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tie event which raised 1.5 million dollars for UCLA's arts
programs.
The evening was a double treat for Eagles/Henley fans. Don Felder
backed up Henley and Simon during their sets and the audience
was treated to two NEW Henley songs. That's right! Two new
songs! Besides crooning the obligatory Heart of the Matter and Best
of My Love, Don did two songs that he announced were from his
album which would be released in September (for those of you who
have started marking your calendars in PENCIL).
Someone who was there gave us a rundown on the new songs. The
first was a ballad titled "For My Wedding" (or something like that....
different reports gave different titles...they all used the word wed-
ding, though). This song, described as, "haunting", blew the audi-
ence away and soothed them into hushed silence. "l knew that
Debate in Dallas has been going on
song alone was worth the price of admission," gushed our source.
over a plan to develop the Trinity
River. Guess who has gotten in- The second new tune seemed more in line for those who prefer
volved? On April, 29, Don took part in Henley's less acky side. "Shredding the Documents" was dedicated
a press conference alongside local
to the "...folks in Washington." Don introduced it as a song about a
leaders and members of Friends of the Earth.
man who had been in power and was losing it, his mind and posi-
Henley is opposed to the project which involves tion, and this was his last "hurrah!" Those there say it was in the
building a toll-road along the banks of the river same vein as Leonard Cohen's Democracy and that it made refer-
which would untangle downtown traffic, building ence to Oprah and Larry King.
levees to control floods and turning the Trinity into
a recreation area. To close the evening, Don and Paul Simon joined Stevie Wonder on
"Superstition". Neither Don or Paul knew the words very well and
On the steps of City Hall Don said, "l can't help just banged on their maracas and tambourines. Don later com-
but believe this is a highway project that benefits mented that "Superstition" is one of those songs that everyone
the few at the expense of many, which is kind of thinks they know all the lyrics to......untill they have to sing it.
the way Dallas works." Don said that he wanted
his kids to grow up in the same kind of environ- Royce Hall certainly got a warm re-opening.
ment he had in East Texas.
Attending the event were the rest of the current Eagles, Don sports the "sleep deprivation look" while talking to CNN's Jim
James Taylor, Sting and Mick Fleetwood. Moret.
Mr. D.J.
As any thinking adult knows, there are aJry9Vs a! least two sides to
well
I am, therefore, still appalled (although in this cynical
day Timothy shows that he supports birds of all kinds as
"u.*'"tot.
;; ;;i;.bairv be), when I hear a. professional journal-
"nouront
isi oi6io"i.".t"rhounting a vifious attack fueled.by
emotion rather
There is a very big difference, both legally and ethically'
between
on limited, one-sided information'
than logic and based
oiot"aino the iradimarks of a musical group or a record company
is understood ii;il;E i;"1 the word "eagle" for entertainment and record
,;."f
Trademark law is a serious and complex matter which oioir"tion'."*ices and trying to cliim the exclusive right to use.the
;y;;tlew one business entitv contesting the risht of an-
;"ople. is not name of the bird itself. Mr. Cecere has threatened to sue
organlza-
other business entity over the use of a particular trademark iio". tf'"f are effectively doing the same kind of preservation
work
certainly not
uncommon, nor, in our case, is it unethical lt is most in"t-f,L claims he is atlempting to do, but in light of his aggressive
hypocritical. lt is our obligation. ffi;;il;rithot" who s-nouH be considered colleagues and
my comments must th"t"-*ould seem to be cause to question his motives'
Because this lawsuit is pending in federal court' "ff"",
make further
U"l^ii"O. Nevertheless, t can-tell you that, before you The Eagles rock group, however, is not suing Mr' Cecere
because of
ir;il;;b and on-air comments with regard to this particular matter' in thi arla of raptor preservation. Legal action is
being
'uou"n.eo to know a great deal more thJn you obviously do' 19t 91tV ni,
""ttiiti"r
i"f* U"""u." the Eagles, as an incorporated entity doing busines"
l'["rftiJoJt"* law-ino trademark infringement' but about the Na- gf"be, has*the right; and indeed the duty' under the U'S'
tio""i Fou"O"tion to Protect America's Eagles (NFTPAE) and its "i"t"Jtn" to protect tht names, the trademarks and the good-
Vs Little tr"O"t"tf liws,
i*no.t,-f,rfr. Al Cecere. This is not a question of "Big Buy be in ;ilith;i represent twenty-five years of hard work and to protect our
6rv:: lrrin"i i" in question here is Mr. Cecere's obvious desire to to fans from fraudulent or misleiding activities connected
with those
his use of company names that are confusing have
tnJrecorO business;
n"t"i trademarks" ln short, Mr' Cecere and the NFTPAE
iii! p,r-tiJ nit iefusal to alter those names to avoid that confu- and are promoting the
,ioni Wfr"t"noshould be scrutinized are his past opportunistic attempts
rt"rt; ""nUrecord label, are producing records,
Eagles rock
unO"r" names that are confuiingly similar to the
i"ft-pt"toti"n oy tt"Oing on the name and.reputation of the Eagles "ar"
group's trademarks.
"i
."f. bioup. Equally importlnt is his admitted lack of any degrees or
.o".i-"rlli training in the field of wildlife preservation He reports Woods Pro-
g;h"for My personal environmental record, both with the Walden
oifv of irts degree in motion picture production'
" iectandwiththemanyotherendeavorsthatyouapparentlyknow
'ffi;*;;;i .o""rt fot itself' My colleagues in reputable organiza-
ln my twenty-two years of environmental work' I have collaboratedin ii".. !1.n * tnl rrust for PublicLand, Natural Resources Defense
*itn uarlou"'organizations throughout the country who specialize b-oun.iL-Siurt" Club, George Miksch Sutton Avian Research Center'
itt" p-reservation of ra-ptors' including. eagles' hawks and Depart-
"*l *"fi b" t"O"ral agencieJincluding U S' First hand Wildlife
i"rcont. The organizations with which I associate are stafieo cre-
""0 ano
".
r"".t, U.i O"Jartmlnt of the lnterior, etc' will attest to my dedication
airl"i"O by ded'icated professionals with impeccable scientific par- iirt"gtity ivhile I fully realize that modern day disc
jockeys thrive
;;;ti;l;, niany ot them Ph.D.'s and well known those leaders in their attempt to jump-start
among experts about "rJ
;;;;;ir;;;oy, it is still deplorable whenthethev
ticular fields. There are serious doubts airwaves to disseminate
iittr" i"""fri.'is (and rating's) by using
in" ilglid.y of NFTPAE as well as the intentions of its founder' misleading and erroneous information'
*no ni, threitened some of the most respected groups with lawsuits
their mis-
simply tor using the word eagle (as in "bird") to describe Don HenleY
sion.
I can now say that my CD and cassette collection amounts to several hun-
dred, and it ranges from Led Zeppelin to Vince Gill, and Pearl Jam to Barbra
Streisand. I took my beat-up, old classical guitar in to be "tuned up", re-
learned all that I had forgotten and then eventually purchased a fairly decent
acoustic. I now wind down after work by playing the guitar instead of having
two or three (or more) cocktails- I listen to the radio all day at work and tapes
on my commute, TV is mostly VHl , MTV or off! And most importantly, I've
rediscovered a "new me" that I like a whole lot better than the old one. I've got
my music back and it's all due to a pesky tape that kept falling off the shelf
until I finally picked it up and bought it.
Thank you Don H., Glenn, Bernie, Randy, Don F, Joe and Timothy. Your mu-
sic helped me turn my life around. All seven of you deserve your recent induc-
tion into the rock and Roll Hall of Fame and you will be in my Hall of Fame
More RRHOF Reflections Joe told the audience that he wore this suit to the induction
By BJ @randecol@aol.com) ceremony to "...piss Henley off." We agree with Joe that
Don looks cute when he's pissed-
Who the heck is Max This album really has no equal. lt's an innovative blend of
Carl? African-American drum and fife music, the origin of Ameri-
can rhythm music, and state of the art synthesizer sound.
You might not know the Add to that Max's intense and BIG vocals and you have
name, but you've no doubt something you can't resist. When we first listened to 1t, we
heard the voice. Born and both immediately thought, this stuff would be good LIVE.
raised in Nebraska, the 64" Max has the passion of a bar band ptaying to a house full
Max passed up several bas- of local supporters, and you can get it on CD without hav-
ketball scholarship offers to ing to put up with smoke filled air and beer spilled on your
pursue his rock and roll shoes. A good performance isn't worth diddley, though, if
dreams. Max ended up in you don't have good songs. One PJanet One Groove con-
LA in the legendary Jack tains a variety of numbers, some of whlch were co-penned
Mack and the Heart Attack. by Glenn and Jack Tempchin. The Frey influence is heavy
(Gtenn produced their one in songs like "One More Rive/' and "l Qualiff which both
and only studio album) ln sound like they would have fit nicely on Stranqe Weather
1987, Max moved to Geor- or "Hold On to Your Woman" which is very Soul Searchin'.
gia and joined .38 Special. Frey's influence is hard to miss on "Show Me the Mone/
He wrote and sang one of the funky liftle ditty he sings lead on" ln fact, FUNKY de-
their biggest hits, "Second scribes quite a bit of this album. But there are different
Chane." By 1993, Max had kinds of funky. The opening track, "Everything Old is New
left .38 Special and had Again" is fult of Paul McCartneyesque synthetic whimsy in
Max and Mr. and Mts. Frey hit the links moved to Nashville to begin the same vein as "Coming Up". Carl also dips into that
puttlng together Big Dance. 70's funk groove that U2 tried to capture on "Strong".
There are also some slow numbers too. The previously
What is Mission Records? mentioned "Hold On to Your Woman" contains everything
that is good about a Michael Bolton ballad without, well,
Glenn has been thinking of starting a record Jabelfor some Michael Bolton. Carl's voice has the power, but lacks the
time, primarily to release his own albums on. He's been overkifi fake quatity that too many artists these days rely
dissatisfled with contemporary radio and record compa- on. Max also delves into roots music with his use of tradi-
nies and wanted a place where he and others could record tional Mississippi fife and drum music that creates a per-
without having to worry about being noticed by big labels. cussion gumbo Mickey Hart might spend years in the rain-
When he hooked up wlth Max Carl, they decided that forest trying to find. And, like any good bar band, there are
since the product they were creating was so awesome, the covers. lnspired versions of "Baby, Now That ['ve
Glenn decided to launch his label to put out Max. Mission Found You' and "Land of a Thousand Dances" will get
was born. your feet grooving. This is an album to keep in your CD
player for festive occasions.
Why did Glenn Frey choose him as Mission's filst art-
ist? Where can I get One Planet One Groove?
"The first time I saw Max sing, I said 'Wow, here's this Most major record stores should be carrying it. lf they
handsome, six foot four white dude who can belt out a aren't ASK. lf you can't find it on the shelf, CdNow (hftp/i
song like Wilson Pickeft' and he's a great keyboard player www.cdnow.com) has it in stock. We've goften quite used
too. l was amazed," says Glenn. Back in the late '80s, to ordering online. Everything is alphabetized, unlike at
Glenn told Max "l have this wonderful studio in Colorado. Best Buy, you can always find what you are looking for,
You're welcome to come up anytime at my expense to do and prices are sometimes cheaper. Give it a try.
39GA.7-^
e 3\e
has-partying to fitness and running and tennis and
\q\,
<<- 33f.- --- en - now getting a little bit older...golf and weight work and
stretching. lt's a natural progression. The great thing is
you can play the game your whole life. Golf is acoustic
Glenn was a guest on this new golf show. The premise music. When you're playing you don't want heavy
of the show is simple. A Pro and an Am wander around metal. You don't want life in the fastlane in your golf
a famous golf course and chat with host Bill Macatey swing. You want peaceful easy feeling. You want take it
(sp?) Here's what Glenn had to say on his stint. (note, easy, you know, you want a nice tempo.
Glenn does not speak in complete sentences and get-
ting these quotes down was a nightmare). Would you do anything different with your life?
I think it's a trade off. There are so many great things
Do you think you would have played golf in the that happened because of what I've been able to do in
70's? the music biz. I'm very happy to have a life in music.
No, we were too nocturnal in the 70's. The show ended First of all, playing music always made me happy. I try
at midnight and then we would sort of rock until the wee to remind myself about how much I really enjoy sitting
wee hours. auhe piano and playing a Beatles song for my kids.
t'vE found there really isn't that much of a price to pay.
Was touring different with the HFO tour?
Absolutely. lt was very tame. We called it the milk and After the interview, Glenn and the other guest had a
cookies tour...everybody play the show...drink our shoot off. Glenn sank a difficult putt and made $1,000
Coca-Colas and teas before we went on...had the for A Grassroots Aspen Experience. Way to go, Glenn!
kids...what you doing on your day off? Going to see
The Lion King...see you guys!
Why Golf?
I didn't start playing golf until about 30 and seriously Glenn whoops and hollers after sinking a putt for AGAE.
about 10 years later. I was waiting for the clothes to get
better. l've gone through what my whole generation
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Eagles Stuff
Those of you looking to add to your Eagles collection should be sure to
check out Backstage Pass, the Eagles Trading page. Jennifer Nelson has
done an awesome job getting it all organized. Her URL is: http://members.
tripod. com/-ThtGrl/index. htm l.