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Making Critical Thinking Critical
Joe L. Kincheloe
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24 Making Critical Thinking Critical
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Joe L. Kincheloe 25
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26 Making Critical Thinking Critical
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28 Making Critical Thinking Critical
Critical pedagogy and the critical theory on which it is based raise one of
the central issues in post-formalism's critique of mainstream articulations
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Joe L. Kincheloe 29
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30 Making Critical Thinking Critical
dents who are trying to figure out why they are deemed "slow" and "in-
competent" in the schools they attend. With an understanding of the role
of power in education and the knowledge of school, they begin to make
sense of what happens when the cognitive process they are taught is not
critical. A dramatic and hopeful transformation occurs when marginalized
students grasp this power-related dynamic, a change of consciousness
that allows them a critical x-ray vision to see through psychological evalu-
ations of their lack of ability (Macedo, 1994; Marfin-Baro, 1994).
Thus, individuals informed by a critical view of power appreciate its
ability to produce or construct the ways their worlds, their everyday lives
operate. Power's production of knowledge and identity, they come to
realize, shapes who can do what to whom. Such recognitions are seen by
critical thinkers as a source of empowerment, a dangerous knowledge
that provides individuals the tools to defy the dominant power bloc (Fiske,
1993). Post-formal delineations of power team from these theoretical
articulations and for us attention on the intersection of macro-political
and micro-individualist power dynamics. In this framework post-formal
critical thinkers carefully analyze the macro-forces of subjugation in soci-
ety such as the political economy of class elitism, patriarchy, white su-
premacy, and technical rationality/decontextualized reason and their im-
pact on individuals and groups operating in diverse contexts and conditions.
At the micro-level, post-formalists examine consciousness and unconscious-
ness and the ways human agents subvert and resist the macro-forces of
power in their lived realities. The production of pleasure is often an im-
portant feature of the macro-micro intersection and is accorded the atten-
tion it deserves. Cultural texts such as TV, movies, video games and
music, for example, have become increasingly important in a critical peda-
gogical context as they embody the interactivity of power and person in
the struggle for critical consciousness.
The Frankfurt School of Critical Theory which provided the notion of
"critical" that informs our notion of critical thinking worked in the 1920s
to forge a theoretical fusion of Marx and Freud. In this amalgam Theodor
Adorno, Max Horkheimer and Herbert Marcuse attempted to understand
the relationship between the psyche and socioeconomic and political forces.
How did this relationship operate, they asked, to impede popular support
for political movements dedicated to freedom, democracy and justice, No
emancipatory politics, the Frankfurt scholars assumed, is complete with-
out a political psychology that traces the effects of particular political
arrangements on human consciousness and vice versa. In the course of
their analysis the critical theorists came to the conclusion that the growth
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32 Making Critical Thinking Critical
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Joe L. Kincheloe 33
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34 Making Critical Thinking Critical
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Joe L. Kincheloe 35
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36 Making Critical Thinking Critical
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Joe L. Kincheloe 37
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References
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