MILLENNIUM STAGE, WASHINGTON D.C., U.

S PERFORMING ARTS CENTRE, KHUMALTAR

PROJECT SUMMARY
LOCATED IN JOHN F. KENNEDY ARTS CENTRE DHOKAI MA CAFE, PATANDHOKA, LALITPUR
CONCEPT OF PERFORMING ARTS FOR EVERY ONE
PROJECT SUMMARY
PROJECT FEATURES YALA MAYA KENDRA COMPLEX
END STAGE THEATRE- 300 IN THE END OF GRAND CONFERENCE HALL
FOYER OF THE ARTS CENTRE BAGGI KHANA
PROJECT INFERENCES GAUSHALA 1,2

PREPARATION

REHEATINGG EQUIP.
FREE PERFORMANCES EVERY DAY AT 6PM. THE DHOKAIMA CAF

COOKER RING
SELECTION RANGES DELIGHTFULLY FROM MADAN PUSTAKALAYA
PLAYS TO MUSIC, EVEN TO DANCE LESSONS.
PROJECT FEATURES

DISH WASH
AND THE PERFORMERS THEMSELVES ARE
OFTEN DRAWN FROM THE SHOWS CURRENTLY CAF WITH CAPACITY OF
SERVERY
RUNNING. ABOUT 100 PEOPLE
PERFORMANCES THROUGH PARTNERSHIP RANA PALACE STORE
WITH OTHER INSTITUTION RENOVATED INTO CAF
MILLENNIUM STAGE WAS A SPECIAL SPACE, CONSIST OF VAN GOGH
NOT A STAGE FOR AN UNDERSERVED ROOM, DINING AREA
DEMOGRAPHIC WHO COULDNT AFFORD HIGH- DECORATED WITH VAN
PRICED TICKETS IN THE OTHER THEATERS GOGH PAINTINGS
MUD BRICK
8 DEGREES, JAWALAKHEL, LALITPUR CONSTRUCTION WITH
TELIA BRICKS ON THE
FLOOR
PROJECT SUMMARY WC
8 DEGREES RESTAURANT-120
A MULTICUISINE RESTAURANT

PROJECT FEATURES
OUTDOOR AND INDOOR DINING
BAR
AUDITORIUM- 70
BOARD ROOM-15 TO 20
CHILDREN PLAY AREA
PARKING FOR 15 CARS AND 20 BIKES
OUTDOOR DINING

069-BAE-236
SAMPADA THAPA MAGAR CASE STUDY
 ACCORDING TO BAFFE AND PETERS (2000), PERFORMING ARTS HAS BEEN CLASSIFIED AS
PERFORMING ARTS CENTRE, KHUMALTAR
MUSIC(PLAYING MUSIC OR SINGING; OPERA, HYMNS, RAP, ETC.),
DANCING (ETHNIC, FOLK, ICE DANCING, BALLET), PERFORMING ARTS IN NEPAL
ACTING (PLAYS, MUSICALS, MIMES, COMEDY), PERFORMANCES USED TO TAKE PLACE
LITERARY (READING POETRY, STORY TELLING, IN OPEN ELEVATED SQUARES.
A DRAMATIC PERFORMANCE WITH
MULTIMEDIA OR OTHERS (MUSIC VIDEOS, STREET PERFORMANCES, CIRCUSES, ETC.
MASK, SONG AND DRUMS
PERFORMING ARTS CENTRE IS A MULTIUSE PERFORMANCE SPACES INTENDED FOR DABALI: MOST PRONOUNCED THATRE
VARIOUS TYPES OF PERFORMING ARTS. FORM
RAISED PLATFORM IN COURTYARD
HISTORY OF PERFORMING ARTS AND OPEN SPACES
CULTURAL NODE FOR OPEN AIR
PUBLIC PERFORMANCES IN NEWARI
RITUALS CULTURE
Platform Stage (Medieval Stage)
RITUAL DRAMA AND FESTIVALS EVOLUTION OF PERFORMING ARTS CENTRE
GENERATION ONE: ARTS CENTRE AS HOME
OPEN AIR THEATRES GENERATION TWO: ARTS CENTRE AS PLACE
ELIZABETHAN THEATRES COMMERCIAL PLAYS GENERATION THREE: ARTS CENTRE AS
COMMUNITYS CENTRE
RENAISSANCE THEATRES GENERATION FOUR: CREATIVITY AND
(INDOOR PROSCENIUM THATRES) Renaissance Theatre: Forced INNOVATION
perspective, raked stage beyond ROLE OF GENERATION FOUR ARTS CENTRE ARE:
INDUSTRIAL REVOLUTION HOST TO TRADITIONAL PERFORMING ARTS
proscenium
19th CENTURY INCUBATOR: ENABLER OF NEW CONTENT AND EMERGING ORGANIZATION, PROVIDE FACILITIES,
WC
TECHNICAL SUPPORT AND MANAGEMENT GUIDANCE TO ENSURE SUCCESS.
20th CENTURY EDUCATOR: RECOGNIZES GAP IN THE ARTS EDUCATION AND COLLABORATES TO DEVELOP
AND OFFER PROGRAMS TO YOUTH, UNDER SERVED, LIFE-LONG LEARNERS.
SHOWCASE: PROVIDE PLATFORM FOR PRESENTATION AND EXHIBITION OF THE NEW, THE
DIFFERENT AND THE TRADITIONAL.
Renaissance Theatre: Ellipse cavea, Scanae ADVOCATE/CHANGE AGENT: ADVOCATE FOR CHANGE AND SUPPORT AS GENERATION FOUR
frons broken up by several arches ARTS CENTRE IS A LEADER OF EXPLORING THE EVOLUTION OF THE SECTOR, ART FORMS,
DELIVERY SYSTEM AND AUDIENCES.
Popular Theatre (industrial INNOVATOR: ENCOURAGE RISK AND MANAGE EXPOSURE BY DEVELOPING LEADERSHIP
revolution) SKILLS, TOOLS, SYSTEMS AND FINANCIAL RESOURCES THAT SUPPORT EXPLORATION.

069-BAE-236
SAMPADA THAPA MAGAR Elizabethan Theatre CASE STUDY
WALT DISNEY CONCERT HALL, LOS ANGELES, CALIFORNIA PERFORMING ARTS CENTRE, KHUMALTAR
PROJECT SUMMARY
SITE AREA:
BUILT UP AREA:
25083 sq. m
14568 sq. m
HAMMER HALL, MELBOURNE, AUSTRALIA
PROJECT FEATURES
PROJECT FEATURES
PART OF ARTS CENTRE MELBOURNE
CONCERT HALL- 2265
ENDSTAGE CONCERT HALL-2387
AMPHITHEATRE- 300
NUMEROUS BARS
EXPERIMENTAL THEATRE: 272
EXTENDED FOYER SPACES AND LOUNGE SPACES
EXHIBITION SPACES
RESTAURANT PROJECT INFERENCE
FLEXIBLE SEATING AREAS DEPENDING UPON
THE AUDIENCE NUMBER IN THE CONCERT HALL
THEATRE GRID SYSTEM AND SPECIALLY
CONSTRUCTED ACOUSTIC REFLECTOR THAT
WILL UNFOLD OVER THE STAGE FOR
UNAMPLIFIED PERFORMANCES
COMBINED CONCERT VENUE
PROJECT INFERENCE ORCHESTRA PIT FLEXIBILTY AS PER THE TYPE
THE MIDDLE ZONE BETWEEN THE CENTRAL BOX OF THE AUDITORIUM AND THE SPREADING CURVES OF OF PRODUCTION
THE EXTERIOR WALLS HOLDS MANY OPPORTUNITIES TO NESTLE SMALLER SPACES MELBOURNE ROOM (61M2)- 40 PEOPLE FOR
THE AMPHITHEATER AND THE PRE-CONCERT FOYER, BOTH ARE SWELLING EXTENSIONS OF CIRCULATION EXCLUSIVE DINNER, COCKTAIL FUNCTION, PRE
PATHS, CARVED OUT OF RECESSES IN THE WALLS, WITH COMFORTABLE YET REVERENTIAL PROPORTIONS. AND POST SHOW GATHERING, BOARD ROOM
THE PUBLIC GARDEN WRAPS AROUND THE WESTERN AND SOUTHERN SIDES OF THE SITE, PROVIDING TRUSCORR LOUNGE (29.64M2)- 20 PEOPLE FOR
PANORAMIC VIEWS OF THE CITY WHILE MAINTAINING A SENSE OF ENCLOSURE COCKTAIL PARTIES, PRE AND POST SHOW
ADJUSTABLE HEIGHT OF THE CEILING PANEL AND SEATING AREAS DEPENDING UPON THE AUDIENCE GATHERING
NUMBER IN THE CONCERT HALL
FLEXIBLE THEATRE WITH CAPABILITY OF SEVERAL CONFIGURATIONS, FROM THRUST AND END STAGE TO
COMPLETELY IN-THE-ROUND

069-BAE-236
SAMPADA THAPA MAGAR CASE STUDY
SARWANAM THEATRE, BHRIKUTI MANDAP, KATHMANDU PERFORMING ARTS CENTRE, KHUMALTAR
PROJECT SUMMARY
BUILT UP AREA: 170.49 sq. m MANDALA THEATRE, ANAMNAGAR, KATHMANDU
ARCHITECT: ZERO DIA NEPAL
PROJECT SUMMARY
PROJECT FEATURES BUILT UP AREA: 118.33 sq. m
END STAGE THEATRE- 150 BLACK BOX WITH CAPACITY : 130 PEOPLE
ART GALLERY, CAFETERIA
WORKSHOP HALL, RESEARCH CENTRE PROJECT FEATURES
BLACK BOX: 13.7 X 6.7M2
REHEARSAL/ WORKSHOP ROOM
MEETING ROOM

PROJECT INFERENCES
FLEXIBLE THEATRE, MODIFICATION AS PER THE
PRODUCTION
END STAGE OR TWO SIDE SEATING
BASIC THEATRE ARTS TRAINING FOR 6 MONTHS
TOURING BUS- 10 STUDENTS PER BATCH

PROJECT INFERENCES
THEATRE CUM GALLERY
SUSTAINANCE THROUGH RENTING OUT THE
SPACES AS WELL
THEATRES OWN CAFETARIA
3 MONTH COURSE PROVIDED-SCRIPT
WRITING, ACTING, DIRECTION, 2 MONTH
TRAINING AND 1 MONTH PRODUCTION,
STUDENTS- 40 MEMBERS PER BATCH N
069-BAE-236
SAMPADA THAPA MAGAR CASE STUDY