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Tatiana Lecomte - 6.3.- 8.29.13


Revolver Publishing 2017 ISBN 9783957633729 Acqn 27471
Pb 14x20cm 274pp 175ills 92col 21

In 2013 I spend 88 lonely days in New York City. On every day that I am in town, I set up my
camera in the studio and take two photos: one of the view from the window and one of my face.
The obituaries that accompany the image pairs here are taken from the New York Times.

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Svenja Deininger - Echo of a Mirror Fragment. Secession


Revolver Publishing 2017 ISBN 9783957633743 Acqn 27472
Pb 20x24cm 68pp 39ills 37col 20

Svenja Deininger regards painting as a process: she does not consider her pictures, on which
she often works over long periods of time, to be self-contained entities. The process of creating
an image rather serves to stimulate reflection and acts as a mental continuation of a form or
composition the imagining of the future picture and how it is located in a spatial context are thus
essential elements of the artistic process. As if working on a text the artist elaborates and
polishes the syntax of her art. She considers her works to be parts of a system that require their
interrelations to be analysed whenever they encounter one another. She alternates large and
small format pictures and by means of combining and positioning them in a space she creates a
tension, which, together with her range of shapes, results in a Deiningerian idiom

The artist book designed by Svenja Deininger does not feature reproductions of her paintings.
Instead she decided to include in the book assorted photos, graphic drawings, cut-outs and
associative texts by Agatha Jastrzabek and arrange these elements in a rhythmic sequence that
allows for a more expanded understanding of her artistic production. Leafing through the book
one is confronted with many elements that also crop up in her new paintings: doublings (or what
seem to be such); playful manipulations of complementary opposites such as up/down,
positive/negative, close/far; layers as vertical stripes; minimal visual shifts that evoke motion and
the passage of time; etc. The artist book can thus be read as a catalogue of shapes, colours and
ideas or as a kind of pattern book that documents Deiningers artistic methods.

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Gabriel Sierra - Plain Words. Secession


Revolver Publishing 2017 ISBN 9783957633736 Acqn 27473
Hb 16x24cm 250pp 124ills 24.50

This project works as a setting to represent an abstract situation about perceiving the future
during the present time, using the gallery space and its boundaries as a container in which the
future will, in a metaphorical sense, dwell for the duration of the exhibition. The exhibition is a
fictional event that operates with the introduction of site-specific works resembling boxes to
resonate with the physical qualities of the place and the light entering from outside to produce a
particular atmosphere. Space and time collide in a phenomenological experience during the
opening hours, while the present, the year 2017, is on the other side of the walls, in adjacent
rooms and outside the Secession building. (Gabriel Sierra)

Conceived especially for the Secession, Gabriel Sierras artists book grows out of his
philosophical reflections on space and time. Designed in a grainy documentary style it shows
photographs, notes, ideas, which he encountered during the preparatory work for the exhibition in
the Secession.

The subjectivity of perception and recollection, the play with visibility and invisibility, the
involvement of all the senses, but also a critical engagement with the rules and conventions of the
art world: these are constitutive elements of Sierras practice, articulated in the book in
sometimes very subtleinterventions.

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Angelika Loderer - Pleurotus Ostreatus 70. Secession


Revolver Publishing 2017 ISBN 9783957633774 Acqn 27474
Pb 18x23cm 92pp 46col ills 15.95

Angelika Loderers sculptures might be classified as media-reflective art: the characteristics of the
materials she uses and the manufacturing processes are fundamental parameters informing the
design process.

Her sculptures bear witness to the interplay between snapshot and durability and the
ambivalence of value, perishability, and meaning. They call conceptions of value in question by
enhancing simple and commonplace forms with precious materials, is concerned with the basic
themes of sculpture: stability and fragility, durability and ephemerality are the cornerstones of
their aesthetic practice.

Her creative approach is characterized by the improvisational and experimental uses she makes
of her materials: unconventional combinations yield appealing objects that sometimes suggest a
sort of performative sculpture.
Some of those pictorial objects, results of recent experiments with fungal mycelia, became
content of her first artists book.

She has filled found acrylic glass boxes with wood seeded with fungus into which she then placed
photographs, parts of her research collection on sculpture, volume, negative, positive space.
Over the following weeks, she documented how the spores developed into fine webs, while the
photographs were gradually damaged by moisture and fungal growth.

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Sensing the Ocean - A Collaboration Between Art, Design And Science


Revolver Publishing 2017 ISBN 9783957633880 Acqn 27475
Hb 24x31cm 384pp 130ills 100col 48.50

"Sensing the Ocean" portrays the potential of creative collaborations between artists, designers
and scientists. Using an extraordinary visual language, the Muthesius University of Fine Arts and
Design presents projects that have been realized in collaboration with the Kiel-based Marine
Science Cluster of Excellence "The Future Ocean". The projects shown in the volume range from
exhibitions and interactive media to film and performance. In the tension of creative processes at
the interface of the various disciplines, the differences between scientific and artistic research are
reflected and the development of new creative communication formats is shown.

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OM, TEXT no 14
Revolver Publishing 2017 ISBN 9783957633644 Acqn 27476
Pb 21x30cm 106pp 47ills 30col 15

This issue concentrates on a certain constellation of key words: sound, space, landscape,
architecture, utopia figuring out concepts of far environment or congenial surroundings, as well
as the promising (or frightening) perspective of a human existence totally ruled by responsibility:
questioning art and the idea of the individual. It contains texts by Leo Strauss, Hakim Bey, Steven
Shaviro and Bill Laswell; images by Gnter Brus, Ed Ruscha, Kay Sage and Robert Adams; with
subjects like The Waning of Affect, The reality of the reality and The Origin of Noise ...

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Hans Schabus - The Long Road from Tall Trees to Tall Houses
Revolver Publishing 2017 ISBN 9783957633712 Acqn 27477
Pb 17x24cm 128pp 70ills 45col 21

Hans Schabus spent 42 days cycling across the US, from the American West to the East Coast,
from the Redwoods National Park north of San Francisco to New York. Every noon he stopped to
photograph the view in front of him with his smartphone camera. He turned the evidence of his
journey, created by the controlled coincidence, into an exhibition in the Salzburger Kunstverein in
2016, which formed a circle around his bicycle suspended from the ceiling.

Hans Schabus became famous in a series of bold projects such as his boat trip through the
sewage system in Vienna in 2002 or the reconstruction of the Austrian biennial pavilion in Venice
in 2005. This volume shows the views of the exhibition spaces developed by Schabus for
Salzburg and Darmstadt, on which he has transposed his travel routes, including an SMS
correspondence during the journey, as well as essays by the curators Samus Kealy And Len
Krempl.

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Film Implosion! - Experimental Cinema In Switzerland


Revolver Publishing 2017 ISBN 9783957633750 Acqn 27486
Pb 20x30cm 368pp 112ills 12col 24.50
Text in German & French.

Film Implosion is the first and only available publication on Swiss Experimental Film history,
spanning from the mid-1950's to today. With more than 150 images and 4 important essays it
unfolds a complex picture interweaved with several histories such as feminism, political
documentary and contemporary art. One encounters Jean-Luc Godard, HHK Schoenherr,
Gregory G. Markopoulos and Dieter Roth, but also hidden figures like H.J. Sieber or Isa Hesse-
Rabinovitch, among many others. The book also focuses on Switzerland as an international hub
for avant-garde film with, for instance, a full chapter on P.A.P., the first "international film gallery"
opened in the late 1960s in Munich and Zrich.

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