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T HE E FFECTIVENESS W ORKSHOP

AND T OOL K IT FOR S CHOOL L EADERS

Ca m p T E P S A
O c to b e r 4 , 2 0 1 0

Pre s e nte d by :
S e n i o r Ed u c at i o n a l Co n s u l t a nt
J e n i fe r J. S e ve r s o n , Ed. D.

Quantum Learning Education


Learning Forum International Foundation
1938 Avenida Del Oro, Oceanside, CA 92056
800.285.3276 Fax 760.305.7766 www.QLN.com

1999 Quantum Learning Network / Revised 2008


The Quantum Learning System

Quantum Learning is a comprehensive approach to teaching and learning and the orchestration
of a proven system that incorporates research, instructional best practices, classroom manage-
ment tools and techniques, strategies for increasing student engagement, and collaboration
models.

1999 Quantum Learning Network / Revised 2008 1


Context

E
1999 Quantum Learning Network / Revised 2008 2
The Prime Directive

Remember:
The degree to which we
enter our students
world is the degree of
influence we have in
their lives.

Now what?

1999 Quantum Learning Network / Revised 2008 3


The Prime Directive

Enter Your StudentsWorld


The concept of Theirs to Ours, Ours to Theirs is How? By associating what you teach with an
the Prime Directive of everything thats done with- event, thought or feeling extracted from their
in the framework of Quantum Learning for home, social, athletic, musical, artistic, recreational
Teachers every interaction with students, every or academic lives. Once this link has been estab-
design of the curriculum, every instructional lished, then you can bring them into your world
method aligns with this principle. and give them your understanding of the content.
This is where new vocabulary, mental models, for-
Heres what it means. Theirs to Ours, Ours to Theirs mulas, etc. are unveiled. As connections and inter-
reminds us of the importance of entering the stu- actions are explored, both the students and
dents world rst. In order for you to earn the right teacher gain new understanding andoursbroad-
to teach, you must rst build authentic bridges ens to include not only the class but also the
into your students lives. A teaching credential or a teacher. Finally, with this expanded understand-
document stating you can teach or train merely ing and greater mastery, the students can take
states you have the authority to teach. It doesnt what theyve learned into their world and apply it
mean you have the right to teach. Teaching some- to new situations. Theirs to Ours, Ours to Theirs. It
one is an earned right and is granted by the stu- is the way of human dynamics and the Prime
dent, not by the state Department of Education. Directive of Quantum Learning for Teachers.
Learning, by its very denition, is a full-contact
activity. In other words, learning involves all
aspects of the human personality thoughts, feel-
ings and body language in addition to prior
knowledge, attitudes, beliefs and perception of
the future. Therefore, since learning deals with the
entire person, the right to facilitate that learning
must be granted by the learner and earned by the
teacher.
So, rst enter their world. Why? It earns you the
permission to lead, guide and facilitate their jour-
ney into expanded awareness and knowledge.

1999 Quantum Learning Network / Revised 2008 4


Valuing Relationships

Now what?

1999 Quantum Learning Network / Revised 2008 5


Valuing Relationships

Atmosphere is made up of relationships. The Other characteristics of a Big Me Big You relation-
strength of teams is embedded in how people ship:
treat one another and how much relationships are The school follows a team approach.
valued as a whole. There are four distinct ideas we
have distinguished about valuing relationships. The educator establishes objectives and makes
decisions based on the input of the group.
The administrator/teacher keeps in touch with
Big Me Little You others and assists them when needed.
Big Me Little You means I value me, but I dont Conict is handled by using logic and facts to
value you. This style from a teacher or leaders make decisions
viewpoint is controlling and authoritarian. It works Confrontation is two-way, honest and open.
for a short time but ultimately loses impact.
Results include high productivity and continual
People or young children especially may respond
improvement.
to this for a short time, but wait until they become
teenagers and this styles eectiveness will quickly
evaporate. Little Me Big You
Other characteristics of a Big Me Little You rela- Little Me Big You is I dont value me, I value you.
tionship: In a nutshell, this is the leader or teacher who sets
rules that are always subject to change.
The educator is autocratic, controlling and direc- Allowances are made to the point of sheer frustra-
tive. tion on the part of the rest of the organization or
Do it because I said so mentality and explana- the class.
tion.
Other characteristics of a Little Me Big You rela-
The educator tends to be critical of others.
tionship:
Sta and student reactions vary from ghting
back and resentment to compliance. The administrator or teacher creates rules and
plans but they are always subject to change for
Results may include high productivity in the individual needs.
short run but lower results in the long run.
The educator wants to be liked by others more
than anything else.
Big Me Big You Well handle this later is typical. Decision mak-
Our best relationships in life and our best produc- ing is postponed.
tion and results come when there are what we call Conict is handled by giving in to the requests of
Big Me Big You relationships. This means I value others.
you, you value me. Big Me Big You means we are Trouble following through because the focus is
not necessarily equals because I may be your on pleasing.
teacher or supervisor, but I value who you are as a
person and you value who I am. It means I take
into account you as a person rst. I am able to sep-
arate the person from the behavior and look at
people as their highest self.

1999 Quantum Learning Network / Revised 2008 6


Little Me Little You
Little Me Little You is the most poisonous of all
types of relationships. The dynamic of this rela-
tionship is the most opposite of Big Me Big You. It
means I dont value you, you dont value me and
disaster strikes in these types of relationships.
There is no value or respect for the person, prop-
erty or oneself. Its why incidents like April 20,
1999, happen in schools like Columbine.
Other characteristics of a Little Me Little You
relationship:
Low concern for production and people.
The educator goes through the motions, but
does the minimum required to remain in the
organization.
Communication is handled by passing messages
up and down the chain of command with as lit-
tle input as possible.
Results usually include gradual movement
toward poor quality.
Feedback is not encouraged.

1999 Quantum Learning Network / Revised 2008 7


Affinity

Anity means close relationship.

This is an exercise that begins to build or enhance anity. It is also a wonderful way to discover
positive things about ourselves and others, giving us permission to grow in self-esteem and
self-condence. Ask each question once. Responses to the person answering the question
should be a simple acknowledgement, Thank you. Each person has the opportunity to ask the
series of questions. From this experience, further discussion of personal interests and admira-
tion can take place.

1
Question

Tell me something I dont know about you

2
Question

Tell me something you like about me

3
Question

Tell me something we may agree on

1999 Quantum Learning Network / Revised 2008 8


Principles of Powerful Communication (POPC)

1
Take Okay class, stop talking and being so distracted. As you know
this class is getting harder as the days go by. The content is
One extremely confusing, and most students have a dicult time
even getting a C. So if you are expecting anything higher than
a C, you had better buckle down and work harder and longer.
What I want you to do now is take out your homework from last night,
and then you should pass them this way. (After glancing at the papers)
I can see already that I dont like the way you did this.
Today Im going to give you a choice: we can either keep making our
way through this material by lectures or you can try to understand on
your own by reading it. Now its important to note most students fail
this next section because it is so advanced.

2
Good day, class. Please be seated and focus this way.
Take
Two We are entering a portion of our curriculum that is easily the
most challenging part. I know you have the ability to do well.
Please know that students, like yourselves, have done very
well on this part. Especially when they remember to ask questions
and participate.
Lets begin where we nished with last nights homefun. Please locate
it, and then pass it to your right. (Pause for collection of papers after
looking at the papers) It looks as though we would benet from a
quick review of yesterdays concept. Is that an accurate assumption?
(Pause) Great. Lets get out our notes and review using the example
from yesterday.
Oh, by the way, after our little refresher this morning, I thought we
might approach our next portion of curriculum a bit dierently. We will
explore that following our review.

1999 Quantum Learning Network / Revised 2008 9


Elicit the Image
Try this little experiment. Do not think of a gorilla. Dont notice the
gorilla is wearing purple Spandex tights, green tennis shoes and a
baseball cap. Okay, end of experiment.
What happened? In order to not think of the colorfully clad gorilla, you
had to create the image or picture rst. Your brain naturally creates,
edits, stores and retrieves images. This happens automatically, and is
directly inuenced by the words you hear. The human brain creates
images constantly. This happens either through sensory input thats
visual, auditory or both. When you hear words your brain immediately
processes them as images. These images or impressions begin a domi-
no eect, setting o myriad associations. For example, when you hear
ball your brain retrieves a variety of stored images: basketball, base-
ball, beach ball, volleyball, tennis ball, a formal dance, all in addition to
Remember:
seeing the letters b-a-l-l. Often, the associations created are contrary, There is no comprehension
or at least misaligned with the concepts in the communication being without picturing.
heard. Its only in context that we can choose the precise meaning of Consciously create pictures
the concept. Therefore, its imperative that you consciously choose or images in your students
words to convey an idea accurately. The words you choose greatly minds that support their
learning.
impact your desired outcome.
Use the brains ability to provide rich associations to your advantage.
Craft your words to elicit an image that can propel your students learn-
ing.
Class, this is the most dicult and tedious part of the chapter, so be
cautious or youll fail.
What images does it create? Diculty, tediousness, danger, failure.
Notice how the images dier when
you say,
This is easily the most challenging
portion of the chapter. Being attentive
will ensure a clear understanding.
Create in your students minds the
impression or image you have in
your mind. Consciously choose words
that ignite positive associations,
propel learning and enhance
your communication.

1999 Quantum Learning Network / Revised 2008 10


Direct the Focus
Similar to the rst principle, directing the focus capitalizes on the brains
ability to sort through the deluge of sensory input and focus its atten-
tion. Scientists estimate our brain receives over 10,000 bits of informa-
tion every second were awake. Wow! How do we handle all that input? Common
One answer lies in the brains dual processing capability. Once in the
brain, the sensory information is processed, either on a conscious or Statements
non-conscious level (Lozanov, 1979). Rephrased
Try this experiment. Notice the layout of this page. Notice the graphics,
the format of the text, and how your eye is drawn to important Dont forget your
information. Now notice the temperature of the room youre in. What homework.
happened? As you read the words, your mind focused on each point: Remember to do
the layout, the graphics, the design, and so on. Your mind then selected your homework.
a particular input on which to focus, leaving the others, like the ambi- Now we are at the
ent temperature, non-conscious. But as soon as your attention was difficult part of this unit.
drawn to it, you zeroed in on the temperature and all the details of this This is easily the
page became non-conscious again in a split second. most challenging
part youve
How can this principle help you teach more eectively? Use Direct the
mastered so far.
Focus when giving directions. Ask yourself, Where do I want my
students to focus their attention? Then choose the words that direct Dont talk.
their focus. Focus your attention
to this spot.
Stay away from the art supplies as you move to your group, brings
attention to the art supplies. This increases the probability of someone For some of you this
noticing them. Instead, direct the focus where you want it: next section will be a
breeze.
Look to the place where your group meets. Please move directly to that This section is a
spot, and take your books with you. challenge in various
degrees.
With no mention of the art supplies and a clear focus on where to go
and what to bring, you decrease the chance of students discovering the
art supplies.
Heres another example of Direct the Focus: Lets say you want to get
your class attention. Rather than saying Stop talking or Im waiting,
direct their focus:
Please allow your eyes to look in this direction and your body to
face me.

1999 Quantum Learning Network / Revised 2008 11


Another example: Lets say youre teaching todays lesson and want
students to recall information from yesterday. Provide a cognitive
prompt by directing the focus to yesterdays highlights.
Remember from yesterday the two elements in salt, and think of their
symbols. Be ready when I call on you to tell us those two symbols.
Your words, intentionally or unintentionally, unlock associations. Since
these associations occur in students minds, we can direct them to the
associations most likely to support learning.

1999 Quantum Learning Network / Revised 2008 12


Be Inclusive
Ever notice statements like these spoken in a classroom? What I want
you to do next is take out your books. What youre going to do next is
take out the homework from last night. I need you to gather your
materials. Teachers make statements like these hundreds of times a Common
day. They clearly communicate the expected behavior, but what else do
they communicate? If language elicits associations, what associations Statements
are being invited? Notice that the words I want you to, Youre going Rephrased
to, and I need you to perpetuate a me-versus-you dynamic. The mes-
sage behind them is, Im in control and youll do what I say. Now, how I need you to take out
might someone who has negative associations wrapped around teach- your books.
ers respond to that? Perhaps in a rebellious or less-than-cooperative
Lets take out our
manner? This negative association, even at the non-conscious level, has books.
a dramatic eect on learning and behavior.
Im going to be
Now notice how the following statements create a more positive, teaching you the steps.
propelling dynamic. Well be learning the
steps.
Lets take out our books. Go ahead and take out your homework from
last night. Its time to gather our materials. Look up here.
Catch this everyone.
A simple change in words fosters an inclusive, everyone-is-invited,
collaborative relationship.
As a Quantum Learning teacher, you desire to create an atmosphere of
collaboration, teamwork and inclusion especially knowing the negative
associations some students have about the student/teacher dynamic.
Being conscious and deliberate about the words you choose can
strengthen the sense of togetherness and elicit positive associations. To
support your intention to create a collaborative learning environment,
use language that invites inclusion. Lets, us and we create a sense
of cohesion and unity. In eect the words say, Were in this together.
Remember: Everything speaks, always!

1999 Quantum Learning Network / Revised 2008 13


Be Specic
Lets say you want your class to get ready to leave for break. So you say,
Everyone, please get ready for the break. What happens? Students shove
Hot Tip
things in their desks or backpacks, toss materials onto the nearest Say what needs to
counter and tuck trash under their seats or in the corner. Did they fol- be said with the
low your instructions? Well, they did get ready for break, yet it may not greatest amount
have been the way you intended. They misinterpreted your directions of clarity and the least
because you werent specic. amount of words. Its
economy of language.
Heres a helpful rule of tongue: economy of language. In other words,
say what needs to be said with the greatest amount of clarity and the
least amount of words.
Often miscommunication results from a generality. A generality allows
room for the other person to ll in the blanks with his or her own
interpretation. The more specic the request, the greater the chance
it will be accomplished according to your intention. A more specic
request for getting ready for break would achieve the result you had in
mind. Suppose you said,
Everyone, please neatly return the materials to where you got them,
put the trash in the basket, and replace your papers in the section
labeled project.
With the specics spelled out, you increase the match between what
you intended and what the words produce. Specicity provides clarity.
Clarity promotes action.
Sometimes you may nd it necessary to say more to clearly communi-
cate, as in the previous example. Other times you may need to say less.
What I want you to do next is take out your books and nd the graph
on page 134, can simply be stated, Well focus on the graph on page
134. Lets take out our books.
Teachers often talk too much. They over-explain concepts, repeat
directions and lengthen their answers in a way that dilutes the impact
of what they say. Why do they do this? Often, because of a lack of
clarity; theyre unsure about what they want to say.

1999 Quantum Learning Network / Revised 2008 14


Heres one way to avoid this trap. Begin direction-giving statements
with an action verb: take, draw, write, move, talk, etc. Not only do you Get to the
get right to the point, you also set student behavior in motion. In
addition, you may nd it helpful to use a cueing phrase in your
point:
Begin direction-giving
direction statement.
statements with an action
When I say go, move to your team location and be seated. Go! verb:

The cueing phrase lets students know when the directions begin and Take Draw
youll avoid having to speak over the sounds of moving bodies. Also, Write Move
take a moment to organize your thoughts before you speak. What Talk
seems like forever as you stand before your class is actually only a few
moments from the students perspective. Take your time. Say what
needs to be said. Better to say it well the rst time than to restate it
after the associations have already been made in your students minds.
When you couple these four principles with your use of modality predi-
cates, youll be amazed at your students responsiveness.

1999 Quantum Learning Network / Revised 2008 15


Its the beginning of class and your students have just arrived. They

1
Class are not yet focused and ready to begin. Get their attention. Then set
Scene the tone for this unit. Note: half the class had this unit last year but
One did not satisfactorily complete it. After you set the tone, have them
get their notes out from yesterday.

2
Its that time in the class when youre ready to hand back the graded
Class unit tests. Most of the class scored in the low C range with some A-B
Scene grades and some D-F grades. Get them ready for these grades,
Two ready and excited about corrections and refocused on the unit.

3
Class Its just past the middle of class, and your students are learning in
Scene groups. You notice that most of the groups are o task. Only 15
Three minutes remain before the end of class. Get them back on task.

4
Its the end of class. Students have the almost-time-to-leave
Class jitters. Refocus them. Then give a homework assignment that might
Scene be a stretch for most of your students. Finish with a preview of
Four tomorrows lesson.

1999 Quantum Learning Network / Revised 2008 16


POPC Practice Page

Directions: Reword each statement using Principles of Powerful Communication. Statements may lack one or
more of the principles and there may be several correct responses to a question.

1. Dont go near the lab tables. We dont want anyone to touch something and get hurt.

2. I want you to find your study group and sit with them.

3. You need to get good grades.

4. No talking.

5. Im going to start checking with you soon.

6. Try not to be late to my class.

7. I liked your report a lot.

8. Dont look inside this cabinet door.

9. Stop throwing that football in this room!

10. That wasnt a very good project you turned in.

Now what?

1999 Quantum Learning Network / Revised 2008 17


Visible Communication

O Open

T The

F Front

D Door

Now what?

1999 Quantum Learning Network / Revised 2008 18


4-Part Apology

A All

A About

M My

R
Relationships

Now what?

1999 Quantum Learning Network / Revised 2008 19


4-Part Apology in Action

Use a visual reminder with prompts or starting phrases for the 4-Part Apology. Or use an actual written
example with prompts to guide students in learning the four parts and how to apologize. On a large
poster the following is written:

A Acknowledge I know that I


A Apologize I apologize for
M Make it Right What can I do to make it right?
R Recommit Next time I will

Or the 4-Part Apology can be used on a sheet of paper for reection and writing such as this:

The 4-Part Apology

I know that I

I apologize for

What can I do to make it right?

Next time I will

1999 Quantum Learning Network / Revised 2008 20


Positive Self-Coaching

Sample Script for Students

Great Day Great Friend


Today is a great day. I feel great. I am full of life, I am a great friend. I make people feel good
energy and enthusiasm. I can choose to have a about themselves. People like to hear what I have
great day, and I choose to have a great day today. to say and know what I think. I can always see the
good in others, and I treat people with value.
Self-Esteem People are important to me and it shows.
I am positive, condent and in control. I like who
I am. I like how I feel, I like how I think, and I like Good Decisions
how I do things. I would rather be me than any- I make good choices. I do things that make me
one else in the world. feel good about myself. I know right from wrong,
and I choose right. I have plenty of courage, and
I am smart. My mind is quick and alert. My mind standing by what I believe is no problem for me.
makes things work right for me. I am a winner, and I prove it every day.
I have many wonderful talents and skills and abil-
ities. I like who I am today. Tomorrow, when I am
even better, I will like myself then too. I am a very
special person living at a very special time.

Positive Attitude
I have a positive, winning attitude. I see the good
in others and I am excited about life. I am happy
on the inside, and I am happy on the outside. I
am persistent; I just do not give up easily.

School
I am a good student. Being a good student is no
problem for me. I stay organized and I do my
work on time and in the right way. I am alert and
active in class. I like to participate. I enjoy answer-
ing questions and taking part in discussions. My
teachers see me as an interested, hard-working,
positive student. I take pride in what I do, and I
like to do my best.

1999 Quantum Learning Network / Revised 2008 21


Sample Script for Teachers

Great Day I maintain excellent relationships with the parents


Today is a great day. I feel great. I am full of life, of my students and enjoy strong support. Parents
energy and enthusiasm. I can choose to have a admire my ability to bring out the best in their chil-
great day, and I choose to have a great day today. dren and appreciate the competency I demon-
strate in my teaching. Parents appreciate my posi-
Self-Esteem tive, proactive approach to problem solving and
the implementation of academic interventions.
I am positive, confident and in control. I like who I
am and I like my style. I am intelligent, competent I enjoy the admiration of other educators. I am a
and caring. I would rather be me than anyone else positive force for cooperation and high profession-
in the world. al standards. I treat all staff members with dignity
and respect. I foster opportunities for collabora-
I am an excellent teacher. I am effective and effi-
tion and I am a valuable resource for helping and
cient. I am talented and able to get the best my
encouraging other staff members.
students have to give. My instructional effective-
ness is high and I am an expert at maintaining the
interest and attention of my students. My class- Professional Educator
room management is excellent and my students I am proud to be a professional educator and part
are cooperative. My students see me as a model of the most important profession in the world. I
for success and high achievement. They know I love what I do. I change lives and set students up
respect them and they respect me. for success in life. I am a high-performance human
being. I take care of myself and stay resourceful. I
My standards for my students are high, demand- maintain balance in my life. The joy and wonder
ing, but reasonable. I am an expert at staying for learning I create in my classroom is a hallmark
motivated and motivating my students to do their of my instruction. I orchestrate success for myself
best. I create a strong focus on effort and give con- and for each of my students.
tinuous acknowledgement for the progress of my
students. My positive mental attitude has a strong
positive influence on my students. I am an effec-
tive educational leader.

Relationships
I easily maintain valuing relationships that build
strong rapport with my students. My students feel
safe and supported in my classroom and in my
presence. I create a strong sense of belonging for
each of my students. My students trust me and
feel my genuine caring and concern for their suc-
cess.

1999 Quantum Learning Network / Revised 2008 22


Tenets

Quantum Learning for Teachers embodies ve Tenets, or resident truths. These Tenets permeate all
aspects of Quantum Learning.

Everything
Everything
Is On
___________
___________

at happens
Everything from our environme
nt ___________ Everything th as
hestration h
to our body language sends under our orc .
purpose
a message. an intended
Before

Label

Learning happens best when


we experience the information
before acquiring labels for what
weve learned.
___________ orth
If Its W
Every _____
______
Effort rth
Its Wo
_____
______
Learning requires work.
back
Acknowledgement for our
ro vides feed reases
efforts is essential. ation p nd inc .
Celebr g progress a ith learning
ard in n s w
reg ciatio
e asso
positiv

1999 Quantum Learning Network / Revised 2008 23


The Quantum Learning Tenets
The Tenets are important concepts or guiding Experience Before Label
principles that are basic to the Quantum This is an important principle that inuences our
Learning system. These ideas are woven lesson design and delivery. It means that we
throughout the fabric of the system, and as a involve students in an experience or elicit an
result will be rediscovered in many applications experience that they can relate to before we
and strategies. The Tenets are specically attempt to attach it to any symbolic language or
designed to improve our practice in the class- label. From a scientic perspective we are creat-
room by directing our focus. We recommend that ing schema or a new neural network in the brain
you post them in a place where you will see them before attaching the label. It can also mean that
on a regular basis. we move the students to inquiry where they are
seeking the label or concept before we give it to
Everything Speaks them. For example, a math teacher may involve
This concept reminds us that everything we do in students in a real-life situation in which they are
the classroom sends a message to students. The trying to solve a problem but having diculty
way we greet students rst thing in the morning based on what they already know. They may
or at the beginning of a class sends a message. begin to look for a new formula or principle to
The way we handle an incorrect response from a help them accomplish the solution. This state of
student given in front of peers sends a message. inquiry or searching would be an ideal time for
Our Environment, the Atmosphere we create, the the teacher to introduce the new concept, and
Design of our lesson delivery or educational this process would be called Experience Before
tasks, how we dress, the way we listen, or the Label. In a literature class a teacher may have stu-
character traits we model all send messages to dents experience writing from a talented author
our students. By being constantly aware of this before introducing the literary concept of mood.
important principle we tend to be more deliber- A science teacher may have students experience
ate and proactive in orchestrating the messages or observe the laws of motion before actually
students receive. This helps us better manage the labeling them.
variables that contribute to an optimal classroom
atmosphere and learning environment. Experience Before Label is about creating a
teachable moment. It is about getting students
Everything Is On Purpose emotionally involved and questioning with ques-
This Tenet follows logically from the one before tions such as Why? When? Where? What? How?
it, Everything Speaks. If everything speaks, then it The word label in this principle refers to the infor-
follows that we want to be purposeful with mation we want students to learn the facts, the
everything we do in the classroom to get the formulas, the new terms, the sequence, the rea-
desired outcome. A focus on the Tenet, sons, etc. When we design our instruction using
Everything is on Purpose, encourages a greater Experience Before Label, we are using a brain-
awareness of all the variables that inuence considerate strategy that attaches the learning
learning. It is this Tenet that helps us to begin to to previously established schema, evokes proper
see our role in the classroom dierently. We are emotional learning states, maximizes the use of
not in the classroom to dispense knowledge inquiry, and bridges the content to the students'
we are there to orchestrate learning. We are striv- world.
ing to get masterful in this orchestration, and
even small variables and details become impor-
tant to us.
1999 Quantum Learning Network / Revised 2008 24
Acknowledge Every Eort If Its Worth Learning
This Tenet places a strong emphasis on reinforc- Its Worth Celebrating
ing eort in the classroom. By acknowledging These celebrations occur inside the student and
eort the professional educator places a strong are orchestrated by the professional educator. It
focus on eort. This focus on eort has many is the good feeling students have about their
benets in the educational arena. By acknowl- own progress and their contributions to the
edging eort and creating a focus on eort we learning of others. It includes the joy, excitement,
help our students to know that we consider and passion for learning that permeates the
good consistent eort the hallmark of a good classroom atmosphere. It includes the positive
student. acknowledgements the students receive for their
eort and participation. It may be enhanced by
One very signicant benet with a focus on eort such things as small as a comment by the teacher
relates to our students' self-ecacy. Self-ecacy expressing appreciation for accomplishment or
is our students' concept of what they are capable by an entire group joining together in a cheer, a
of accomplishing and relates to their views of special event or a rewarding activity. It should be
their own abilities. When we dene a student as an ongoing and consistent principle operating in
one who gives good consistent eort we are ask- the classroom. It reinforces motivation and the
ing the student to do something he or she can message, This is important.
do. This is because eort is a choice. Even though
some students may not be able to compete with
the student sitting next to them in achievement
scores, they can choose to give eort, and if
eort is the sign of a good student then they can
consider themselves good students. By asking
students to give good consistent eort we are
asking them to do something they know they
can choose to do. How satised would you be as
a professional educator if all your students did
was give 100% eort? Most of us could live with
that!

1999 Quantum Learning Network / Revised 2008 25


8 Keys of Excellence

Integrity
To align our actions with our values. A person of Integrity consistently follows a strict code of personal
values in a way that demonstrates moral excellence.

Failure Leads to Success


To see failures as feedback. We can learn from mistakes and make the changes needed to be more
successful in the future.

Speak with Good Purpose


To be positive with our language. When there is a problem, avoid gossip by communicating with the
person directly involved.

This Is It!
To focus our attention on the present moment. Make whatever we are doing at any given time the
most important.

Commitment
To do what we set out to do. When we live a life of commitment, we have the discipline to follow
through with our commitments to others and to ourselves, even when it is challenging.

Ownership
To take responsibility for our thoughts, feelings, words, and actions. Ownership is knowing that we
can't always control what happens, but we can control how we respond.

Flexibility
To change our actions to get the desired outcome.
Flexibility allows us multiple ways to get the result.

Balance
To make the choices in our life that provide lasting
fulllment. Inner happiness comes from making
choices that ll up our body, mind, and spirit.

1999 Quantum Learning Network / Revised 2008 26


Yes, Almost
always Mostly Sometimes never
Integrity
We have stated beliefs and values.
We know and understand them.
Our actions reflect them.
Failure Leads to Success
We are not fearful of making mistakes.
We take time to learn from mistakes and improve our systems.
We believe that failures are opportunities for growth.
Speak With Good Purpose
We speak positively with good intent. (No swearing, put-downs, gossip)
We feel safe to be honest and direct.
We walk our talk.
This Is It!
We are focused on our goals and objectives.
We make the most of every moment.
We acknowledge/accept where we are in good times and challenging times.
Commitment
We have a clear vision and solidly follow it.
We do whatever it takes to get the job done.
We can count on each other to keep our word.
Ownership
We are accountable for our actions.
We take responsibility naturally.
We see what needs to be done and do it.
Flexibility
We keep goals in view and change strategies easily to reach them.
When something isnt working, well try another way. (No ego here!)
Well ask for help when needed. (Versus Ill do it myself no matter what!)
Balance
My personal goals and values are aligned with my schools.
We respect personal and professional needs and keep them in balance.
We value a healthy mind, body, spirit and emotions.

1999 Quantum Learning Network / Revised 2008 27


Post the 8 Keys in a prominent place
Keep them before your students eyes. Make sure they are big enough to be seen easily. We use eight
large key-shaped signs, one for each Key. You can create your own signs, enlist the help of your stu-
dents, or order signs ready-made from www.quantumlearningnetwork.com.

Introduce a new Key daily, weekly, or even monthly


Discuss the denition. Games, activities, demonstrations, and facilitated discussions are eective ways
to make the Keys memorable. Tie the Key in with the days activities.

Use stories and metaphors to explain the Keys


Personal stories from your own life make a strong impact. Encourage your students to share stories of
their own. And, of course, read aloud to them from The 8 Keys of Excellence book. Each chapter focuses
on one of the 8 Keys, beginning with a short denition and illustrated through a series of true stories.

Catch your students using the Keys


Praise them when you notice them Speaking with Good Purpose or showing Commitment. Often, we
focus on behavior only when a student misbehaves. The Keys help you recognize and encourage
positive behavior.

Use the Keys to correct misbehavior


Instead of labeling a students behavior with statements like youre not paying attention or stop talk-
ing during reading time, try directing the students attention to the Keys. Ask open-ended questions
like, What Key is challenging you right now? What Key do you need to focus on? The student is then
allowed to label and correct his or her own behavior.

Model the Keys in your own life


If you want your students to take you seriously, you need to model the Keys yourself. Become aware
of your own behavior and do your best to uphold the Keys. If you do slip up, dont cover up. Turn the
occasion into an opportunity to teach the Keys. Ask your students,
What Key did I just violate? Let them know that you are working
on living the Keys all the time, just as they are, and again have
them notice other people who are or are not living the Keys,
such as family, faculty, or peers.

Work the Keys into the curriculum


Your students will remember the Keys better if they are brought up
repeatedly in various contexts. It is fairly easy to integrate the Keys into
the humanities and current events. With any piece of literature, you can
ask, What Key is the main character using? What Key is he violating? What
Key is represented in the moral or theme?

1999 Quantum Learning Network / Revised 2008 28


In history lessons, do the same. Ask how historical gures upheld the Keys: "Were they committed to
their cause? Did they use exibility to achieve their goals? Was there a Key they ignored that would have
been benecial, perhaps changing their outcomes?"

Writing assignments and journals are easily tied to the Keys. Simply ask your students to write about
the Key you are focusing on, including a denition of the Key, what it means to them and an example of
how they use it in their own lives. Many of the stories youll nd in The 8 Keys of Excellence are student
responses to these simple questions.

Science, math, and music can also present opportunities to reinforce the Keys. Examine the lives of
scientists, mathematicians, and musicians, and the Keys they used to make their breakthrough discover-
ies or develop unique musical styles. Once you begin using the Keys, youll nd it easy and natural to
work them into your lesson plans.

Now what?

1999 Quantum Learning Network / Revised 2008 29


Where are you living?

1999 Quantum Learning Network / Revised 2008 30


The Line Chart

Choosing to live your life by your own choice is the greatest freedom you will ever have. It is only when you exercise
your right to choose that you can also exercise your right to change. The end result of your life here on earth will always
be the sum total of the choices you made while you were here.
Shad Helmstetter

1999 Quantum Learning Network / Revised 2008 31


Simon Sez / Living Above the Line

HMOY (how many of you) know the game called Elicit responses, probing for those that t below-
Simon Sez? Its easy to play. Basically, when I say the-line messages like You tricked me! (lay
Simon says do something, you do it. If I dont say blame) or It was a stupid game anyway (justi-
Simon says, you dont do it. If you do, youre out cation). Major shifts can occur for many students
and you sit down. Turn to someone and say This in this piece. Some will feel a bit confronted, and
Is It! some may want to check out due to feeling
uncomfortable. Your tone matters. For a lot of
Now we are beginning the game. Everyone the talk, you use a casual tone, eliciting respons-
please stand up. (Many will stand. They are out es, getting right in there with them, building rap-
because you didnt say Simon says. Tell everyone port and pulling their voices out of them in a way
they all get a chance to start over.) Simon says the thats comfortable (throwing in examples of how
game has begun. Everyone please stand up. you do the same thing) and then you get very
(Some people will probably stand up again.) Simon serious for the punch lines. Each part has a bad
says everyone please stand up. news portion. Be sure to immediately counter-
act it with the next statement in a positive voice.
The ow of this game is a subtle skill so practice Also, be sure to do the pieces of this talk in order
your commands before you use the game in for clarity. When you go out of order, the dierent
class. Do a series of Simon-says commands, parts get confusing to the students. There will be
increasing speed and diculty. Use movements lots of examples elicited, so make sure that you
the students have done previously in class. Add can accurately call the dierences between all
movements like jog, walk in a circle, touch your the below-the-line responses. Run through
nose, point to your toe. Use a stop command examples of each before teaching this piece. In
without a Simon says when people are in particular, be clear on the dierence between
motion. Fire a quick series of commands, or lay blame and justify.
establish a pattern, then repeat it without a
Simon says. When about 10-20% of the stu- HMOY would agree with the following state-
dents are left, stop the game without saying ment: Whatever you are doing or saying even
Simon says, a trick that usually gets most of the wearing at any given moment, is sending a mes-
remaining students out. Total time is about ve sage to the people and the world around you about
minutes. As Simon, do not tell anyone they are who you are. It may not be the entire message of
out or should sit down. Part of the debrief is who you are, but its a message yes? (Get agree-
about participants choosing or not choosing ment.)
ownership. (Be sure to wear a Simon nametag
for this activity.) There is another statement Id like to share with
you, and that is this: People tend to show up in a
HMOY heard a little voice go o when you real- game the way they show up in their lives. In
ized that you were out? (Wait for hands, indicating other words, people who get panicky under
that students heard the voice. Be sure to get an indi- pressure in a game, tend to do the same when
cation that they are relating. Reword the question theyre under pressure in their lives. People who
until it hits home.) tend to check out when things get tough in a
game tend to check out when things get tough
What did your voice say to you? in their lives, and so on.

1999 Quantum Learning Network / Revised 2008 32


Here in class we have fun and we'll continue to Great. Now heres the thing we already estab-
have fun while we notice some things about how lished that youre always sending a message to
we react in dierent situations. For example, the people around you, right? So the question is
Simon Sez is denitely not the toughest game in this: What message are you sending about who
the world, but even with this simple game, some you are when you come from LAY BLAME? (Elicit
of our patterns started to come up. Let me responses, then )
explain.
Everyone lean forward just a bit. (Lower tone and
The question is this (draw a black line across volume as you say )
your ipchart page half way down. In an arc above
the line, write in black) WHERE ARE YOU LIVING? The message that you are actually sending to the
world when you LAY BLAME is I have no
I dont mean New York or Boise or Canton. I mean control over my life other people control my
where are you living in your communication and life.
in those messages youre sending all the time?
Where am I coming from? What messages am I Is that true? (Some say no.)
sending? Ill propose to you that, whether its
Simon Sez or school or a conversation with our Again, IS THAT TRUE? (Get them to yell NO!)
buddies, we could be coming from a few dier-
ent places. One of these is (write at the bottom Of course it's not. Yes, your parents have a lot to
of chart) LAY BLAME. say about your life, and so does the law, etc., but
in the end, who makes the nal calls about what
In other words, its someone elses fault. HMOY you do or say in the moment? (Elicit a yell of I
do this in your lives? I know I have. In fact, I DO!)
noticed it during the game. HMOY heard your lit-
tle voice say something about me when you real- Right, so turn to the person next to you and say,
ized that you were out? Something like, She Youve got control! (Pause) Exactly. So we dont
tricked me thats why Im out. (Get more exam- want to come from that place.
ples.) Good.
Cross out LAY BLAME with a red marker.
Now lets change the scenario for a second. Now
you're in school and the teacher says to you, Now, there is another place you can choose to
Stop talking. What do you say if youre coming come from, which I noticed during the game,
from LAY BLAME? (Elicit responses, and answer and that is a place called (write at the bottom of
Hold on to that one for a second if a response is the chart) JUSTIFY.
not about LAY BLAME.)
JUSTIFY is about making up some reason why its
Okay, now lets try another one. Lets say youre okay that you did what you did, even though you
supposed to be home at 10 pm and you dont know its not. For example, HMOY said some-
show up until midnight. Your parents are fuming. thing like this to yourself during the game: Well
What do you say if you are coming from LAY at least I wasnt the FIRST one out or This is a
BLAME? (Elicit responses, and answer Hold on to stupid game anyway or something similar? Let's
that one for a second if a response is not about LAY go back to the school example. When the teacher
BLAME.) tells you to stop talking, what would you say if
you were coming from JUSTIFY? (Elicit responses

1999 Quantum Learning Network / Revised 2008 33


such as I wasnt the only kid talking or We were Now, in the stop-talking-in-class example, what
talking about the assignment or Everybody else would you say if you were coming from this
was! Make the distinction for suggestions that are placed called DENY? (Elicit I wasnt talking.)
really LAY BLAME, and put the DENY and QUIT
responses on hold.) How about the coming-home-late situation?
(Elicit examples.)
How about the getting-home-late example.
What would you say from this place of JUSTIFY? The question is this what message are you
(Elicit appropriate responses.) sending about who you are when you DENY?
(Elicit responses, then )
Everyone lean forward just a bit. (Lower tone and
volume as you say ) Everyone lean forward just a bit. (Lower tone and
volume as you say)
The message that you are actually sending to the
world when you JUSTIFY is I have no con- This message is serious. The message that you
trol over my life outside circumstances con- are actually sending to the world when you
trol my life." DENY is I am a liar and cannot be trusted.

Is that true? (Some say no.) Is that true about you? (Most say no.)

Again, IS IT TRUE that outside circumstances con- Again, IS THAT TRUE? (Get them all to yell NO!)
trol your life? (Get them to yell NO!)
Of course it's not true. We may have lied before in
Of course its not. Outside circumstances may our lives, but we dont want people to think that
aect you, but you are totally in control of your we are a chronic liar. We want people to trust us.
life. IS THAT TRUE? (Get a huge YES!) IS THAT TRUE? (Get a huge YES!)

Right, so turn to the person next to you and say, Right, so turn to the person next to you and say,
You've got control! (Pause) Exactly. So we dont You can be trusted. (Pause) Exactly. We dont
want to come from that place. want to come from that place.

Cross out JUSTIFY with a red marker. Cross out DENY with a red marker.

Now, theres another place I noticed during the Now, theres still another place you can choose to
game that you can choose to come from, and come from, one that makes me sad, and I see it
that is a place called (write at the bottom of the often. It's a place called (write at the bottom of
chart) DENY. the chart) QUIT.

You know this one this is when you just at-out This one is simply giving up. HMOY have ever
deny something. In the game, it was a bit more done this in class? How about with someone like
sly. HMOY goofed, then decided to continue a parent or teacher who you were trying to get
playing, thinking no one would notice? through to, but they just werent getting it? Yes,
(Demonstrate goong up, then looking around to and this one shows up dierently. It usually looks
see if it was noticed.) (A few hands go up.) and sounds like eyes rolling, hand up, and what-
ever. (Role-play the negative attitude.)
Come on admit it! (More hands go up.)

1999 Quantum Learning Network / Revised 2008 34


HMOY have been guilty of ever having a negative Of course not but do we come from these "vic-
attitude? (Hands go up.) Yes, we know. tim" places a lot of the time? (Elicit a yes)

Heres the question. What message are you send- HMOY come from these places with your par-
ing about who you are when you QUIT? (Elicit ents? How about at school? How about with your
responses, then ) friends? HMOY know an adult who lives their
whole life below the line? (Hands) Yes.
I hate to break this news to you, but the message Understand that this is a BIG concept that actual-
some people think theyre sending when they ly came from the business world adults also
have that attitude is I cant be bothered. In real- have a hard time with this. You see, we all do
ity, though, when you quit, give up, drop out, them, yet heres the danger
what message are you really sending about your-
self? All of these places we come from in sending
those messages to the world become masks that
Everyone lean forward. (Lower tone and volume as we wear. We hide behind them in our communi-
you say ) cation with everyone around us, and we never
take control our lives and say, This is it! This is MY
The message that you are really sending to the life!
world when you QUIT is I don't have what it
takes." HMOY would like to come out from behind those
masks and move up from below the line and
Is that true? (Some say no.) have more power in your life? (Hands) Great,
because the truth is that you have the power to
Again, IS IT TRUE? (Get them to yell NO!) come from a much stronger place (write at the
top of the chart) RESPOND-ABILITY.
Of course its not. You have ALL that it takes and
more! IS THAT TRUE? (Get a huge YES!) Yes this is a little dierent from responsibility,
because you have the ABILITY to what? (Elicit
Right, so turn to the person next to you and say, RESPOND) Yes. You can say no masks, no stories,
You have ALL that it takes! (Pause) Exactly. So this is MY LIFE. Sometimes I make great decisions
we dont want to come from that place. and sometimes I mess up, and its still ME running
the show. I have the ability to respond in a way
Cross out QUIT with a red marker. that gives me choices, power, and freedom in my
life. I have the ability to choose how to respond
What do you notice about all of these places to my circumstances. The more we can learn
below the line? If we are playing in the game about what works the more (write CHOICES
called life, all of these places tell the world that on the chart in green) CHOICES we have! When
we are playing on a pretty pathetic team the we recognize we can choose how we respond,
VICTIM team. we gain a better understanding of the POWER
we have in creating the life we want. And when
Write VICTIM in big red letters on the bottom of we actively seek more choices instead of laying
the chart. blame, justifying, denying, or quitting, we ulti-
mately end up with FREEDOM. Choices lead to
In other words, Poor me my life is being power, power leads to freedom.
done TO me. Is that true? (Elicit a big NO!)

1999 Quantum Learning Network / Revised 2008 35


Write on the chart in green, POWER and Write OWNERSHIP in blue by the words
FREEDOM Respond-Ability, Choices, Power, and Freedom.

The more choices we have, the more exibility Now the question is, to live with Ownership to
and freedom we have to act. What would be a take responsibility for our actions where do we
likely response from people like parents if you draw the line here? (Elicit Between FREEDOM and
were to suddenly start taking responsibility for LAY BLAME") Exactly. Ownership means living
your actions, for your chores around the house, above the line. The question now is this
for your homework? (Elicit that they would be (write in black) WHERE ARE YOU LIVING?
given more freedom.)
If time allows, end by getting examples of ways
Taking ownership makes us more trustworthy people could and will take more ownership for
and more worthy of freedom in the eyes of our their life at school and at home.
parents and others. This is the "Ownership Team."

1999 Quantum Learning Network / Revised 2008 36


Home Court Advantage

Now what?

1999 Quantum Learning Network / Revised 2008 37


The Maze

Objective
To discover the safe path of non-beeping squares through the maze.

How to Travel the Maze

1. Only one player may be on the maze until the entire path is discovered. Everyone participates by
rotating turns on the maze.

2. On the maze, you may move to any adjacent square: forward, backward, sideways, and diagonally.
As many as eight squares may be available.

3. Some squares beep, some don't. If you hear no beep, you may continue by stepping on any adjacent
square. If the square is a beeping square you must backtrack to exit the maze. There is no time penal-
ty for getting beeped as you are exploring a new move. Once you have placed both feet in a square
you have committed to your move.

4. After you are beeped, you must exit the same way you entered. If you step on an incorrect square
while backtracking, you will hear a buzz sound and one minute will be added to your time.

5. Discover the path without the use of props like paper and pens and without marking the path no
Hansel and Gretel-ing! Travel the path without the aid of pieces of paper, coins, etc. dropped to mark
the pathway.

6. Avoid touching the maze or the person on the maze. Each time a supporter touches the maze, a buzz
is heard and one minute is added to your time.

7. Once your team has discovered the path, there can be up to three players on the maze at a time.
However, if any one of those players misses a square, all the players behind him/her must back o in the
correct order. Each missed square on the return for any of them is a minute added to your team time.

8. This is a timed event.

9. You may not use any known spoken language during this activity. Each time the maze master hears
talking, one minute is added to your time.

1999 Quantum Learning Network / Revised 2008 38


Maze Master Grid

Stepping in an incorrect square


Beep Tally buzzes here. Each
Buzz This is a silent event buzz is a one-minute
Buzz Props are illegal time penalty.
Buzz Please retrace your steps correctly
Buzz One person on the maze at a time
Buzz This is the maze masters space

Start on this end

Maze Master here

When the team completes the maze please say, Congratulations! Your team has successfully completed the
maze. You may now begin to move through the maze in groups of three or less united by touch!
Continue to beep and buzz when appropriate

1999 Quantum Learning Network / Revised 2008 39


Brain Preferences Survey

Modality Indicator
John Parks Le Tellier

Directions: Select A, B, or C based on the word group or sentence you like the best. Circle the letter of your
selection. Then transfer your selections to the Modality Data Sheet. Add the number of selections
in each column and multiply by four. Graph your results on the Brain Preferences Profile.

1. A. Rustling - Hear - Tempo B. Texture - Feel - Soft C. Illustration - Snapshot - Picture


2. A. I get it. B. I see. C. I hear you
3. A. I heard the train whistle. B. I saw the rows of flowers. C. I felt the breeze on my back.
4. A. Focus - Color - Inspect B. Chat - Stillness - Tune C. Race - Latch - Loosen
5. A. Birds-eye view B. Rings true C. Hang in there
6. A. Nod - Glide - Signal B. Shiny - Reflection - Attractive C. Call - Whisper - Bell
7. A. This sounds good to me. B. This feels good to me. C. This looks good to me.
8. A. Vision - Clear - Glimpse B. Melody - Quiet - Hear C. Touch - Smooth - Movement
9. A. I sense how you feel. B. I hear what youre saying. C. I see what you mean.
10. A. Peek - Sight - View B. Scoot - Gallop - Skip C. Describe - Song - Chime
11. A. Get in touch with B. Appears to me C. Loud and clear
12. A. Lend me an ear. B. Keep an eye out. C. Give him a hand.
13. A. The sport was fun. B. The sunset was beautiful. C. It was music to my ears.
14. A. Grip - Support - Relax B. Mention - Tone - Rhyme C. Show - Notice - Dream
15. A. It sounded good. B. It felt good. C. It looked good.
16. A. Look at this. B. Catch this. C. Listen up.
17. A. Purring - Listen - Talk B. Glow - Appear - See C. Hold - Trot - Catch
18. A. Clear as a bell B. Smooth as silk C. Bright as day
19. A. The feel of the sand B. The view of the ocean C. The sound of the waves
20. A. Look - Color - Glance B. Upbeat - Speak - Sound C. Motion - Lukewarm Sprint
21. A. Let me hear this. B. Let me do this. C. Let me see this.
22. A. The sight on the stage B. The sound of the instruments C. The vibration in the air
23. A. Discuss - Silence - Say B. Watch - Shine - Observe C. Run - Throw - Snap
24. A. The sound had an B. The cloth had a C. The painting had
interesting melody. smooth feel. beautiful colors.
25. A. A glimpse of... B. Hear the sound... C. In touch with...

1999 Quantum Learning Network / Revised 2008 40


Modality Data Sheet
John Parks Le Tellier

Directions: Transfer your responses to this data sheet by placing a circle around the letter. Count the number
of letters circled and enter the total at the bottom of each column. Multiply by four and then
graph your results on the Brain Preferences Profile.

1. C A B
2. B C A
3. B A C
4. A B C
5. A B C

6. B C A
7. C A B
8. A B C
9. C B A
10. A C B

11. B C A
12. B A C
13. B C A
14. C B A
15. C A B

16. A C B
17. B A C
18. C A B
19. B C A
20. A B C

21. C A B
22. A B C
23. B A C
24. C A B
25. A B C

Total 1 Total 2 Total 3


x4= x4= x4=

Put the total from the column in this box and multiply by 4 to get the score you will graph on the
Brain Preferences Profile.

1999 Quantum Learning Network / Revised 2008 41


Brain Preferences Profile

Modality Indicator

1 Visual
10 20 30 40 50 60 70 80 90

2 Auditory
10 20 30 40 50 60 70 80 90

3 Kinesthetic
10 20 30 40 50 60 70 80 90

1999 Quantum Learning Network / Revised 2008 42


VAK Characteristics

V
A
K
1999 Quantum Learning Network / Revised 2008 43
VAK Teaching Strategies

Use color. Create activities that involve


role playing.
Have students create a song or chant
to remember key information. Provide the Big Picture.

Use music. Provide opportunities for movement.

Encourage students to use mind Vocal variations.


maps to visually display content.
Anchor content to sounds or voices.
Use callbacks.
Stay in their immediate visual eld,
Teach specic content in a but give them space.
specic location.
Anchor a prop to specic content.
Provide opportunities for students to
Use proximity.
peer teach or review within groups or
with a neighbor. Use purposeful pauses.
Stand by your content. Create a motion/dance for the content.
Teach the way you test. Use silence.
Provide opportunities to learn
by doing.

Talk slower.
Use visual representations of content
and graphic organizers. V
Give auditory instructions to
supplement written directions. A
K

1999 Quantum Learning Network / Revised 2008 44


Brain Preferences Survey

Style Indicator
John Parks Le Tellier

Directions: Select two items from each group that describe you best or best finish the sentence. It is essential that you
select two items from each group for the data to work properly. Once you have made your selections,
transfer your selections to the Style Indicator Data Sheet by circling the letters you chose. Count the
number of selections in each column to get your total for each column. Multiply this number by four to get
your score. Use these numbers to graph your results on the Brain Preferences Profile.

1. A. Seeing possibilities 9. A. Communicating


B. Completing work B. Discovering
C. Gaining ideas C. Cautious
D. Cooperation D. Reasoning

2. A. Sharing 10. A. Conceptual


B. Orderly B. Inventive
C. Logical C. Precise
D. Innovative D. Flexible

3. A. Doing 11. A. Problem-solver


B. Feeling B. People-person
C. Thinking C. Non-fiction reader
D. Experimenting D. Planner

4. A. Theory and research 12. A. Discussing


B. Investigating and exploring B. Getting to the point
C. Intuition and insight C. Creating
D. Consistency and order D. Relating to others

5. A. Memorize 13. A. Well planned


B. Personalize B. Studious
C. Originate C. Understanding
D. Think through D. Curious

6. A. I enjoy working closely with others. 14. A. I like creative writing.


B. I can easily remember facts and details. B. I like discussing concepts.
C. I like to figure out how things work. C. I like making timelines.
D. I learn well through reading and lecture. D. I like trying new things.

7. I like 15. A. Organized


A. brainstorming and discovery. B. Caring
B. listening to an expert and taking notes. C. Questioning
C. working on group projects. D. Academic
D. practical learning with clear directions.

8. In a group I am good at
A. seeing possibilities.
B. gathering information.
C. keeping the group on task.
D. helping group members work together.

Permission to copy for non-commercial purposes

1999 Quantum Learning Network / Revised 2008 45


Style Indicator Data Sheet
John Parks Le Tellier

Directions: Transfer your selections from the Style Indicator to the data box below by circling the letters you chose.
Count the number of selections in each column to get your total for each column. Multiply this number
by four to get your score. Use these numbers to graph your results on the Brain Preferences Profile.

1. B C D A
2. B C A D
3. A C B D

4. D A C B
5. A D B C
6. B D A C

7. D B C A
8. C B D A
9. C D A B

10. C A D B
11. D C B A
12. B A D C

13. A B C D
14. C B A D
15. A D B C

TOTALS 1. 2. 3. 4.

x4= 1. 2. 3. 4.

Graph the bottom totals on the Brain Preferences Profile

Permission to copy for non-commercial purposes

1999 Quantum Learning Network / Revised 2008 46


Brain Preferences Profile

Style Indicator

Left Right

120 100 80 60 40 20 0 0 20 40 60 80 100 120

Permission to copy for non-commercial purposes

1999 Quantum Learning Network / Revised 2008 47


Notes
Notes
Notes
Notes
Being the Best Leader: Rules of Engagement Session Evaluation

Date: October 4, 2010 Instructor: Jenny Severson

Email Address (to receive implementation strategies):


Please provide an email address that will not be blocked by a firewall.

Your Name: Position (grade, subject):

School or Organization Name:

School or Organization Address:

City: State: Zip:

Work Phone: ( ) Home Phone: ( )

Please Rate The Following

1= strongly disagree 2= disagree 3= agree 4= strongly agree


The instructor
was engaging 1 2 3 4
was knowledgeable 1 2 3 4
modeled the QL strategies 1 2 3 4
provided a variety of examples 1 2 3 4

The information
was clear and easy to understand 1 2 3 4
is relevant to my position 1 2 3 4

The pace of the session


was well balanced between delivery
and implementation time 1 2 3 4

The Quantum Learning strategies


can be implemented to my school 1 2 3 4
can be adapted to match my style 1 2 3 4

We would appreciate any references and are happy to contact school or district leaders in your area.
If you have recommendations, please write their contact information on the back of this page.

Quantum Learning Network


1938 Avenida del Oro, Oceanside, CA 92056
Phone 800.285.3276 Fax 760.305.7766
Teaching the 8 Keys of Excellence
Many elementary school teachers around the country use literature and projects to teach the 8 Keys of
Excellence. The matrix below represents one way Alamo Heights ISD in San Antonio, Texas has integrated the
keys at the elementary level using kid-friendly language. Literature brings the 8 Keys to life by connecting them
to discipline and character education efforts.

Character / Discipline Focus Potential Social Skills / Literature Connections


Character Traits
Integrity Follow Directions Come Along, Daisy
Do the right thing (even when the Getting Attention Joshua Disobeys
teacher is not looking). Appropriately Miss Nelson is Missing
Failure Leads to Success Effort No More Jumping on the
We learn from our mistakes and Fairness Bed
continue to work on improving Pookins Gets Her Way
skills. Oops-a-Daisy
Speak with Good Purpose Respect / Manners Mean Jean the Recess
Words are powerful so we can Compassion / Empathy Queen
choose them carefully. Words Tolerance / Acceptance Stand Tall Molly Lou Melon
should move people forward, not The Man with Very Bad
hold them back or hurt them. Manners
This is it! Paying Attention Howard B. Wigglebottom
We can live in the moment and Time Management Learns to Listen
use our time wisely. Organization Listen Buddy
I Just Forgot
Commitment Effort / Perseverance Dudley, the Dog that Could
We put forth good effort and Goal Setting The Little Engine that Could
refuse to give up. Ella Sarah Gets Dressed
Flexibility Accepting No for an Thats Not Fair!
Roll with the punches and go with Answer The Quilt Makers Gift
the flow! In school, we get what Fairness A Very Special Critter
we need to succeed, but we dont Diversity
always get what we want.
Ownership Making Good Choices Hey Little Ant
We determine our consequences Disagreeing Babushkas Doll
by the choices we make. Appropriately Miss Nelson is Missing
Resisting Peer Pressure
/ Bullying
Balance Responsibility Pig Pig Grows Up
To grow we have to work to keep Feelings Mean Soup
a healthy body, smart mind and a Independence Big Moon Tortilla
good attitude! Healthy Living
Classroom Atmosphere
In traveling to hundreds of schools and communities over the last 10 years, I notice that there is a correlation
between atmosphere and performance. When Susan Greenfield first exposed this idea that theres a link
between performance and the amygdala, or feelings of safety, many educators began to reconsider the
atmosphere of their classrooms.

I frequently have observed, coached teachers or worked in schools where I thought the teaching was average but
the atmosphere was so welcoming, warm and community orientated, the performance matched the feeling of
the school. I have been in other schools where the atmosphere was stark, shallow, hallow, unfriendly and then
the superstar teachers begin to walk in, and, trust me, every thing changes. This is the difference between
atmosphere and environment. Teachers create atmosphere. Leaders create atmosphere. Environment is different;
its the physical surroundings whereas atmosphere deals with the heart, the feelings, and emotional connections.

Classroom Atmosphere Survey

Directions: Please complete this survey by circling No, Sometimes, or Yes for each question.

1. People in this school really enjoy kids. No Sometimes Yes

2. I wish for another teacher like this one next year. No Sometimes Yes

3. I am an important part of this classroom. No Sometimes Yes

4. I have good friends in this class. No Sometimes Yes

5. This classroom is enjoyable. No Sometimes Yes

6. I complete my work every day. No Sometimes Yes

7. My teacher knows about my family. No Sometimes Yes

8. I dislike school. No Sometimes Yes

9. I feel that people pick on me. No Sometimes Yes

10. The teacher has favorites. No Sometimes Yes

11. Kids in the class are always willing to share. No Sometimes Yes

12. I tell my parents about things I do in school. No Sometimes Yes

13. Talking and sharing are important here. No Sometimes Yes

14. There are safe people I can go to here at school. No Sometimes Yes

15. My teacher is good at handling challenges No Sometimes Yes

Comments on anything else you want to say about this class or the school as a whole:

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