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Spring 2016
MW 11 am 12:20 pm in Pioneer Hall (PH) 105
COURSE DESCRIPTION
Required of all freshmen who do not meet entrance requirements for ENG 1013. Includes intensive
instruction and exercise in syntax, punctuation, spelling, and vocabulary development. English 1003
does not satisfy any English requirement, and hours earned will not count toward graduation
requirements. Three lecture hours, week. Credit: Three hours.
This section of ENG 1003 is themed. While this class will adhere to the course description as listed
on the syllabus, there is a specific focus on popular culture/social media. Towards that end, the class
will use, discuss, and analyze various social media platforms throughout the semester. There is
neither expectation of expertise about popular culture nor any social media platform, but I will
require all students to sign up for various social media platforms for course use.
ENGLISH 1003
First-Year Composition
English 1003
STATE CORE OBJECTIVES (program outcomes: all FYC
Student Learning Outcomes
courses)
A student completing First- By the end of the term,
Courses in the Communication Year Composition should be students will
category focus on developing able to write an expository
ideas and expressing them essay meeting the following 1. Develop active reading
clearly, considering the effect criteria: strategies through classroom
of the message, fostering exercises aimed at the
understanding, and building COMMUNICATION: identification of genres and
the skills needed to Accurately paraphrases key multiple perspectives,
communicate persuasively. points of two articles clearly effectively building on that
enough that comprehension insight to develop positions in
Courses involve the command can be assessed, with overall composed work.
of oral, aural, written, and comprehension on par with (Communication)
visual literacy skills that enable that of the authors' intended
people to exchange messages readers. 2. Use genre conventions to
appropriate to the subject, effectively shape discourse for
occasion, and audience. CRITICAL THINKING: purpose, occasion, and
Clearly and accurately audience in papers.
COMMUNICATION: identifies areas of agreement (Communication)
Includes effective and disagreement in a paired
development, interpretation set of articles, directly 3. Develop a personal
and expression of ideas comparing topically related approach to the process of
through written, oral and visual points according to a logical invention, drafting, revising,
communication plan and arriving at a and editing ideas.
supported conclusion about (Communication)
CRITICAL THINKING: the wedge issue driving the
Includes creative thinking, debate. 4. Effectively develop claims
innovation, inquiry, and in papers by applying modes
analysis, evaluation and TEAMWORK: Fairly of expression (i.e., description,
synthesis of information represents opposing exposition, narration) as part
perspectives in a debate, of the rhetorical event.
TEAMWORK: Includes the implicitly recognizing the value (Critical Thinking)
ability to consider different of considering alternative
points of view and to work perspectives by anticipating 5. Develop broader
effectively with others to within the essay the sorts of perspectives through peer
support a shared purpose or reactions readers might have to review and class discussion,
goal the student's analysis. effectively drawing on those
perspectives when shaping
PERSONAL PERSONAL written discourse. (Teamwork)
RESPONSIBILITY: RESPONSIBILITY:
Includes the ability to connect Remains faithful to the spirit 6. Write readable, coherent
choices, actions and of academic integrity ethics prose in papers, with
consequences to ethical and documentation deliberate attention to
decision-making expectations, including conventions of academic
Axelrod, Rise B., and Charles R. Cooper. The St. Martins Guide to Writing. 10th ed. ISBN-13: 978-1-
4576-5415-2.
Axelrod, Rise B., and Charles R. Cooper. Sticks & Stones and Other Student Essays. 8th ed. (Note: This
small text should come with the above textbook for free if you order using the above ISBN
number or buy it through the bookstore.)
Texas Womans University. First-Year Composition Essay Reader. (Your instructor will tell you how and
where to download this ebook. It will cost $1.99.)
Major Writing Assignments (75%) Major writing assignments will be graded within
two (2) weeks of submission.
Writing Assignment #1: Digital Technology Narrative w/Remembered
Event. (15%) 750-1,000 words. Students write a self-reflective narrative
examining their prior experiences with writing. After reading examples of other
narratives, students write a narrative about a significant event in their life, honing
their skills with chronological organization and cues. (SMG, Ch. 1 and 2)
Writing Assignment #2: Close Reading & Analysis. (25%) 800-1,200 words.
Students annotate, outline, and analyze a published argument, drawing on active
reading strategies to reach reasonable conclusions about cuing or rhetorical
strategies. (SMG, Ch. 12, 13, 19)
Read the syllabus. This document is the most important success tool that you will receive all
semester. It provides information on course expectations, how grades are tabulated, and advice on
coping with issues that may arise. When in doubt about an assignment deadline or course policy,
your first step should be to check the syllabus.
Pay attention to any possible syllabus changes. This syllabus is subject to change. I may need to
modify portions of this syllabus (particularly the calendar of assignments) to adjust for your learning
needs, resources availability, changes in university or department policy, or other teaching reasons.
When changes occur, I will announce them in class, I will adjust the syllabus, and post a revised
syllabus on the class Blackboard site. Handouts and assignment prompts distributed to yall during
the term, physically or virtually, are considered extensions of this syllabus. Always refer to the most
recent version of the syllabus.
Purchase your textbooks. There is nothing else to be said here. I will try my best to have copies of
any books for this class on reserve at the library, but library reserves are usually only for four (4)
hours, so try your best to purchase textbooks.
Take the Diagnostic and Capstone Learning Experiences seriously. To assess how our First-
Year Composition program is doing, we will ask you to complete two learning experiences, one near
the beginning of the term and one near the end. These exercises are required of all composition
students. Completion of the two exercises is worth a combined 10% of your grade.
Pay attention to the schedule. Pay careful, close attention to assignment due dates as well as your
homework each day.
Attend class regularly. Student success in this program depends a great deal on whether yall show
up to class and participate. Missing a writing class isnt like missing a lecture, where a friend who
takes good notes can help you get caught up. Missing a writing class is more like missing team
practice or a workout: Someone can tell you that everyone ran laps or practiced batting or did drills,
but that isnt going to help you get caught up on the workout that you missed. For the most part,
what happens in writing classes benefits only the people who fully participate in them: the act of
giving an effective peer review sharpens your own ideas of how to write better; the act of analyzing
and discussing a text in class teaches you a process you can use on other texts; the pre-writing,
researching, and sentence strategy exercises in a writing class help students write better papers.
For this reason, if you miss a class, you need to understand that you will probably not be able to
make up the missed experience, and there will probably be consequences in terms of your
understanding or performance later, even if the absence is excused.
Now, I realize that life happens. I also know sometimes, yall just dont want to come to class; this is
why there is an attendance policy. You have two (2); yes, only two (2) absences without penalty.
After those two (2), grades may be reduced one (1) whole letter grade because you have probably
missed too much in class work.
I want you to succeed. If you know in advance you have to miss a class, talk to me ahead of time
and we can try to minimize the side effects. I can be reached by email at ejohnson15@twu.edu or by
phone at _940-898-2253_.
Contribute in class. The best learning is collaborative learning. The classroom is a space where
everyone from the instructor to the student can learn from each other. To achieve that optimal
learning environment, you need to contribute to the class. Contribution doesnt involve merely
showing up to class, however: pay attention to the work being done in class, take assignments
seriously, provide support and feedback to others in class, and contribute meaningfully to class
discussion.
Complete the course assignments. This syllabus provides a list of assignments for this class,
along with their respective weights. Pay attention to the percentage that each assignment is worth.
The major assignments comprise the majority (75%) of your grade. If you fail to complete any of
those assignments or receive a poor grade on those assignments, it is unlikely that you can succeed
in the class. Also, keep in mind that minor assignments together make up 15% of your grade, and
poor performance on them (often by lack of attendance) will also factor heavily into your final
grade.
Turn your assignments in on time. As a rule, the first-year composition program does not accept
late assignments. However, I know sometimes life happens, but keep in mind that I must be fair to
everyone. This means that I will take late work, but for every day the assignment is late, it is reduced
by one (1) entire letter grade. After four (4) days, the assignment will not be accepted at all. No
exceptions. Absence is not an excuse for late work. If you must miss class when an assignment is
due, turn it in prior to the due date.
Keep a professional attitude. This comes down to respecting your classmates and me. When you
use electronic devices (unless specifically instructed to do so), or when you do work that is unrelated
to the course, you are potentially infringing on the educational opportunities for others in class.
Turning off or silencing cell phones, using the class printer before class, putting away ear-buds,
saving your text messaging until after class is over, and keeping your computer screen focused on
class-related activities all help everyone else around stay focused, too.
Professionalism also means that when you communicate with your professor by email that you use
professional standards, which includes using email from your TWU account with a subject line
stating the purpose of the email, uses appropriate language, and signs your first and last name to the
email as well as your class section day and time. I do not normally answer emails on weekends, and I
do not respond to emails that use profanity or other inappropriate language.
For group assignments, consider other students your professional colleagues: do them the courtesy
of addressing them respectfully when you communicate with them, and honor any promises to meet
or complete work.
Communicate with me. To get the most from the classroom experience, you should communicate
to me any issues that you may be having. Attend my office hours or make an appointment if those
hours do not work for you. I cannot always know you are having trouble understanding something if
you dont communicate it keep me informed. Let me know wassup!
Use The Write Site. Write Site services are paid for with your tuition. Yall can schedule up to two
hours of appointments per week to work one-on-one with a writing consultant, who can assist you
with any phase of the writing process. As you meet with a consultant, youll discover ways not only
to improve the assignment youre currently working on, but also realize how to improve as a writer.
The Write Site is open Monday through Thursday from 9-5 p.m. and from 9-1 p.m. on Fridays.
There are evening hours in Pioneer Center for Student Success, located on the second floor of the
Blagg-Huey Library Sunday through Wednesday from 6-9 p.m. Meetings are by appointment only.
To make an appointment, go online to www.twu.edu/writesite, call 940-898-2341, or visit CFO 131.
Keep in mind that the center is used by the entire university, so it is best to schedule your
appointments as early as possible in your writing process.
Remember that writing is public. Even when writing is in draft form, professional writers
circulate copies of what they are working on for feedback. For this reason, yall need to become
comfortable sharing your writing with peers and hearing, seeing, or reading reactions to it. In this
class, expect to share your work with your peers, face-to-face, one-on-one, or, at times, with the
entire class at once. This sharing is intended to provide you with models of effective writing,
feedback to improve your writing, and give you experience offering feedback. It is imperative we all
respect this process and come to class prepared to share writing and comment constructively.
Follow the assignment directions. Every assignment has a specific set of instructions. Be sure to
check the assignment sheet when you receive it, before you begin working, and before an
assignment is due to ensure you are meeting the criteria for the assignment. That includes
following the course guidelines for manuscript preparation, which require that assignments
use are double-spaced using black ink in Times New Roman font (no larger or smaller than
12pt). Use MLA guidelines for spacing, margins, heading, and page numbering.
I also recommend that you regularly save your work on a hard drive and email a copy to yourself.
You can also use a flash drive or your university storage. Computer labs are located in the following
areas: MCL Mega Lab (218), Technology Resource Center (MCL 221), Blagg-Huey Library (Lab),
Student Center (Rm. 112), and University Housing (Guinn Commons).
Turnitin Statement: In an effort to ensure the integrity of the academic process, Texas
Womans University vigorously affirms the importance of academic honesty as defined by
the Student Handbook. Therefore, in an effort to detect and prevent plagiarism, faculty
members at Texas Womans University may use a tool called Turnitin to compare a students
work with multiple sources. It then reports a percentage of similarity and provides links to
those specific sources. The tool itself does not determine whether a paper has been
plagiarized. Instead, that judgment must be made by the individual faculty member.
Disability Support Policy Statement: If you anticipate the need for reasonable
accommodations to meet the requirements of this course, you must register with the office
of Disability Support Services (CFO 106, 940-898-3835, dss@twu.edu ) in order to obtain
the required official notification of your accommodation needs. Please plan to meet with me
by appointment or during office hours to discuss approved accommodations and how my
course requirements and activities may impact your ability to fully participate.
Dropping this Course: Students may drop a course without penalty before the census day of
each regular semester. However, after the census date, students enrolling fall 2007 or later (at
TWU or any Texas public higher education institution), are allowed only 6 unexcused drops
during their undergraduate academic careers. Drops after the census day will count toward
the 6-drop limit unless they are supported by timely, appropriate documentation and excused
by the university review process. Drop forms are available in the Registrars Office and
require the signature of the student, instructor, and academic advisor.
What follows is a skeletal outline of reading and writing assignments for the semester. This calendar
does not include all the many ways well think and write about writing; its simply a guide. This
calendar is subject to change.
Tentative Schedule
Week 1: January 18-22
Monday, January 18 Martin Luther King, Jr. (Holiday)
Friday, January 22: Late registration period ends, 5:00 p.m. No new registrations for spring will
be allowed after this date. Late registration payment deadline, 6:00 p.m. Payments not received
will result in deletion of class schedule.
Session 1.
o No class this day, MLK Holiday (Monday, January 18)
Session 2.
o Syllabus introduction, first day of class forms, and students receive access to readings
for Diagnostic Learning Experience (Wednesday, January 20)
Week 3: February 1 - 5
Major Writing Assignment# 1: Digital Technology Narrative w/Remembered Event,
SMG Chs. 1, 2, and 14
Monday, February 1: Last day to withdraw from the University and receive 70% of the refundable
amount of tuition and fees, 5:00 p.m.
Session 1. (Monday, February 1)
o Prep: Read SMG Ch. 1, read [example(s) of writing narratives], and skim SMG Ch.
11, picking two invention strategies you would like to try out or practice. Read
assigned PDFs from How to Not Write Bad: The Most Common Writing
Problems and the Best Ways to Avoid Them and Essays and Arguments: A
Handbook for Writing Student Essays posted on Blackboard. Familiarize
yourself with the Digital Archives of Literacy Narratives (DALN).
Be prepared to read the reflection aloud to your peers. Discuss the DALN.
(Wednesday, February 3) Wednesday, February 3: Last day to drop a class, but not withdraw
from the University, and receive a refund for the amount of the course, 5:00 p.m. Courses
dropped by this date will not appear on the official transcript and will not count towards the 6-
drop limit.
Session 2.
o Prep: Complete Invention and Planning sections of Guide to Writing from Ch. 2.
Learn what a genre is and why its useful to be able to recognize the genre of a
piece of writing. Find a story from the DALN that closest matches your own story.
o Activity: Post a link to the DALN in the discussion board that closely matches your
own story. Be prepared to discuss why the story you have chosen matches your
own. Read the reflection from chapter one aloud to a peer. In class activity to help
you consider the digital technology aspect of this assignment. Begin drafting the
Digital Technology Literacy Narrative w/Remembered Event. In-class
writing/drafting.
Week 4: February 8 - 12
Session 1. (Monday, February 8)
o Prep: Read pgs. 8-17 and 22-24 in SMG and read assigned PDFs (chapter excerpts
from How to Not Write Bad: The Most Common Writing Problems and the Best
Ways to Avoid Them and Essays and Arguments: A Handbook for Writing
Student Essays) posted on Blackboard.
o Activity: Troubleshooting -- Learn why its useful to review and revise during the
planning stage. How does the DALN you chose match the remembered event
genre? How is it similar? How is it different? Discuss how this platform (DALN)
might affect the production of the story. Discus weekly reading journals that
will begin next week. Troubleshooting -- Share plans for essays in class. Review
essay draft. Annotated essay draft. For the last 20 minutes of class, we will
walk over to the Write Site, CFO 131, for a tutoring presentation.
Week 5: February 15 - 19
Monday, February 15: Last day to withdraw from the University and receive 25% of the refundable
amount of tuition and fees, 5:00 p.m.
Session 1. (Monday, February 15)
o Prep: Finish reading PDFs from Monday, February 8 (excerpts from How to Not
Write Bad: The Most Common Writing Problems and the Best Ways to Avoid
Them and Essays and Arguments: A Handbook for Writing Student Essays).
Review ch.14 (561-573) in SMG. Continue drafting narratives.
Week 6: February 22 26
Friday, February 26: Last day to drop a class or withdraw from the University without academic
penalty, 5:00 p.m. No Refund.
Session 1. (Monday, February 22)
o Prep: Reflect on peer comments and decide what, if any revisions to make.
Construct a revision plan. Revise according to the revision plan. Use editing
guidance from SMG, Ch. 2 to fine-tune and then have revisions completed for
final draft submission on Monday, February 29.
Major Writing Assignment #2: Close Reading & Analysis, SMG, Ch. 10, 12, 13, 19-20, 25-27
Week 7: February 29 March 4
Session 1. (Monday, February 29)
o Prep: Read pages 457-470 and 472-483 in SMG. Read assigned PDFs (chapter
excerpts from How to Not Write Bad: The Most Common Writing Problems and
the Best Ways to Avoid Them and Essays and Arguments: A Handbook for
Writing Student Essays) posted on Blackboard.
o Activity: Discuss Basic Features. Practice analysis using Isabella Wrights For
Heavens Sake! Submit via Blackboard a metacognitive reflection on writing
processes on Blackboard: discuss what you believe are primary lessons of
narrative assignments and submit it to the Minor Writing Assignments by
Monday, February 29, before 5 pm. All students must submit a final draft of
Major Writing Assignment #1: Digital Technology Literacy Narrative
through a Turnitin link on Blackboard before 12:20 pm today, Monday, February
29.
o Activity: Discuss Basic Features. Practice analysis using Isabella Wrights For
Heavens Sake!
Week 8: March 7 - 11
Session 1. (Monday, March 7)
o Prep: Read pages 521-543, 608-625, and 626-639 in SMG. Complete group
assignment from Wednesday, March 2. Read A Rose for Emily and Everyday
Use both are posted on Blackboard.
o Activity: Discuss Ways In for Everyday Use. Post story choice on Blackboard
in a Discussion Board. Complete the annotation of the story you have chosen to
analyze for the report using the Ways In chart on pages 475 479, and bring
the annotation chart to class on Monday, March 21.
o Activity: Discuss choices for revised essay. Why that essay? Try to think beyond
answers of to get a better grade or because I need a higher grade or because
it is easy.
o Activity: Group work based on essay choice. Discuss revision and editing. Review
assigned PDFs. Work with peers to write up a revision plan, and sign up for one-
to-one conferences that will take place next week.
Week 14: April 18 22 (No classes this week, but each person is required to meet with me
individually for one-to-one conferences.)
Session 1. (Monday, April 18)
o Prep: Bring your essay draft, annotations, and revision plan with you to the one to
one meeting.
o Activity: Conferences.
o Activity: Conferences.