Pine | 03Al BEFORE THE LAND OF LOLA ) Rev. 1/5/12) Music and Lyrics by CYNDILAUPER STEVE GABOURY SAMMY JAMES, JR. ‘Vocal Arrangement by STEPHEN OREMUS {CHARLIE turns and takes a step toward LOLA so that just as she releases her boot it smacks CHARLIE square on the chin. HE teeters and then goes down, unconscious, 0 the ground. The HOOLIGANS take off laughing.) [MUSIC] ANGELS: 1 2 (SEGUE TO #5]Kinky Boots Piano/Vocal THE LAND OF LOLA ) [Rev. 1/5/12] LOLA: “He's not the first man ofall for me. And fom the ook on your faces, don't think he'll be the last” [MUSIC] 1 2 Gfm afm B Af [cfm afm B Adm | E 04 Music and Lyrics by SAMMY JAMES, JR ‘CYNDI LAUPER ‘Vocal Arrangement STEPHEN 0} Leave ex-pec- ) tastions at the door just let your eyes ex-plore my cin-e-matie fair from my boot to dew-i-ere Ive got a Ia-ey silken feel with arms as hard at steel Lam freedom,l'mconstrition a potpov - ri of con-tra-die ~ ton.Piano/Vocal -2- 13 rE Once you walk in - side these doors, you'e—mine__ Gfm Afm B Ajm [cfm Ajm B Am snd Bam here I am yes ma'am Tm Lo 04. The Land of Lola 1/5/12) 6 ‘now et me blowyour mind like Sha And like chenPiano/Vocal -3- 04, The Land of Lola (15/12) aa ANGELS! 00 wee that is me e-bo-ny Tm slam-our is ex-teme wel-come to our fan-tasy we give good e-pith ‘come and take my hand and wel-come tothe land. of Le.Piano/Vocal ~4- (04. The Land of Lola [1/5/12] Got Gin-ger Gf Ajm B Ajm [Gm Agm B Ajm Rod-gers savoir fae with the moves of Fred A.staire Tm black Je-us,t'm black Macy buvthis Macty’s legs are co-co but-ter bitch not just coo:kie cutter kitsch I pro - vide the un-ex-pec = ted with a prize that's un-de-tee = ted. LetPiano/Vocal (04, The Land of Lol [1/512] Lets ex plore your igh of fan - ey to-night_____ 'm gon-na teat you righ nd like Sta and Bam hee Tam yes mam Tim ——— ‘Aad like ete 61 e o o focal 00 wee that is me e-bo-ny TmPiano/Vocal -6- 04. The Land of Lola (5/12) 6 where glam Step in to 8 dream slam-our is extreme Wwel-come to our fan-ta-sy Step in to 2 dream ‘lam-our is extreme wel-come to our fan-ta-sy we give good e-pth come and take my hand and wel-come to thePiano/Vocal -7- (4. The Land of Lola 1/512) come and take my hand and wel-come to the land of Lo,Kinky Boots 05 Piano/Vocal BEWARE THE BLACK WIDOW ) Rev. 1/9/12] Music and Lyrics by CYNDI LAUPER, ‘STEVE GABOURY SAMMY JAMES, JR. Joel Arrangement ‘STepnEN Ones ‘Yeah yeah yeah yeah yeahPiano/Vocal -2- 05. Beware the Black Widow [V9/12} ‘Ladies, gentlemen, and those who have yet to make up their wie Jou to ook around. You may see something you want.” With AGroove J= 190 LOLA caches CHARLIE watching from the wings. SHE wink ti ond HE rns vey) LOLA: yu cath that jn nae aman ssapesr ith one wink only coud Go that to YOU! 4 18 16 2 {LOLA turns with fiery eyes 10 ANTOINETTE, one ofthe ANGELS, who immediately backs away in fear) LOLA: “Dida tell you never o show your face here agsin? Dida t warn you what would happen if you di ANTOINETTE: “Please, Lola, Dont. swear, Il go away, far far away, somewhere where Il never ever bother you agin.” LOLA: “Promises, promises. Pt her inthe box!" ANTOINETTE: “Not the box. I beg you, Lol. Please. Not the box!” ze Py Py 2(05, Beware the Black Widow (1/9/12) Piano/Vocal 7 LOLA: “And gee ber!" 2 Fy 2 31 2 2 LOLA: “But even kitens have claws." (GO ON] Vamp or Yeah, yeah, yeah, yeah Yeah, yeah, yeah, yeah, yeahPiano/Vocal (05. Beware the Black Widow [19/12] 2 o— 6 Look out, a-fit - de sie - You bet-ter watch out for your back lips that will make you fade to blackPiano/Vocal - (0. Beware the Black Widow [1/9/12] oe your mem = 0 = ry My block mag = ie will act fast Now you're here but youll dis-ap - pear like sand. through an hour ~ glass.Piano/Vocal ~6- (05. Beware the Back Widow [19/12] 8 or oo oo My,— oh, my, oh, my—__ Now youve got to go__ ~_S My— oh, my, ob, my. Feel the sting you sil = ly thing. > a you sil = ly thing Just be - ware the black wi - do - ow(05, Beware the Black Widow [1/9/12] Piano/Vocal ‘TRISH: “A two week notice? And then what?” (CHARLIE: "Unless I can finda buyer for our shoes well have to shut dow.” ‘TRISH: “Please, Chatic, my pits just started school I's the uniforms, love. And me with no husband to help.” a 'm sory, Trish, bu but without the Chambers eontract.. ISH: “Is that what all his is about; them Chambers shoe returns? Allright, so you've had some bad news, but chin up. As my mother used to J, Every cloud has a dry lining So don’t worry today with what won't be tomorrow. Thanks forthe chat, Charlie. And good luck.” (CHARLIE: "No, Trish. snot like that. have to.” ‘Vamp (jump any bar) 8 0 » a Don't Play!Piano/Vocal -8- (05. Beware the Black Widow [19/12] a Ym gon-na—shor-ten Poi - sons, po ~ tions, voo ~(05, Beware the Black Widow [1/9/12] 100 101 = a-can a+ lee a gid aly in CHARLIE: “So, I'm giving everyone their two week notice, We'll use the time to ratchet down production, take inventory, clean the machines. DON: “Who are you kiddin’? 1 been workin here since you and me was kids. Im thrid generation Price & Son.” (CHARLIE: “The fact i that nine out often shoe manufacturer are shut down already. So unless we can find a miracle buyer..What else cant do?” DON: “Do as you please, but you can fire me, Remember, bck at school, when you tried to cut me off your rugby team ‘Remember what happened” CHARLIE: “You shoved me down a fight of stars and got suspended.” DON: "Yeah. But stayed on teh team.” (GO ON] ‘Vamp Gimp any bar) 3 104 0, Bbm ab bye bye, bye Pre 2 Bye, bye,— bye le, = Je, oh,Piano/Vocal -10- (05. Beware the Black Widow [1912] 45, 6 My,— oh, my, ob, my. ~~ Now youve got My.— oh, my, oh, my—__ Bbm CHARLIE: “We cant keep manufacturing something that no one's going to buy. So what else can Ido?” MARGE: “How ‘bout we open astore and sell them ourselves?” (CHARLIE: “If Chambers can't ell them what makes you think we can? MARGE: “We can sel them at home partis. Y'now, like a pyramid scheme. My cousin Irene makes good ‘money sellin the feminine hypienes that way. Why not shoes? She's much better explain’ how it works have her give you aring.” (GOON) Vamp 18 19 ‘han me.-u- (05. Beware the Black Widow (19/12) Piano/Vocal = 8 NS ‘My,— ob, my, ob, my. a My, Bhm or > > "Male something they do! what?” LAUREN: “Make something they do want. Change the product." (MUSIC OUT] Safety 120 a (CHARLIE: “This isa shoe factory We make shoes.” LAUREN: "Not ones anyane wants. Over a the Whitcomb factory: They noted a lack of all-weather hiking shoes. So they started making all-weather hiking shoes and saved the factory. Toby's is making sandals ll them other sods who survived went out looking for an unde served niche market and aimed to fil the void. They didn’t sit up in their ofices| ‘wining, What else can | do?" [GO ON? ‘Vamp Gimp any bar) 20 : 8 2 19 BbmPiano/Vocal ~12- (05. Beware the Black Widow [1/9/12] Ebmieb NICOLA: “Lucky for you they‘ stil here. But they wont be once we set our date." (CHARLIE: “Who cares about a showy wedding? Inthe end, should it be about us?” NICOLA: "A weditng announces othe world who you, as couple, are going to be. And a wedding in these shoes - Well, that tells the world we ae comers tobe reckoned with” Stow four J=72 3 ‘ vel —Sdd am (CHARLIE: “gave fifteen people their severance notice today. Wouldn't saving their jobs tell the world a bit more aboutus then buying a pair of nine hundred quid shoes you'll wear once? Talk about your niche market!" (GO ON] Safety 46 NICOLA: “Talk about what niche market?” CHARLIE: “Take what you got’ ‘Go down a different road’ ‘Change the product’ ‘Find an With A Groove under-served niche marker" And they are certainly a completely under-served niche market!” a 10. 49 150-13- (05, Beware the Black Widow {1/912} Piano/Vocal Ab NICOLA: “Have you gone off your nut?” ‘CHARLIE: "Lauren othe office! Lauren come ste McPh Cha inhi offs! NOWP- Vamp [fishing her peformance.} [GO ON) 160 Charlie! In his of - ee! ‘My black mag-ic will ect fast.Piano/Vocal -14- (5. Beware the Black Widow [1/9/12] 16s 168 [Now you'e here but youll disap - pear like sand in an ho-ur glass. LOLA: My,— oh, my, oh, my__ Now youve got to go Sof : My,— oh, my, oh, my.Piano/Vocal -15- (05, Beware the Black Widow [19/12] feel the sting you sil = ly thing. Just be ~ ware the black feel the sting you sil - ly thing. Just be ware the black eae Feel - the sting!Piano/Vocal -16- (5. Beware the Black Widow (1/9/12) LOLA: “And lt that be a lesson to you!” 17 0Kinky Boots 6) Piano/Vocal I COME TO THE RESCUE [Rev. 1/5/12] ‘Music and Lyries by ‘CYNDI LAUPER. SAMMY JAMES, IR. CHARLIE: “Nonsense. To paraphrase that Sinatra i, good boots is worth the walking” [MUSIC] ‘Vamp (CHARLIE: lst Xonby) ‘Am 1 whats wrong here? Kaow what Tm do = Do I fit in? Where do I be- gin? Some old Char - lie, ffight-ened and flawed. SoPiano/Vocal (06.1 Come to the Reseue (1/512) ° and keep my head up like 1 May-be these pie - ces are fal-ling to- geth - er sme feel like Tm not a one. Jn-to this leather This kind of feels ike ‘Tm back home(06.1 Come othe Reseve (1/512) Piano/Vocal a as SS Rock. 2° = ‘my shi - ny, mighty shieldS (06.1 Come tothe Reseve (1/5/12) Piano/Vocal ° the he = ro is re-vesled, a oo Clark Kent suit was rom = pled, my glas - ses were as-kew. Big 1 come to the res = cue.Piano/Vocal . (06.1 Come to the Rescue {1/5/12} Tm your knight in ning a ~ thur, 1 used to feel(06.1 Come tothe Reseve (1/5/12) Piano/Vocal n 1 come to the res = cue,06.1 Come tothe Rescue [1/S12} o © Piano/Vocal 5 the way, fePiano/Vocal 06.1 Come tothe Reseve 1/5/12} ot SF Wo the ree = cue,Kinky Boots 8 Piano/Vocal THE HISTORY OF WRONG GUYS [Rev. 1/5/12] Music and Lyries by CYNDILAt STEVE GABOURY SAMMY JAMES, R. CHARLIE: “Excuse ms ([Everyhing Freezes} [MUSIC] LAUREN: “Oh, no. Ihave acrush. ean. ‘Think falling for him." LAUREN: “Oh, no. Why not?” 4X5 (RH.2ndX ony) a 4 5 Bbs 8 3 8 Wom-en have been mak-ing bad choi - ces since the be + ginning of time. ab (CHARLIE: “I was thinking, if you haven' anything else on... Maybe you should come back" LAUREN: “You don't owe mea job.” (CHARLIE: "No? All this started with you tossing aft" LAUREN!"I hada fit, but you had an idea. That's why some of us pt our ‘ames on factories and others on punch-cards." ‘CHARLIE: "As someone whet ume son facto, Lam asking may place your name.on one of his punch-eards.” (she smiles) [GO ON] 0 un ‘Are you gon-na be a - no-ther one— of mine?Piano/Vocal -2- (09. The History OF Weong Guys (1/5/12) ian CHARLIE: “Good. Good.” 18 Used to think you were from outer space. ‘Who's that bright eyed guy. in your place? You're kind of cute We been here before, Have I come back for more? ‘A--no-ther chap-ter in the by08. The History Of Wrong Guys 1/12], Piano/Vocal 0 3 Py his-to-1y of wrong guys. 7 since you walked through that door there's some-thing 1 just cant ig norePiano/Yocal 09. The History OF Wrong Guys {1/512} Js there rel-ly more to you than. what 1—_al-ways thought? But Ive been LAUREN: “And he's gota giftiend, you fae. Why are they only nice when they're unavailable?” s 55 56(09. The History Of Wrong Guys 1/5/12] Py so os Piano/Vocal a 1m better off with-out him, we're bet-ter off as fiends. Have I come back for more? Another chap-ter in the by tory of wrong guys. So ma-ny chan - ges since you walked through that doorPiano/Vocal (09. The History Of Wrong Guys (1/5/12) 7 Just cant ig. - nove ean see there's more to you than what 1 al-ways thought.(09. The History Of Wrong Guys [1/512] @ Piano/Vocal ' How can you sur - prise me The his-to-ty of wrong guys. Two: hes not in = t you. loves the gil nest door Loves the boy next door. Six: dont love you no more,Piano/Vocal (09. The History Of Wrong Guys (1/5/12) LAUREN: “hae a ginfaend LAUREN: ramed..” (GOON) “Nicola” (GO ON) a a makes you in - secure, makes youPiano/Vocal -9- (8. The History OF Wrong Guys (1/5!2] 1 can see there's mare al-ways thoughtri De 08Al BEWARE THE BLACK ) WIDOW (REPRISE) at [Rev. 1/5/12] CYNDI STEVE SABOURY Vocal Arrangement by STEPHEN OREMUS )RKER 1: "You've ben pt in you place now, havent ou, Dn?” DORAN stu why don ya? ERIC] : Dictated ANGELS:Kinky Boots 9) Piano/Vocal I'M NOT MY FATHER'S SON ) (Rev. 1/5/12] Music and Lyries by ‘UPER ‘STEPHEN OREMUS CHARLIE "Bt yo coul ave en er a OLA: “Dis war you notte try me? Anyway, he fall gave up on me. Disown. toaecme, Even when ego ing cancer Ie at real fage px inn tends (MUSIC) Vamp LOLA: i a When 1 was just a kid__ al-ways thought was strong and foughtPiano/Vocal = (9.1m Not My Father’ Son (Rev. 15/12] 7 16 + ertess_ and holding my breath. or Iwas nev - er eas = yt be his type of man. ACh ach >Piano/Vocal (9.1m Not My Father's Son [Rev. 1/5/12] 20 28 And the best is what he would - what he dreamed of Withtbe strength of Spar = ta and the patience of Job A Bm AIC}D A Bm AIc{DPiano/Vocal -4- (09.1™m Not My Fathers Son [Rev. 15/12) 38 ny sill could-nt te Elgg Fim? Bn? what hed Etsy FfPiano/Vocal (09.1'm Not My Father's Son (Rev. 1/812] o 53 leather and lace. ‘And the world seemed bright-er sik inches. off the ground. And the Y Ach E Ach D jst livePiano/Vocal . (9, Yn Not My Father Son Re. 1/2} what he dreamed of, A Bm AlcgD still couldnt be the one_ what hell done Efe Bo? Ere? Ba svi ing round in my mind. ofa?= 9.1m Not My Fathers Son (Rev. 15/12) 7a 2, 20 Piano/Vocal ) Gave way to the ss-ingcur-rent of in - dig - na ~ tion il 1 fin-ly drew — that line Gf? Ffiag | Ba? cy that 1 could just be me.__ arc CHARLIE, LOLA: With the strength of Spat - ta andthe patience of Tob A Bm Cfm D2Piano/Vocal (09.1'm Not My Father's Son (Rev. 1/5/12) % LOLA & CHARLIE: What held done for what was not EER Ff? Bo? LOLA: “Charlie from Northampton, meet Simon from Cseston," (CHARLIE: “Lets make shoes!" (GO ON] 109,) Kinky Boots Piano/Vocal EVERYBODY SAY YEAH (CHARLIE: this time Tim gon-na [Rev. 1/9/12] sive in, take that chance, leap in to SAMMY JAMES, JR ‘STEPHEN OREMt 10 Music and Lyrics by ‘NDI LAUPER us Vocal Arrangement by ‘STEPHEN OREMUS the vast pan -10. Everybody Say Yeah (Rev. 19/12] 16 Piano/Vocal a this time Tm gon-na seize my des - ti-ny___ DiFg ‘LOLA: “Well, oss, is this what you had in mind?” (CHARLIE: "Yeah OLA: “Yean?™ CHARLIE: Up-Tempo Dance10, Everybody Say Yeah [Rev. 1/9/12] = 2 Piano/Vocal 24 2s Yar yan Yen year Yeah, yeah!10. Everybody Say Yeah (Rev. 19/12} Piano/Vocal 2 throw out the old way, ‘eause its been done,were getting CHARLIE: w Wit-ness the fu-ture of “Price and Son” Pa-pa's got a brandiew shoe. Has a life of,Piano/Vocal -5- 10. Everybody Say Yeah (Rev. 1912] CHARLIE: BoTH: CHARLIE: “ get it on and get in. step_with our kinky re ~ vol ~ yeah, — yeaht ‘Yeab,— yeahtPiano/Vocal s Yeah, yeah “Welcome to our future, No longer are we making shoes. ‘We are making two and a hal feet ofiresisble tubular sex. So let's doit” sr so 2 10. Everybody Say Yeah (Rev. 19/12] 610. Everybody Say Yeah (Rev. 1912] Piano/Vocal PAT: eg WORKER 1 punched the les, And Td pull the leather tpi GEORGE: WORKER?: o T put the steel ines Now we go off like dy ~ no-mite (Can you picture this. fashion ex -Piano/Vocal - 10. Everybody Say Yeah Rev. 19/12] “HARE: bulb lights and. fas heights tee LOLA: “Were seeing things fn He wants to hear you say Yeah, — yeaht10, Everybody Say Yeah [Rev. 1/912) Piano/Vocal % > 4 yeah, yeah! PAT & TRISH: 0 patent leather reds, say wholPiano/Vocal -10- 10 Everybody Say Yeah fRev. 19/12) cHaRwte: 9 oe 95 Tell me is this kis-met? Now if you are with this lets Ev - y= bo- dyPiano/Vocal == 10, Everybody Say Yeah (Rev. 1/92) 101 102. CHARLIE! 09 04 LOLA: yeah, — yeah! " Ub, he wants to hear you say Piano/Vocal ) Stu-pid__ hubris no ex-cu-ses_—Blew__ my fuses, 1 guess 'm just arse in my father's shoes Dic Ong a+ no-ble and wise tke the soul of @ man who Sigg15. The Soul ofa Man (Rev. 1/5/12) Piano/Vocal 7 38 <= me igh, ike the he = r0-ie and tue like the soul of a man that T looked up Sigg sci reach-ing for that rung at the top Tm this bro-ken heel un-stea-dy and ‘cause 1Piano/Vocal 7 15. The Soul of a Man (Rev. 1512} noble and wise soul of a man who Aho Titt-ed me high ike the soul of aman. whos he - r0- ie and wwe like the And TIL never be now Aho15.The Soul of Man [Rev. 1/512) « ——~ Here comes that fa-mil-iar sound. Same old Char-lie aigKinky Boots 5A Piano/Vocal SEX IS IN THE HEEL ) (REPRISE) oo [Rev. 1/5/12] CYNDI LAUPER ‘STEPnEN Oe ‘TRISH: “My God, the man from Milan says YES!!! (MUSIC) 1 LOLA:Piano/Vocal = 5A. Sex sin the Heel (Reprise) (1/5112), SafetyKinky Boots 1 6 Piano/Vocal HOLD MEIN YOUR HEART [Rev. 1/5/12] Se aur Mat ett pai there's monumental fing. Just hw it with yous, Angwvay. wan you know tat {don Blame you for ing angry. Aer what i, le where you should be. That's no surprise, Whenever you leave oom, there's Fwalk ou on myself fT could, Leave to me to finaly find my passion and use against someone tlove." (MUSIC) “But forget Milan andthe boots and all. What { wanted to say was, if anyone ever ties io tell you youve something less than a rman, you tem see me. Irbeing a man means being brave enough fo take on the entie world then you're the ONLY man Ive ‘ver knows. Certainly one of te best. And you ar certainly more of aman than I could ever hope tobe. This is me saying, ‘sotembly sory. Goodbye, Lola. And thank you." /GO ON} Vamp you dont want to see me dance ‘You can't e-ven take the chancePiano/Vocal 16, Hold Me In Your Hear (Rev, 15/12] d but the best part of me Is stand-ing in front of you16. old Me In Your Hear (Rev. 1/5/12) a, S Piano/Vical ) Hold me in your heart ill you un = der ~ stand Hold me in your heart just the JAbMaj? ‘am Oh, with all your faults 1 love you, dont _give up bata? sive up Well, you tok my hand, taught me how to be strong. Well, thats how I picked up when we went all wrong. I know that I hut you and you hurt me too, but you Big Abmai? Eb,Piano/Vocal 20 Ob, with all ‘your faults 1 love you, Ff 16. Hold Me In Your Hear (Rev. 1/5/12] Hold me in your heart just the Fine to love me_ that way) KINKY BOOTS [Rev. 1/5/12] Music and Lyrics ‘CYNDILAUSER LOLA: “Now don't you go thinking it was your sappy phone cal that Brough mb have cme foro ting ad one gon Adin!” Lota: 1 2 8 4 Fa-buclous and fine ‘The pin-na-cle of where dreams come alive.Piano/Vocal oe 17-Kinky Boots (Rev. 5/2} ‘Doo doo doo doo doo doo doo doo oo doo deo doo doo doo doo doo Queen of the ev-y-day a= way the fight____ — a= way the High. 93038)Piano/‘beal -3- 17. Kinky Boot (Re. 15/12] 2 2 0 my brand new thigh - high PTET in my brand new thigh - high delights,_____ Hae fed E sy-ner = gy— and fu = sion with the night___ sy-ner = gy— and fu - sion with the night____ Tye come to turn you Maga | = EPiano/Vocal - stir you up in ~ side Strut these boots with pride ‘Doo deo doo doe do0 doo doo doo and. chic, 17-Kinky Boots [Rev. 1/5/12) In-hi -bi-tions Doo doo doo doo doo doo doo dooPiano/Vocal -5- 17. Kinky Boots (Rev. 1/5/12] a0) Doo do0 doo doo d00 doo doo steal a= way the light cant wait to steal a - way the light. rAd LA? in my brand new thigh = high de-ligh__ in my brand new thigh - high. de-lighs,____ Higa gdPiano/Vocal 6. 17. Kinky Boots (Rev. 1/5/12] oI ot red il-lu = sion, sy-ner - gy and fu - sion with the night = — i syener = gy— and fu - sion with the night. aaa gd] = EPiano/Vocal -7- 17. Kinky Boots [Rev 15/12] 73 m 6 %17. Kinky Boots [Rev. 1/5/12] Piano/Vocal 3 93 %6 Peo-ple of Mi-tant Peo ple of Mi-lan!Piano/Vocal 17. Kinky Boots [Rev. 15/12] 3 104 106, a= way the light —_ to a= way the light iid in my brand new thigh - high de-lights.___ — > in my brand new thigh - igh destights oad ald fe = vo-lu = tion, my ia 2aPiano/Vocal -10- 17, Kinky Boots (Rev. 5/12) bu WW syoner - gy— and fu = with the night — = = cE EEE sy-ner = gy— and with the night Hoagdl@ i, E with the night, emer sy-ner - gy— and - fa with the night. ogg gh | EPiano/Vocal er 128 120 130 17. Kinky Boots (Rev. 1/5/12]