of the perverse, but the glory, the pageantry of Transylvania and tht:
magic of Fairyland. He has lit up a part of life, although it is a
part which most men scorn. No higher single praise can be given an artist than this, that he has expressed a fresh vision of life. We cannot wish more for Jack Smith than this: that he continues to expand that vision, and make it visible to us in flickering light and shadow, and in flame. 1963
SIXTH INDEPENDENT FILM AWARD
To point out original American contributions to the cinema, FC is awarding its sixth Independent Film Award to
Andy Warhol for his films
Sleep, Haircut, Eat, Kiss, and Empire
Andy Warhol is taking cinema back to its origins, to the days of
Lumiere, for a rejuvenation and a cleansing. In his work, he has abandoned all the "cinematic" form and subject adornments that cinema had gathered around itself until now. He has focused his lens on the plainest images possible in the plainest manner possible. With his artist's intuition as his only guide, he records, almost ob- sessively, man's daily activities, the things he sees around him. A strange thing occurs. The world becomes transposed, intensi- fied, electrified. We see it sharper than before. Not in dramatic, rearranged contexts and meanings, not in the service of something else (even Cinema Verite did not escape this subjection of the ob- jective reality to ideas) but as pure as it is in itself: eating as eating, sleeping as sleeping, haircut as haircut. We watch a Warhol movie with no hurry. The first thing he does is that he stops us from running. His camera rarely moves. It stays fixed on the subject like there was nothing more meaningful and nothing more important than that subject. It stays there longer than we are used to. Long enough for us to begin to free ourselves from all that we thought about haircutting or eating or the Empire State Building; or, for that matter, about cinema. We begin to realize that we have never, really, seen haircutting or eating. We have cut our hair, we have eaten, but we have never really seen those actions. The whole reality around us becomes differently interesting, and we feel like we have to begin filming everything anew. A new way of looking at things and the screen is given through the personal
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vision of Andy Warhol; a new angle, a new insight-a shift neces- sitated, no doubt, by the inner changes that are taking place in man. As a result of Andy Warhol's work, we are going to see soon these simple phenomena, like Eating, or Trees, or Sunrise filmed by a number of different artists, each time differently, each time a new Tree, a new Eating, a new Sunrise. Some of them will be bad, some good, some meuiocre, like any other movie-and somebody will make a masterpiece. In any case, it will be a new adventure; the world seen through a consciousness that is not running after big dramatic events but is focused on more subtle changes and nuances. Andy Warhol's cinema is a meditation on the objective world; in a sense, it is a cinema of happiness. 1964
SEVENTH INDEPENDENT FILM AWARD
To point out original American contributions to the cinema, Film Culture is awarding its seventh Independent Film Award to Harry Smith Harry Smith's creative work reaches across two important fields of film: His abstract works, both in color and black and white are among the most complex and rich, among the most beautiful, yet to come out of cinema. The modulations of color and form are so certain and subtle, delicate and bold, that these films rank among the very few where attempt is absolutely realized in attainment. As an animator, Harry Smith is remarkable in perfection of tech- nique, and in intensity of vision, unique. To the decorative wasteland of contemporary animation, he has brought fantastic opulent growth and orgiastic opiate undergrowth, the purest ritual, the most direct uncompromising magic-whether viewed as enchantment, beguile- ment, invocation; or as a Boschian document of possibilities of Earth, Heaven, and Hell in our world and time. For a generation, Harry Smith has been creating unquestionable masterworks. Now his films have come to light, and we are delighted to give them and their maker this recognition so long and well deserved. 1965
EIGHTH INDEPENDENT FILM AWARD
To point out original American contributions to the cinema, Film Culture is awarding its eighth Independent Film Award to