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Franz Kurowski (1923 2011) was a German au- a periodical of Deutsches Afrika-Korps e.V, the German
thor of ction and non-ction who specialised in World Afrika Korps veterans association. From 1989 to 1996,
War II topics. He is best known for producing apolo- Kurowski was editor-in-chief of the far-right publica-
gist, revisionist and semi-ctional works on the history tion Nation Europa, then named Deutsche Monatshefte.[2]
of the war, including the popular English-language series Kurowski died in 2011.[4]
Panzer Aces.
Kurowskis rst publications appeared in the Nazi era;
from 1958 until his death he worked as a freelance writer. 2 Work for Der Landser
He wrote 400 books for children and adults, under his
own name and various pseudonyms. Kurowski wrote, Main article: Der Landser
among other things, for the weekly pulp war stories se-
ries Der Landser.
Kurowski wrote for the weekly pulp series Der Landser
Kurowski produced numerous accounts featuring the (a colloquial term for a German army soldier, used dur-
Wehrmacht and the Waen-SS, providing laudatory and ing World War II).[5] Since its founding, the magazine
non-peer reviewed wartime chronicles of military units was criticized for glorifying war and delivering a dis-
and highly decorated personnel. Historians dismiss his torted image of the Wehrmacht and Nazi Germany dur-
works, pointing out that Kurowski mixes fact and c- ing World War II. The details of his novels and semi-
tion and advances the discredited concept of Nur-Soldat ctional accounts was accurate regarding minor technical
(merely soldier). Rather than providing an authentic details, but their content was often inauthentic and with-
representation of the war experience, his works empha- held important contextual information from the reader.
size heroics and convey a distorted image of the German Antisemitism, German war crimes, the repressive na-
armed forces in World War II. ture of the German government, and the causes of the
Kurowskis books have strong revisionist tendencies; he war were not mentioned.[6] German news magazine Der
held onto Nazi propaganda's military and civilian statis- Spiegel once described Der Landser as the expert journal
tics and presented history devoid of any crimes by the for the whitewashing of the Wehrmacht.[7]
Wehrmacht or the Waen-SS. A number of his books
have been published by far-right publishing houses such
as the Trmer Verlag, the Arndt Verlag, and the Pour le 3 Portrayal of the Wehrmacht and
Mrite Verlag, leading to his writings being described as
journalism of gray and brown zone.[1] the Waen-SS
Historians Ronald Smelser and Edward J. Davies, in their
1 Education and career 2008 work The Myth of the Eastern Front, characterise
Kurowski as one of the principal Wehrmacht and Waen-
SS gurus, or authors popular among the readers who
Born in 1923, Kurowski grew up in Dortmund and, after romanticize the German war eort on the Eastern Front,
primary school, learned turning. From 1942, he served as and in particular the Waen-SS, alongside authors such
a soldier in World War II in southeast Europe and North as Richard Landwehr, an ardent admirer of the Waen-
Africa, where he completed his training as a radio oper- SS, and the far-right writer and publisher Patrick Agte.[8]
ator, a parachutist, and interpreter of Modern Greek. In The book describes the gurus as authors who have picked
1942, he was awarded the Storyteller Prize for his work in up and disseminated the myths of the Wehrmacht in a
the Wacht im Sdosten (Southeast Watch).[2] These were wide variety of popular publications that romanticize the
propaganda publications (100 or so pamphlets) issued by German struggle in Russia.[9]
the Propagandakompanie, the propaganda wing of the
Wehrmacht and the Waen-SS.[3]
After 1945, he returned to civilian occupation and 3.1 Aces series
worked as a foreman and supervisor in a machinery fac-
tory. In 1958, he started working as a freelance writer; Further information: Panzer Aces and Infantry Aces
from 1968 to 1978, he was the editor of Die Oase (Oasis),
1
2 3 PORTRAYAL OF THE WEHRMACHT AND THE WAFFEN-SS
1981 book Gnther Prien, der Wolf und sein Admiral Rechtsextremismus in Deutschland (Right-wing Extremism
(Gnther Prien, the Wolf and his Admiral), published by in Germany) by Wolfgang Benz, the historian and jour-
extreme right-wing publisher Druel Verlag, as an al- nalist Hans Sarkowicz described the book project as an
most perfect example of a skillful distillation of the Nazi example of the nationalist battle painting in the jour-
understanding of the Second World War.[21] The Cana- nalism of gray and brown zone.[23]
dian historian Michael Hadley comments on Kurowskis According to Insa Eschebach, director of the
goals for the narrative:[20] Ravensbrck National Memorial, Kurowskis 1992
book Stalingrad. Die Schlacht, die Hitlers Mythos zerstrt
Here he wished to commemorate the mer- (Stalingrad: The battle that Destroyed Hitlers Myth)
itorious soldier and human being Gnther serves primarily to rehabilitate the decent, powerful
Prien [who is] forgotten neither by the old sub- German soldiers. The term war criminals appears
mariners nor and this would have startled only in quotation marks; the brilliant successes of the
most observers in Germany today [in 1995] Wehrmacht is the key theme, along with the victim-
"by the young submariners of the Federal Ger- hood and downfall of German soldiers. Kurowski
man Navy. considers Stalingrad as the Golgotha of the 6th Army,
without mentioning that this religious metaphor comes
In a work that examines the role of Landser-pulp from the 1953 book Stalingrad bis zur letzten Patrone
(soldier-pulp) literature in the East German neo-Nazi (Stalingrad: To the Last Round), written by Heinz
movement, Dirk Wilking, head of the Mobile Advisory Schrter, a former member of a propaganda company:
Team for the pro-democracy Brandenburg Institute for When it comes to Stalingrad as Golgotha of the 6th
Community Consultation, uses Kurowskis 1982 volume army, it begs the question: 'Why was a German army
Jagd auf graue Wlfe, 1943 (Hunt for Gray Wolves, even there'"?[24]
1943) to describe the ideological content of Landser-
pulp: war is described as consisting of random coinci-
dences and as a fateful interplay; no questions of guilt or 4.2 Bombing of Dresden
consequences are raised. The concepts of war are de-
scribed in the terms of Nazi wartime propaganda, such Kurowski wrote several books that discuss the February
as 'drama', 'tragedy' and 'fate' (direct quotes from Gray1945 Allied air raids on Dresden. His book Das Mas-
Wolves). This not only has a war-trivialising eect, but saker von Dresden und der anglo-amerikanische Bomben-
also shows war as a desirable state. The divine princi-terror 1944/45 (The Massacre of Dresden and the Anglo-
ple of war as a duty and a natural event is a hallmarkAmerican Terror Bombing in 1944/45) was published by
of such works, Wilking concludes.[16] the extreme right-wing publisher Druel Verlag in 1996.
In 1957, military historian Jrgen Rohwer began a criti- His other books on the subject, Bomben ber Dresden
cal examination of the data published on the sunken ton- (Bombs Over Dresden) and Dresden, followed in 2001 and
nage claimed by Nazi U-boat commanders. Afterwards, 2003.[25]
Kurowski was among the authors who held on to the de- In the context of the World War II bombing campaigns,
tails of the Nazi propaganda regardless of Rohwers re- Kurowskis interpretation of the air war and the Dresden
search results.[22] raid hued closely to the account oered by Hans Rumpf,
the German re protection inspector during World War II
and postwar author. Both Rumpf and Kurowski used the
4 Historical revisionism term terror-bombing exclusively to describe Allied air
attacks, and presented the Luftwae raids against purely
4.1 World War II series and Battle of Stal- civilian targets as retaliation attacks. In his writings,
Kurowski emphasised that the Allied propaganda hugely
ingrad
exaggerated the eects of these raids.[25]
Kurowski played a key role in the revisionist series So The Dutch historian Bastiaan Robert von Benda-
war der Zweite Weltkrieg (And thus was the Second World Beckmann includes Kurowski in his discussion of the
War), a seven-volume history of World War II. The German historiography of the Allied bombing campaign.
project was launched in 1989 by the Verlagsgesellschaft Discussing the 1977 Der Luftkrieg ber Deutschland (The
Berg, one of the largest right-wing publishing groups. Air War Over Germany) and The Massacre of Dresden, he
The series was edited by right-wing publisher and jour- classies Kurowski as belonging to the group of German
nalist Gert Sudholt, who, at that time, was the chairman authors who were inspired by British Holocaust denier
of Society for Free Journalism, the largest constitution- David Irving. Similar to Irving, these authors were grow-
ally protected right-wing association in West Germany. ing more radical and determined in their beliefs"; they
For the series, Kurowski was listed as editorial sta. The condemned the Allies as brutal mass murderers.[26] In
series was reissued by Flechsig Verlag in the 2000s under his works on Dresden and the air war, Kurowski chal-
Kurowskis name.[15] In the foreword to the 1994 book lenges the narrative of German guilt, writing: Ger-
4 5 AUTHENTICITY AND ACCURACY
Tiger: die Geschichte einer legendren Wae [7] Kampferprobte Verbnde. In DER SPIEGEL 32/1998 3
19421945 (Tiger: The Story of a Legendary August 1998, p. 28
Weapon) Motorbuch Verlag, 1976. Trans- [8] Smelser & Davies 2008, pp. 170173.
portation and militaria publisher.
[9] Smelser & Davies 2008, p. 5.
Johanna Schulz[2]
[10] Smelser & Davies 2008, p. 206.
Vier fahren nach Griechenland (Four Go to
[11] Smelser & Davies 2008, pp. 173176.
Greece).
[12] Smelser & Davies 2008, pp. 173178.
Fahrt ins Verderben: Einsatz d. Ein-Mann-
Torpedos (Ride to Destruction: Use of One- [13] Smelser & Davies 2008, p. 178.
man Torpedoes). Zimmermann (1960).
[14] WorldcatStackpole 2016.
Hrowe H. Saunders[38] [15] WorldcatFlechsig 2016.
Joachim von Schaulen [39]
[16] Wilking 2004, p. 79.
Der deutsche Osten: vom Ordensland Preussen [21] Wagener 1997, p. 664.
zum Kernstaat des deutschen Reiches (The Ger- [22] Bodo Herzog: Ritterkreuz und U-Boot-Wae. p. 260 with
man East: Order Region as Core State of the reference to Kurowskis Die Trger des Ritterkreuzes des
German Empire). Trmer-Verlag, 1989. Far- Eisernen Kreuzes der U-Bootwae 19391945. Podzun-
right publisher. Pallas, Friedberg/Hessen 1987, ISBN 3-7909-0321-3.
[23] Hans Sarkowicz: Publizistik der Grau- und Braunzone. In:
Wolfgang Benz Hrsg.: Rechtsextremismus in Deutsch-
7 See also land, Fischer Verlag Frankfurt am Main 1994, S. 78.
[24] Insa Eschebach: Mythos. Opfer. Symbol. Eine Nach-
Myth of the clean Wehrmacht lese zur Jubileumsliteratur 50 Jahre Stalingrad. In:
WerkstattGeschichte. 7, Hamburg 1994, pp. 8791.
Waen-SS in popular culture
[25] Benda-Beckmann 2010, pp. 5960.
Militaria literature
[26] Benda-Beckmann 2010, p. 173.
Hack writer
[27] Benda-Beckmann 2010, p. 206.
[28] Benda-Beckmann 2010, p. 91.
8 References [29] Lars-Broder Keil, Sven Felix Kellerho (2002): Deutsche
Legenden: vom Dolchstoss und anderen Mythen der
8.1 Citations Geschichte. Ch. Links Verlag, Berlin, ISBN 978-3-
86153-257-6, p. 146.
[1] Hans Sarkowicz: Publizistik der Grau- und Braunzone. In: [30] Die Welt 2005.
Wolfgang Benz Hrsg.: Rechtsextremismus in Deutsch-
land, Fischer Verlag Frankfurt am Main 1994, p. 78. [31] Hadley 1995, pp. 137, 170.
10.2 Images
File:David_irving.jpg Source: https://upload.wikimedia.org/wikipedia/commons/9/92/David_irving.jpg License: Public domain Con-
tributors: The David Irving website Original artist: unlisted
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