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Schedule for Lessons: November 2016 November 2017
Month Week Praveshikaa Pratham Praveshikaa Poorna Madhyamaa Pratham Madhyamaa Poorna
November 21
November 30, Alankaar Alankaar Alankaar Alankaar
2016
Raag Raag Yaman Vrundaavanee Saarang
Week 1, 2 Alankaar Vrundaavanee Saarang Badaa Khyaal Badaa Khyaal
December 2016 Bandish, Taraanaa
Raag Kedaar Raag Bhoopaalee Raag Kedaar
Week 3, 4 Alankaar Teentaal Bandish,
Roopak Khyaal (No Expansion) Badaa Khyaal Badaa khyaal
Raag Durgaa Raag Alhaiya Bilaaval Raag Jaunpuri

Week 1, 2 Raag Jaunpuri
Bandish, Dhrupad, Lakshangeet Bandish, Sargam geet, Dhamaar Badaa Khyaal Taal Jhumraa
January 2017
Raag Kaafee Raag Bhairav Raag Tilang Raag Bhairav
Week 3, 4 Bandish, Sargam geet Drut Ektaal Bandish Bandish, Bhajan Badaa Khyaal, Taal Jhumraa
Alankaar
Vande Maataram, Raag Aasaavaree Raag Bihaag Raag Jayjayvantee
Week 1, 2
Jana Gana Mana Bandish, Lakshan geet Badaa Khyaal Bandish, Dhamaar
February 2017 Raag Khamaaj (Bandish, Bhajan))
Raag Bheempalaasee Raag Patadeep Raag Bheemplaasee
Week 3, 4 Raag Bihaag
Bandish, Lakshangeet Bandish, Taraanaa Badaa Khyaal
Raag Baageshree Raag Tilak kaamod Raag Malkauns Raag Malkauns
Week 1, 2 Teentaal Bandish + Drut Ektaal Bandish Jhaptaal Bandish Bandish, Dhamaar Badaa Khyaal
March 2017
Week 3, 4 Raag Bhoopaalee Raag Bhairavee Raag Hameer Raag Gaud Saarang
Bandish, Sargam geet Bandish, Dhrupad Drut Ektaal Bandish
Raag Yaman
Raag Des Raag Baageshree
Week 1, 2 Badaa Khyaal Raag Kaamod
Theory Badaa Khyaal
(No expansion)
April 2017
Raag Bhoopaalee
Week 3, 4 Raag Kalyaan Badaa Khyaal Raag Kaalingadaa Raag Shankaraa
Drut Ektaal Bandish
(No expansion)
Prarthanaa:
Week 1, 2 Revision, Theory Jaya Jagadisha Hare Raag Deskaar Raag Chhaayaanat
Teentaal Bandish, Drut Ektaal Bandish Bandish, Dhrupad
May 2017 Revision, Theory
Raag Puriyaa
Week 3, 4 Revision, Theory Revision, Theory Revision, Theory Dhanaashree
Bandish, Drut Ektaal Taraana
Week 1, 2 Revision, Theory Revision, Theory Revision, Theory Revision, Theory

Bhajan
June 2017
Week 3, 4 Revision, Theory Revision, Theory Revision, Theory Revision, Theory
Revision Revision Revision

Week 1, 2 Mock exams
Solve questions papers Solve questions papers Solve questions papers
July 2017
Revision Revision Revision
Solve questions papers Solve questions papers Solve questions papers
August 2017 Mock exams Mock exams Mock exams Theory, Mock exams
September 2017 Mock exams Mock exams Mock exams Mock exams
October 2017 Mock exams Mock exams Mock exams Mock exams
November 2017 Mock exams Mock exams Mock exams Mock exams
Schedule for Lessons: November 2016 November 2017
Month Week Vishaarad Pratham Vishaarad Poorna Alankaar Pratham Alankaar Poorna
November 21
November 30, Raag Maaroo Bihaag
Bandish, Dhamaar
2016
Raag
Week 1, 2 Raag Jayjayvantee
December 2017 Badda Khyaal
Week 3, 4 Raag Shuddha Kalyaan
Bandish, Bhoopaalee Trivat
Raag Hameer
Week 1, 2
Badda Khyaal
January 2017
Raag
Week 3, 4 Darbaaree Kaanadaa
Bandish, Dhrupad
Raag Gaud Saarang

Week 1, 2
Badda Khyaal
February 2017
Week 3, 4 Raag Puriyaa
Bandish, Trivat
Puriyaa Dhanaashree
Week 1, 2
Badda Khyaal
March 2017
Week 3, 4 Raag Multaanee
Bandish, Taraanaa
Raag Shankaraa
Week 1, 2
Badda Khyaal
April 2017
Week 3, 4 Raag Bahaar
Bandish, Chatarang
Raag Kaamod
Week 1, 2
Badda Khyaal
May 2017
Week 3, 4 Raag Miyaan Malhar
Bandish, Taraanaa
Week 1, 2 Revision, Theory

June 2017
Week 3, 4 Revision, Theory

July 2017
August 2017 Mock exams
September 2017 Mock exams
October 2017 Mock exams
November 2017 Mock exams

Akhil Bhaaratiya Gandharva Mahaavidyaalaya Exams: www.abgmvm.org
Division of Marks in Exams
Full Marks Minimum for passing Third class Second Class First Class Distinction
(Oral + Written)
Praambhik
1 18 18 - 22 23 - 29 30 - 39 40
50 (Oral only)
Praveshikaa Pratham
2 26 26 - 34 35 - 44 45 - 59 60
75 (Oral only)
Praveshikaa Poorna 26 + 18
3 75 + 50 = 125 44 - 55 56 - 74 75 - 99 100
(Oral + Written)
44
Madhyamaa Pratham 44 + 26
4 70 - 90 91 - 119 120 159 160
125 + 75 = 200 70
Madhyamaa Poorna 53 + 35
5 88 - 112 113 - 149 150 - 199 200
150 + 100 = 250 88
Vishaarad Pratham 128 + 52

6 - - - Pass
250 + 150 = 400 180
Vishaarad Poorna 128 + 52

7 - - - Pass
250 + 150 = 400 180
Vishaarad Pratham +
256 + 104
8 Vishaarad Poorna 360 - 399 400 - 479 480 - 639 640
360
500 + 300 = 800
Alankaar Pratham 155 + 35 + 35
9 - - - Pass
300 + 200 = 500 225
Alankaar Poorna 155 + 35 + 35

10 - - - Pass
300 + 200 = 500 225
Alankaar Pratham +
310 + 140
11 Alankaar Poorna 450 - 499 500 - 599 600 - 799 800
450
600 + 400 = 1000
Shikshaa Vishaarad 110 + 70
12 180 - 200 201 - 239 240 320
200 + 200 = 400 180
Shikshak Sanad 54 + 26
13 80 - 99 100 - 119 120 160
125 + 75 = 200 80
Shikshaa Paarangat 120 + 105

14 225 - 249 250 - 299 300 -
200 + 300 = 500 225
Sangeetaachaarya
15 350 - - - Pass
500
Praveshikaa Pratham:
Raag Durgaa . .
Aalaap d s r m i r, r m p
m p, d m r, m r d s
Bandish: Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin
Lakshangeet: Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa Mana mohana muraleevaalaa, Muraleevaalaa hai sakhi kaalaa |
Gaave guneejana Durgaa raagini, Ga Nee varjita odava manohaarinee | Nisa dina jaako dhyaana dharata hai, Muni nigamaagama guna gaavata hai,
Vaadi dhaivata samvaadee ree , Veera gambheera rasa ko sarasaavanee, Laagata nisa Jita jaiye uta hama dekhata hai, Sheesha muguta gale vanamaalaa ||
dina ata hee suhaavanee ||
Dhrupad: Taal Choutaal 1st Beat

Pratham naad roop gaavata, Sur brahmaa shravana sonata, Utha dhaaye gauri aradhanga |
Mahaadeva vilaasa sanga, Liye bajaavata mrudanga, Tatathei tataathei tatataadhilaanga ||
Raag Kaafee s r f r m p i, m f r f i s
Aalaap
Bandish : Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin
Sargam: Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Din Dhaa Aaja khelo shyaama sanga horee, Pichakaaree rangabharee kesarakee |
firgsrmpbidpmpfr Kunvara kanhaiyaa sanga sakhee Raadhaa, Rangabharee joree sohata ree ||
Raag Khamaaj sgmp,gmpdndpdgpmg,gpmpgrs

Bandish: Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin
Lakshangeet: Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa Ati madhura madhura sakhi murali naad ree, Sunata bisara gai sudhabudha
Khamaaj raagini roop bhaavata, Aaroha me ree alpa lagaavata | tana kee, Kaisee lakaree ye jaadubharee |
Ga Nee vaadi saunvaadi dikhaavata, Dou Nishaad shrungaar sajaavata, Dhana madhubana dhana pashu pancchi jana,
Praat cchodakar samaya suhaavata || Shravana sunata nita naad laharee ||
Bhajan: Taal Bhajani Keharvaa: Dhin Naa Dhin Dhi:

Kutumba taji sharana Raam teri aayo | Taji gadha Lankaa mahala aur mandir, Naama sunata uthi dhaayo ||
Bharee sabhaamein Raavana baithyo Charana prahaar chalaayo, Moorakha andha kahyo nahin mane Baar baar samajhaayo || 1 ||
Aavata hee Lankaa pati keenho Hari hasa kantha lagaayo, Janma janma ke mite paraabhava Raam darasa jaba paayo || 2 ||
He Raghunaath anaatha ke bandhoo Deen jaan apanaayo, Tulasidaasa Raghuvara kee sharanaa Bhakti abhaya pada paayo || 3 ||
.
Raag
r b s m i, m p f f m, f m p b i d p, m pff m f s
r s
Bheempalaasee
Lakshangeet, Drut Ektaal 1st Beat
Bheempalaasee raagini, Sura laagata komala Ga Ni, Truteeya prahara dita gaaye gunee | Bandish : Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa Dhaa Tin Tin
Varjita Ree Dha aarohana, Ma Sa vaadee saunvaadita, Bajaai been madhura sura keen, Saunata mohe sudhabudha neka raheen ||
Madhura shaanta rasa barasata, Sakala sujana mana mohanee || Mohana aisee taana sunaai | Moraa liyo mana ccheena ||
. .
Raag Baageshree d b s m i f r m, m d i p d b i d m f, m p d fi r f m f r s
C C C C
Bandish: Drut Ektaal 1st Beat (starts on a Sa)

Bandish: Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa Aao chalo raata mein, chaandani cchitaka rahi,
Paayala baaje mori jhanjhara pyaare, Kaise aaoon tore milanaa re || Jamunaa ke neer teer, bansee bajaavata kaanhaa
Jaaga rahee mori saasa nanada ri, Jiyaa dara paavata raina andheree|| Mora muguta sheesha dhare, raadhaaraani nirakha rahi ||
. . . .
Raag Bhoopaalee sdds,srg,grpig,pdppigr,srgrdds

CCCC
Bandish Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa
Sargam: Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa Gaaiye Ganapatee jaga vandana, Shankara suvana Bhavani nandana |
aadpgrsrpgidpgr Siddhi sadana gaja vadana Vinaayaka | Krupaa sindhu sundara sukha daayak ||
. Bandish: Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa
Raag Des r m p b i d p, d m g r, g n s Paneeyaa bharana kaise jaaun sakheeree, Laagata dara mohe nanda kunvaraki|
X X X X C Kankariyaa maare choree choree, Maanata naahi ghaghariyaa phoree, Bheega
gayee chunariyaa saba moree ||
. .
Raag Yaman nrgkpikg,gkdnidp,kdnkndp,kdpmgr,rgkpirgrnrs
(Raag Kalyaan) xxxx xxxx xxx x xxxx xxx xx
Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin

Bandish Mori gagara naa bharana deta, Bainyaa pakara mose karata raar |
Baar baar samajhaya raheen hun, Dheeta langaravaa itanee naa maane, Haar gayee main to haar gayee ||
Praveshika Pratham Exam: Information about eight Raagas Synopsis
Raag: Durga Raag : Kaafee

Thaat: Bilaaval Thaat : Kaafee
Vaadi: Dhaivat (Dha) Samvaadi: Rishabh (Re) Ga and Ni are soft All other notes are pure
Ga and Ni are omitted, All other notes are pure Type: Sampurna Sampurna
Type: Odav Odav , Time: Second prahar of night Vaadi: Pancham (Pa) Samvaadi: Shadja (Sa)
Time: Midnight
| |
s |
Aaroha s r m p d s
Aaroha s r f m p d b s
| .
s d p
m r
m r
d s |
Avaroha
. Avaroha s b d p m f r s
Main part (Pakad) m p d r
m r
d s
Main part
pm fr, rf mp, m f r s
(Pakad)
Raag : Khamaaj Raag : Bheempalaasi
Thaat : Khamaaj Thaat: Kaafee, Ga and Ni are komal, All other notes are pure,
Both Nishads are used, Re is omitted in Aaroha, Re and Dha are omitted in Aaroha, Type: Odav Sampurna,
All other notes are pure, Type: Shaadav Sampurna, Vaadi: Madhyam (Ma) Samvaadi: Shadja (Sa),
Vaadi: Gandhaar (Ga) Samvaadi: Nishaad (Ni) Time: Evening (3 5 PM)
Time: Evening or night, . | |
m s
|
Aaroha b s f m p bs
Aaroha s gm pd n s |
cc cc m s
Avaroha sb dp mp fm f rs
|
Avaroha s b d p m g r s Main part m m m s
sm, fp, fm f r s
(Pakad)
Main part gm pd bd p d g m g
Raag Baageshree Raag : Bhoopaalee
Thaat: Kaafee Thaat : Kalyaan
f,b soft, Re and Pa ommitted in Aaroha, Ma and Ni are omitted, All other notes are pure
Type : Odav Sampurna Type: Odav Odav,
Vaadee: Madhyam (m), Saunvaadee: Shadja (s) Vaadi: Gandhar (Ga) Saunvaadi: Dhaivat (Dha)
, Time: First prahar of night
Time: Second prahar of night
g s
. | Aaroha s r g p ds
Aaroha b s f m d b s
| | | . .
Avaroha s b d m, p d, m f r m, f r s s p s s
Avaroha s d p g r, d d s
C
.
. . s
Main part d b s m, f r m f r s Main part g r p g, g r ds
(Pakad)
Raag : Des Raga : Kalyaan (Yaman) Thaat : Kalyaan,

Thaat: Khamaaj, This raag uses both Nishads Madhyam Teevra (Sharp), Rest of the notes are
(Shuddha Nishad is used in aaroha and komal nishad is Shuddha or pure, Type: Sampurna,
used in Avaroha), Omit Ga, Dha in Aaroha, Vaadi: Gandhaar Saunvaadi: Nishaad
Type: Odav Sampurna , Vaadi: Pa Saunvaadi: Re Time: 1st Prahar* of night
. |
Time : Second Prahar of the night or any time
| Aaroha n r g k d n s
Aaroha s r m p n s
|
|
g
. Avaroha s n d p k g r s
Avaroha s b d p d m g r, n s . .
. Main Part
n r g k g r, n r s
Main Part b d p d m g r, n s
g
(Pakad)
(* Prahar includes three hours . 1st prahar of night includes first three hours after sunset.)
Praveshikaa Pratham: Definitions Synopsis
saMgaIt Sangeet Music: Includes Vocal, Instrumental, Dance art forms

qvanaI Dhvani Sound
naad Naad A sound that can be used in music: Aahat and Anaahat
svar Svara Note or Naad used in music
Combination of notes with following features -
* Notes ( swar) - There must be atleast 5 notes or a maximum of 7 notes (swaras) in a Raag.
* Aaroh & Avaroh - Every Raag must have an :
Aaroha - ascending notes & an Avaroha - descending movement of notes.
raga Raag * Vaadi & Saunvaadi - Every raag must have Vaadi - most prominent & dominating
note and Saunvaadi note - note that complements the dominating note.
* Melodious, entertaining - A raag must be pleasant sounding and must be able to
enchant the listener.
* Key Note - The key note can never be missing in a Raag - ie, Sa or Shadaj
Basic Notes
Sauqd svar Shuddha Svara Sa, Re, Ga, Ma, Pa, Dha, Ni
Altered notes
ivakRt svar (kaomala, Vikruta Svara When Re, Ga, Dha, Ni climb half a note below their place, they are called
tIvà) (Komal, Teevra) Komal or soft. Madhyam climbs half a note above its usual place, it is called
Teevra or sharp.
vaija-t svar Varjit or varjya svara Excluded note
maola, qaaT Mel, Thaat Group of seven notes in straight order which can create a raaga.
jaait (AaoDva YaaDva Jaati (Odav, Shadav, Type of a raag based on the number of notes used in tha raaga:
saMpUNa-) Sampurna) Odav: Five notes, Shadav: Six notes, Sampurna: Seven notes
vaadI Vaadi Main or dominent note
saMvaadI Saunvaadi Second most important note in a raga. Note that has a dialogue with Vaadi
AnauvaadI Anuvaadi Notes other than Vaadi and Saunvaadi that are used in a raaga.
A note that is excluded in a raaga, however if it is used skillfully on rare
ivavaadI Vivaadi occasions, the beauty of the raaga is enhanced.
Octave: 1. Mandra Saptak: Lower than middle octave,
saPtk Saptak 2. Madhya Saptak: Middle Octave. Most often we sing in this octave,
3.Taar Saptak: Higher than middle octave
AlaMkar (plaTa) Alankaar (Palataa) Arrangement of notes in a sequential pattern
pkD Pakad Catch phrase that shows character of a raaga
Aalaap Aalaap Slow improvisations using the rules of a raga with only notes, no lyrics
tana Taan Faster improvisations using rules of a raga, with only notes, no lyrics
svarmaailaka (sargama gaIt) Svarmaalika Composition with only notes, no lyrics
laxaNa gaIt Lakshangeet A song containing all characteristics of a raag
Sthaayee and The songs sung for various raagas are called bandishes. Usually a bandish has
sqaayaI AaOr AMtra two partsthe first is called sthaayi and the second is called antara.
Antaraa
Laya (Vilambit, Same speed of time or equal interval between two maatraas or beat is called
laya (ivalaMibat maQya dùt) Tempo (Slow, Medium, Fast)
Madhya, Drut)
maatà Maatraa Beat: Measurement unit for taal
Measurement of music: Various beat Sequences that include maatraa, khanda
tala Taal (vibhaag), Sam, Taali
ivaBaaga Vibhaag, Khanda Section
sama Sam First beat of any Taal
KalaI , kala Khaali, Kaal First beat after half cycle of Taal
dugauna itgauna caaOgauna Dugun, Tigun, Chougun Double, triple and quadruple tempo
Thekaa is a composition constructed for a taal while maintaining vibhaag, taali,
zoka Thekaa khaalee of a taal and weight for letters of taal. (Bols or compositions for a Tabla. Taal is
an abstract form of Theka. Taal does not change but a taal can have more than one Theka.)
Aavat-na Aavartan Cyclic speed of taal. Saying or playing taals composition from Sam to Sam.
Introduction to Swarlipi (musical script, Music notation or musical score). (Maatraa = Beat)
Introduction to Swarlipi (musical script, Music notation or musical score). (Maatraa = Beat)
Pandit Paluskar Pandit Bhatkhande
Two maatraas q s No Symbol s s

q
One maatraa z s r No Symbol s r
z z
maatraa x s r Two swar in one maatraa sr
x x
maatraa c s r g m Four swar in one maatraa srgm
c c c c
1/8th maatraa v s r g m p m g r srgmpmgr
v v v v v v v v Total number of swar in
y sr gm pm gr gm pd nn dp
one maatraa are indicated srgmpmgrgmpdnndp
1/16th maatraa
yy yy yy yy yy yy yy yy
by symbol under
all swar together
1/3rd maatraa h s r g srg
h h h
1/6th maatraa j s r g r g m srgrgm
j j j j j j
1/12th maatraa l sr gr gm gm pm pd srgrgmgmpmpd
ll ll ll ll ll ll
Shuddha swar No symbol No symbol
Komal swar e f a b r g d n
Teevra swar k Maa k
Swar in Madhya saptak No Symbol No symbol
. . .
Swar in Mandra saptak n d p bfu
| | |
Swar in Taar saptak s r g aeh

Prolong swar si ii s---
Prolong a letter in lyrics Raa . . ma Raa iima
Vertical line in a composition after one aavartan of a taal is finished Vertical line in a composition after each Khanda (section) is finished.
Sam A number 1 is written to indicate first maatraa Symbol X is placed at position of Sam (1st maatraa)
Khaalee (Kaal) A symbol + is used to show khaalee A symbol O is used to show khaalee
The maatraa where taalee occurs, the
Taalee The number of a taalee is written sequentially : 2, 3, 4
number of that maatraa is written: 1, 5, 13
Khanda are not shown, but a vertical line is Khanda are shown by drawing a vertical line after each
Khanda
drawn after aavartan is finished. khanda is finished.
Tentaal and Ektaal are considered to have 8 and 6 maatraa each in Teentaal and Ektaal always have 16 and 12 maatraa.
madhyalay.
Example: Teentaal: Example: Teentaal:
Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa Dhaa Tin Tin Taa Taa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa Dhaa Tin Tin Taa Taa Dhin Dhin Dhaa
x x x x x x x x x x x x x x x x X 2 O 3
1 3 + 7
Taal Ektaal (Drut):
Dhin Dhin Dhaa Trak Too Naa Kat Taa Dhaa Trak Dhee Naa
x x x cc x x x x x cc x x
1 + 3 + 5 6
Praveshikaa Pratham
Taal Daadraa: Dhaa Dhee Naa Dhaa Tee Naa Taal Kervaa: Dhaa Ge Naa Tee Na Ka Dhi Na
Maatraa (Beats): 6, Vibhaag or Khanda (sections) : 2 (3,3) Maatraa (Beats): 8, Khanda (sections) : 2 (4, 4)
Taalee: 1 (on 1st beat or Maatraa) Taalee: 1 (on 1st beat or Maatraa)
Khaalee or Kaal: 1 (on 4th Beat or Maatraa) Khaalee or Kaal: 1 (on 5th Beat or Maatraa)
Taal Teentaal Taal Ektaal
Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa Dhaa Tin Tin Taa Taa Dhin Dhin Dhaa Dhin Dhin DhaaGe Tirakita Too Naa Kat Taa DhaaGe Tirakita Dhee Naa
Maatraa (Beats): 16, Vibhaag or Khanda (sections) : 4 (4, 4, 4, 4) Maatraa (Beats): 12
Taalee: 3 (on 1, 5, 13 beat or Maatraa) Vibhaag or Khanda (sections) : 6 (2, 2, 2, 2, 2, 2)
Khaalee or Kaal: 1 (on 9th Beat or Maatraa) Taalee: 4 (on 1, 5, 9, 11th beat or Maatraa)
Khaalee or Kaal: 2 (on 3rd and 7th Beat or Maatraa)
Taal Jhaptaal: Dhi Naa Dhi Dhi Naa Ti Naa Dhi Dhi Naa Taal Choutaal Chaartaal
Maatraa (Beats): 10, Vibhaag or Khanda (sections) : 4 (2, 3, 2, 3) Dhaa Dhaa Din Taa Kita Dhaa Din Taa Kita Taka Gadi Gana
Taalee: 3 (on 1, 3, 8 beat or Maatraa) Maatraa (Beats): 12

Vibhaag or Khanda (sections) : 6 (2, 2, 2, 2, 2, 2)
Khaalee or Kaal: 1 (on 6th Beat or Maatraa)
Taalee: 4 (on 1, 5, 9, 11th beat or Maatraa)
Praveshikaa Pratham Exam: Oral only: 15 Minutes
Item Points
Sing a Bandish with Aalaap and Taan for a raga of examiners choice 8
Sing a Bandish and three aalaaps or five taan for another raga of examiners choice 7
One Alankaar in Basic notes and one alankaar in a raga. 6
Dhrupad in single and double tempo. 5
Bandish in a taal other than teentaal 5
Any three songs from following:

12
Lakshangeet, Bhajan, SaReGaMa Geet, Vande Maataram, Jana Gana Mana
Recognize ragas : Three 6
Recognize notes: Two clusters

6
Example: SaReGa, PaDhaNi, GaMaPa, MaPaNi
Tell information about two taals and say Thekaa (or bol) while showing with hand and
5
finger movements
Information of one raga 5
Information about one composition type or Swarlipi type (Notation) 4
Three definitions 6
Total Points 75
Praveshikaa Poorna: Two hour written exam and 20 minute oral exam:
(Madhya Laya Bandish = Chhotaa Khyaal), (Vilambit Laya Khyaal: Badaa Khyaal).
Raag Alhaiyaa Bilaaval gr g p i m g i m r i g p d b i d p i d g m ris

Bandish: Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa Dhamaar: Taal Dhamaar: Kat Dhee Ta Dhee Ta Dhaa I Ga Tee Ta
Sumirana kara bhaja Raama naama ko |Jo kuccha bhalaa hove teraa bande || Eree ati dhooma daaree aaja braja me | Horee khelata Nandalaala||
Eka dinavaa ghara jaanaa hogaa |Socha samajha apane gyaana dhyaana me ||1|| Jahaan paavata tahaan ranga me | Bhijovata paniyaa bharanate | Baitha rahee brijabaala ||1||
Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa |

Sargam g r g p i d i n s i
n
Raag Bhairav sgrgmgrgrgr-s-sgmp-gmgp- p-gmgrgrgr-s-
Bandish: Drut Ektaal: 1st Beat: Jaago brij raaj kunwara, Nanda ke dulaare |
Jamunaa me genda daar, Gwaal baal haare, Kaalee bubhukaar deta, Shyaama hi ek kaare ||
Raag Aasaavaree s r m p n
d p d
m - mp dm p g g s r p g r s
Lakshangeet: Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa Dhaa Tin Tin Bandish: Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa
Aasaavaree raagini madhura, Mrudula sura Ga, Dha, Ni Chadhata Ga Ni varaja ||
Bhor kai milana bhailavaa more maa peetama dhingavaa raas mandilaraa baaje mandilaraa ||
Thaata soha shrungaar karuna rasa, Dha, Ga vaadi saunvaadi kaha asa
Aavo gaavo naacho saba sakhiyaa sahelee sadaaranga gale laage rahilavaa ||
Guni jana gaavata dviteeya prahara dina sughara ||
Raag Vrundaavanee
bsrm-r-rmpn-p-nmpm-r-rmpm-r-brs-
Saarang
Bandish: Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa Taraanaa: Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa
Ghungharuvaa moraa baaje baaje re | Ghungharuvaa moraa baaje baaje | Deem tara dhitilitanom taanom taanom tanomta taaredaanee |
Naa dir dir dhitilana deemtananana deemtananana nitaare
Saasa nananda moree paara parosana | Logavaa maikaa naama dhare || taadeem deem tanana tomtanana tom tom tom tananana taare taaredaanee ||
Bhajan: Taal Bhajani Keharvaa: Dhin Naa Dhin Dhi Naa:

Aalee mane laage vrundaavana neeko |Ghara ghara tulasee thaakura pooja, darasana govindaji ko ||
Nirmala neera bahata Jamunaa me, bhojana doodha dahee ko || Ratana singhaasana aapa biraaje, mukuta dharyo tulasee ko ||
Vrundaavana kee kunja galina me, raasa rachaavata neeko, Jhaanja pakhaavaja noopura dhunee sunee, reejhata mana gopina ko ||
Kunjana kunjana firata Raadhikaa, sabada sunata muralee ko Meeraa ke prabhoo giridhara naagara, bhajana binaa Narasee ko ||
Raag Kedaar srsm,mmgp,mpdpm,m,srs

Bandish: Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa Dhaa Tin Tin Taa Taka Bandish: Taal Roopak: Tee Tee Naa
Kaanhaare nanda nandana,Parama niranjana he dukha bhanjana || Kaanhaa re, pyaare Yashodaa dulaare, bansee bajaav re |
Kantha banee motiyanakee maalaa |Peherata mudrita bhai brijabaalaa || Gaavo naacho taala surana so, saba ko rijhaavo, Nanda ke dulaare pyaare ||
Raag Bihaag sm-gp-gmpn-dkp-kgmgrbs-

Bandish Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa Dhaa Tin Tin: Piyaa pyaaree aaja horee khelata yamunaa teer |
Hansa hansa badana aragajaa daarata maarata mootha abeer ||Chalata kuma kumaa ranga pichakeeree |Bheeja rahe tana cheera ||
. . . . |
Raag Tilakkaamod:
p n s r g i, s r p i m g, s r g s i n, p n s r i s, r m p s i p, p d i m g, s r g i s
Bandish: Taal Jhaptaal 1st Beat: Teeratha ko saba kare | Deva poojaa kare | Vaasanaa naa mare | Kaise ke bhava tare ||
Kaayaa dhuve paak | Kabahun nahee mana paak |Manaranga kee aasa | Nita rahe charana me ||
.
Raag Bhairavee: b s f m p a p, f p, f p a b i p, p a p m f p m, s f m p m, f m e s
Bandish Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa Dhaa Tin Tin Taa: Kaisee ye bhalaai re Kanhaai paaniyaa bharata moree, gagaree giraai karake laraai ||
Sanada kahe aiso dheeta bhayo Kanhaai, Kyaa karoon maai naahee maanata Kanhaai karata laraai ||
Raag Yaman n r g k p i k g, g k d n i d p, k d n k n d p, k d p m g r, r g k pi r g r n rs
Vilambit Ektaal Badaa Khyaal: Mero bhalo kiyo Raam apanee bhalaai | Houn to saai drohee pai sevaka hita saai ||
. . . .

CCCC
Vilambit Ektaal Badaa Khyaal: Jabahee saba neera pata niraasa bhaye || Gurupada kamala vande raghupata taba chaap sameepa gaye ||
Praveshikaa Poorna Exam
Raag : Alhaiya Bilaaval Raag : Vrundaavanee Saarang
Thaat : Bilaaval Thaat: Kaafee, Ga, Dha are omitted,
Both Nishads are used. All other notes are pure This raag uses both Nishads (Shuddha Nishad is used in
Madhyam is omitted in Aaroha. Type: Shadav Sampurna aaroha and komal nishad is used in Avaroha),
Vaadi: Dhaivat (d) Saunvaadi: Gandhar (g) Type: Odav Odav , Vaadi: Re Saunvaadi: Pa
Time: First prahar of morning Time : Afternoon
|
n
Aaroha s r g p d n s . |
| Aaroha n s r m p n s
Avaroha s n d p d b d pm g |
m
m r, g p m g r s Avaroha s b p, m r, s
.
m
Main Part g r g p, m g r s Main Part r m p r, m r n s
Raag: Bhairav Raag : Bihaag

Thaat: Bhairav Thaat: Bilaaval, uses Two Madhyams, Re Dha ommitted in
Vaadi: Dhaivat (Dha) Saunvaadi: Rishabh (Re) Aaroha, Other notes are pure, Type: Odav Sampoorna
Re and Dha are soft (Komal), All other notes are pure Vaadi: Gandhaar Samvaadi: Nishaad
Type: Sampurna , Time: First prahar of day Time : Second prahar of night
Aaroha b s g m p n a
Aaroha s g
r g m p n
d n a
Avaroha a n n
d p m g r s Avaroha a n d p k g m g, r b s
z c
Main part g m n
d n
d p, g m g
r g
r s Main part b s g m p, l
g m g, r b s
Pakad
z c
Raag : Tilak kaamod
Raag : Kedaar Thaat : Khamaaj
Thaat: Kalyaan, This raag uses two Nishads and two Madhyams, This raag uses two Nishads, g and d are omitted in Aaroha
Gandhaar is omitted. Rishabh omitted in Aaroha, Type: Odav Sampurna, Nyaas: g,n
Type: Odav Sampurna , Vaadi: Shadja (s) Saunvaadi: Pancham (p)
Vaadi: Ma Samvaadi: Sa, Time : First Prahar of the night,
Time: Second prahar of day
Aaroha s r s m, m p d n a |
Aaroha s r m p dm ps
Avaroha a n d p, k p d n d p m, m
r s
C c c
|
Avaroha s p d m g, s r g s
Main part s m, m p, d k p m, m
r s
z c Main part s r p m g, s r g s
(Pakad)
Raag : Aasaavaree Raag : Bhairavee

Thaat : Aasaavaree Thaat : Bhairavee
f,a and b are soft All other notes are pure e,f,a and b are soft All other notes are pure
f and b are omitted in Aaroha. Type: Odav Sampurna Type: Sampurna
Vaadi: Dhaivat (a) Saunvaadi: Gandhar (f) Vaadi: Pancham (p) Saunvaadi: Shadja (s)
Time: Second prahar of day Nyaas: f,a Time: Early morning
| |
Aaroha s r m p b
a b
a s Aaroha s e f m p a b s
| |
Avaroha s b a p mp am p m
f f ,r s
m
Avaroha s b a p m f e s
c c c c .
Main part m p a m p m
f f r s
m Main part b s f m p, f m e s
(Pakad) (Pakad)
Praveshikaa Pratham and Praveshikaa Poorna

Praveshikaa Poorna
Taal Dhamaar Taal Roopak
Kat Dhi Ta Dhi Ta Dha I Ga Ti Ta Ti Ta Taa I Tee Tee Naa Dhi Naa Dhi Naa Tee
Maatraa (Beats): 14, Vibhaag or Khanda (sections) : 4 (5, 2, 3, 4) Maatraa (Beats): 7, Vibhaag or Khanda (sections) : 3 (3, 2, 2)
Taalee: 3 (on 1, 6, 11 beat or Maatraa) Taalee: 2 (on 4th and 6th beat or Maatraa)
Khaalee or Kaal: 1 (on 8th Beat or Maatraa) Khaalee or Kaal: 1 (on 1st Beat or Maatraa)
Praveshikaa Poorna: Marksheet: Questions and points for each question in a 20 minute oral exam:
Question Points
Sing vilambit khyaal in Yaman or Bhoopaalee (no expansion) 5
Sing a bandish with aalaap and taan in a raag 8
Sing a bandish in another raag with two aalaap 6
Sing a bandish in a third raag with 5 taans 6
Sing a Dhamaar composition in Thaah and dugun laya 8
Sing a taraanaa or a bandish in a taal other than Teentaal 5
Two Alankaars in shuddha swar and one of them in a Sampoorna raag 6+4
Sing beginning aalaap and bandish for two raagas from previous exam 10
Show a thekaa and dugun for one taal from this year 5
Start a Bandish at a correct place while paying attention to taal 4
Recognize two raagas from last year and two from this year while listening to cluster of notes 8
75
Praveshikaa Pratham Exam: Oral only: 15 Minutes
Item Points
Sing a Bandish with Aalaap and Taan for a raga of examiners choice 8
Sing a Bandish and three aalaaps or five taan for another raga of examiners choice 7
One Alankaar in Basic notes and one alankaar in a raga. 6
Dhrupad in single and double tempo. 5
Bandish in a taal other than teentaal 5
Any three songs from following:

12
Lakshangeet, Bhajan, SaReGaMa Geet, Vande Maataram, Jana Gana Mana
Recognize ragas : Three 6
Recognize notes: Two clusters

6
Example: SaReGa, PaDhaNi, GaMaPa, MaPaNi
Tell information about two taals and say Thekaa (or bol) while showing with hand and
5
finger movements
Information of one raga 5
Information about one composition type or Swarlipi type (Notation) 4
Three definitions 6
Total Points 75
Praveshikaa Poorna: Marksheet: Questions and points for each question in a 20 minute oral exam:
Question Points
Sing vilambit khyaal in Yaman or Bhoopaalee (no expansion) 5
Sing a bandish with aalaap and taan in a raag 8
Sing a bandish in another raag with two aalaap 6
Sing a bandish in a third raag with 5 taans 6
Sing a Dhamaar composition in Thaah and dugun laya 8
Sing a taraanaa or a bandish in a taal other than Teentaal 5
Two Alankaars in shuddha swar and one of them in a Sampoorna raag 6+4
Sing beginning aalaap and bandish for two raagas from previous exam 10
Show a thekaa and dugun for one taal from this year 5
Start a Bandish at a correct place while paying attention to taal 4
Recognize two raagas from last year and two from this year while listening to cluster of notes 8
75
Madhyama Pratham Exam format: Following questions will be asked in oral exam. Total 35 minutes.
Questions Pts
Vilambit bandish in a raga with aalaap, taan 14
Vilambit bandishes in two more ragas with two aalaaps each 8+8
A bandish in medium tempo with aalaap taan in a new raga of this year 12
A medium tempo bandish with 5 taans in another raga 8
Dhrupad or Dhamaar in thaah and chougun 15
Taraanaa or drut ektaal bandish 8
Upshastriya (semi classical) type of composition (Bhajan) 8
Thaah and Dugun for a taal from this year 4
Thaah and chougun for a taal from last years 6
Recognize ragas: two from this year and two from last years 8
Recognize swar 6
Bandish of a raga from past exams 4
Sing aalaap for two ragas from past exams 3+3
Read swar lipi (One line of four maatraas) 10
Total 125
Madhyama PoornaFollowing questions will be asked in oral exam. Total 40 minutes.Only taanpuraa and tablaa will be used for oral exams. Harmonium is not
allowed.In each row, question will be asked about a different raag. This way, entire syllabus will be covered
Questions Pts
From three alternate raag, a vilambit bandish with aalaap, taan for one (7 minutes) 14
Vilambit bandishes in one more raag with two aalaaps or two taan 8
Two vilambit bandishes: one in a raag of this years syllabus as well as from a raag 4+4
from previous year with just bandish and an aalaap
A bandish in medium tempo with full improvization in a new raga of this year (5 minutes) 10
A medium tempo bandish with two aalaap and five taans in another raga 8
From previous years raag, a bandish with three aalaap 7
Dhrupad or Dhamaar 6
Chougun of sthaayee or antaraa of dhrupad or dhamaar or an alankaar 9
Upshastriya (semi classical) type of composition (Bhajan, gazal, patriotic song, folk song) 10
Show with taalee - khaalee and say bol (words) for two thekaa (taal) from this 4+
year. From these taal, perform tigun for one and chougun for another 3+3
Recognize one vilambit lay taal and one madhya lay taal 4
With number, recite 2 in 3 and 3 in 2 (taal related question) 6
Improvisation: Aalaap of two raag from this year and three raag from previous years 20
Recognize raag: two from this year and three from last years 10
Read swar lipi (One line of four maatraas) and sing a rhythmic sargam geet and play it on harmonium 10
Total 150
Madhyama Pratham: Three hour written exam and 35 minute oral exam
Raag Yaman (Kalyaan) n r g k p i k g, g k d n i d p, k d n k n d p, k d p m g r, r g k pi r g r n rs
Vilambit Ektaal Badaa Khyaal: Mero bhalo kiyo Raam apanee bhalaai || Houn to saai drohee pai sevaka hita saai ||
Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin
Teentaal - Bandish: Mori gagara naa bharana deta, Bainyaa pakara mose karata raar | Baar baar samajhaya raheen hun, Dheeta langaravaa itanee naa maane, Haar gayee main to haar gayee ||
. . . .
C C C C
Vilambit Ektaal Badaa Khyaal Jaba hee saba neer pata niraas bhaye |Gurupad kamal vande raghupata taba chaap sameep gaye ||
Teentaal Bandish: Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa
Gaaiye Ganapatee jaga vandana | Shankara suvana Bhavani nandana || Siddhi sadana gaja vadana Vinaayaka | Krupaa sindhu sundara sukha daayak ||
. . .
Raag Bihaag nsgmggmpipdkpikgmg,nsgkpkgmgrns
Vilambit Ektaal
CC CC C CCC CC CCCCCC C
Badaa Khyaal Kavana dhanga toraa sajanee, Too to itaraata utaraata beetee jaata | Cchanda maana utha teree balaa lehoon, Sota lagaa rahee ghaata ||
Teentaal Bandish: Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa Dhaa Tin Tin
Piyaa pyaaree aaja horee khelata yamunaa teer | Hansa hansa badana aragajaa daarata maarata mootha abeer|| Chalata kuma kumaa ranga pichakeeree | Bheeja rahe tana cheera ||
. .
Raag Baageshree d b s m i f r m, m d i p d b i d m f, m p d fi r f m f r s
Vilambit Ektaal C C C C
Badaa Khyaal Mohe manaavana aayaa, Kaanhaa, Sagaree sakhiyaan dekhata rahee | Jaavo jee jaavo Kanhaiya na bolo, Tumee sanga naa main kheloon naahee rachaaun raas ||
Chhotaa Khyaal (Bandish) Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa:
Paayala baaje mori jhanjhara pyaare, Kaise aaoon tore milanaa re | Jaaga rahee mori saasa nanada ri, Jiyaa dara paavata raina andheree ||
. . .
Raag Malkauns
Jhaptaal 1st beat a b s m i m
f im b
a b i a
b
m
a m
f i sf m f f
b s
st
Chhotaa Khyaal (Bandish) Taal Jhaptaal 1 beat : Maan prabhoo araja mori, Naahee gyaan mome kachhu, Le ho apanee sharaname |
Bhava jaladhee aparampaar, Nahee kou Prabhu aadhaar, Tuma dayaalu deenabandhu, Le ho apanee sharaname ||
Taal Dhamaar 1st beat Dhamaar Taal Dhamaar - 1st Beat: Socha socha too daar uthi dekha deena dayaalu aayo | Nirakhi lochana pranata mochana kuvaree vara vaanchhoso aayo ||
Raag Tilang sg i s g m p i g m p b p g
m p m g m g s
Jhaptaal 1st beat c c c c c c c c
st
Chhotaa Khyaal (Bandish) Taal Jhaptaal 1 beat: Ramya yamunaake teer, raas khelata giridhara, Mudita mana gopiyan, Udata ranga aru abeer |
Raadhaa raani kaaminee, Manaavata baanke bihaaree, Kare gumaan sundaree, Haare Krushna Muraaree ||
Taal Bhajani Keharvaa: Dhin Naa Dhin Dhi Naa:
Bhajani Keharvaa Khaalee Bhajan Tuma meri raakho laaja Hari | Tuma jaanat saba antarayaamee, karanee kachhu na kari |1| Augun mose bisarata naahee, pala chhin gharee gharee |2|
Saba prapancha kee pota bandha karee, apane seesa dharee |3| Daaraa sutadhana moha liye ho, sudhi budhi saba bisaree |4| Soor patita ko bega ubaaro, aba meri naava bharee |5|
.
Raag Patadeep n s m
f m p i
p
f m pn i d m d
p n d p i m p f r
m
s i
X X X X Z Z C C C C Z X X X X X X Z C C Z Z Z Z
Jhaptaal 1st Beat: Madhura prabhoo prema rasa, Madhupa mana chaakha re, Sarasa sura son sadaa, Gaa suguna eesha ke |
Chhotaa Khyaal (Bandish) Prabhoo charana kamala hai, Amita rasa se bhare, Ketakee kusuma sama, Bhoga sansaara ke ||
Tanaa tanana derenaa tadare daani, Tanana tanana tadare daani daani |
Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa:
Teentaal - KhaaleeTaraanaa
Naadir dir daani tundir dir daani tanaa tadare daani daani tadare tadare daani, Naadir dir daani tundir dir daani daani ||
s r g m d d n d m p i p d m p i g mr i r g m d i k p g mr s
Raag Hameer C C C C Z Z C C C C Z C C C C Z Z Z Z C C C C Z X X Z Z Z
Dhheeta langaravaa kaise ghar jaaun suna paave moree saas nanandiyaa chhaanda de mohe |
Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa:
Chhotaa Khyaal (Bandish) Hoon jo chalee panaghatavaa thhaado, koun bahaane pyaare balmaa,
chheena lai moree seesa gagariyaa, barajoree kee nihaave sundaravaa kaise ghar||
Dhrupad ( Choutaal ) Chanchal chapalaa ki gat taiso kamal vadanee, Anoopam kaamini sundar karna phool raajat maane mangal gaavo |
Dhaa Dhaa Din Taa Kita Dhaa Mukh murat chhabi sundar paramkaam vishraamdhaam, Drug vishaal adhar par vidruma baar baar daar ||
srmpa a p a m i pabap a m m p frsi
Raag Jaunpuri X X X X Z Z Z X X Z X X Z Z Z X X X X Z Z Z X
Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa Dhaa: Shyaamsundar abahoon nahi aaye, deepa kee jyota udaas lagata hai, taaraangana saba gagana bilaaye |
Chhotaa Khyaal (Bandish) Arunashikhaa bolata hai kabason, firata na paharoo pathik maga dhaaye, kamalana ke mukh khile chahat hai, fool kamodini ke murajhaaye ||
Raag Kaalingadaa s e g m p ig m g p i a p a m p g m r g e s
X X X Z Z X X X X Z X X X X X X X X X X X
Kauna jagame hamaaraa hai, Aadhaar saachaa tuma bina |

Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa Dhaa Tin Tin :
Chhotaa Khyaal (Bandish) Mama manamandir me biraajo, Aba prabhu dera naa lagaavo aavo ||
.
Raag Deskaar s r g p i dg p i s
d s
d p d
g pgrds
X X X X Z Z Z Z Z Z Z X X x x x x
Jhaptaal 1st Beat: Chidiyaa choochabaanee chakravaak sunabaanee, kahat Yashodaa raanee jaago mere laalaa |
Chhotaa Khyaal (Bandish) Ravi ke kiran jaanee kumudaanee bikasaanee, Samudit sakuchaanee dadhi mathita baalaa ||
Drut Ektaal: 1st Beat: Jaagiye Raghunaath kunvara, panchhi vana bole |
Drut Ektaal Bandish Praatabhaanu pragata bhayo, rajanee ko timira gayo, Bhrunga karata gunjagaana, kamalana dala khole ||
Praveshikaa Pratham, Praveshikaa Poorna and Madhyamaa Pratham

Praveshikaa Poorna and Madhyama Pratham

Madhyamaa Pratham
Taal Jhoomraa Taal Tilvaadaa
Dhin I Dhaa Tirakita Dhin Dhin DhaaGe Tirakita Tin I Taa Tirakita Dhin Dhin DhaaGe Tirakita Dhaa Tirakita Dhin Dhin Dhaa Dhaa Tin Tin Taa Tirakita Dhin Dhin Dhaa Dhaa Dhin Dhin
Maatraa (Beats): 14, Vibhaag or Khanda (sections) : 4 (3, 4, 3, 4) Maatraa (Beats): 16, Vibhaag or Khanda (sections) : 4 (4, 4, 4, 4)
Taalee: 3 (on 1, 4, 11 beat or Maatraa) Taalee: 3 (on 1, 5, 13 beat or Maatraa)
Taal Sooltaal
Dhaa Dhaa Din Taa Kita Dhaa Kita Taka Gadee
Maatraa (Beats): 10, Vibhaag or Khanda (sections) : 5 (2, 2, 2, 2, 2)
Taalee: 3 (on 1, 5, 7th beat or Maatraa)
Madhyama Pratham Exam format: Following questions will be asked in oral exam. Total 35 minutes.
Questions Pts
Vilambit bandish in a raga with aalaap, taan 14
Vilambit bandishes in two more ragas with two aalaaps each 8+8
A bandish in medium tempo with aalaap taan in a new raga of this year 12
A medium tempo bandish with 5 taans in another raga 8
Dhrupad or Dhamaar in thaah and chougun 15
Upshastriya (semi classical) type of composition (Bhajan) 8
Thaah and Dugun for a taal from this year 4
Thaah and chougun for a taal from last years 6
Recognize ragas: two from this year and two from last years 8
Recognize swar 6
Bandish of a raga from past exams 4
Sing aalaap for two ragas from past exams 3+3
Read swar lipi (One line of four maatraas) 10
Total 125
Madhyama PoornaFollowing questions will be asked in oral exam. Total 40 minutes.Only taanpuraa and tablaa will be used for oral exams. Harmonium is not
allowed.In each row, question will be asked about a different raag. This way, entire syllabus will be covered
Questions Pts
Improvisation: Aalaap of two raag from this year and three raag from previous years 20
Read swar lipi (One line of four maatraas) and sing a rhythmic sargam geet and play it on harmonium 10
Total 150
Praveshikaa Pratham

Praveshikaa Poorna
Madhyamaa Pratham
Taal Jhoomraa Taal Tilvaadaa
Dhin I Dhaa Tirakita Dhin Dhin DhaaGe Tirakita Tin I Taa Tirakita Dhin Dhin DhaaGe Tirakita Dhaa Tirakita Dhin Dhin Dhaa Dhaa Tin Tin Taa Tirakita Dhin Dhin Dhaa Dhaa Dhin Dhin
Maatraa (Beats): 14, Vibhaag or Khanda (sections) : 4 (3, 4, 3, 4) Maatraa (Beats): 16, Vibhaag or Khanda (sections) : 4 (4, 4, 4, 4)
Taalee: 3 (on 1, 4, 11 beat or Maatraa) Taalee: 3 (on 1, 5, 13 beat or Maatraa)
Taal Sooltaal
Dhaa Dhaa Din Taa Kita Dhaa Kita Taka Gadee
Maatraa (Beats): 10, Vibhaag or Khanda (sections) : 5 (2, 2, 2, 2, 2)
Taalee: 3 (on 1, 5, 7th beat or Maatraa)
Madhyama Poorna
Taal Deepchandi Taal Aadaa Choutaal Maatraa (Beats): 14,
Dhaa Dheen i Dhaa Dhaa Teeni Taa TeeniDhaa Dhaa Dheeni Dheen Tirakita Dhi Naa Too Naa Kat Taa Tirakita Dhee Naa Dhee Dhee Naa
Maatraa (Beats): 14, Vibhaag or Khanda (sections) : 4 (3, 4, 3, 4) Vibhaag or Khanda (sections) : 7 (2,2,2,2,2,2,2)
Taalee: 3 (on 1, 4, 11 beat or Maatraa) Taalee: 4 (on 1, 3, 7, 11 beat or Maatraa)
Khaalee or Kaal: 1 (on 8th Beat or Maatraa) Khaalee or Kaal: 3 (on 5th, 9th, 13th Beat or Maatraa)
Taal Teevraa Dhaa Din Taa Kita Taka Gadee Gana
Maatraa (Beats): 7, Vibhaag or Khanda (sections) : 3 (3, 2, 2)

Taalee: 3 (on 1st, 4th and 6th beat or Maatraa)
Khaalee or Kaal: There is no khaalee
Madhyama Poorna Exam
Total Points: 250, Minimum needed for passing: 88,
Theory Written exam 3 hours : 100 points (minimum needed for passing : 35)
Practical Oral exam 40 minutes : 150 points (minimum needed for passing : 53)
Only taanpuraa and tablaa will be used for oral exams. Harmonium is not allowed.
In each row, question will be asked about a different raag. This way, entire syllabus will be covered.
Madhyama Poorna
Following questions will be asked in oral exam. Total 40 minutes.Only taanpuraa and tablaa will be used for oral exams. Harmonium is not allowed.In each row, question will
be asked about a different raag. This way, entire syllabus will be covered
Questions Pts
Improvisation: Aalaap of two raag from this year and three raag from 20
previous years
Read swar lipi (One line of four maatraas) and 10
sing a rhythmic sargam geet and play it on harmonium
Total 150
Improvization styles (slow or fast for khyaal) and compositions for raagas in ABGMVM syllabus:
Slow : Vilambit Ektaal : 15-17 Beats per minute for sthaayee aalaap and bol aalaap, 20 BPM for Antaraa and Boltaan, taan
Fast : Vilambit Ektaal : 20 Beats per minute for sthaayee aalaap and bol aalaap, 22 BPM for Antaraa and Boltaan, taan
Madhyamaa Pratham
Improvization Compositions
Raag Tempo Taraanaa, Dhrupad,
Badaa Khyaal Madhyala Bandish (Teentaal)
(for Badaa Khyaal) Dhamaar
Bhoooopaalee Slow Ektaal: Jabahi saba neer pat Gaaiya ganapati
Yaman Slow Ektaal: Mero bhalo Mori gagar naa bharan Tana nadir dir deem tanana
Paayal baaje mori,
Baageshree slow Ektaal: Mohe manaavan Goonde laavo ri,
Aao chalo raatame (Drut Ektaal)
Piyaa pyaaree aaj,
Bihaag Slow Ektaal: Kavan dhanga toraa
Nahi chhodu re baba
Jaunpuri Slow Jhumraa: E baaje jhanana Tore nagariyaa haan re piyaa Nita daani taa re taare daani
Bheri baji sangraam ki Tom tanana tana derenaa
Malkauns Slow Ektaal: Peer na jaani
Maana prabhu (Jhaptaal) Dhamaar: Socha socha
Dheeta Langaravaa Udatana
Hameer Fast Ektaal: Karan chahun Raghupati
Gurubina kaun bataaye Dhrupad: Chanchala chapalaa
Ye mori maalaa gaho
Patadeep Slow Prabhu Meri naav utaaro Tanaa tanana derenaa
Jhaptaal: Madhura prabhu
Tilang Fast Jhaptaal: Ramya yamunaa ke
Jhaptaal: Chidiyaa choochabaani
Deskaar Fast
Drut Ektaal: Jaagiye raghunaath
Kaalingadaa Fast Kaun jagame hamaaraa
Madhyamaa Pratham
Improvization Compositions
Raag Tempo Taraanaa, Dhrupad,
Badaa Khyaal Madhyala Bandish (Teentaal)
(for Badaa Khyaal) Dhamaar
Bhoooopaalee Slow Ektaal: Jabahi saba neer pat Gaaiya ganapati
Yaman Slow Ektaal: Mero bhalo Mori gagar naa bharan Tana nadir dir deem tanana
Paayal baaje mori,
Baageshree slow Ektaal: Mohe manaavan Goonde laavo ri,
Aao chalo raatame (Drut Ektaal)
Piyaa pyaaree aaj,
Bihaag Slow Ektaal: Kavan dhanga toraa
Nahi chhodu re baba
Dheeta Langaravaa Udatana
Hameer Fast Ektaal: Karan chahun Raghupati
Gurubina kaun bataaye Dhrupad: Chanchala chapalaa
Ye mori maalaa gaho
Patadeep Slow Prabhu Meri naav utaaro Tanaa tanana derenaa
Jhaptaal: Madhura prabhu
Tilang Fast Jhaptaal: Ramya yamunaa ke
Jhaptaal: Chidiyaa choochabaani
Deskaar Fast
Drut Ektaal: Jaagiye raghunaath
Kaalingadaa Fast Kaun jagame hamaaraa
Madhyamaa Poorna

Slow
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Fast
, :

Slow :

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Slow
:

:
( Fast :
)

Slow
:

:
Slow

:

:
Fast
:

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:
Fast :

:

Slow

:
Patriotic song, Bhajan, Gazal, folk song
Madhyamaa Poorna
Badaa
Taraanaa, Dhamaar,
Raag Khyaal Badaa Khyaal Madhya Laya Bandish
Dhrupad
Tempo

Slow
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Slow

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Fast
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Slow :

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( Fast :
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Madhyamaa Poorna
Tempo for Compositions

Raag Badaa
Khyaal Badaa Khyaal Medium tempo Bandish Taraanaa
Gore mukhaso
Bheempalaas Slow Aba to badee ber Mila jaanaa Raam piyaa Deem tanana derenaa
Bajaai been
Mana haravaa re balamaa
Vrundaavanee
Slow Charana sharana Gopaal Ghungaruvaa moraa Deem tara dhitilata nom
Saarang
Drut Ektaal: Main naa jaaun Hari paas
Kanganavaa moraa
Kedaar Fast Bana thana kaahe Kaanhaa re Naadir dir daani tadaani
Jhaptaal: Jaa ke kaanhaa
Bhairav Mana laagilo mero
(Ahir Bhairav and Nata Fast Jhumraa: Bhora bhayo Daani tom tana nita nita
bhairav are SLOW) Drut Ektaal: Jaago brij raajkunvara
Saavele do mhaane bhaayo
Shankaraa Slow Anahad naad ko
Drut Ektaal: Shankara bhandaar dole
Sudara shyaam dekhana ki Dir dir tanana tana derenaa
Jaijaivanti Slow Laraa maai sajani
Daamini damake Dhamaar: Shyaam Shyaamso
Piyu pala na llagi mori
Gaud Saarang Fast Taata janak tana Drut Ektaal: Dara deem tanaa
Drut Ektaal: Vrundaavana kunja dhaama
Pana ghatavaa
Pooriyaa
Slow Jaaun kahaan Gangaa ke sanaga Tanana tom tanaa
Dhanaashree
Jhaptaal: Tere darasa kee
Jhaptaal: Gore badanapar
Kaamod Fast Aaj sakhee preetam Teentaal: Bisarata naahi Deem tana
Drut Ektaal: Moree nayee lagan
Aba vilamba jina Tanana derenaa
Chhaayaanat Slow Pragat a bhai
Jhanana jhanana Dhrupad: Yashodaananda

Vishaarad Pratham
Tempo for Compositions

Raag Badaa
Khyaal Badaa Khyaal Medium tempo Bandish Taraanaa
Saavele do mhaane bhaayo
Shankaraa Slow Anahad naad ko
Drut Ektaal: Shankara bhandaar dole
Sudara shyaam dekhana ki Dir dir tanana tana derenaa
Jaijaivanti Slow Laraa maai sajani
Daamini damake Dhamaar: Shyaam Shyaamso
Piyu pala na llagi mori
Gaud Saarang Fast Taata janak tana Drut Ektaal: Dara deem tanaa
Drut Ektaal: Vrundaavana kunja dhaama
Pana ghatavaa
Pooriyaa
Slow Jaaun kahaan Gangaa ke sanaga Tanana tom tanaa
Dhanaashree
Jhaptaal: Tere darasa kee
Bisarata naahi
Kaamod Fast Aaj sakhee preetam Deem tana
Drut Ektaal: Moree nayee lagan
Aba vilamba jina Tanana derenaa
Hameer Fast
Jhanana jhanana Dhrupad: Yashodaananda

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Schedule for Lessons: November 2016 November 2017

Raag Durgaa Raag Alhaiya Bilaaval Raag Jaunpuri

Week 1, 2 Revision, Theory Revision, Theory Revision, Theory Revision, Theory

Revision Revision Revision

Raag Gaud Saarang

Week 1, 2 Revision, Theory

Week 1, 2 Mock exams

August 2017 Mock exams

September 2017 Mock exams

October 2017 Mock exams

November 2017 Mock exams

Vishaarad Pratham 128 + 52

Vishaarad Poorna 128 + 52

Alankaar Poorna 155 + 35 + 35

Shikshaa Paarangat 120 + 105

Dhrupad: Taal Choutaal 1st Beat

Raag Khamaaj sgmp,gmpdndpdgpmg,gpmpgrs

Bhajan: Taal Bhajani Keharvaa: Dhin Naa Dhin Dhi:

Bandish: Drut Ektaal 1st Beat (starts on a Sa)

Raag Bhoopaalee sdds,srg,grpig,pdppigr,srgrdds

Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin

Raag: Durga Raag : Kaafee

Raag : Des Raga : Kalyaan (Yaman) Thaat : Kalyaan,

saMgaIt Sangeet Music: Includes Vocal, Instrumental, Dance art forms

Pandit Paluskar Pandit Bhatkhande

Two maatraas q s No Symbol s s

Swar in Taar saptak s r g aeh

Taalee: 3 (on 1, 3, 8 beat or Maatraa) Maatraa (Beats): 12

Praveshikaa Pratham Exam: Oral only: 15 Minutes

One Alankaar in Basic notes and one alankaar in a raga. 6

Dhrupad in single and double tempo. 5

Bandish in a taal other than teentaal 5

Any three songs from following:

Recognize ragas : Three 6

Recognize notes: Two clusters

Information of one raga 5

Information about one composition type or Swarlipi type (Notation) 4

Raag Alhaiyaa Bilaaval gr g p i m g i m r i g p d b i d p i d g m ris

Teentaal: Dhaa Dhin Dhin Dhaa Dhaa Dhin Dhin Dhaa |

Raag Bhairav sgrgmgrgrgr-s-sgmp-gmgp- p-gmgrgrgr-s-

Bhajan: Taal Bhajani Keharvaa: Dhin Naa Dhin Dhi Naa:

Raag Kedaar srsm,mmgp,mpdpm,m,srs

Raag Bihaag sm-gp-gmpn-dkp-kgmgrbs-

Raag Bhoopaalee sdds,srg,grpig,pdppigr,srgrdds

Raag: Bhairav Raag : Bihaag

Raag : Aasaavaree Raag : Bhairavee

Taalee: 3 (on 1, 3, 8 beat or Maatraa) Maatraa (Beats): 12

One Alankaar in Basic notes and one alankaar in a raga. 6

Dhrupad in single and double tempo. 5

Bandish in a taal other than teentaal 5

Any three songs from following:

Recognize ragas : Three 6

Recognize notes: Two clusters

Information of one raga 5

Information about one composition type or Swarlipi type (Notation) 4

Kauna jagame hamaaraa hai, Aadhaar saachaa tuma bina |

Taalee: 3 (on 1, 3, 8 beat or Maatraa) Maatraa (Beats): 12

Praveshikaa Poorna and Madhyama Pratham

Taalee: 3 (on 1, 3, 8 beat or Maatraa) Maatraa (Beats): 12

Maatraa (Beats): 7, Vibhaag or Khanda (sections) : 3 (3, 2, 2)

Total Points: 250, Minimum needed for passing: 88,

Tempo for Compositions

Patriotic song, Bhajan, Gazal, folk song

Tempo for Compositions