Ao Autor Ttulo

1618 Praetorius, Michael Syntagma Musicum Lester, J.

1673 Locke, Matthew Melothesia, Certain General Rules for Playing upon a No suites
Continued Bass
1679 Penna, Lorenzo Li primi albori musicali per li principianti della musica figurata Lester, J.

1689 Sir Nivers, Guillaume-Gabriel L'ar dAccompagner sur la basse continue pour l'orgue et le Traduccin
clavecin
1710 Niedt, Friedrich Erhardt Musicalische Handleitung + Adap (?)
1716 Campion, Franois Trait d'accompagnement et de composition Lester, J.
1722 Gasparini, Francesco L'Armonico Pratico al Cimbalo + Ingls
1728 Heinichen, Johann David Der General-Bass in der Composition Lester, J.
1737 Lampe, John Frederick A Plain and Compendious Method of Teaching Thorough Bass Lester, J.

1749 Geminiani, Francesco A Treatise of Good Taste in the Art of Musick

1753 Corrette, Michel Le Maitre de Clavecin pour l'Accompagnement
1753 Bach, Carl Philipp Emanuel Versuch ber die wahre Art das Clavier zu spielen, H.868, 870 + Ingls

1754 Geminiani, Francesco The Art of Accompaniment, Op.11

1755 Marpurg, Friedrich Wilhelm Anleitung zum Clavierspielen + Francs Lester, J.
1756 Daube, Johann Friedrich General-Bass in drey Accorden Lester, J.
1757 Pasquali, Nicolo Thorough-Bass Made Easy
1782 Paisiello, Giovanni Regole per bene accompagnare
1808 Kollmann, Augustus F. C. Practical Guide to Thorough Bass Lester, J.

ARTIGA, A. Escuela del bajo cifrado

ARNOLD, F.T. The art of Accompaniment from a Thorough-Bass as practiced
in the XVIIth and XVIIIth Centuries
CHRISTENSEN, J. 18th century continuo playing, a historical guide to the basis

NORTH, N. Continuo playing on the lute, archlute and theorbo

V.A. Partimento and continuo playing in theory and practice
HILL, J. La msica barroca
STEARNS, R. Continuo for Lutenists and guitarrists
GJERDINGEN, R. Music in the Galant Style
PAULY, R. Performing baroque music
Lester, Joel Rameau and eighteenth-century Cambridge history of
harmonic theory western music theory
Christensen, Thomas Thoroughbass as music theory Partimento and continuo
playing in theory and
practice
Christensen, Thomas Fundamenta partiturae: Thorough The century of Bach and
bass and foundation of eighteenth- Mozart: perspectives on
century composition pedagogy historiography, composition,
theory, and performance

Christensen, Thomas The regle de l'octave in thorough- Acta musicologica 64/2

bass theory and practice

Lester, Joel Thoroughbass as a path to Towards tonality, aspects of

composition in the early eighteenth baroque music theory
century
Christensen, Thomas The spanish baroque guitar and Journal of Music Theory
seventeenth century triadic theory

Gjerdingen, Robert Partimenti written to impart a Partimento and continuo

knowledge of counterpoint and playing in theory and
composition practice
Sanguinetti, Giorgio Partimento-fugue: the neapolitan Partimento and continuo
angle playing in theory and
practice
Lutz, Rudolf The playing of partimento Partimento and continuo
playing in theory and
practice
Jans, Markus Towards a history of the origin and Towards tonality, aspects of
development of the rule of the baroque music theory
octave

Gindras, Bruno Partimento fugue in eighteenth- Eighteenth-Century Music

century Germany: A bridge between
thoroughbass lessons and fugal
composition
Sanguinetti, Giorgio Overview: The art of partimento Oxford University Press
Byros, Vasili Prelude on a partimento: Invention Society for Music Theory
in the compositional pedagogy of
the german states in the time of J.S.
Bach.
Rosa, Stella Primeiros tratados italianos do Per musi, Belo Horizonte
sculo XVII sobre baixo contnuo:
uma anlise comparativa

Sanguinetti, Giorgio The realization of partimenti: An Jornal of Music Theory

introduction
Maxim, Serebrennikov From partimento fugue to
thoroughbass fugue: new
perspectives
Novello, Sabilla y E. Holmes Muzart's succinct thorough-bass
school
Schulenberg, David Composition before Rameau
harmony, figured bass, and style in
the baroque
Bach: Journal of the
Riemenschneider
The Musical Times and
Singing Class Circular
(1860)
College Music Symposium
Goede, Therese the application of musical-rhetorical Amsterdam University
figures and dissonances to
thoroughbass accompaniment of
early 17th-century Italian vocal solo
music
Goede, Therese Goede, T. - Del suonare sopra il Amsterdam University
basso, concerning the realization of
early XVII italian unfigured basses

Goede, Therese The accompaniment of Bacillys Air Amsterdam University

Vous ne pouvez Iris, Or Continuo
Accompaniment of an Air by Our
Choice of Harmony and Ornament.
How to Enhance the Continuo
Accompaniment of an Air by Our
Choice of Harmony and Ornament.

Diergarten, Felix The true fundamentals of Eighteenth Century Music

composition, Haydn's partimento
counterpoint
1966 BUELOW, Geo Thorough-Bass accompaniment according to Johann David Heinichen.
2007 NUTI, Giulia The performance of Italian Basso Continuo. Style in keyboard accompaniment in the Seventeenth
Nouveau trait de l'accompagnement (Saint-Lambert, Michel de) 1707
nth and Eighteenth Centuries