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ABOUT COPYRIGHT

WHAT IS COPYRIGHT?

Copyright is the legal protection extended to the owner of the rights in an original work.

Original work refers to every production in the literary, scientific and artistic domain.
Among the literary and artistic works enumerated in the IP Code includes books and
other writings, musical works, films, paintings and other works, and computer programs.

Works are protected by the sole fact of their creation, irrespective of their mode or form
of expression, as well as their content, quality and purpose. Thus, it does not matter if,
in the eyes of some critics, a certain work has little artistic value. So long as it has been
independently created and has a minimum of creativity, the same enjoys copyright
protection.

WHAT ARE THE WORKS COVERED BY COPYRIGHT PROTECTION UNDER THE


INTELLECTUAL PROPERTY CODE?

Section 172 of the IP Code lists the works covered by copyright protection from the
moment of their creation, namely:

1. (a) Books, pamphlets, articles and other writings


2. (b) Periodicals and newspapers
3. (c) Lectures, sermons, addresses, dissertations prepared for oral delivery,
whether or not reduced in writing or other material form
4. (d) Letters
5. (e) Dramatic or dramatico-musical compositions; choreographic works or
entertainment in dumb shows
6. (f) Musical compositions, with or without words
7. (g) Works of drawing, painting, architecture, sculpture, engraving, lithography or
other work of art; models or designs for works of art
8. (h) Original ornamental designs or models for articles of manufacture, whether or
not registrable as an industrial design, and other works of applied art
9. (i) Illustrations, maps, plans, sketches, charts and three-dimensional works
relative to geography, topography, architecture or science
10. (j) Drawings or plastic works of a scientific or technical character
11. (k) Photographic works including works produced by a process analogous to
photography; lantern slides
12. (l) Audiovisual works and cinematographic works and works produced by a
process analogous to cinematography or any process for making audio-visual
recordings
13. (m) Pictorial illustrations and advertisements
14. (n) Computer programs
15. (o) Other literary, scholarly, scientific and artistic works.

WHAT ARE THE TWO TYPES OF RIGHTS UNDER COPYRIGHT?

There are two types of rights under copyright: (1) economic rights, so-called
because they enable the creator to obtain remuneration from the exploitation of
his works by third parties, and (2) moral rights, which makes it possible for the
creator to undertake measures to maintain and protect the personal connection
between himself and the work.
Economic rights include:
o Reproduction
Transformation First public distribution
Rental
Public display
Public performance
Other communication to the public of the work.
o Moral rights include:
Right of Attribution
Right of Alteration
Right of Integrity (object to any prejudicial distortion)
Right to restrain use of his name.
Exception to the moral rights
When an author contributes to a collective work, his
right to have his contribution attributed to him is
deemed waived unless he expressly reserves it. A
collective work is a work which has been created by
two (2) or more natural persons at the initiative and
under the direction of another with the understanding
that it will be disclosed by the latter under his own
name and that contributing natural persons will not be
identified.
In the absence of a contrary stipulation at the time an
author licenses or permits another to use his work,
the necessary editing, arranging or adaptation of such
work, for publication, broadcast, use in a motion
picture, dramatization, or mechanical or electrical
reproduction in accordance with the reasonable and
customary standards or requirements of the medium
in which the work is to be used, shall not be deemed
to contravene the author's rights secured by this
chapter. Nor shall complete destruction of a work
unconditionally transferred by the author be deemed
to violate such rights.
o Resale right: In every sale or lease of an original work of painting or
sculpture or of the original manuscript of a writer or composer, subsequent
to the first disposition thereof by the author, the author or his heirs shall
have an inalienable right to participate in the gross proceeds of the sale or
lease to the extent of five percent (5%). This right shall exist during the
lifetime of the author and for fifty (50) years after his death.

Related rights

Authors create works to disseminate them to as large an audience as possible.


Obviously, they cannot do the dissemination by themselves. They need the help
of persons or entities who contribute substantial creative, technical or
organizational skill in the process of making the works available to the public and
whose interests ought to be protected to encourage them to continue with their
work. Hence, their rights are referred to as related rights or neighboring rights
since they are related to or are neighboring on the authors copyright.
Thus, we have the related rights of: (a) performers; (b) producers of sound
recordings; and (c) broadcasting organizations.

Copyright ownership

Generally, the natural person who created the literary and artistic work owns the
copyright to the same.
For work created during or in the course of employment (works for hire):
o Employee - if the work is not part of his regular duties, even if he used the
time, facilities and materials of the employer;
o Employer - if the work is the result of the performance of his regularly
assigned duties, unless there is an express or implied agreement to the
contrary.
For commissioned works: the person who commissioned the work owns the work
but the copyright thereto remains with the creator, unless there is a written
agreement to the contrary.
For audiovisual works: the producer, the author of the scenario, the composer of
the music, the film director, and the author of the work so adapted.

WHAT IS THE TERM OF PROTECTION OF COPYRIGHT?

In general, the term of protection of copyright for original and derivative works is
the life of the author plus fifty (50) years after his death. The Code specifies the
terms of protection for the different types of works.
In calculating the term of protection, the term of protection subsequent to the
death of the author shall run from the date of his death or of publication, but such
terms shall always be deemed to begin on the first day of January of the year
following the event which gave rise to them (i.e. death, publication, making).
WHAT ARE THE LIMITATIONS ON COPYRIGHT AND FAIR USE?

Copyright protection is not intended to give the copyright owner absolute control
over all possible exploitation of his work. The law provides for limitations
(statutory fair uses) on the economic rights of authors comprising of acts which
do not constitute copyright infringement even if done without the consent of the
copyright holder, such as:
o The recitation or performance of a work, once it has been lawfully made
accessible to the public, if done privately and free of charge or if made
strictly for a charitable or religious institution or society; (Sec. 10(1), P.D.
No.49)
o The making of quotations from a published work if they are compatible
with fair use and only to the extent justified for the purpose, including
quotations from newspaper articles and periodicals in the form of press
summaries: Provided, That the source and the name of the author, if
appearing on the work, are mentioned;
o The reproduction or communication to the public by mass media of articles
on current political, social, economic, scientific or religious topic, lectures,
addresses and other works of the same nature, which are delivered in
public if such use is for information purposes and has not been expressly
reserved: Provided, That the source is clearly indicated;
o The reproduction and communication to the public of literary, scientific or
artistic works as part of reports of current events by means of
photography, cinematography or broadcasting to the extent necessary for
the purpose;
o The inclusion of a work in a publication, broadcast, or other
communication to the public, sound recording or film, if such inclusion is
made by way of illustration for teaching purposes and is compatible with
fair use: Provided, That the source and of the name of the author, if
appearing in the work, are mentioned;
o The recording made in schools, universities, or educational institutions of
a work included in a broadcast for the use of such schools, universities or
educational institutions: Provided, That such recording must be deleted
within a reasonable period after they were first broadcast: Provided,
further, That such recording may not be made from audiovisual works
which are part of the general cinema repertoire of feature films except for
brief excerpts of the work;
o The making of ephemeral recordings by a broadcasting organization by
means of its own facilities and for use in its own broadcast;
o The use made of a work by or under the direction or control of the
Government, by the National Library or by educational, scientific or
professional institutions where such use is in the public interest and is
compatible with fair use;
o The public performance or the communication to the public of a work, in a
place where no admission fee is charged in respect of such public
performance or communication, by a club or institution for charitable or
educational purpose only, whose aim is not profit making, subject to such
other limitations as may be provided in the Regulations;
o Public display of the original or a copy of the work not made by means of a
film, slide, television image or otherwise on screen or by means of any
other device or process: Provided, That either the work has been
published, or, that original or the copy displayed has been sold, given
away or otherwise transferred to another person by the author or his
successor in title; and
o Any use made of a work for the purpose of any judicial proceedings or for
the giving of professional advice by a legal practitioner.
These limitations, however, should be interpreted in such a way as to allow the
work to be used in a manner which does not conflict with the normal exploitation
of the work and does not unreasonably prejudice the right holders legitimate
interest.
The fair use of a copyrighted work for criticism, comment, news reporting,
teaching including multiple copies for classroom use, scholarship, research, and
similar purposes are not an infringement of copyright. Decompilation, which is
understood here to be the reproduction of the code and translation of the forms
of the computer program to achieve the inter-operability of an independently
created computer program with other programs may also constitute fair use.
In determining whether the use made of a work in any particular case is fair use,
the factors to be considered shall include:
o The purpose and character of the use, including whether such use is of a
commercial nature or is for non-profit education purposes;
o The nature of the copyrighted work;
o The amount and substantiality of the portion used in relation to the
copyrighted work as a whole; and
o The effect of the use upon the potential market for or value of the
copyrighted work.
Aside from the provisions on the limitations on copyright and on fair use, the law
allows the following reproductions:
the private reproduction of a published work in a single copy, where the
reproduction is made by a natural person exclusively for research and private
study, shall be permitted, without the authorization of the owner of copyright in
the work.
any library or archive whose activities are not for profit may, without the
authorization of the author of copyright owner, make a single copy of the work by
reprographic reproduction:
1. (a) Where the work by reason of its fragile character or rarity cannot be
lent to user in its original form;
2. (b) Where the works are isolated articles contained in composite works or
brief portions of other published works and the reproduction is necessary
to supply them; when this is considered expedient, to person requesting
their loan for purposes of research or study instead of lending the volumes
or booklets which contain them; and
3. (c) Where the making of such a copy is in order to preserve and, if
necessary in the event that it is lost, destroyed or rendered unusable,
replace a copy, or to replace, in the permanent collection of another
similar library or archive, a copy which has been lost, destroyed or
rendered unusable and copies are not available with the publisher.
the reproduction in one (1) back-up copy or adaptation of a computer program
shall be permitted, without the authorization of the author of, or other owner of
copyright in, a computer program, by the lawful owner of that computer program:
Provided, That the copy or adaptation is necessary for:
0. (a) The use of the computer program in conjunction with a computer for
the purpose, and to the extent, for which the computer program has been
obtained; and
1. (b) Archival purposes, and, for the replacement of the lawfully owned copy
of the computer program in the event that the lawfully obtained copy of the
computer program is lost, destroyed or rendered unusable.

WHAT CONSTITUTES INFRINGEMENT?

Under the IP Code


o Copyright infringement consists in infringing any right secured or protected
under the Code. It may also consist in aiding or abetting such
infringement. The law also provides for the liability of a person who at the
time when copyright subsists in a work has in his possession an article
which he knows, or ought to know, to be an infringing copy of the work for
the purpose of:
Selling or letting for hire, or by way of trade offering or exposing for
sale or hire, the article;
Distributing the article for the purpose of trade, or for any other
purpose to an extent that will prejudice the rights of the copyright
owner in the work; or
Trade exhibit of the article in public.

WHAT ARE THE REQUIREMENTS FOR COPYRIGHT REGISTRATION?

The owner of the copyright may file an application for a certificate of registration
and deposit of copies or reproduction of the works or works personally or via
registered mail with the Copyright Division of the National Library and the
Supreme Court Library. The application must contain the following:
1. A duly accomplished form in duplicate for each work, provided, that a
separate application is submitted for each number of a periodical
containing a notice of copyright.
2. A support document evidencing ownership of the copyright, the manner of
its acquisition if the claimant is not the original author translator, or editor,
and where and in what establishment the work was made, performed,
printed, or produced, and the date of its completion and publication.
3. Receipt showing payment of the registration fee if the application is filed
personally, or by postal money order if the application is filed by registered
mail.
4. Documentary stamps in the correct amount, which shall be affixed to the
registration and deposit certificate.
5. Two (2) complete copies or reproduction of the work or replica or picture
6. Two (2) printed copies with the copyright notice printed in front or at the
back of the title page or on any conspicuous space for a non-book
material, if the work is a published work.
7. If the work is in a musical work, two (2) copies of the original work, in the
form of a music sheet, in cassette, optical disk, or multimedia.
8. A technical description of the design, if the work is an original ornamental
design.
9. Two (2) duplicate originals or certified true copies of the deed of
assignment.