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PETER LINDBERGH
FROM FASHION TO REALIT Y
April 13 August 27, 2017
SUPERMODELS
This section shows Lindberghs iconic pictures from the 1990s and is complemented with
photographs from the recent reunion of the supermodels (published in Vogue Italia, september
2015). Lindbergh shows that twenty-ive years later, they have not lost any of their beauty and
personality.
COUTURIERS
ZEITGEIST
THE UNKNOWN
To some extent, Lindberghs stylistic inspiration has its roots in the esthetics of international avant-
garde cinema from the 1920s to the 1950s: his settings are reminiscent of the engine room in Fritz
Langs Metropolis, the cabaret in Josef von Sternbergs The Blue Angel and the ilm sets of Alfred
Hitchcocks The Birds or Psycho. Moreover, time and again, he comes back to the raw industrial
architecture that is familiar to him from a childhood and adolescence spent in Duisburg, creating
an intriguing tension between the backdrop and his models. Silver Screen shows these ilmic
inluences on Lindberghs work.
ICONS
Often referred to as the Poet of Glamour or Photographer of Truth, Lindbergh considers himself
more anti-glamour, as he dismisses all notions of social status in his images. Erasing hierarchy
in his pictures, he captures moments of truth, celebrating the natural beauty and elegance of
the person in front of his camera. The Icons gallery is presented as a visual journey through
four decades of timeless images. He captured iconic igures of pop culture, from Kate Winslet
to Charlotte Rampling, from Eddie Redmayne to Christoph Waltz, from Tina Turner to Pharrell
Williams, all with a powerful emotional appeal.
LINDBERGHS OEUVRE
IN CONTEXT
Known for his memorable cinematic images, Peter Lindbergh is recognized as one of the most
inluential contemporary photographers. Born in Lissa (present-day Poland, then occupied German
territory) in 1944, he spent his childhood in Duisburg (North Rhine-Westphalia). He worked as a
window dresser for a local department store and enrolled in the Berlin Academy of Fine Arts in the
early 1960s. He remembers these years: I preferred actively seeking the inspirations of Van Gogh,
my idol, rather than painting the mandatory portraits and landscapes taught in art schools... .
Inspired by the painter, he moved to Arles for almost a year, and then embarked on a journey
hitchhiking through Spain and North Africa. He later studied free painting at the College of Art in
Krefeld and was inluenced by Joseph Kosuth and the conceptual movement. Before graduating, he
was invited to exhibit his work at the renowned avant-garde Galerie Denise Ren-Hans Mayer in 1969.
After moving to Dsseldorf in 1971, he turned his attention to photography and worked for two
years assisting German photographer Hans Lux, before opening his own studio in 1973. Becoming
well known in his native country, he joined the Stern magazine, just like photography legends
Helmut Newton, Guy Bourdin and Hans Feurer. In 1978, he moved to Paris to further his career.
Back in 1988, Lindbergh garnered international acclaim and launched the careers of a new
generation of models whom he had recently discovered, showing them all dressed in white shirts.
A year later, he photographed Linda Evangelista, Naomi Campbell, Cindy Crawford, Christy
Turlington and Hamburg-born Tatjana Patitz, together for the irst time, for the legendary January
1990 Vogue UK cover.
It were Lindberghs photographs, and in particular this cover, that marked the beginning of the
era of celebrity models and redeined the image of the modern woman. They inspired pop singer
George Michael to create his iconic video for his song Freedom! 90.
In the May 2016 issue of the prestigious magazine Art Forum, Lindbergh declares in an interview
with journalist Isabel Flower, that: A fashion photographer should contribute to deining the image
of the contemporary woman or man in their time, to relect a certain social or human reality. How
surrealistic is todays commercial agenda to retouch all signs of life and of experience, to retouch
the very personal truth of the face itself?
Lindbergh has worked with the most prestigious fashion brands and magazines since the late
1970s, including international editions of Vogue, as well as The New Yorker, Rolling Stone, Vanity
Fair, Harpers Bazaar US, Wall Street Journal Magazine, Visionaire, Interview and W. In 2016,
Lindbergh was commissioned for a record third time to create the 2017 edition of the Pirelli
calendar, being the irst one to shoot it more than twice in the ifty years history of the iconic
calendar. His work is part of the permanent collections of many ine arts museums around the world
and has also been shown in prestigious museums and galleries. Among these are the Victoria
& Albert Museum (London), Centre Pompidou (Paris), as well as solo exhibitions at Hamburger
Bahnhof (Berlin), Bunkamura Museum of Art (Tokyo) and the Pushkin Museum of Fine Arts
(Moscow).
Lindbergh has directed a number of critically acclaimed ilms and documentaries: Models. The Film
(1991); Inner Voices (1999), which won the Best Documentary prize at the Toronto International
Film Festival (TIFF) in 2000; Pina Bausch. Der Fensterputzer (2001) and Everywhere at Once (2007),
which was narrated by Jeanne Moreau and presented at the Cannes and Tribeca Film Festivals.
The exhibition Peter Lindbergh. From Fashion to Reality was developed by Kunsthal Rotterdam
in collaboration with curator Thierry-Maxime Loriot and Peter Lindbergh, under the title Peter
Lindbergh. A Different Vision on Fashion Photography.
To accompany the exhibition, Taschen has published a high quality book of 472 pages.
On the occasion of the exhibition, Peter Lindbergh designed the window displays at Ludwig Beck
department store on Marienplatz, Munichs main square.
Exhibition by
Images (front to back): White Shirts: Estelle Lfebure, Karen Alexander, Rachel Williams, Linda Evangelista, Tatjana Patitz & Christy
Turlington, Malibu, 1988 | Kate Moss, Paris, 2014, Vogue Italia, Giorgio Armani, S/S 2015 | Tina Turner, Paris, 1989, Stern, Azzedine
Alaa, S/S 1989 | Cindy Crawford, Tatjana Patitz, Helena Christensen, Linda Evangelista, Claudia Schiffer, Naomi Campbell, Karen
Mulder & Stephanie Seymour, Brooklyn, 1991, Vogue US, Versace, F/W 19911992 | John Galliano, Paris, France, 1996
Harpers Bazaar | Dancer from Bolshoi Ballet, Moscow, 2012 | Angela Lindvall & Chris Dye, Warner Bros Studios, Burbank, California,
USA, 2004, Harpers Bazaar | Michaela Bercu, Linda Evangelista & Kirsten Owen, Nancy, 1988, Comme des Garons advertising
campaign, S/S 1988 | All images: Peter Lindbergh (Courtesy of Peter Lindbergh, Paris / Gagosian Gallery) |
Peter Lindbergh, London, 2016, Stefan Rappo
OPENING HOURS
daily 10am8 pm; 30.6.: 10am5pm
every third Wednesday of the month 10am10pm: 19.4., 17.5., 21.6., 19.7. and 16.8.
DIRECTOR
Roger Diederen
PRESS ENQUIRIES
Leonie Mellinghoff, T +49 (0)89 / 37 82 81 62, presse@kunsthalle-muc.de
ADMISSION FEES
Standard: 12 | Reduced fees: Senior citizens (60+): 11 | Students (< 30 years) and
unemployed: 6 | Announced school classes: 0,50 per pupil | Young people (618 years): 1
Children under 6: free of charge | Family pass for 2 adults and their (grand-)children (< 18
years): 22 | On Mondays: 50% discount on all admission fees (except on bank holidays)
GUIDED TOURS
Guided tours for groups: Guided tours in languages other than German: TueFri, 10am9pm and
Sat, 10am8pm. All tours must be announced.
RE-ACT! HARRY KLEIN GOES KUNSTHALLE Art and Club: 4.5., 8:30-12pm: Visual artists
create projections inspired by the exhibition, Meute live (Hamburg) and Stefanie Raschke
(Harry Klein, Munich) provide a suitable sound till midnight in the cafe area with dance floor.
KH
AFTERWORK every third Wednesday of the month 6:3010pm: 19.4., 17.5., 21.6., 19.7. and
16.8.: Enjoy the exhibition until 10pm and linger on in the CafBarBrasserie Kunsthalle till
late. In addition to the exhibition tickets, a limited number of Afterwork-guided tour tickets in
German can be purchased for 7.
CATALOGUE
To accompany the exhibition, Taschen has published a high quality book with over 400
images. Edited by Thierry-Maxime Loriot, 23, 9 x 34 cm, 472 pages, 59, 99.