installation, film and extraordinary montage depicting four dances, and in these films, five women are engaged in the movements and rhythms of the tango, the flamenco and oriental dance. Hence, Dance the World! Not only becomes a metaphor for desire and violence, but also a clarification of the female condition, her power and her freedom, transcended by sensuality, the human body and passion. This film, however, is not only carried by sensitivity. In the film the mirror that overhangs in the room where the women are dancing and which periodically appears as a symbol of the film within the film. The mirror makes the audience view the image as infinity. Behind the rich passion, the mythical dance, these timeless women, there is the restrained passage from black-and-white to colour, from static image to moving image, the rotational motion of cinema and finally, the soundtrack, which engenders an outline of the artists poetic resonance. In short, its a journey into appearances on film, which suddenly, becomes an illusion about the nature of illusion itself. In this piece, Marie Jo-Lafontaine uses the technique of multiple screens displayed around the room to create the feeling of vastness.
24 hour psycho: Much of Gordons work is
seen as being about memory and uses repetition in various forms. He uses material from the public realm and also creates performance based videos. His work often overturns traditional uses of video by playing with time elements and employing multiple monitors. Douglass work often overturns traditional uses of video by playing with time elements and employing multiple monitors, much like Marie-Jo Lafon-taine and Matt Mullican. One of his best-known art works is 24 Hour Psycho (1993).The work consists entirely of an appropriation of Alfred Hitchcocks 1960 Psycho slowed down to approximately two frames a second, rather than the usual 24.As a result it lasts for exactly 24 hours, rather than the original 109 minutes. The film was an important work in Gordon early career, and is said to introduce themes common to his work, such as recognition and repetition, time and memory, complicity and duplicity, authorship and authenticity, darkness and light.