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Drew Hewitt
130499460
Dr. Wyse
Maya Angelous Caged Bird is a free versed poem contrasting the differences
between the lives of two birds - a free bird and a bird that is trapped. It addresses the
beauty of a life that is free, and the longing, frustration, and anguish for one that is not.
This poem features six stanzas, two of which are the refrain. The opening septet is
effective at highlighting the concluding idea claiming the sky (7) that returns in line 26.
The poet also highlights idea by changing from duple meter to trimeter in line 7.
Claiming the sky (7) is an important metaphor for fully reaching ones maximum
potential and the freedom/ability to do so. The bright images in the opening stanza such
as floats downstream, dips his wings, orange sun rays, (2, 5,6) sets up a fantastic
antithesis for the following verse. Glorious freedom is contrasted with imagery of
constraint, such as, narrow cage, wings are clipped, feet are tied (9,11,12). The
effective use of enjambment and punctuation only preceding the last line of each stanza
The refrain adds variation through the introduction of exact rhyme, and an octet.
The momentum of rhymes trill, still, and hill (16, 18, 20) in every other line builds
anticipation for the last line to follow. However, instead it emphasizes the main image - a
life that is trapped longing and singing for freedom. The refrain is essentially the core to
this poem, as it describes best the only thing a caged bird is able to do, and what that
sounds and feels like. It clearly demonstrates a tone of frustration and defeat, and voices a
strong metaphor of the poets theme. Although the voice in this poem does not address
which bird he or she actually is, the use of a repetitive refrain regarding the caged bird
A change in structure then follows in the fourth and fifth stanzas. Maya contracts
a septet into verse into a quatrain. The first couplets of each stanza rhyme. Images such as
breeze and trees (23, 24) producing a light tone of ease, while grave of dreams,
nightmare scream (27, 28) are both very dark, cacophonous, and eerie. This also
anticipates rhyme and similar line lengths for the following two lines, however the
anaphoras stand out because they do not rhyme and the final lines are half of the length.
In line 25, the poet demonstrates the luxuriant lifestyle a free bird lives through her
choice of adjective fat and effectively returns to the themes of control and choice not
The main theme of this poem is the injustice of rights. A bird with clipped wings
symbolizes the concept of being robbed of something that is a natural part of a birds life.
This can be interpreted as a metaphor for the inequity of human rights, as Maya Angelou
was an African American activist. It is clear the voice feels inferior to others simply due
to poets clever use of direction. In the first line a free bird is ascending in the sky, which
completely contrasts line 9 to which the caged bird is stalking down his narrow cage. It is
also evident that the caged bird feels inferior within the refrain on the distant hill (20).
This evidently states that the voice feels beneath or lesser than the birds on the hill. The
rage (10) and the verb choice of cage (9). The poem concludes with one last repetition
of the refrain and restatement of the main theme a caged bird singing of freedom.
Her kind written by Anne Sexton is a free verse, magical poem addressing three
unique lifestyles to which the narrator has fulfilled. The poet uses metaphors of a witch to
describe the different types of a woman she has been throughout her life.
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The first septet is full of imagery of a very dark and sinful character. This is
evident in possessed, haunting black air, braver at night, dreaming evil (1, 2, 3). The
tone is very rebellious and does not exactly align with what the narrator believes a
woman is or should be. Line five of the rhyme scheme ABABCDC is very effective in
pushing the momentum forward towards the refrain it as the new vowel sound mind in
line 5 builds anticipation for resolution in line 7 kind. This is also decorated with the
concluding line of the refrain being shortest in the verse, drawing even more emphasis to
the theme of the narrator being different kinds of women throughout her life.
The second verse describes a time spent raising and providing for others. A warm
cave in the woods (8) metaphorically represents a house with worms and elves (11) as
children to provide for. The variation on refrain is rather effective as it provides a new
perspective leading into the returning line and main idea I have been her kind (7). The
repetition of the shortest line in the poem adds a lot of resonance and significance to it.
The first line of the refrain is also an important piece to this poem as it summarizes the
Her kind concludes with the reference of death. Unity is present throughout all
three verses with the consistent metaphor of the life of a witch. The image where your
flames still bite my thigh (18) allies to a witch being burning at the stake. Again, the
septet concludes with a refrain, which the first line is varied to tie together the septet and
provide a new outlook on what kind of a woman the narrator has been.
The structure of the poem follows a beautiful sequence of 3 septets that reference
the three different characters the narrator has been throughout childhood/young
adulthood/middle age, and death. This is evident in the wild, braver at night, out of
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mind, (2, 5) character in the first verse, the caretaking and providing one in the second,
and the final verse I have ridden in your cart driver, waved my nude arms at villages
going by (15, 16) reflecting on the places she has been, and the life she has lead.
The listener is left with a positive tone at the end of the poem. The narrator is
proud of the different types of a person she has been at different stages throughout her
life and that she is not ashamed of her life being taken away.