1.

THE PHILIPPINE ARENA IS INSPIRED BY THE SURFACE LAYER TO REVEAL THE COLOR
NIPA HUT FOR ITS ROOF DESIGN. WHAT UNDERNEATH
PHILIPPINE TREE INSPIRED THE DESIGN A. FRESCO
CONCEPT OF THIS ARENA? B. SGRAFFITO
A. MOLAVE TREE 14. A SECULAR MAUSOLEUM ORIGINALLY BUILT
B. NARRA TREE AS A CHURCH DEDICATED TO ST. GENEVIECE
2. THIS 20TH CENTURY ARCHITECT SAID THESE A. PANTHEON
WORDS: ARCHITECTURE IS THE B. PARTHENON
THOUGHTFUL MAKING OF SPACE. 15. AUTHOR OF THE TEN BOOKS OF
A. LOUIS KHAN ARCHITECTURE.
B. MIES VAN DE ROHE A. VITRIVIUS
3. THIS ARCHITECTURE STYLE IS B. RICHARD ROGERS
CHARACTERIZED BY THE USE OF MATERIALS 16. WHAT WORLD-FAMOUS LANDMARK WAS BUILT
SUCH AS STAINLESS STEEL AND ALUMINIUM. ON BEDLOE'S ISLAND?
IT AIMED AT NONTRADITIONAL ELEGANCE A. BURJ AL-ARAB
THAT SYMBOLIZES WEALTH AND B. STATUE OF LIBERTY
SOPHISTICATION. IT ORIGINATED IN EUROPE 17. THE OFFICIAL NAME IS "THE JEFFERSON
IN 1920S AND FORMED ITS NAME IN 1925 AT NATIONAL EXPANSION MEMORIAL." IT LOOKS
THE WORLDS FAIR, HELD IN PARIS. TALLER THAN IT IS WIDER, BUT IT IS EXACTLY
A. ART DECO 630 FEET BY 630 FEET.
B. ART NOUVEAU A. ST. LOUIS GATE WAY ARCH
4. IN WHICH COUNTRY WILL YOU FIND THE B. ST. MICHAEL GATE WAY ARCH
ARCHITECTURE WONDER, TEMPLE OF 18. WHAT IS THE NAME GIVEN TO CARVED
HEAVEN THREE-QUARTER LENGTH HUMAN FIGURES
A. YANGZE, CHINA USED AS COLUMNS, IN CLASSICAL
B. PEKING, CHINA ARCHITECTURE?
5. ANCIENT ROME, ALSO KNOWN AS THE A. CARYATIDS
FLAVIAN AMPITHEATER. 2/3 OF A MILE IN B. HERM
PERIMETER, 50 LEVELS, DESIGNED TO 19. WHAT COUNTRY WAS THE ARCHITECT OF THE
ENTERTAIN THE MASSES. SYDNEY OPERA HOUSE FROM?
A. ARENA A. AUSTRALIA
B. COLOSSEUM B. DENMARK
6. THE EASTERNMOST PART OF A CHURCH, 20. HOW LONG IS THE GREAT WALL OF CHINA?
RESERVED FOR THE CLERGY, WHERE THE A. 6,400 KMS
ALTAR IS SITUATED; BY EXTENSION, THE B. 3,974.50 MI
EASTERN ARM 21. OPEN AIR MARKETPLACE-STREET IN AN ARAB
A. CHANCEL CITY
B. AMBULATORY A. SUQ
7. THE SYMBOLIC CENTER OF A GREEK CITY- B. AL-KAHR
STATE, BRINGING TOGETHER ITS MOST 22. A DECORATIVE FINISH FOR WOODEN
IMPORTANT SACRED AND CIVIC BUILDINGS IN COLUMNS OR TRIM WHERE PARALLEL
ONE URBAN SPACE. GROOVES ARE CARVED VERTICALLY ALONG
A. METROPOLIS THE SURFACE.
B. ACROPOLIS A. RECCESSED
8. 12TH CENTURY. FIRST HINDU, BUILT FOR B. FLUTING
VISHNU, BUT THEN WAS CONVERTED TO 23. A STYLE ASSOCIATED WITH LATE CLASSICAL
BUDDHIST. THIS IS THE SYMBOL FOR ARCHITECTURE THAT FLOURISHED IN THE
CAMBODIA. IT IS MADE OF SANDSTONE 17TH AND 18TH CENTURIES, BASED IN A
SEALED WITH RESIN. LONGEST BAS RELIEF IN DESIRE TO SHOW MOVEMENT AND DRAMA,
THE WORLD. MARKED BY EXUBERANT DECORATION,
A. ANGKOR WAT CURVACOUS FORMS AND A GRAND SCALE
B. ANGKOR TOM GENERATING A SENSE OF MOVEMENT,
9. INNER CHAMBER OF A CLASSICAL TEMPLE OVERLAID ON CLASSICAL ARCHITECTURAL
A. NAOS DETAILS
B. PRE-NAOS A. RENAISSANCE
10. THE "WOMB CHAMBER" OR SHRINE ROOM AT B. BAROQUE
THE HEART OF A HINDU TEMPLE 24. THE SMALL FLOWER AT THE CENTER OF EACH
A. GARBHAGRIHA SIDE OF THE CORINTHIAN ABACUS
B. GARBHANISHA A. FLEURION OR FLUOS
11. A CHAPEL DEDICATED TO THE VIRGIN MARY B. FLEURON OR FLOS
A. LADY CHAPEL 25. AN UNDERGROUND SYSTEM OF PASSAGES
B. OUR MOTHER, CHAPEL USED AS A CEMETERY.
12. THE BIRTHPLACE OF RENAISSANCE A. MASTABA
ARCHITECTURE B. CATACOMB
A. FLORENCE, ITALY 26. JAPANESE ARCHITECT, LIKE MANY OF HIS
B. ROME, ITALY GENERATION HE EXPERIMENTED WITH
13. COLOR PLASTER; A CERAMIC OR MURAL ASPECTS OF WESTERN MODERNISM. HE WAS
DECORATION MADE BY SCRATCHING OFF A ASSOCIATED WITH THE START OF
METABOLISM IN 1960.
 A. KENZO TANGE
B. TADAO ANDO 40. 1980 PRITZKER AWARDEE
27. ONE OF HIS STRANGEST WORK IS A FISH- A. LUIS BARRAGAN OF MEXICO
SHAPED RESTAURANT IN JAPAN CALLED B. JAMES STERLING OF UK
FISHDANCE" 41. THE MEMORIAL COLUMN BUILT IN THE FORM
A. TADAO ANDO OF TALL DORIC ORDER AND MADE ENTIRELY
OF MARBLE IS;
B. FRANK GEHRY
A. TROJANS COLUMN
28. THE GREEK COUNCIL HOUSE WHICH IS B. TRAJANS COLUMN
COVERED MEETING PLACE FOR THE 42. ROMAN ARCHITECT OF THE GREEK TEMPLES
DEMOCRATICALLY-ELECTED COUNCIL IS OF ZEUS, OLYMPIUS.
CALLED: A. THERON
A. PARTHENEION B. COSSUTIUS
B. BOULEUTERION 43. THE WARM ROOM IN THE THERMAE.
29. THE GRANDEST TEMPLE OF ALL EGYPTIAN A. UNCTUARIA
TEMPLES, IT WAS NOT BUILT BY UPON ONE B. TEPIDARIUM
COMPLETE PLAN BUT OWES ITS SIZE, 44. MEDIAEVAL ARCHITECTURE IN WESTERN
DISPOSITION AND MAGNIFICENCE TO THE EUROPE FROM THE 13TH TO THE 15TH
WORK OF MANY KINGS. BUILT FROM THE 12TH CENTURY.
DYNASTY TO THE PTOLEMAIC PERIOD. A. RENAISSANCE
B. GOTHIC
A. GREAT TEMPLE OF NEBUCHANDEZZAR
45. MOST FAMOUS AND PERFECT PRESERVATION
B. GREAT TEMPLE OF AMMON
OF ALL ANCIENT BUILDINGS IN ROME.
30. THE FATHER OF MODERN PICTURE BOOKS OF A. PANTHEON
ARCHITECTURE B. PARTHENON
A. ANDRE PALLADIO 46. ARCHITECT OF THE RIZAL MEMORIAL
B. ANDREA PALLADIO STADIUM.
31. THE ULTIMATE GOAL OF THE NEW A. LEANDRO LOCSIN
ARCHITECTURE WAS THE COMPOSITE BUT B. JUAN NAKPIL
INSEPARABLE WORK OF AN ART, IN WHICH 47. IN GREEK TEMPLES, THE EQUIVALENT OF THE
THE OLD DIVING LINE BETWEEN CRYPT IS THE ___.
MONUMENTAL AND DECORATIVE ELEMENTS A. PRE-NAOS
B. NAOS
WILL HAVE DISAPPEARED FOREVER.
48. THE BEGINNER OF THE GREAT HYPOSTYLE
A. JOHN UTZON
HALL AT KARNAK AND THE FOUNDER OF THE
B. WALTER GROPIUS
19TH DYNASTY.
32. THE ARCHITECT WHO SAID THAT THE A. RAMESES II
EXTERIOR OF THE BUILDING IS THE RESULT B. RAMESES I
OF THE INTERIOR. 49. "CUBICULA" OR BEDROOM IS FROM WHAT
A. LE CORBUSIER ARCHITECTURE.
B. MIES VAN DE ROHE A. ROMAN
33. THE BUILDING THAT SERVE AS A SENATE B. GREEK
HOUSE FOR THE CHIEF DIGNITARIES OF THE 50. A TERM APPLIED TO MONUMENTAL TOMBS.
CITY AND AS A PALACE WHERE THEY CONSISTED OF LARGE CYLINDRICAL
DISTINGUISHED VISITORS AND CITIZENS BLOCKS, OFTEN ON A QUADRANGULAR
MIGHT BE ENTERTAINED. PODIUM, TOPPED WITH A CONICAL CROWN OF
A. PRYTANEION EARTH OR STONE.
A. MASTABA
B. DIATHYROS
B. MAUSOLEUM
34. ON NATURAL ROCKS IN A GREEK THEATER IS
CALLED:
A. CAVAEA
B. EXEDRAE
35. BYZANTINE PLAN OF CROSS
A. LATIN
B. GREEK
36. THE SPACE FOR CLERGY AND CHOIR IS
SEPARATED BY A LOW SCREEN WALL CALLED
A. CHANCEL
B. CANCELLI
37. SECOND OLDEST CHURCH IN THE
PHILIPPINES
A. BACLAYON CHURCH
B. LOBOC CHURCH
38. GREATLY INFLUENCED BY EUGNE VIOLLET-
LE-DUC
A. OSCAR NIEMEYER
B. ANTONIO GAUDI
39. REJECTS BOTH THE RESTRAINTS OF
MODERNISM AND THE HISTORICAL
REFERENCE OF POSTMODERNISM
A. ZAHA HADID
B. FRANK GEHRY