYA CHALLENGE TROPHY - Senior Schools

The NIAA extends Very Sincere Thanks to our Special Partners in 2016:

Mashonaland Holdings; Deloitte; Innscor; CBZ Bank; British Council;

Prince Edward School; Twin Rivers School; Midlands Christian College;
Gateway High School; Harare International School; Zimbabwe Academy of Music;
St Christophers School; Hartmann House;
Victoria Falls Hotel; Mr & Mrs Ray Wallbridge;
Specialist Hire; YoAfrica
and the Association of Trust Schools
 [6]

SECTION 2 : AFRICAN VOCAL

PLEASE CAREFULLY READ THE RULES OF THE FESTIVAL IN CONJUNCTION WITH THOSE
BELOW TO ENSURE THAT YOU ENTER THE CORRECT CLASS.

All entries in this section must be sung in an African language.

The name of the piece (with English translation) and composer must be written on
the back of the ballot before arrival at Check-in. State if own composition.
A brief written explanation of the story-line is required by the adjudicator for all
classes in this section.
Songs must be age-appropriate and respect the family-friendly character of the
festival.
Classes are designated by school grade or form.

VOCAL SOLO - AFRICAN TRADITIONAL (No known composer)

Movement and/or rhythmic effects allowed. Self-accompaniment or one supporting accompanist with a traditional African
instrument strongly encouraged; see Rule 3(b).
50 VSATJ Grade 3-7 Max 2 mins
51 VSAT1 Form 1-3 Max 3 mins Fee per Entry: $2
52 VSAT4 Form 4-6 Max 3 mins
53 VSATA Adult Max 3 mins

VOCAL SOLO - AFRICAN CONTEMPORARY

Movement and/or rhythmic effects allowed. Self-accompaniment or one supporting accompanist strongly encouraged; see
Rule 3(b). May include original composition.
54 VSACJ Grade 3-7 Max 2 mins
55 VSAC1 Form 1-3 Max 3 mins Fee per Entry: $2
56 VSAC4 Form 4-6 Max 3 mins
57 VSACA Adult Max 3 mins

VOCAL SOLO - AFRICAN GOSPEL

Gospel sound required - Powerful Worship, marked by strong rhythms and elements of spirituals, blues and soul.
Self-accompaniment or one supporting accompanist strongly encouraged; see Rule 3(b).
58 VSAGJ Grade 3-7 Max 2 mins
59 VSAG1 Form 1-3 Max 3 mins Fee per Entry: $2
60 VSAG4 Form 4-6 Max 3 mins
61 VSAGA Adult Max 3 mins

VOCAL DUET - AFRICAN (any genre)

Two singers, two vocal parts. See Rule 2(f). Movement and/or rhythmic effects expected. Self-accompaniment or supporting
accompaniment strongly encouraged; instrument to be appropriate to genre; see Rule 3(b).
62 VDAJ Grade 4-7 Max 2 mins
63 VDA1 Form 1-3 Max 3 mins Fee per Entry: $5
64 VDA4 Form 4-6 Max 3 mins
65 VDAA Adult Max 3 mins

VOCAL ENSEMBLE - AFRICAN A CAPPELLA (any genre)

3 - 9 singers, minimum 3 parts, sung a cappella (no accompaniment of any kind). See Rule 2(d), 2(f). Movement and/or rhythmic
effects expected. No conductor.
66 VEAAJ Junior School / 13 and under Max 3 mins
67 VEAAS Senior School (pupils only) Max 3 mins Fee per Entry: $10
68 VEAAO Open (any age) Max 3 mins

VOCAL ENSEMBLE - AFRICAN ACCOMPANIED (any genre)

3 - 9 singers, minimum 3 parts. See Rule 2(d), 2(f). Self-accompaniment or supporting accompaniment compulsory; instrument
to be appropriate to genre; see Rule 3(b). Movement and/or rhythmic effects expected. No conductor.
69 VEACJ Junior School / 13 and under Max 3 mins
70 VEACS Senior School (pupils only) Max 3 mins Fee per Entry: $10
71 VEACO Open (any age) Max 3 mins
 [7]

SECTION 3 : AFRICAN CHORAL

PLEASE CAREFULLY READ THE RULES OF THE FESTIVAL IN CONJUNCTION WITH THOSE
BELOW TO ENSURE THAT YOU ENTER THE CORRECT CLASS.

All entries in this section must be sung in an African language.

The name of the piece and composer (with English translation) must be written on
the back of the ballot before arrival at Check-in.
A brief written explanation of the story-line is required by the Adjudicator for all
classes in this section.
A printed copy of the music is required by the Adjudicator for the SATB Choral classes
89-91 only.
All performers must sing.
A conductor who performs any additional role (eg. singing or playing an instrument)
will be included in the count as a performer.
A supporting accompanist is not a performer, therefore must not perform any
additional role, eg. singing, humming, clapping.
No drumkit; no amplification. Keyboard in piano mode only.
School choirs must include pupils only.

CHOIRS - AFRICAN TRADITIONAL (No known composer)

Min 10, max 50 singers, with or without traditional African instruments. One supporting accompanist permitted - traditional
instrument only; see Rule 3(b). Movement and/or rhythmic effects allowed; not dancing.
80 CATJ Junior Schools Max 3 mins
Fee per Entry: $25
81 CATS Senior Schools Max 4 mins
82 CATO Open (any age) Max 4 mins

CHOIRS - AFRICAN CONTEMPORARY

Min 10, max 50 singers, with or without portable percussion instruments; Movement and/or rhythmic effects allowed; not
dancing. One supporting accompanist permitted; see Rule 3(b).
83 CACJ Junior Schools Max 3 mins
Fee per Entry: $25
84 CACS Senior Schools Max 4 mins
85 CACO Open (any age) Max 4 mins

CHOIRS - AFRICAN GOSPEL

Min 10, max 50 singers, with or without portable percussion instruments. Gospel sound required - Powerful Worship,
marked by strong rhythms and elements of spirituals, blues and soul. Movement and/or rhythmic effects expected. One
supporting accompanist permitted; see Rule 3(b).
86 CAGJ Junior Schools Max 3 mins
Fee per Entry: $25
87 CAGS Senior Schools Max 4 mins
88 CAGO Open (any age) Max 4 mins

CHOIRS - AFRICAN SATB

Min 10, max 50 singers, without instruments; no supporting accompaniment. Minimal movement and/or rhythmic effects. Full
printed score (all vocal parts) to be supplied for the Adjudicator. Candidates must perform in the key indicated on the score.
89 CASJ Junior Schools Max 3 mins
Fee per Entry: $25
90 CASS Senior Schools Max 4 mins
91 CASO Open (any age) Max 4 mins

**********************************************************
Watch out for details on the NIAA Website and Facebook page
of our other festivals during the year:
Speech and Drama Entries May; Performances June/July
Literary Entries July; Awards October
Visual Arts Entries August; Exhibition October
**************************************************
 [8]

SECTION 4 : WESTERN INSTRUMENTAL

PLEASE CAREFULLY READ THE RULES OF THE FESTIVAL IN CONJUNCTION WITH THOSE
BELOW TO ENSURE THAT YOU ENTER THE CORRECT CLASS.

Candidates must provide a printed copy of the music for the Adjudicator for all the
classes in this section unless otherwise stated. For duets and groups, a full score is
required showing each instrumental part.
The name of the piece and composer must be written on the back of the ballot before
arrival at Check-in.
Music grades are based on the ABRSM system or equivalent.
It is the teachers responsibility to ensure that pieces chosen are of the correct
grade and genre for the class and for the candidates level of play: eg. a candidate
entered in a Grade 1 class may not play a piece of pre-Grade standard.
In classes defined by music grade, Open candidates will be adjudicated as being of a
post Grade 8 standard. In other classes Open candidates will be adjudicated as
adults, except where otherwise indicated.
Repeats must be played where they are within the time limit.
Where a piece is written with accompaniment it should be performed accordingly.
See Rule 3(b) for notes on supporting accompaniment.
Teachers may help tune instruments for Grades 1-4 only.

PIANO SOLO - BAROQUE

Any composer of contrapuntal music between 1600 and the mid-18th century; including J S Bach, Handel, Scarlatti, Vivaldi.
100 PSBAR3 Music Grade 3 Max 2 mins Fee per Entry: $2
101 PSBAR4 Music Grade 4 Max 3 mins
102 PSBAR5 Music Grade 5 Max 4 mins
103 PSBAR6 Music Grade 6 Max 5 mins
104 PSBAR7 Music Grade 7 Max 6 mins
105 PSBAR8 Music Grade 8 Max 6 mins
106 PSBARO Open Max 8 mins

PIANO SOLO - CLASSICAL

Music written between 1750 and the early 19th century, by any composer contemporary to and including Mozart, Haydn and
Beethoven.
107 PSCLA5 Music Grade 5 Max 4 mins Fee per Entry: $2
108 PSCLA6 Music Grade 6 Max 4 mins
109 PSCLA7 Music Grade 7 Max 5 mins
110 PSCLA8 Music Grade 8 Max 6 mins
111 PSCLAO Open Max 8 mins

PIANO SOLO - ROMANTIC

Any piece written in the Romantic idiom in the 19th or early 20th century.
112 PSROM5 Music Grade 5 Max 4 mins Fee per Entry: $2
113 PSROM6 Music Grade 6 Max 4 mins
114 PSROM7 Music Grade 7 Max 5 mins
115 PSROM8 Music Grade 8 Max 6 mins
116 PSROMO Open Max 8 mins

PIANO SOLO - 20th & 21st CENTURY

Piano repertoire, written in the 20th or 21st centuries. (No pop music.)
117 PSTC5 Music Grade 5 Max 4 mins Fee per Entry: $2
118 PSTC6 Music Grade 6 Max 4 mins
119 PSTC7 Music Grade 7 Max 5 mins
120 PSTC8 Music Grade 8 Max 6 mins
121 PSTCO Open Max 8 mins

PIANO SOLO - OWN CHOICE

Repeats compulsory for Grade 1 and 2.
122 PSO1 Music Grade 1 (1 or 2 pieces) Min 30 secs, max 2 mins Fee per Entry: $2
123 PSO2 Music Grade 2 (1 or 2 pieces) Min 30 secs, max 2 mins
124 PSO3 Music Grade 3 Max 3 mins
125 PSO4 Music Grade 4 Max 3 mins
 [9]
VIOLIN/VIOLA SOLO
With supporting accompaniment where scored.
126 VIS1 Music Grade 1 (1 or 2 pieces) Max 2 mins Fee per Entry: $2
127 VIS2 Music Grade 2 (1 or 2 pieces) Max 2 mins
128 VIS3 Music Grade 3 Max 3 mins
129 VIS4 Music Grade 4 Max 3 mins
130 VIS5 Music Grade 5 Max 4 mins
131 VIS6 Music Grade 6 Max 5 mins
132 VIS7 Music Grade 7 Max 6 mins
133 VIS8 Music Grade 8 Max 6 mins
134 VISO Open Max 6 mins

CELLO/DOUBLE BASS SOLO

With supporting accompaniment where scored.
135 CBS1 Music Grade 1 (1 or 2 pieces) Max 2 mins Fee per Entry: $2
136 CBS2 Music Grade 2 (1 or 2 pieces) Max 2 mins
137 CBS3 Music Grade 3 Max 3 mins
138 CBS4 Music Grade 4 Max 3 mins
139 CBS5 Music Grade 5 Max 4 mins
140 CBS6 Music Grade 6 Max 5 mins
141 CBS7 Music Grade 7 Max 6 mins
142 CBS8 Music Grade 8 Max 6 mins
143 CBSO Open Max 6 mins

WOODWIND SOLO
Including all reed instruments and flute. With supporting accompaniment where scored.
144 WS1 Music Grade 1 (1 or 2 pieces) Max 2 mins Fee per Entry: $2
145 WS2 Music Grade 2 (1 or 2 pieces) Max 2 mins
146 WS3 Music Grade 3 Max 3 mins
147 WS4 Music Grade 4 Max 3 mins
148 WS5 Music Grade 5 Max 4 mins
149 WS6 Music Grade 6 Max 5 mins
150 WS7 Music Grade 7 Max 6 mins
151 WS8 Music Grade 8 Please advise
152 WSO Open Please advise

BRASS SOLO
Saxophone candidates must enter in the Woodwind classes. With supporting accompaniment where scored.
153 BRAS1 Music Grade 1 (1 or 2 pieces) Max 2 mins Fee per Entry: $2
154 BRAS2 Music Grade 2 (1 or 2 pieces) Max 2 mins
155 BRAS3 Music Grade 3 Max 3 mins
156 BRAS4 Music Grade 4 Max 3 mins
157 BRAS5 Music Grade 5 Max 4 mins
158 BRAS6 Music Grade 6 Max 5 mins
159 BRAS7 Music Grade 7 Max 6 mins
160 BRAS8 Music Grade 8 Please advise
161 BRASO Open Please advise

PERCUSSION SOLO - ORCHESTRAL INSTRUMENTS

For percussion instruments used in standard symphonic orchestras, including timpani. Not drumkit see classes 237-238.
162 PSO Open (any level) Max 2 mins Fee per Entry: $2

!! ! VOLUNTEERS NEEDED ! ! !
The NIAA are always in need of people to help at our performing festivals. Each morning
or afternoon session requires an announcer, an assistant on the Adjudicators desk,
people to check in and marshal candidates, and a cashier to man the door.
If you think you can help please contact the NIAA office as soon as possible on
702989 or 0778 457773; or e-mail niaa@yoafrica.com

Teachers: Please could you arrange for this appeal to be included in your schools next newsletter.
It would be wonderful if each school could put forward five new volunteers!
 [10]
RECORDER SOLO
With supporting accompaniment where scored. Music available in NIAA library for Grades 1-3.
163 RECS1 Music Grade 1 (1 or 2 pieces) Max 2 mins Fee per Entry: $2
164 RECS2 Music Grade 2 (1 or 2 pieces) Max 2 mins
165 RECS3 Music Grade 3 Max 3 mins
166 RECS4 Music Grade 4 Max 3 mins
167 RECS5 Music Grade 5 Max 3 mins
168 RECS6 Music Grade 6 Max 4 mins
169 RECS7 Music Grade 7 Max 4 mins
170 RECS8 Music Grade 8 Max 4 mins
171 RECSO Open Max 6 mins

GUITAR SOLO
Acoustic (ie. not electric) guitars only. With supporting accompaniment where scored. NB: appropriate music must be provided for
the adjudicator; chords alone are not adequate. Music available in NIAA library for junior grades.
172 GS1 Music Grade 1 (1 or 2 pieces) Max 2 mins Fee per Entry: $2
173 GS2 Music Grade 2 (1 or 2 pieces) Max 2 mins
174 GS3 Music Grade 3 Max 3 mins
175 GS4 Music Grade 4 Max 3 mins
176 GS5 Music Grade 5 Max 3 mins
177 GS6 Music Grade 6 Max 4 mins
178 GS7 Music Grade 7 Max 4 mins
179 GS8 Music Grade 8 Max 4 mins
180 GSO Open Max 6 mins

INSTRUMENTAL SOLO - ADULT NOVICE

Choice of instrument and grade must be stated on the entry form. With supporting accompaniment where scored.
181 ISAN 18 and over; no previous Eisteddfod experience Max 5 mins Fee per Entry: $2

INSTRUMENTAL SOLO - VETERAN

Choice of instrument and grade must be stated on the entry form. With supporting accompaniment where scored. Please advise if
you do not wish to be graded.
182 ISVET 60 and over Max 5 mins Fee per Entry: $2

INSTRUMENTAL SOLO - CLASSICAL

For any non-keyboard instrument. Choice of instrument must be stated on the entry form. Music written between 1750 and the
early 19th century, by any composer contemporary to and including Mozart, Haydn and Beethoven. With supporting
accompaniment where scored.
183 ISCLA5 Music Grade 5 Max 4 mins Fee per Entry: $2
184 ISCLA6 Music Grade 6 Max 5 mins
185 ISCLA7 Music Grade 7 Max 6 mins
186 ISCLA8 Music Grade 8 Max 6 mins
187 ISCLAO Open Max 6 mins

INSTRUMENTAL SOLO - ROMANTIC

For any non-keyboard instrument. Choice of instrument must be stated on the entry form. Any piece written in the Romantic idiom
in the 19th or early 20th century. With supporting accompaniment where scored.
188 ISROM5 Music Grade 5 Max 4 mins Fee per Entry: $2
189 ISROM6 Music Grade 6 Max 5 mins
190 ISROM7 Music Grade 7 Max 6 mins
191 ISROM8 Music Grade 8 Max 6 mins
192 ISROMO Open Max 6 mins

INSTRUMENTAL SOLO - 20th & 21st CENTURY

For any non-keyboard instrument. Choice of instrument must be stated on the entry form.
Music written in the 20th or 21st centuries excluding pop music. With supporting accompaniment where scored.
193 ISTC3 Music Grade 3 Max 3 mins Fee per Entry: $2
194 ISTC4 Music Grade 4 Max 3 mins
195 ISTC5 Music Grade 5 Max 4 mins
196 ISTC6 Music Grade 6 Max 5 mins
197 ISTC7 Music Grade 7 Max 6 mins
198 ISTC8 Music Grade 8 Max 6 mins
199 ISTCO Open Max 6 mins
 [11]
INSTRUMENTAL SOLO - SONATA
Choice of instrument must be stated on the entry form. First movement only except for Baroque sonatas, where the first two movements
must be played. With supporting accompaniment where scored.
200 ISSON5 Music Grade 5 Max 6 mins
201 ISSON6 Music Grade 6 Max 6 mins Fee per Entry: $2
202 ISSON7 Music Grade 7 Max 8 mins
203 ISSON8 Music Grade 8 Please advise
204 ISSONO Open Please advise

INSTRUMENTAL SOLO - CONCERTO

Choice of instrument must be stated on the entry form. First movement only if it is a 3-movement Concerto.
Supporting accompaniment compulsory.
205 ISCON5 Music Grade 5 Max 6 mins Fee per Entry: $2
206 ISCON6 Music Grade 6 Max 6 mins
207 ISCON7 Music Grade 7 Max 8 mins
208 ISCON8 Music Grade 8 Please advise
209 ISCONO Open Please advise

INSTRUMENTAL SOLO - RECITAL

Choice of instrument must be stated on the entry form. Candidates must present three works from three distinct periods. Credit will
be given for good programming. With supporting accompaniment where scored.
210 ISREC5 Music Grade 5 Max 8 mins Fee per Entry: $5
211 ISREC6 Music Grade 6 Max 8 mins
212 ISREC7 Music Grade 7 Max 12 mins
213 ISREC8 Music Grade 8 Max 12 mins
214 ISRECO Open Max 15 mins

SIGHT READING (piano, orchestral instruments or voice)

Candidates may enter more than once in one class provided it is with different instruments. State instrument on the entry form.
215 SIGHT5 Music Grade 5
216 SIGHT6 Music Grade 6 Music provided Fee per Entry: $2
217 SIGHT7 Music Grade 7
218 SIGHT8 Music Grade 8
219 SIGHTO Open

ACCOMPANYING
Only open to pianists who have passed Grade 6 or higher. The candidate must prepare the piano part of a set vocal or instrumental
work, to be performed on the day of the adjudication with the appointed soloist without prior rehearsal. The soloist may indicate on
stage the speed at which the piece should be played. The music may be obtained from the Festival Director 21 days before the
performance. Only the accompanist (candidate) will be adjudicated.
220 ACCJ Under 21 Music provided Fee per Entry: $2
221 ACCO Open

OWN COMPOSITION
Instrumental and/or vocal. For instruments other than piano, two or more parts are required. Co-authorship permitted: details of
composers on entry form. A printed copy of the full score in staff notation to be submitted on first day of Festival for marking by
Adjudicator. Guitar chords and lyrics alone are NOT acceptable.
Self-accompaniment permitted. Composition and performance will be marked.
222 OCJ 16 and under Max 3 mins Fee per Entry: $5
223 OCO Open Max 5 mins
 [12]
BAGPIPE SOLO
Candidates may enter only one class in this section. Please obtain full details on the different classes from the NIAA office.
Highland dress may be worn.
224 BPSN Novice (under two years experience) March Max 2 mins Fee per Entry: $2
225 BPSJM Junior (18 and under) March Max 3 mins
226 BPSJS Junior (18 and under) Strathspey & Reel Max 3 mins
227 BPSJH Junior (18 and under) Hornpipe & Jig Max 3 mins
228 BPSOM Open March Max 3 mins
229 BPSOS Open Strathspey & Reel Max 3 mins
230 BPSOH Open Hornpipe & Jig Max 3 mins

SNARE DRUM SOLO - WESTERN FOLK / SCOTTISH

Candidates may enter only one class from this section. Please obtain full details on the different classes from the NIAA offices.
Highland dress may be worn. No accompaniment allowed.
231 SSN Novice (under two years experience) March Max 2 mins Fee per Entry: $2
232 SSJ Junior (18 and under) March, Strathspey & Reel Max 3 mins
233 SSO Open March, Strathspey & Reel Max 3 mins

TENOR DRUM SOLO - WESTERN FOLK / SCOTTISH

Candidates may enter only one class from this section. Please obtain full details on the different classes from the NIAA offices.
Highland dress may be worn. To be accompanied by a piper and/or snare drummer; only the tenor drummer will be adjudicated.
Drum score required.
234 TSN Novice (under two years experience) March Max 2 mins Fee per Entry: $2
235 TSJ Junior (18 and under) March, Strathspey & Reel Max 3 mins
236 TSO Open March, Strathspey & Reel Max 3 mins

DRUMKIT SOLO
No music required for the Adjudicator; but a brief written outline must be submitted reflecting the structure of the piece, ie.
introduction, middle, finale.
237 DSJ 12-15 years Max 3 mins Fee per Entry: $2
238 DSS 16 and above Max 4 mins

Very Sincere Thanks to our special Eisteddfod partners

Mashonaland Holdings;
British Council; CBZ Bank;
Prince Edward School; Harare International School; Twin Rivers School
Gateway High School; Midlands Christian College;
Zimbabwe Academy of Music;
Asa Jogi; Andrew McClymont; Mr and Mrs Ray Wallbridge;
and the Association of Trust Schools

**********************************************************
Watch out for details of our other festivals during the year,
which are posted on our Website and Facebook page:
Speech and Drama Entries May; Performances June/July
Visual Arts Entries July; Exhibition October
Literary Entries August; Awards October
**************************************************
 [13]
INSTRUMENTAL DUET (including 2 pianos)
2 players, 2 parts; with supporting accompaniment where scored. See Rule 2(f). Full score required for Adjudicator. Choice of
instrument/s must be stated on the entry form. Specify if 2 pianos needed - please be aware that there will be a charge for tuning
a second piano.
239 ID1 Music Grade 1-2 Max 2 mins Fee per Entry: $5
240 ID2 Music Grade 2-3 Max 3 mins
241 ID3 Music Grade 3-4 Max 3 mins
242 ID4 Music Grade 4-6 Max 4 mins
243 ID6 Music Grade 6 and above Max 6 mins

INSTRUMENTAL TRIO / QUARTET (including piano double duet for 6/8 hands)
Each player to have a different part; with supporting accompaniment where scored. Full score required for Adjudicator.
Candidates details on the entry form to include names, music grades and instrument/s. Specify if 2 pianos needed - please be aware
that there will be a charge for tuning a second piano. See Rule 2(d), 2(f).
244 ITQ1 Music Grade 1-3 Max 3 mins Fee per Entry: $7
245 ITQ3 Music Grade 3-6 Max 4 mins
246 ITQ5 Music Grade 5 and above Max 6 mins

INSTRUMENTAL ENSEMBLE
5 - 9 players; minimum 3 parts; no conductor. One item (may be a medley). Full score required for adjudicator. No amplification.
Supporting accompaniment allowed in Junior School class only. See Rule 2(d), 2(f).
247 IEJ Junior School / 13 and under Max 4 mins Fee per Entry: $10
248 IES Senior School (pupils only) Max 5 mins
249 IEO Open Max 6 mins
If entering class 248 and 249 there must be at least a 50 percent change of performers.

JAZZ ENSEMBLE
3 - 15 players which may include one singer. See Rule 2(d), 2(f). Music of African-American origins, characterised by strong
rhythms, syncopation, and improvised solos. Includes Dixieland, Blues, Swing, Latin-American and Afro-Jazz; instruments
traditionally include woodwind, brass, piano and drumkit. No pop.
One item (may be a medley). Full score not required, but lead sheets must be submitted (see example on page 15). Music
available in NIAA library. Amplification allowed; see Rule 3(g).
Important: ask for stage set-up requirements at time of entry.
250 JAZZJ Junior School / 13 and under Min 2, max 4 mins Fee per Entry: $25
251 JAZZS Senior School (pupils only) Min 3, max 5 mins
252 JAZZO Open Min 3, max 6 mins
If entering class 251 and 252 there must be at least a 50 percent change of performers.

SINGLE INSTRUMENT CHOIR

Min 10, max 50 players. Any one type of instrument, eg. flute, clarinet, violin, etc. Choice of instrument must be stated on the entry
form. Two contrasting items must be played. Minimum 2 parts: full score required. With or without supporting accompaniment.
See Rule 2(d), 2(f).
253 SICJ Junior School / 13 and under Max 4 mins
254 SICS Senior School (pupils only) Max 5 mins Fee per Entry: $25
255 SICO Open Max 6 mins
If entering class 254 and 255 there must be at least a 50 percent change of performers.

CAMPANOLOGY
Minimum of 6 bells. Two contrasting items must be played.
256 BEL Open (any level) Max 4 mins Fee per Entry: $10

Very sincere thanks go out to our hard-working volunteers, without

whom this festival would not run.

Please ask your parents or friends to consider joining our dwindling

band, even just for one session per week.
 [14]
DRUM CORPS - WESTERN FOLK / SCOTTISH
3 - 9 players which must include a drum major and more than one type of drum. See Rule 2(d), 2(f). Highland dress may be worn.
Drum score required.
257 DC Open (any level) Max 5 mins Fee per Entry: $10

PIPE AND DRUM BAND - WESTERN FOLK / SCOTTISH

Min 10, max 50 players. See Rule 2(d), 2(f). A medley comprising hornpipe, jig, slow air, strathspey and reel. Highland dress to be
worn. Full score required.
258 PDB Open (any level) Max 5 mins Fee per Entry: $25

PERCUSSION BAND
Min 10, max 50 players. Two contrasting items must be played, with or without supporting accompaniment. Music should be
provided for the Adjudicator - please advise in writing at time of entry if this presents a problem.
259 PB Open (any level) Max 3 mins Fee per Entry: $25

RECORDER BAND
Min 10, max 50 players including percussionists. Minimum 2 parts: full score required. Two contrasting items must be played.
With or without supporting accompaniment.
260 RBJ Junior School / 13 and under Max 3 mins
Fee per Entry: $25
261 RBO Open (any level) Max 4 mins

WOODWIND AND BRASS BAND

Min 10, max 50 players including percussionists. Band to play one item (which may be a medley); or multiple items of a contrasting
nature. Full score required.
262 WBB Open (any level) Min 3, max 8 mins Fee per Entry: $25

BIG BAND
Min 10, max 50 players. A style associated with the swing era, typically comprising rhythm, brass and woodwind instruments.
Band to play one item (which may be a medley); or multiple items of a contrasting nature. Full score required. Amplification
allowed; see Rule 3(g). Important: ask for stage set-up requirements at time of entry.
263 BBND Open (any level) Min 3, max 10 mins Fee per Entry: $25

FULL ORCHESTRA
Min 10, max 50 players. Must include representation of string, wind, brass and percussion (tuned and untuned). Must play
music composed for orchestra. One item (which may be a medley) or multiple items of a contrasting nature. Full score required.
Amplification of selected instruments may be allowed if called for in the original score subject to permission from the Festival Director
prior to entering.
264 ORCHF Open (any level) Min 3, max 10 mins Fee per Entry: $25

STRING AND MIXED ORCHESTRA

Min 10, max 50 players. A String Orchestra is comprised of mixed strings only; a Mixed Orchestra is a combination of several
classical instruments but does not qualify as a Full Orchestra. One item (which may be a medley) or multiple items of a contrasting
nature. Full score required.
265 ORCHM Open (any level) Min 3, max 10 mins Fee per Entry: $25

JUNIOR ORCHESTRA
Min 10, max 50 players. May be Full, String or Mixed in composition - see definitions above. One or two items may be played, with
or without supporting piano accompaniment. Full score required.
266 ORCHJ Junior School / 13 and under Min 2, max 6 mins Fee per Entry: $25

Sincere thanks to

for their ongoing generous support

 [15]

LEAD SHEET (for Jazz classes 250-252)

 [16]

SECTION 5 : WESTERN VOCAL

PLEASE CAREFULLY READ THE RULES OF THE FESTIVAL IN CONJUNCTION WITH THOSE
BELOW TO ENSURE THAT YOU ENTER THE CORRECT CLASS.

This section is for Western songs, to be performed in a Western language.

Candidates may enter a maximum of four vocal solo classes.
Candidates must provide a printed copy of the music for the Adjudicator in all the
classes in this section; chords alone are not adequate. In duets and group classes a
full score is required showing all vocal parts.
Songs must be age-appropriate and respect the family-friendly character of the
festival.
Teachers should ensure that songs are in a key suited to their candidates voice.
Transposition is permitted for candidates under 18 years, in which case the key
must be indicated on the music submitted for the Adjudicator.
Verses must be cut if necessary to comply with time limits.
Vocalists should be accompanied in all solo sections, with the optional exception
of the folk/traditional classes. Pre-recorded accompaniment allowed, but not
encouraged. See Rule 3(b). Recorded accompaniments for the songs in the ABRSM
Songbooks are available on loan from the NIAA.
No Popular Contemporary songs allowed in any class in this section.
Classes are designated by school grade or form.
Younger singers entering Open classes must be aware that unless otherwise
specified these are intended for adult singers and are adjudicated accordingly.

VOCAL SOLO - NIAA CHOICE

Songs must be chosen from the NIAA Choice Prescribed Songlist on page 20.
400 VSNJ3 Grade 3-5 Fee per Entry: $2
401 VSNJ6 Grade 6-7
402 VSNG1 Girls Form 1-2
403 VSNB1 Boys Form 1-2
404 VSNG3 Girls Form 3-4
405 VSNB3 Boys Form 3-4
406 VSNG5 Girls Form 5-6
407 VSNB5 Boys Form 5-6
408 VSNAN Adult Novice (18 plus; no previous Eisteddfod experience)
409 VSNO Open

VOCAL SOLO - VETERAN

Veterans entering this section may perform a work in any style. Please advise if you do not wish to be adjudicated.
410 VSV60 Veteran 60 and over Max 4 mins Fee per Entry: $2
411 VSV75 Veteran 75 and over Max 4 mins

VOCAL SOLO - WESTERN FOLK / TRADITIONAL

Anonymous (ie. no known composer) or an arrangement of a traditional piece. May be unaccompanied.
If you have a query on a particular piece you want to sing, please contact the NIAA office.
There is a good selection of these songs in the ABRSM songbooks, available on loan from the NIAA office.
412 VSFJ3 Grade 3-5 Max 3 mins Fee per Entry: $2
413 VSFJ6 Grade 6-7 Max 3 mins
414 VSF1 Form 1-2 Max 3 mins
415 VSF3 Form 3-4 Max 3 mins
416 VSF5 Form 5-6 Max 4 mins
417 VSFO Open Max 4 mins

VOCAL SOLO - MUSICAL THEATRE

Songs from shows originally written for stage (West End, Broadway etc): eg. My Fair Lady, Les Miserables, Matilda; but not
tribute musicals, High School Musical, etc. Minimal props allowed. Title of show to be included on back of ballot.
418 VSMJ6 Grade 6-7 Max 3 mins Fee per Entry: $2
419 VSM1 Form 1-2 Max 3 mins
420 VSM3 Form 3-4 Max 3 mins
421 VSM5 Form 5-6 Max 4 mins
422 VSMO Open Max 4 mins
 [17]

VOCAL SOLO - JAZZ

Music of African-American origins; includes Dixieland, Blues, Swing, Bebop styles eg. Ella Fitzgerald, Louis Armstrong.
423 VSJ5 Form 5-6 Max 4 mins Fee per Entry: $2
424 VSJO Open Max 4 mins

VOCAL SOLO - FILM PRE-2000

Oscar-nominated songs written before 2000. You must select a song from the winners, listed on page 21, or from other
nominated songs, which can be found at https://en.wikipedia.org/wiki/Academy_Award_for_Best_Original_Song.
425 VSFC3 Form 3-4 Max 3 mins Fee per Entry: $2
426 VSFC5 Form 5-6 Max 4 mins
427 VSFCO Open Max 4 mins

VOCAL SOLO - POPULAR CONTEMPORARY

This section has been removed, at the recommendation of the adjudicators over the past three years.

VOCAL SOLO - WESTERN GOSPEL

A song of a religious nature marked by strong rhythms and incorporating elements of American spirituals, blues and soul.
Gospel sound required - Powerful Worship. You must choose a gospel song by one of the artists listed on page 21.
428 VSG5 Form 5-6 Max 4 mins
Fee per Entry: $2
429 VSGO Open Max 4 mins

VOCAL SOLO - SACRED MUSIC

A song of a religious nature, sung in a reverent style, eg. hymns (maximum 3 verses), The Lords Prayer, Panis Angelicus.
Does not include Gospel (see 428-429).
430 VSS3 Form 3-4 Max 3 mins Fee per Entry: $2
431 VSS5 Form 5-6 Max 3 mins
432 VSSO Open Max 3 mins

VOCAL SOLO - ORATORIO

An extract from a sacred or epic choral work - cantata/ requiem/mass. With recitative where appropriate.
433 VSORO Open Max 6 mins Fee per Entry: $2

VOCAL SOLO - OPERA

An aria in the original key and ideally sung in the original language. With recitative where appropriate. Costumes and
minimal props allowed.
434 VSOPO Open Max 6 mins Fee per Entry: $2

VOCAL SOLO - OPERETTA

Light opera (a precursor of modern musical theatre) eg. works by Strauss, Lehr, Offenbach, Supp, German, Romberg.
Includes Gilbert & Sullivan. Minimal props allowed.
435 VSOT5 Form 5-6 Max 5 mins
Fee per Entry: $2
436 VSOTO Open Max 5 mins

VOCAL SOLO - OLD ITALIAN

Any Italian song of the 17th or 18th century, sung in Italian. Not an opera aria.
437 VSIT3 Form 3-4 Max 3 mins Fee per Entry: $2
438 VSIT5 Form 5-6 Max 4 mins
439 VSITO Open Max 4 mins

ART SONGS
Art songs are based on a poetic text, and date back several centuries: composers include Faure, Debussy, Rachmaninov,
Grieg, Head, Copland. To be sung in the original language; piano accompaniment compulsory.
440 VA3 Form 3-4 Max 4 mins Fee per Entry: $2
441 VA5 Form 5-6 Max 5 mins
442 VAO Open Max 5 mins

LIEDER
German art songs typically of the nineteenth century; composers include Schubert, Schumann, Wolf, Mahler, Mozart. To be
sung in German. Both singer and pianist will be adjudicated as a single performance. Details of both are required on the entry
form; the singer determines the class.
443 VL5 Form 5-6 Max 6 mins Fee per Entry: $2
444 VLO Open Max 6 mins
 [18]
VOCAL SOLO - RECITAL
A group of 3 songs from 3 distinct periods and styles, judged as a single performance, taking into consideration song
choice, language and versatility. Example - Old Italian; Lied; a 20th Century piece. Concert attire recommended.
445 VSRL Ladies Open Max 12 mins Fee per Entry: $5
446 VSRM Men Open Max 12 mins

VOCAL AND INSTRUMENTAL DUET

One singer and one instrumentalist in equal artistic partnership; with supporting accompaniment where scored. Full score
showing all parts is required for the Adjudicator.
447 VID Open (any age ) Max 4 mins Fee per Entry: $5

VOCAL AND INSTRUMENTAL ENSEMBLE

Purely instrumental trios/quartets/ensembles must enter classes 244-249; purely vocal groups must enter classes 455-460.
3 - 9 performers, see Rule 2(d), 2(f). One item (may be a medley). Minimum 3 parts: full score showing all parts is required
for Adjudicator. No conductor. No amplification. Supporting accompaniment allowed in Junior School class only.
448 VIEJ Junior School / 13 and under Max 3 mins Fee per Entry: $10
449 VIES Senior School (pupils only) Max 4 mins
450 VIEO Open Max 4 mins

VOCAL DUET
Two singers, two vocal parts; with or without supporting accompaniment. Full score showing all parts is required for the
Adjudicator. Transposition allowed; key must be indicated on the score. See Rule 2(f).
451 VDJ4 Grade 4-7 Max 3 mins Fee per Entry: $5
452 VD1 Form 1-3 Max 3 mins
453 VD4 Form 4-6 Max 4 mins
454 VDO Open Max 4 mins

VOCAL TRIO / QUARTET

Each singer to have a separate vocal part; with or without supporting accompaniment. Full score showing all parts is
required for the Adjudicator. Transposition allowed; key must be indicated on the score. See Rule 2(d), 2(f).
455 VTQ1 Form 1-3 Max 3 mins Fee per Entry: $7
456 VTQ4 Form 4-6 Max 4 mins
457 VTQO Open Max 4 mins

VOCAL ENSEMBLE
5 - 9 singers, minimum 3 parts; with or without supporting accompaniment. Full score showing all parts is required for the
Adjudicator. Transposition allowed; key must be indicated on the score. See Rule 2(d), 2(f). No conductor. No amplification.
458 VEJ Junior School / 13 and under Max 3 mins Fee per Entry: $10
459 VES Senior School (pupils only) Max 4 mins
460 VEO Open Max 4 mins

MADRIGALS
Min 4, max 16 voices. See Rule 2(d). A secular part song without instrumental accompaniment. Words and music must be
15th/16th or early 17th century: composers such as Morley, Weelkes, Wilbye.
461 MAD Open (any age) Max 5 mins Fee per Entry: $15

WESTERN VOCAL CHALLENGES

PETER BOSLEY MEMORIAL TROPHY
Open to men 16 - 18 years gaining Honours in any vocal solo class
MONICA TROLLOPE MEMORIAL TROPHY
Open to ladies 16 - 30 years gaining Honours in any vocal solo class
HARRY TUDBALL MEMORIAL TROPHY
Open to any singer over 18 years, male or female, gaining Honours in any vocal solo class

A candidate may enter only ONE challenge class

Dress restrictions do not apply for this event.
The Adjudicator, in consultation with the Festival Director, may invite a performer obtaining
a First Plus grade in more than one vocal solo class to enter the appropriate challenge.
 [19]

SECTION 6 : WESTERN CHORAL

PLEASE CAREFULLY READ THE RULES OF THE FESTIVAL IN CONJUNCTION WITH THOSE
BELOW TO ENSURE THAT YOU ENTER THE CORRECT CLASS.

This section is for Western choral pieces, to be sung in a Western language.

Candidates must provide a full printed score (ie. showing all the parts) for the
Adjudicator in all the classes in this section. Where parts are compulsory they
should apply for the greater portion of the song.
The name of the piece and composer must be written on the back of the ballot
before arrival at Check-in.
Minimum performance 2 minutes except where otherwise stipulated. One or two
items may be sung.
Teachers are asked to ensure that they select age-appropriate songs.
Transposition is permitted for candidates under 18 years old; in which case the
transposed key must be indicated on the music submitted for the Adjudicator.
No props allowed except in the nursery school class.
School choirs must include pupils only.
CHOIRS - NURSERY SCHOOLS
May be accompanied and/or use percussion effects. Min 10, max 50 voices (including percussionists). Minimal props allowed
if appropriate.
500 CNS Nursery Schools Min 1 min, max 3 mins Fee per Entry: $25

CHOIRS - ACCOMPANIED
Min 10, max 50 voices. Must be accompanied by a single instrument throughout; piano (provided)/keyboard (in piano mode)
or acoustic guitar. No amplification. In junior school classes 501-507 and Gospel Choir class 519, up to 4 singers may play
hand-held percussion instruments in addition to the principal accompaniment. NB parts required:
Classes 501-504: 1 or 2 parts Classes 505-510: Min 2 parts Classes 511-519: Min 3 parts
501 CG2 Grades 1 and 2 Min 1 min, max 4 mins
502 CG3 Grade 3 Max 5 mins Fee per Entry: $25
503 CG4 Grade 4 Max 5 mins
504 CG5 Grade 5 Max 5 mins
505 CJG Junior Girls Max 5 mins
506 CJB Junior Boys Max 5 mins
507 CJM Junior Mixed Max 5 mins
508 CF2G Forms 1 and 2 Girls Max 6 mins
509 CF2B Forms 1 and 2 Boys Max 6 mins
510 CF2M Forms 1 and 2 Mixed Max 6 mins
511 CSG Senior Girls Max 6 mins
512 CSB Senior Boys Max 6 mins
513 CSM Senior Mixed Max 6 mins
514 CAL Adult Ladies (no member under 18) Max 6 mins
515 CAM Adult Men (no member under 18) Max 6 mins
516 CAX Adult Mixed (no member under 18) Max 6 mins
517 CO Open (mixed age groups) ** Max 6 mins
518 CC Church Max 6 mins
519 CG Western Gospel Max 6 mins

CHOIRS - UNACCOMPANIED
Min 10, max 50 voices. In classes 520 and 524 only, up to one-fifth of the singers may also play hand-held percussion.
NB parts required: Class 520: Min 2 parts; Classes 521-524: Min 3 parts

520 CUJ Junior Schools Max 5 mins

Fee per Entry: $25
521 CUS Senior Schools Max 6 mins
522 CUO Open (mixed age groups) ** Max 6 mins
523 CUC Church Max 6 mins
524 CUG Western Gospel Max 6 mins

** If entering this class and any preceding class in the same section, there must be at least a 50 percent change of members.
The Gospel sound should incorporate elements of American spirituals/blues/soul. Typical elements include movement, a
call-and-response structure and the featuring of solo voice/s. Strong use of harmony is expected. Audience participation
should not be actively invited by the performers.
 [20]

PRESCRIBED SONGLISTS
Sheet music for this selection of songs can be found in the NIAA Library. English translations are provided for foreign-language
songs. Recorded accompaniments are also available for songs in the ABRSM Songbooks.
Suggestions of other songs to be added are always welcome, but can only be included for subsequent years.

NIAA CHOICE PRESCRIBED SONGS (Classes 400-409) Songs on this list may be sung in other classes where appropriate.
SONG COMPOSER SONG COMPOSER
ABRSM Book 1 (2012) ABRSM Book 4 (2012) (contd)
A dream is a wish your heart Mack / Hoffman / Seligkeit (Heavenly Bliss) Franz Schubert
makes Livingston Shiny Cecil Cope
Cuckoo Martin Shaw Silent Worship George Frideric Handel
Dona, dona Sholum Secunda Since first I saw your face Thomas Ford
Good morrow to you, springtime! Hugh S. Roberton The Dormouses Carol Elizabeth Poston
Grandfather Clock Thomas Dunhill The Woodcutters Song Ralph Vaughan Williams
Omens of Spring W. H. Anderson When daisies pied Thomas Arne
Quem pastores laudavere Johann Hermann Schein
from Cantional ABRSM Book 5 (2012)
Song of the Boats Betty Roe A Nightingale Sang in Berkeley Manning Sherwin
The Crocodile Peter Jenkyns Square
Walking in the Air Howard Blake An Sylvia Franz Schubert
Where is love? Lionel Bart Fear no more the heat o the sun Ian Higginson
From a Railway Carriage Alec Rowley
ABRSM Book 2 (2012) I attempt from loves sickness Henry Purcell
Coconut Man Aubrey Beswick to fly
London Birds Geoffrey Shaw If doughty deeds Arthur Sullivan
Poco Poppa Pizza and Mama Betty Roe It was a lover and his lass Thomas Morley
Piccolo Jeg elsker Dig (I Love You) Edvard Grieg
The Frog Nina Perry Linden Lea Ralph Vaughan Williams
The Little Spanish Town Peter Jenkyns Love Walked In George and Ira Gershwin
The Sweet Nightingale W. H. Anderson Mari Wiegenlied Max Reger
Twilight Aubrey Beswick (The Virgins Slumber Song)
Wiegenlied (Cradle Song) Bernhard Flies My Ship Kurt Weill
Wiegenlied (Cradle Song) Franz Schubert Rejoice in the Lord James Nares
Rugiadose odorose Alessandro Scarlatti
ABRSM Book 3 (2012) (Dainty, fragrant violets)
Ah! how pleasant tis to love Henry Purcell Tell me, lovely shepherd William Boyce
Die Bekehrte (The Encounter) Ignaz Brll The Birds Lament Richard Rodney Bennett
Ferry me across the water Gerald Finzi Trade Winds Frederick Keele
God be in my head Walford Davies Una palomita blanca Joaquin Rodrigo
Im learning to read Betty Roe ` (Little White Dove)
Minnelied (Love Song) Franz Schubert Vieni, vieni o mio diletto Antonio Vivaldi
My House Leonard Bernstein (Come, O Come)
Orrible Little Blue-Eyes Betty Roe Where the bee sucks Thomas Arne
Sweet and low Joseph Barnby Whereer you walk George Frideric Handel
The Owls Peter Jenkyns
The Path to the Moon Eric Thiman DISNEY New Illustrated Treasury (Edition 6)
Wiegenlied (Cradle Song) Wilhelm Taubert Baby Mine from Dumbo
Windy Nights Charles Villiers Stanford Bella Notte (This is the Night) from Lady and the
ABRSM Book 4 (2012) Tramp
A Cradle Song Ralph Vaughan Williams Candle on the Water from Petes Dragon
A New Year Carol Benjamin Britten Hi Diddle-dee-dee from Pinocchio
A Smugglers Song Christopher Le Fleming (An Actor's Life for Me)
Blow, blow, thou winter wind Thomas Arne I've Got No Strings from Pinocchio
Clock-a-clay Richard Rodney Bennett Lavender Blue (Dilly Dilly) From So Dear to My
Consider yourself Lionel Bart Heart
Die Waise (The Orphan) Robert Schumann Part of Your World from Little Mermaid
I feel pretty Leonard Bernstein The Second Star to the Right from Peter Pan
Long ago and far away Jerome Kern True Love's Kiss from Enchanted
Love quickly is palld Henry Purcell When You Wish Upon a Star from Pinocchio
One Hand, One Heart Leonard Bernstein

FILM PRE-2000 PRESCRIBED SONGS (Classes 425-427)
Oscar-winning songs: Taken from https://en.wikipedia.org/wiki/Academy_Award_for_Best_Original_Song
SONG
A Whole New World
All the Way
Best That You Can Do
Baby, It's Cold Outside
Beauty and the Beast
Born Free
Buttons and Bows
Call Me Irresponsible
Can You Feel the Love Tonight
Chim Chim Cher-ee
Colors of the Wind
Days of Wine and Roses
Do Not Forsake Me, Oh My
Darlin'
Evergreen
Fame
Flashdance... What a Feeling
For All We Know
Gigi
High Hopes
I Just Called to Say I Love You
I'm Easy
In the Cool of the Evening
It Goes Like It Goes
It Might as Well Be Spring
Last Dance
Let the River Run
Love Is a Many Splendored
Thing
Lullaby of Broadway
Mona Lisa
Moon River
My Heart Will Go On
Never on Sunday
On the Atchison, Topeka and
the Santa Fe
Over the Rainbow
WESTERN GOSPEL PRESCRIBED ARTISTS (Classes 428-429)
ARTIST/SONGWRITER - Female
Mahalia Jackson (1911-1972)
Shirley Caesar (1938 - )
Sandi Patty (1956 - )
Yolanda Adams (1961 - )
LaShun Pace (1961 - )
CeCe Winans (1964 - )
- Male
George Beverley Shea (1909-2013)
Bill Gaither (1936 - )
Andrae Crouch (1942-2015)
[21]
FILM SONG FILM
Aladdin Raindrops Keep Fallin' on My Butch Cassidy and the
The Joker Is Wild Head Sundance Kid
Arthur Say You, Say Me White Nights
Neptune's Daughter Secret Love Calamity Jane
Beauty and the Beast Sooner or Later Dick Tracy
Born Free Streets of Philadelphia Philadelphia
The Paleface Sweet Leilani Waikiki Wedding
Papa's Delicate Condition Swinging on a Star Going My Way
The Lion King Take My Breath Away Top Gun
Mary Poppins Talk to the Animals Doctor Dolittle
Pocahontas Thanks for the Memory The Big Broadcast 1938
Days of Wine and Roses The Continental The Gay Divorcee
High Noon The Last Time I Saw Paris Lady Be Good
The Morning After The Poseidon Adventure
A Star Is Born The Shadow of Your Smile The Sandpiper
Fame The Time of My Life Dirty Dancing
Flashdance The Way We Were The Way We Were
Lovers and Other The Way You Look Tonight Swing Time
Strangers The Windmills of Your Mind The Thomas Crown Affair
Gigi Theme from Shaft Shaft
A Hole in the Head Three Coins in the Fountain Three Coins in the
The Woman in Red Fountain
Nashville Under the Sea The Little Mermaid
Here Comes the Groom Up Where We Belong An Officer and a
Norma Rae Gentleman
State Fair We May Never Love Like This The Towering Inferno
Thank God Its Friday Again
Working Girl Whatever Will Be, Will Be The Man Who Knew Too
Love Is a Many- (Qu Ser, Ser) Much
Splendored Thing When You Believe The Prince of Egypt
Gold Diggers of 1935 When You Wish Upon a Star Pinocchio
Captain Carey, U.S.A. White Christmas Holiday Inn
Breakfast at Tiffany's You Light Up My Life You Light Up My Life
Titanic You Must Love Me Evita
Never on Sunday You'll Be in My Heart Tarzan
The Harvey Girls You'll Never Know Hello, Frisco, Hello
Zip-a-Dee-Doo-Dah Song of the South
The Wizard of Oz
ARTIST/SONGWRITER - Male
Richard Smallwood (1948 - )
Daryl Coley (1955-2016)
Donnie McClurkin (1959 - )
Fred Hammond (1960 - )
Hezekiah Walker (1962 - )
BeBe Winans (1962 - )
Marvin Sapp (1967 - )
Kirk Franklin (1970 - )
Micah Stampley (1971 - )
 NIAA USE
TEACHER
CODE

Flat A5 Northern Heights, 5 Josiah Tongogara Avenue / cnr Harare Street, Harare
Phone 702989 (with answerphone); 250921 (fax/phone); 0778 457773 (cell); E-mail niaa@yoafrica.com
Website: www.niaazim.co.zw Facebook: National Institute of Allied Arts (NIAA)

VOCAL & INSTRUMENTAL ENTRY FORM 2017

Do not complete this form until you have read all the Rules
Please type, or print clearly in black. Complete all fields.
Please use a separate form for every class.

Last day for entries Wednesday 18th January 2017. Earlier entries encouraged!

Name of School: ...................................................... Contact Person: .........................................................

Address: ...........................................................................................................................................................
Tel no: .................. Cell no: ........................ Email: ...............................................
Class Number & Title Code (It is important to complete this in full):
Eg: 86-CAGJ indicates class 86: African Gospel Choir, Junior Schools
Fee per entry: ...........(f) No of entries: .........(n) Total fee for this class (page): .....................(f x n)

Actual
Gender M/F

Candidate or Group Name Instrument/s

Date of Birth duration of
As it should appear on certificate format dd/mm/yy
to be played
(or state over 21) piece (if not clear from
First name | Surname (mins) class title)

1 / /

2 / /

3 / /
NB: Maximum THREE entries per class. (Teachers must apply in writing to the Festival Director
prior to the closing date if they wish to enter more than three candidates - senior classes only.)

If more than one group is entered, individuals names will be required for Check-In.

I, ................................................................... hereby undertake to ensure that:

1. the above candidates have been advised of the rules under which they will perform.
2. the candidates check in at least 15 minutes before the class commences;
instrumental groups requiring set-up time will arrive at least 30 minutes before.
3. the NIAA is advised of any withdrawals at least 24 hours in advance.

Date: Signed: ...........................................................

ADMIN OFFICE USE BANK DETAILS

Rct no: ................... Rct Date: ......./..../..... $...............
Notes: ....................................................................................... National Institute of Allied Arts
................................................................................ CABS Gold Class 1002617219
 AFRICAN MUSIC AWARDS

BEST AFRICAN MUSIC SOLO Certificate for each age group

BEST AFRICAN MUSIC DUET
BEST AFRICAN MUSIC ENSEMBLE
TICHA MUZAVAZI MBIRA PRIZES
EDULOAN TROPHY
WINAD MUSIC TROPHY
AFRICAN VOICE CUP
AFRICAN MUSIC ENSEMBLE CUP
KUTINYA CHALLENGE TROPHY
NIC MANOMANO CHALLENGE TROPHY
ACORN CUP
ROTARY ETHNIC CHOIR CUP
WATERSHED CUP
Certificate for each age group
Certificate for each age group
Mbira Solo - Junior School, Form 1-3, Form 4 & up
Marimba Ensemble - Junior School
Marimba Ensemble, Traditional - Senior School
Vocal Ensemble, A Cappella - Senior School
Mbira or Vocal Ensemble
Marimba Challenge - Senior Schools
Marimba Challenge - Junior Schools
African Choirs - Junior School
African Choirs, Traditional or Contemporary
African Choirs, Gospel

INSTRUMENTAL AWARDS

ANNE BECK CUP Piano Solo Baroque - Grades 1 & 2

EDDIE RIDER SHIELD Piano Solo Baroque - Grades 3 & 4
AIDA LOVELL CUP Piano Solo Baroque - Grade 5
BACH AWARD Piano Solo Baroque - Grade 6
WELL WISHER BACH AWARD Piano Solo Baroque - Grade 7
EILEEN REYNOLDS CUP Piano Solo Baroque - Grade 8
INSTITUTE CUP Piano Solo Baroque Open
ZSMT BEETHOVEN CUP Piano Solo Classical - Grade 5 and over
CAROL BARON CUP Piano Solo Beethoven - Grade 5 and over
CAROL BARON TROPHY Piano Solo Romantic - Grade 5 and over
PAT DUFFY MEMORIAL TROPHY Piano Solo 20th Century - Any grade
LITTLE CUP Piano Solo Own Choice - Grades 1 to 4
NIAA PIANO SOLO CUP Piano Solo Own Choice - Grades 5 to 8
MOZART CUP Piano Solo Own Choice Open
HEADINGTON CUP Piano Sonata - Grade 5 and over
COLLEGE SINFONIETTA CUP Instrumental Sonata - Grade 5 and over
CAROL BARON CONCERTO CUP Instrumental Concerto - Grade 5 and over
DI WRIGHT TROPHY Bowed Strings - Under 16
JOY KNOWLES TROPHY Bowed Strings - 16 and over
NIAA WIND SOLO CUP Woodwind Solo - Under 18
ESME VENTER CUP Woodwind Solo - 18 and over
NIAA BRASS SOLO CUP Brass Solo - Any grade
NIAA BAGPIPE SOLO CUP Bagpipe Solo - Any level
BORDER TROPHY Recorder Solo - Grades 1 to 5
CHARLES KEAUFFLING CUP Recorder Solo - Grade 6 and over
BRYDEN RECORDER GROUP TROPHY Recorder Bands
MASHONALAND HOLDINGS TROPHY Bands - Open
JUNIOR BANDS/ORCHESTRA CUP Junior Orchestras
NIAA BAND & ORCHESTRA CUP Orchestras Open
NIAA ENSEMBLE CUP Instrumental and/or Vocal Ensembles
CYNTHIA SONNENBERG CUP Sight Reading - Under 18
IDA JAMES CUP Sight Reading - 18 and over
GRAHAM JOHNSON CUP Accompanying

Trophies may be withheld if no suitable recipient is identified.

 VOCAL AWARDS

PAT DUFFY CUP Vocal Solo under 14

LYNETTE WELCH CUP Vocal Solo Girls under 18
BLYTHE KRUGER TROPHY Vocal Solo Boys under 18
FLORA McCALLUM CUP Vocal Solo 18-21years
LORNA KELLY CUP Vocal Solo Open
DR GRIFFITHS TROPHY Opera Solo
PADDY EDGECUMBE CUP Recital
GRETA MUIR CUP Lieder (singer and accompanist)
PETER BOSLEY MEMORIAL TROPHY Male Singers 16-18 Challenge
MONICA TROLLOPE MEMORIAL TROPHY Lady Singers 16-30 Challenge
HARRY TUDBALL MEMORIAL TROPHY Male or Female Singers over 18 Challenge
CALEDONIAN FLOATING TROPHY Madrigals

CHORAL AWARDS

ASTRA CUP Choirs Grades 1 & 2

JOHN GARDINER CUP Choirs Grade 3
THOMSON CUP Choirs Grade 4
GRACE CUP Choirs Grade 5
MORTON TROPHY Choirs Junior Boys
KATH KENNY CUP Choirs Junior Girls
MASHONALAND CAMBRIAN SOCIETY CUP Choirs Junior Mixed
GEM MERCER CUP Choirs Forms I and II Girls
RAY GOUGH CUP Choirs Forms I and II Boys
BLYTHE KRUGER SHIELD Choirs Senior Boys
MASH CAMBRIAN SOCIETY CUP Choirs Senior Girls
SENIOR SCHOOLS TROPHY Choirs Senior Mixed
NIAA CHURCH CHOIRS CUP Church Choirs
NIAA PRAISE CUP Gospel Choirs
LIPTZ CUP Choirs Open
NIAA A CAPPELLA CUP Choirs Unaccompanied

GENERAL AWARDS

ADJUDICATORS CUP For an outstanding item - Vocal or Instrumental

ESTHER LACY CUP For Musicality and Charm
POCKET CUP Most Promising Musician under 17
LAURENCE AND COPE CUP Most Promising Musician 17-21
SANDERS FLOATING TROPHY Most Promising Singer 17-19
THE DIANA MELLON SCHOLARSHIP To a Zimbabwean student aged 10-17 years,
ideally for piano/organ studies
THE NEELS BOONZAAIER RECOGNITION TROPHY To a student for all-round contribution
in all aspects of music

Trophies may be withheld if no suitable recipient is identified.