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The Ends ofEnchantment:
Colonialismand SirGawain and
theGreenKnight
LynnArner
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80 LynnAmer
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SirGawainandtheGreenKnight 81
England'sConquestofWales
As R. R. Davies explains,by theclose ofthetwelfthcentury,theAnglo-
Normanshad entrenched themselves firmlyin much of Wales,especially
in thesoutheast,in the farsouthwest,and, in places along theeastern
border.16Bytheend ofthenextcentury, EdwardI had paid extraordinary
amountsto effect and to sustaintheconquestof theremaining areas of
northand westWales,areas thathad moresuccessfully resistedcoloni-
zation.17
Thereafter,theWelshprovokedconstantanxietyin theEnglish.
Therewereoccasionaloutbreaksof violenceby theWelshagainsttheir
colonizers,includinganti-English violencein the northin the 1340s.18
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82 LynnAmer
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andtheGreenKnight
SirGazvain 83
and SGGK
KingArthur,
Colonialism,
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84 LynnAmer
at theFrontier
Gawain'sAdventures
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SirGawainandtheGreenKnight 85
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86 LynnAmer
byoneyear,indicating thatthetwocourtsarevastlydisparatetemporally.
The frontieris a primitive terrain thathas yetto developintoa cultivated
regionresembling Arthur's kingdom. Thus,SGGKoffers itslate-fourteenth-
century Englishreadersanethnographic colonialistunderstanding ofWales:
thepoemimpliesthatthefrontier and Walesinhabitan earliermomentof
development thantheepochinwhichEnglandexistsandthatWalesstands
incontradistinction tothemoredeveloped,sophisticated England.
Anothernarrative SGGKoffers is thattheWelshborderland needsa
stronger Christian influence. Arthur'scourt is decidedly Christian.Thenar-
rativebeginsat Camelotin themidstofextensivecelebrations ofChrist's
birth.As SheilaFishernotes,at Camelot'sChristmasfeast,a high-rank-
ingclergyman, BishopBawdewyn, occupiestheseatofpreeminence atthe
headofthetable.34 Thecourt'srepresentative, Gawain,demonstrates great
piety,reflectingnotonlyhisown devotion, butalso thedevoutnessofthe
English,foroncehe embarkson hisjourney, theknightbecomesa synec-
docheforArthur'scourt.WhenGawainbattlesbestialfoes,"Nade he ben
du3tyanddry3e, andDry3tyn had serued,/Douteleshehadebended and
dreped fulofte" ("Had he not beenvaliantand enduringand had he not
servedtheLord,withoutdoubt,Gawainwouldhavebeenslainand killed
on numerousoccasions,"724-25).Arthur'sknight has God on hisside;by
implication,his foes do not. In theseduels, the hero bearsa shieldwithim-
of
ages Mary and a pentangle, with an additional pentangle on hissurcoat.
Thispentangle, shapedbySolomon,gives Gawain courage,forhe associ-
atesitwiththeFiveJoysofMaryand theFiveWoundsofChrist(619-50).
As GeraldineHengnotes,themeaningthepoemascribestothepentangle
is notconventional butarbitrary,35 and thisarbitrariness foregrounds the
alignment ofChristianity withGawain.On hisjourney, thepious knight
hearsGod'svoice(695-97),talkstoHeaven'sQueen(736-39),entreats God
andMaryforlodgingwherehe mightattendmass(753-58),andrepents for
hismisdeeds(760-62).
The contestbetweensacredand secular(or perhapspagan) cultures
is morepronounced in theborderregionthaninArthur'scourt.Thiscon-
in
testis evident theresponseto Gawain's supplication. Fishernotesthat
Gawain'sprayertoMarydelivershimtothecastlewherehe is testedbythe
Lady and Morganla Faye.36 ThisassociationbetweenMaryand Morgan
foregrounds thesimultaneous presenceof bothsacredand pagan pow-
ersat thefrontier. Attendance at massbysomeofthehouseholdbespeaks
Christianpiety,but,as Fisherpointsout,at thiscastle,Morganenjoys
thebishop'sseatofhonorat thehead ofthetable,a displacement which
anticipatesBertilak'sepithetforher:"MorgneIpegoddes" ("Morganthe
goddess,"2452).37 Morgan,nota Christian divinity,is theprevailingdeity
ofthisdomain.Border-dwellers' commitment to Christianityseemstenu-
ous,foralthoughGawainis verypiousen routetothecastle,afterreposing
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SirGaivainandtheGreenKnight 87
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88 LynnAmer
Anotherjustification SGGKoffersforthecolonizationofWalesrevolves
aroundcivility. The poem is concernedwithan intersecting nexusofis-
suessurrounding courteousness,
civility: and
politeness, conformity tothe
principlesof behavior a
befittingrespectable member of the community,
and theinterrelated artofgood secularlordship,solidpolity,and sound
civilorganization.SGGKrepresents theWelsh-English borderland as rath-
eruncivil,inhabited bycreatures who are disorderly,who lackresponsible
governance, and who need a morejudiciousbody politic.Lifeoutside
Bertilak'scastleis barbarous.The land teemswithcombativecreatures,
offersvisitorsnakedrocksforbeds (729-30),and sproutsdeep,wild for-
ests(741-45).TheGreenKnight, a productofthisregion,is an ambiguous
In manyways,theGreenKnightis cultivated:
figure.39 whenhe appearsat
Arthur'scourt,he is impeccably dressed and coiffured,whilehishorse's
mane and tail are elegantlybraided in a green and gold patternrecall-
ingCelticdesign.Butthedemi-giant is tied to nature'sbarbarousness at
thefrontier.LarryD. Bensonargues that the Green Knightrepresents the
stockenemyofknighthood in medievalromance - thewildman,a figure
who opposesknightsand who strivesagainstthevalues represented by
courts,includingan adherencetorefined manners. Wildmenin medieval
romancesusuallyfight withaxesorclubs,underscoring thesavagenessof
thesecreatures. The GreenKnight, Benson is
continues, churlish, ignor-
ingcourtly rulesand continually revealinghischurlishness in thecontent
and deliveryofhis speech;thus,he is thenaturalfoeofCamelotand the
knighthood it represents.40
Accordingly, thebeheadinggame proposed
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SirGawainandtheGreenKnight 89
by theGreenKnightis uncouth.Honorablechallengesbetweenknights
assumetheformof duels involvingswords,spears,and
conventionally
lances (as in TheAwntyrs at theTerneWathelyn,
offArthure TheKnightlyTale
ofGologras and Gawain,and Malory's Le Morte and
Darthur), such instru-
mentssignifychivalrouscodes of conduct.Axes are associatedwithan
allegedbackwardnessof a people; forexample,in Topographia Hibernica
(TheTopography ofIreland),Geraldof Wales, who often participates incolo-
nialistunderstandings ofthenon-English in theBritishIsles,41 maintains
thatoneindication ofthebarbarousness oftheIrishis thattheyalwayscar-
ryaxes,perpetually prepared "to execute whateveriniquitytheirminds
suggest/'42 Axes were frequentlyinstruments ofshameemployedin late
medievalEnglandtopunishcriminals, includingbeheadingmenconvict-
ed oftreason.In SGGK,theGreenKnightburstsintoKingArthur'scourt,
askstobe decapitated, and demandsfuture reciprocity.Thegiganticgreen
man issueshis challengeat a formalChristmasdinnerforlordsand la-
dies and boisterously tauntsthecourtfornotacceptinghisoffer (309-15).
This is notthe most chivalrous challenge.Itis inkeepingwiththelogicof
thepoemthatborder-dwellers would desiresuchlowlyformsofcombat,
formsassociatedwithwildness,backwardness, and criminality. More-
over,theGreenKnight'sproposedexchange of blows recallspluck-buffet,
a gameoccasionally featured inpopularromances(forexample,inA Little
GesteofRobinHoodandhisMeiny).43 Arthur'scourtis reluctant toengagein
thisaffair,perhapsinpartdue to cowardice, butitsreluctance also entails
itsapparentunfamiliarity withsuchlowlygamesas pluck-buffet and its
desiresto adhereto etiquette'sdictatesand to participate in morechival-
ricpursuits.44The outlandishgianthas issueda rathercrasschallengefor
one knightto offerto another, especiallyto a knightoftheRoundTable.
In theend,theGreenKnight'sbetterhalf,Bertilak, remainsat thefrontier
whileGawainrejoinsArthur'scompany. UnlikeArthur'sfoesinsomelate
Middle Englishromancesexplicitly centeredon Englishcolonizationin
theBritish is notsufficiently
Isles,Bertilak refined tobe a suitableaddition
to Camelot.The ScottishSirGalernjoinstheRoundTableat theend of
TheAwntyrs Arthure
off at theTerne Wathelyn, and eventhetitlecharacter in
TheCarleofCarlisleis ultimately knighted, granted land, and assimilated
intoArthur'scourt.45 Bertilak,however,is apparently too aliento be suc-
cessfully integratedinto thisretinue.
Admittedly, Bertilak'scastleis morecivilizedthanits environs.At
thecastle,Gawain is honoredas a specialguestand, in manyways,is
treatedwell:he consumeslavishmeals,dons elegantrobes,and reposes
in a splendidbedroom.The hospitality extendedto Gawainto somede-
the
greechallenges poem's dominant representation of border-dwellers
as ill-mannered. However,thiscourtliness is intertwined withmanifest
impropriety. As the cross-cuttingbetween the hunting and thebedroom
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90 LynnAmer
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SirGawainandtheGreenKnight 91
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SirGawainandtheGreenKnight 93
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Conclusion
SGGKoffers Welshborderland
a colonialviewoftheEnglish- and ofWales,
whileprovidinga self-congratulatory onEnglandthatultimate-
perspective
lypromotestheEnglishconquestofWales.Suchare theideologicalends
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SirGawainandtheGreenKnight 95
ofPittsburgh
University
Pittsburgh,
Pennsylvania
NOTES
I presenteda versionofthisarticleat the36thInternational
Congresson Me-
dieval Studies,WesternMichiganUniversity, 3-6 May 2001. I am gratefulto
GeraldineHengand SheilaDelanyforinvaluablefeedbackon thisarticle.
1. Such EnglishclaimsbetrayedmoreaboutEnglishanxietiesthanaboutthe
Welsh.See R. R. Davies, Dominationand Conquest:Theexperience
ofIreland,Scotland
andWales1100-1300 (Cambridge:CambridgeUniversity Press,1990),116-17.
2. R.R.Davies,TheAgeofConquest: Wales1063-1415(Oxford:OxfordUniversity
Press,2000),441.
3. Davies.TheAeofConquest,458.
4. As MichelleR. Warrendemonstratesin History
on theEdge:Excaliburandthe
BordersofBritain,1100-1300(Minneapolis:UniversityofMinnesotaPress,2000),
chroniclers' of thefoundingmomentsof Britain,especiallyaccounts
renditions
ofArthur, werefrequently in theborderregionsofthevariouscountries
written
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Sir Gawainand theGreenKnight 97
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34. SheilaFisher,'Taken Men and TokenWomenin Sir Gawainand theGreen
Knight"in Seeking theWomanin LateMedievalandRenaissance Essaysin
Writings:
Feminist Contextual Criticism, ed. SheilaFisherand JanetE. Halley(Knoxville: The
University ofTennesseePress,1989),79-80.
35. GeraldineHeng,"FeminineKnotsand theOther:SirGawainandtheGreen
Knight/' PMLA106(1991):505.
36.Fisher, 77.
37.Fisher, 79-80.
38. Davies, Domination, 109-11.Knight,274,arguesthatthejuxtaposition of
wildnessand courtliness in theGreenKnightis subversive to thedominantmet-
ropolitan culturerepresented byArthur'scourt.
39.Cooper,286-88,discussestheambiguity oftheGreenKnight.
40.LarryD. Benson,ArtandTradition inSirGawainand theGreenKnight(New
Brunswick, New Jersey: RutgersUniversity Press,1965),72-95.
41.Ingham,Sovereign Fantasies, 109-14,discussesGeraldofWales'sconnections
withcolonization intheBritish Isles.
42. GeraldofWales,TheHistorical Works ofGiraldus Cambrensis, trans,and ed.
ThomasWright (London:H. G. Bohn,1863),135.
43.1am indebtedtoGeraldineHengforraisingtheissueofpluck-buffet.
44. Kline,112,remarks,theirsilenceis due notjustto fearbutto theircortay-
sye/implying thateveninthefaceofsucha terrifying sightas a brightgreenman
on a greenhorse,Arthur'scourtmaintains perfect decorum/'
45. Interestingly, whentheCarl is a carl,he livesin Wales.However,oncethe
enchantment is brokenand hebecomesa morefunctional humanbeing,he appar-
entlyprepares to move to Carlisle.
46. See GraldineHeng,"A WomanWants:The Lady,Gawain,and theForms
ofSeduction," TheYaleJournal ofCriticism 5 (1992):110-15,fora discussionofthe
articulation offemaledesireand Gawain'sconformation tofemaledemands.
47. For a discussionof thiscommoncolonialisttrope,see AnneMcClintock,
Imperial Leather: Race,Gender andSexuality intheColonialContest (New York:Rout-
ledge, 1995):21-24. See also Loomba, 151-60.
48. For discussionsof thisalignment, see Loomba,151-55and 160-63,and
McClintock, 21-31and 54-56.
49. Regarding Arthur'sboyishness, consult,forexample,Christine Chism,Al-
literativeRevivals(Philadelphia:University of Pennsylvania Press,2002),68-74,
and ClareR. Kinney, 'The (Dis)EmbodiedHeroand theSignsofManhoodin Sir
GawainandtheGreen Knight," inMedieval Masculinities:Regarding MenintheMiddle
Ages, ed. Clare A. Lees (Minneapolis: University of MinnesotaPress, 1994),48-49.
50. SarahStanbury, SeeingtheGawain-Poef: andtheActofPerception
Description
(Philadelphia: University ofPennsylvania Press,1991),97,briefly remarks thatbe-
cause theGreenKnightis unableto identify Arthuramonghis knights, Camelot
is perhapsnotas ordered(and itsstructure is notas coherentand apparent)as the
openingstanzasofthepoemlead readerstobelieve.
51.RobertBlanchand JulianWasserman, 'The MedievalCourtand theGawain
Manuscript," in The Medieval Court in Europe, ed. EdwardR. Haymes(Munich:
WilhelmFinkVerlag,1986),181-82,arguethatArthur'sfailureto sitat thecenter
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Sir Gazvainand theGreenKnight 99
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100 LynnAmer
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Sir Gazvainand theGreenKnight 101
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