Pitch is a perceptual property
Some
of sounds that allows their ordering on
a frequency-related scale,[1] or more
commonly, pitch is the quality that makes
it possible to judge sounds as "higher" and
"lower" in the sense associated with
musical melodies.[2] Pitch can be
determined only in sounds that have a
frequency that is clear and stable enough
to distinguish from noise.[3] Pitch is a
major auditory attribute of musical tones,
along with duration, loudness, and timbre.
[4]
Pitch may be quantified as a frequency,
but pitch is not a purely objective physical
property; it is a
subjective psychoacoustical attribute of
sound. Historically, the study of pitch and
pitch perception has been a central
problem in psychoacoustics, and has been
instrumental in forming and testing
theories of sound representation,
processing, and perception in the auditory
system.[
In audio , noise is generally any
unpleasant sound and, more technically,
any unwanted sound that is
unintentionally added to a desired sound.
Ambient sound itself is a series of changes
in air pressure transmitted in waves from
the sound source to anyone with the
sensory apparatus to detect the waves
(human beings and other animals with
ears, for example). Sound waves are
expressed as a
series of analog sine waves. The
combination and blend of these waves
gives sounds their individual
characteristics, making them
pleasant or unpleasant to listen to.
sounds are combination of waves that are
related to each other, as in the case of a
pitched
instrument that transmits one dominant
frequency of sound wave and additional
frequencies that enhance the fundamental
or dominant frequency. An oboe is an
example of a pitched instrument. Other
sounds are made from a grouping of
tightly spaced waves
that do not have a specific fundamental
frequency that is dominant over the
others. A snare drum is an example.
In recording sound, noise is often present
on analog tape or low-fidelity digital
recordings. The standard audio cassette
includes a layer
of hiss on every recording. When doing
digital recording, the conversion of a
sound file from 16-bit to 8-bit adds a layer
of noise.
White noise is a sound that contains every
frequency within the range of human
hearing (generally from 20 hertz to 20 kHz
) in equal
amounts. Most people perceive this sound
as having more high-frequency content
than low, but this is not the case. This
perception
occurs because each successive octave has
twice as many frequencies as the one
preceding it. For example, from 100 Hz to
200 Hz,
there are one hundred discrete
frequencies. In the next octave (from 200
Hz to 400 Hz), there are two hundred
frequencies.
White noise can be generated on a sound
synthesizer. Sound designers can use this
sound, with some processing and filtering,
to create a multitude of effects such as
wind, surf, space whooshes, and rumbles.
Pink noise is a variant of white noise. Pink
noise is white noise that has been filtered
to reduce the volume at each octave. This
is done to compensate for the increase in
the number of frequencies per octave.
Each octave is reduced by 6 decibel s,
resulting in a noise sound wave that has
equal energy at every octave.
What is Video Editing?
Video EditingVideo editing is the process
of manipulating and rearranging video
shots to create a new work. Editing is
usually considered to be one part of the
post production process other post-
production tasks include titling, colour
correction, sound mixing, etc.
the desired outcome. Before you begin you
must clearly define your editing goals,
which could include any of the following:
Remove unwanted footage
This is the simplest and most common
task in editing. Many videos can be
dramatically improved by simply getting
rid of the flawed or unwanted bits.
Choose the best footage
It is common to shoot far more footage
than you actually need and choose only
the best material for the final edit. Often
you will shoot several versions (takes) of a
shot and choose the best one when
editing.
Create a flow
Most videos serve a purpose such as
telling a story or providing information.
Editing is a crucial step in making sure
the video flows in a way which achieves
this goal.

Many people use the term editing to

describe all their post-production work,
Add effects, graphics, music, etc
especially in non-professional situations.
Whether or not you choose to be picky
about terminology is up to you. In this
This is often the "wow" part of editing. You
tutorial we are reasonably liberal with our
can improve most videos (and have a lot of
terminology and we use the word editing
fun) by adding extra elements.
to mean any of the following:
Alter the style, pace or mood of the video

A good editor will be able to create subtle

Rearranging, adding and/or removing
sections of video clips and/or audio clips.
Applying colour correction, filters and
other enhancements.
Creating transitions between clips.
The Goals of Editing
There are many reasons to edit a video
and your editing approach will depend on
mood prompts in a video. Techniques such
as mood music and visual effects can
influence how the audience will react.
Give the video a particular "angle"
Video can be tailored to support a
particular viewpoint, impart a message or
serve an agenda.
Audio v Sound
Audio is anything audible that has been
produced, recorded or processed by
something electronic or digital. This could
also be referred to as a "sound signal".
Sound is anything audible, from any
format or instrument. Music would also
fall under this umbrella word, where some
audio would also include digital audio, for
example beats or samples. We would also
find the sound of a bird singing in a tree
under this umbrella of sound too.
Sound can be broken down into
Wavelength, Frequency, Amplitude,
Pressure, Intensity, Speed of Sound and
Direction. If you think about the "Speed of
Sound" this could be any natural or
digitally made sounds, so it's an easy way
of remember which is which.
While audio is a sound, not all sounds are
audio.
One-point editingThis usually is done
during a rough-cutting session. If you are
just trying to add clips to your timeline
without setting in and out points, you can
use the playback indicator as your single
mark. Just place the playback indicator
anywhere in your timeline and click one of
the edit buttons (Insert or Overlay,
depending on what else exists in your
timeline). The playback indicator acts as
the in point in your timeline and carries
the full duration of the clip in your Source
monitor down into the timeline (because
there are no marks in the Source monitor).
Two-point editingThis technique is
usually used to match up two pointsone
in the Source monitor and one in the
timeline. Two points work well when you're
trying to match up a starting point in the
Source monitor and a starting point in the
timeline (or in the Edit monitor). The rest
of the duration, from the mark in point in
the Source monitor until where the clip
ends, is added to the timeline when you
click the Insert or Overlay edit button.
Three-point editingThis is the most
common method of editing that I have
seen editors use. It is quick and
convenient (faster than measuring where
to put the fourth edit point) while still
giving you the accuracy to determine the
exact starting and ending frames for either
the source clip or the timeline. Premiere
automatically edits in the fourth point.
Therefore, you can mark any combination
of the source clip's in point or out point
and the in point or out point in your
timeline. With experience you'll learn
which circumstances determine which
marks to use.
Pitch is a perceptual property of sounds
that allows their ordering on a frequency-
related scale,[1] or more commonly, pitch
is the quality that makes it possible to
judge sounds as "higher" and "lower" in
the sense associated with musical
melodies.[2] Pitch can be determined only
in sounds that have a frequency that is
clear and stable enough to distinguish
from noise.[3] Pitch is a major auditory
attribute of musical tones, along with
duration, loudness, and timbre.[4]
Pitch may be quantified as a frequency,
but pitch is not a purely objective physical
property; it is a subjective
psychoacoustical attribute of sound. processing, and perception in the auditory
Historically, the study of pitch and pitch system.[
perception has been a central problem in
psychoacoustics, and has been
instrumental in forming and testing
theories of sound representation,