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STUDIO CAST RECORDING

DISNEY
Music by Lyrics by Book by
ALAN MENKEN STEPHEN SCHWARTZ PETER PARNELL
Based on the novel by Victor Hugo and songs from the Disney lm
Album Produced by
MICHAEL KOSARIN, ALAN MENKEN, STEPHEN SCHWARTZ and CHRIS MONTAN
Executive Producer: KURT DEUTSCH
Recorded by Lawrence Manchester and Isaiah Abolin
Mixed by Lawrence Manchester with Stephen Schwartz and Britt Bonney
Associate Producers: Steve Norman and Greg Brunswick
Pro Tools Engineer: Aki Nishimura
Assistant Engineers: Tyler Hartman and Tim Marchiafava
Mastered by Ryan Smith at Sterling Sound, NYC

Music Supervisor, Vocal & Incidental Music Arrangements: Michael Kosarin


Music Director: Brent-Alan Human
Orchestrations: Michael Starobin
Additional Orchestrations*: Larry Blank
Dance Music Arrangements: Rob Berman
Synthesizer and Drum Programmer: Randy Cohen
Music Preparation: Anixter/Rice Music Service
Music Associate: Britt Bonney
Music Coordinator: Seymour Red Press
Album Coordinator: Josh Gordon
Package Design: Stephanie Layton
Recording Studio Photos: Nathan Johnson
Production Photos: Jerry Dalia, Matthew Murphy and Kevin Berne
Production Assistant: Lee Friedman

*Flight into Egypt and In a Place of Miracles

Recorded on September 28-30 and October 11, 2015, at Avatar Studios, NYC
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ACT ONE
1. OLIM Congregation & Choir
2. THE BELLS OF NOTRE DAME Frollo, Jehan, Father Dupin, Congregation & Choir
3. OUT THERE Frollo & Quasimodo
4. TOPSY TURVY (PART 1) Clopin, Quasimodo & Revelers
5. REST AND RECREATION Phoebus, Frollo & Congregation
6. RHYTHM OF THE TAMBOURINE Clopin, Esmeralda, Frollo, Phoebus & Quasimodo
7. TOPSY TURVY (PART 2) Clopin, Esmeralda & Revelers
8. INTO NOTRE DAME Frollo, Quasimodo, Esmeralda & Congregation
9. GOD HELP THE OUTCASTS Esmeralda, Congregation & Choir
10. TOP OF THE WORLD Esmeralda, Quasimodo, Statues & Gargoyles
11. TAVERN SONG (THAI MOL PIYAS) Gypsies, Esmeralda & Frollo
12. HEAVENS LIGHT Quasimodo
13. HELLFIRE Frollo, Priests & Choir
14. ESMERALDA Company

ACT TWO
15. ENTRACTE Choir
16. FLIGHT INTO EGYPT Saint Aphrodisius, Quasimodo, Statues & Gargoyles
17. THE COURT OF MIRACLES Clopin & Gypsies
18. IN A PLACE OF MIRACLES Phoebus, Esmeralda, Quasimodo, Clopin & Gypsies
19. JUSTICE IN PARIS Congregation
20. SOMEDAY Esmeralda & Phoebus
21. WHILE THE CITY SLUMBERED Congregation
22. MADE OF STONE Quasimodo, Statues & Gargoyles
23. FINALE Company
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Dom Claude Frollo PATRICK PAGE Jehan Frollo JEREMY STOLLE
Quasimodo MICHAEL ARDEN Father Dupin / Official WILLIAM MICHALS
Clopin Trouillefou ERIK LIBERMAN Saint Aphrodisius NEAL MAYER
Captain Phoebus de Martin ANDREW SAMONSKY Gypsy Ghost SAMANTHA MASSELL
Esmeralda CIARA RENE

Congregation
MARY JOE DUGGAN, JULIAN DECKER, IAN PATRICK GIBB, BETH KIRKPATRICK,
SAMANTHA MASSELL, NEAL MAYER, NORA MENKEN, WILLIAM MICHALS, ANISE RITCHIE,
VINCENT RODRIGUEZ III, RICHARD RUIZ, JOSEPH J. SIMEONE, JEREMY STOLLE,
DASHAUN YOUNG

Choir
REN ATCHISON, BEN BARTELS,
MAGGIE BOLAND, BRITT BONNEY,
BRIAN CALI, JACOB CHRISTOPHER,
CLINTON CURTIS, KAREN ELLIOTT,
ELIZABETH ESCHEN, IAN GIBB,
CALEB HOYER, LAURA INMAN,
ALLISON LINKER, ERIK MALMQUIST,
KENNY MARTINEZ,
COLLEEN MCCORMACK,
NORA MENKEN, WILLIAM MICHALS,
EMILY MOORE, DEVIN PROVENZANO,
TROY QUINN, MATT RICKMEIER,
MICHELLE ROMBOLA, KRISTIN RONEY,
ANGIE MARIE SMITH, KEITH SNODE,
LYSSANDRA STEPHENSON,
ALAN M-L WAGER
Michael Starobin
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Choir

Conductor BRENT-ALAN HUFFMAN


Keyboards CALEB HOYER, ANNBRITT DUCHATEAU
Violins SEAN CARNEY, CHRISTOPH FRANZGROTE, MAURA GIANNINI, AMY HAMILTON-SOTO,
LISA MATRICARDI, KRISTINA MUSSER, BELINDA WHITNEY, MINEKA YAJIMA, ROBIN ZEH
Violas DAVID BLINN, RICHARD BRICE, SHELLEY HOLLAND-MORITZ
Celli DIANE BARERE, MAIRI DORMAN-PHANEUF, ROGER SHELL
Bass RICHARD SARPOLA
Woodwinds STEVEN KENYON, CHARLES PILLOW, MARK THRASER
French Horn JUDY LEE
Trumpets JAMES DE LA GARZA, DON DOWNS, ANTHONY KADLECK
Trombone/Euphonium BRUCE BONVISSUTO
Drums/Percussion DANNY TAYLOR 5
When Aaron Burr raps of his desperation to be in the room where it happens in Lin-Manuel Mirandas brilliant musical
Hamilton, we all know what he means.

As head of development for Disney Animation in the early 1990s, I was indeed in the room where it happened for many Disney
films, and for our stage productions as well. Never did that position provide my close colleague Peter Schneider and me a more
interesting perspective than on the journey of The Hunchback of Notre Dame from screen to stage, and stage again.

History makes it clear the film underperformed at the box office. Perhaps Janet Maslin was right in her New York Times review:
Theres just no way to delight children with a feel-good version of this story.

I think we all knew that, but Peter and I were trying something new, something that would be groundbreaking, and frankly
something intended to avoid an animation rut. Or so we thought.

What triumphed was the films spectacular score by Alan Menken with lyrics by Stephen Schwartz. And therein came the idea of
taking Janet Maslin to heart and creating a musical for the adult audience.

As the film was opening in 1996, work began on the first stage iteration, led by Stuart Oken, who had been approached by partners
in Germany who wanted a new Disney Theatrical production. By 1999, we had opened a German-language version for the stage
in Berlin. On reflection, it seems odd that we premiered the show in a language native to none of the creative team. Like the film,
that production straddled the fence of family entertainment and sophisticated theatre fare. It played a healthy run, but once
again the glorious score triumphed over the storytelling.

Years later, convinced there was an audience for our musical, I returned to Alan and Stephen with Steve Fickinger, then head
of creative affairs at Theatrical. We asked if they would be interested in creating a version that could be licensed by theater and
opera companies around the world. The cast album for the German production had circulated among aficionados, and interest
for both professional and amateur productions was growing. This time wed focus on the adult audience and let go of many
elements of the animated film.

The wonderful Peter Parnell joined the team to shape the book and Scott Schwartz joined as our director. We returned to the
source, Victor Hugos novel, eliminated the cartoonish Gargoyles, and most importantly returned our villain to his rightful role in
the novel. All of this would have been unthinkable in our animated telling, but it seemed completely appropriate for this version.
By this time, the inestimable Jane Abramson was at the ready to shepherd our development.

Ive lost count of the number of demos, readings, workshops, and labs weve done all with my longtime producing partner
Chris Montan supervising the music. Each iteration made us tear up at the glory of this music and the storys call for a more
tolerant world.

That passion is what youll hear in this recording.

Thomas Schumacher
President and Producer, Disney Theatrical Productions

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The earliest memory I have of working on The Hunchback of Notre Dame is an evening in the fall of 1994, when Stephen and
Carole Schwartz shared a dinner with Janis and me at our house to celebrate the completion of our work on the Disney animated
feature Pocahontas. I was demonstrating my new Yamaha Disklavier grand piano and played a piece I was working on, one
totally unconnected with any project. Stephen immediately said, Thats perfect for Quasimodos first song, during which the
hunchback reflects on the world below from high in the bell tower he has never left. When Stephen wrote his lyrics for Out
There sitting up in the actual bell tower of Notre Dame during a research trip every note of that piece I had composed was
retained, as if it had been created unconsciously, specifically for that very moment.

That experience is typical of our collaboration. There is an amazing fluidity and synchronicity between Stephen and me. With
all our years of experience working on musicals for both stage and film, theres this shorthand and openness to serendipity. The
most casual notions, the most fleeting impressions, get picked up and explored. The result is a wonderful marriage of creative
impulses. And we both love the process of songwriting and using all of the tools at our disposal to achieve the best results.

I think I can speak for both of us in saying that there has never been a project richer and more emotionally fulfilling for us to work
on than The Hunchback of Notre Dame. Beginning with our earliest creative meetings at Disney Animation, the potential of this
musical felt enormous. And this score from the ringing of the bells and the chanting of the Latin liturgy to the street music of the
Gypsies and the rich tradition of French classical music exploded from our heads, our hearts, and our voices. From that point
to our current theatrical adaptation, this project has continued to bring out the best from us and so many others along the way.

During our twenty-year process, weve evolved from a G-rated, family-oriented, cinematic approach to a darker and more
nuanced story theater for adults. One of our original devices was a trio of wisecracking Gargoyles Victor, Hugo, and Laverne
who were a lighthearted outer manifestation of Quasimodos inner turmoil, the expression of his hopes and fears. We wrote a
comedic, Maurice Chevalier-style number for them called, A Guy Like You, in which the Gargoyles bolster Quasimodos ego
and encourage him to express his romantic feelings for Esmeralda.

While we all loved and cherished these characters, it became apparent that we needed a more grounded approach once we began
the process of creating our stage adaptation. Where the animated musical ended with Esmeralda surviving the ordeal of being
burnt at the stake by Minister of Justice Claude Frollo, the stage adaptation ends in line with Hugos novel: Esmeralda perishes
at the hands of Archdeacon Frollo.

Yet on stage we wanted to retain some way to distinguish between Quasimodos monstrous exterior and the beauty of his interior
world, to provide some expression of his inner voice. We also wanted to offer a hopeful context for our storys tragic ending. This
is where director Scott Schwartz, book writer Peter Parnell, and our music team began their invaluable contributions.

Over the years Ive watched as Scotts directing career has blossomed on and off Broadway. At the helm of our project, Scott
developed the idea of giving voice to the entire Cathedral of Notre Dame (as opposed to our three Gargoyles) and having our
Storytellers fill multiple functions, existing within the story as well as transcending it. He also suggested using an actual choir on
stage to comment on and underscore the story, creating a scale both intimate and enormous at the same time.

The shorthand Stephen and Peter developed while serving, respectively, as President and Vice-President of the Dramatist Guild
served us well, with the three of us coordinating every line of book and score in service of the fully integrated experience
audiences have enjoyed at La Jolla and Paper Mill Playhouses and now will enjoy around the world. 7
During this process, we have been blessed with a great music team, headed by three men who are dear and longtime associates of
mine: music supervisor and vocal arranger Michael Kosarin, music director Brent-Alan Huffman, and orchestrator Michael
Starobin. The evidence of their profound contributions and those of our extraordinary cast, choir, and musicians is in every
second of this album.

The Hunchback of Notre Dame has now reached its full flowering with this theatrical adaptation. Its been an amazing journey, one
Im hopeful will continue through our lifetimes and beyond.

Alan Menken, composer

Stephen Schwartz, Alan Menken


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ACT ONE

Paris, 1482. A Congregation emerges, intoning a Latin chant amid a Choir (Olim). As bells echo throughout the Cathedral, they
begin to recount a story: Dom Claude Frollo and his beloved brother Jehan were taken in as orphans by the priests of Notre Dame
Cathedral. While Frollo thrived under the strict rules of the Church, carefree Jehan took up with Gypsies and was expelled. Many
years passed, until one day now-Archdeacon Frollo was summoned to his estranged brothers deathbed. Jehans dying wish was
for his brother to care for his Gypsy baby. In grief, Frollo agreed and kept the deformed child, whom he named Quasimodo,
secluded in the Cathedral bell tower (The Bells of Notre Dame).

Now grown, Quasimodo is the lonely but staunchly obedient bell-ringer at Notre Dame. Frollo continues to offer him sanctuary
within the confines of the Cathedral, but Quasimodo longs to be part of the world (Out There). He summons the courage to
sneak out of the tower and attend the Feast of Fools, a day when all of Paris indulges in debauched celebration. In the square,
Clopin, King of the Gypsies, leads the festivities (Topsy Turvy Part 1). Captain Phoebus de Martin arrives from the battlefront
to take command of the Cathedral Guard after a little holiday (Rest and Recreation). He runs into Frollo and finds himself assuming
his new positon earlier than expected. Both men are instantly captivated by the appearance of the beautiful dancing Gypsy,
Esmeralda, as is Quasimodo, peering at her from the shadows (Rhythm of the Tambourine). The crowd then gathers to select
and crown the King of Fools, the ugliest person in Paris! After her initial shock at his appearance, Esmeralda with good nature
prompts Quasimodo to step up for the honor (Topsy Turvy Part 2). As the drunken crowd becomes a mob, they brutally abuse
Quasimodo while Frollo looks on in cold silence. Esmeralda alone shows kindness to the hunchback and rescues him. Frollo then
steps forward to chasten Quasimodo, who promises he will never again leave the bell tower (Into Notre Dame).

Concerned about Quasimodos welfare, Esmeralda ventures into the Cathedral, where she offers a different prayer from the other
parishioners (God Help the Outcasts). Phoebus happens upon her, and there is a palpable spark between them. Esmeralda
catches sight of Quasimodo and follows him to the bell tower, where she coaxes him from hiding. Quasimodo shows Esmeralda
his view of Paris while his inner voices his friends, the stone statues and gargoyles of Notre Dame take in the presence of the
beautiful Gypsy (Top of the World). Frollo arrives and discovers them. Clearly smitten with Esmeralda, he offers her sanctuary
in the Cathedral under his tutelage and protection, but, questioning his motives, she refuses.

As his obsession with the Gypsy girl grows, Frollo begins prowling the streets at night, until he comes upon a tavern where the
Gypsies spiritedly sing and dance. He sees Phoebus with Esmeralda, and watches in turmoil as their flirtation escalates into a
kiss (Tavern Song Thai Mol Piyas). Back in the bell tower, Quasimodo remains taken by Esmeraldas beauty and kindness
(Heavens Light). Meanwhile, Frollo convinces himself that Esmeralda is a demon sent to tempt his very soul (Hellfire).

The next morning, Frollo persuades King Louis XI to put out a warrant for Esmeraldas arrest, and a search commences. Frollo
targets a brothel known to harbor Gypsies. When Phoebus refuses a direct order to burn it down, Frollo has him arrested.
Esmeralda appears to try to save Phoebus, and in the melee, Frollo stabs Phoebus and blames the Gypsy. Esmeralda and an
injured Phoebus escape, and Frollo continues the hunt while an increasingly distraught Quasimodo watches the burning chaos
from above (Esmeralda).

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ACT TWO
The Choir opens the second act with a Latin Entracte. In the bell tower, Esmeralda implores Quasimodo to hide the wounded
Phoebus until he regains strength. Quasimodo agrees to help, and she offers him an amulet that will lead him to where she hides,
the Gypsies mysterious Court of Miracles. Inspired by a statue of the legendary martyr Saint Aphrodisius, Quasimodo envisions
himself as Esmeraldas protector and savior (Flight into Egypt). Frollo arrives to tell Quasimodo that he knows the location of the
gypsy hideaway and that his soldiers will attack at dawn. Quasimodo and the injured Phoebus use the amulet to find Esmeralda
before Frollo does.

Arriving at the secret lair, Phoebus and Quasimodo are captured by Clopin and the Gypsies (The Court of Miracles). Esmeralda
intervenes, and the two men warn of Frollos impending attack. As the Gypsies prepare to leave Paris, Phoebus decides to go with
Esmeralda. She consents and matches his commitment to a life together while Quasimodo watches, heartbroken (In a Place of
Miracles). Having tricked Quasimodo into leading him to Esmeralda, Frollo storms in with his soldiers, arrests Esmeralda and
Phoebus, and orders his ward be chained in the bell tower (Justice in Paris).

In prison, Frollo confesses his love to Esmeralda and forces himself on her. When Esmeralda fights him off, Frollo threatens
Phoebuss life unless she yields to him, and he has Phoebus brought into her cell as an inducement. Esmeralda and Phoebus
spend their final doomed night together (Someday).

A devastated Quasimodo, now bound in the tower (While the City Slumbered), refuses the entreaties of his friends to try to
save Esmeralda (Made of Stone).

In the square the next morning, Phoebus watches from his cage as Esmeralda is tied to a wooden stake. Frollo again offers to save
her if she will be his. She spits in his face, and enraged, he lights the pyre himself. Witnessing the horror from above, Quasimodo
is galvanized into action, breaks free of his bonds, and swoops down to free Esmeralda, claiming Sanctuary! for her. He bars
the doors of Notre Dame and carries her to his tower. Violence breaks out in the square as Clopin frees Phoebus and together they
rally the crowd against Frollo. When the soldiers break down the doors and are about to enter, Quasimodo pours molten lead
down on them. Quasimodo returns to Esmeralda, thinking he has saved her, but she dies in his arms. Frollo enters and tries to
persuade the grieving hunchback that they can now return to the way they were. Quasimodo finally sees the archdeacon for the
monster he has become and throws him from the tower to his death. Phoebus arrives and collapses on Esmeraldas body in grief.
Quasimodo comforts him, then picks up Esmeralda and carries her into the square, where the crowd, gathered to mourn, sees
the hunchback in a new light (Finale).
ACT ONE BOTH TAKEN IN AND DEFIED AND DEFILED ALL THE
BY THE GRACE OF NOTRE DAME LAWS

FROL L O C ON GR E G AT I O N & C H O I R
CLAUDE THE OLDER, WHO CARED FOR THE LAWS OF NOTRE DAME
HIS BROTHER KYRIE ELEISON

JEH A N FA TH ER D U PI N
2015 Wonderland Music Company, Inc. (BMI), YOUNG JEHAN, FULL OF BEAUTY AND YOU MUST LEAVE, JEHAN
Menken Music & Trunksong Music, Ltd. (BMI) /
CHARM THIS HOLY REFUGE WHERE YOUVE
Walt Disney Music Company & Greydog Music,
Inc. (ASCAP). All Rights Reserved. Lyrics
DWELLED
reprinted by permission. FROL L O & J EH A N
AND THEY LIVED AND THEY GREW C H OIR
C O NG R EG AT IO N & CHOIR AND AWOKE TO THE MUSIC OF BELLS KYRIE ELEISON
OLIM OLIM DEUS ACCELERE
HOC SAECULUM SPLENDIDUM C ON GREGA TIO N & C H OIR FROL L O
ACCELERE FIAT VENIRE OLIM THE BELLS OF NOTRE DAME Leave? But, Father
KYRIE ELEISON
FA TH ER D U PI N
FROL L O SORRY, CLAUDE, BUT IVE NO CHOICE
OH DEAR BROTHER, NEATH THESE YOUR BROTHER IS EXPELLED!
ARCHES AND THIS SACRED DOME
FROL L O
C H OIR And Frollo didnt hear from his brother for
KYRIE ELEISON several years.
2015 Wonderland Music Company, Inc. (BMI),
Menken Music & Trunksong Music, Ltd. (BMI) /
FROL L O C ON GR E G AT I O N
Walt Disney Music Company & Greydog Music,
Inc. (ASCAP). All Rights Reserved. Lyrics WE ARE BLESSED TO FIND OUR Meanwhile
reprinted by permission. SANCTUARY AND OUR HOME
FROLLO ASCENDED UNCOMMONLY
C O NG R EG AT IO N C ON GREGA TIO N FAST
MORNING IN PARIS, THE CITY AWAKES RIGHTEOUS CLAUDE FROLLO WAS EVER THROUGH THE RANKS OF NOTRE
TO THE BELLS OF NOTRE DAME MORE DRAWN DAME
THE FISHERMAN FISHES LIKE A SON TO NOTRE DAME TILL HE WAS NAMED THE
THE BAKERMAN BAKES ARCHDEACON AT LAST
TO THE BELLS OF NOTRE DAME JEH A N AND GAVE THANKS TO NOTRE DAME
TO THE BIG BELLS AS LOUD AS THE NOT LIKE HIS PROFLIGATE BROTHER, AND THEN ONE DOLEFUL DAY
THUNDER JEHAN BROUGHT A MESSAGE
TO THE LITTLE BELLS SOFT AS A PSALM WHOD HAVE NONE OF NOTRE DAME
AND SOME SAY THE SOUL OF FROL L O
THE CITYS THE TOLL OF THE BELLS C ON GREGA N T AND THE NAME THAT IT BORE WAS
THE BELLS OF NOTRE DAME ... THOUGH AS BROTHERS, THEY LOVED JEHAN!
ONE ANOTHER
LONG YEARS AGO, DID THIS STORY FROLLO WATCHED IN DESPAIR AND C ON GR E G AT I O N
BEGIN ALARM AND CONCEALING HIS FACE
IN THIS PLACE CALLED NOTRE DAME FROLLO STOLE TO A PLACE FAR AWAY
TWO ORPHANED BROTHERS WERE JEH A N AWAY FROM NOTRE DAME
AS JEHAN GREW MORE WILD
F ROL L O AND THE SAINTS REGARDED FROLLO THE WORLD IS WICKED
Jehan, let me take you back. Ill bring you home. FROM THEIR STONE FAADE ITS I ALONE WHOM YOU CAN TRUST
KYRIE ELEISON IN THIS WHOLE CITY
BROTHER DEAREST, COME WITH ME AND HE FELT THEIR GAZE AS IF IT WERE I AM YOUR ONLY FRIEND
WHERE WE WILL FIND A REMEDY THE EYES OF GOD I WHO KEEP YOU, FEED YOU, TEACH
AND NOTRE DAME ONCE MORE WILL BE YOU, DRESS YOU
YOUR SANCTUARY FROL L O I WHO LOOK UPON YOU WITHOUT FEAR
HEALING YOU WILL BE MY GOAL Oh Lord, you have sent me a test. This child HOW CAN I PROTECT YOU, BOY, UNLESS
NOT JUST YOUR BODY, BUT YOUR SOUL is my cross to bear. I may not have saved my YOU
WELL BE TOGETHER IN OUR HOLY brother, but I will save this thing. ALWAYS STAY IN HERE
SANCTUARY AWAY IN HERE ...?
SEE THIS LOATHSOME CREATURE
J EH AN FROM WHOM LESSER MEN WOULD FLEE Remember what I taught you, Quasimodo ...
Enough, Claude. Its too late for me, anyway. I WILL KEEP AND CARE FOR HIM
But if youve truly discovered charity at this AND TEACH HIM AT MY KNEE FRO L L O Q U ASI M O D O
late date, theres someone you can help. TO THINK LIKE ME YOU ARE DEFORMED
I AM DEFORMED ...
F ROL L O C ON GREGA TIO N AND YOU ARE UGLY
A baby? Yours? And Frollo gave the child a name, a cruel AND I AM UGLY
name that means half-formed AND THESE ARE
(FROLLO sees the babys deformed face.) CRIMES FOR WHICH
FROL L O THE WORLD SHOWS
A monster! Its Gods judgment on you. The Quasimodo. LITTLE PITY
wicked shall not go unpunished. YOU DO NOT COMPREHEND
C ON GREGA N T YOURE MY DEFENDER
J EH AN NOW OUT THERE THEYLL
I should have known. I was a fool to think HERE IS A RIDDLE TO GUESS IF YOU CAN REVILE YOU
that you would look after him. SING THE BELLS OF NOTRE DAME AS A MONSTER I AM MONSTER ...
OUT THERE THEY
F ROL L O Q U A S IMODO WILL HATE
Look after him? Me? WHAT MAKES A MONSTER? AND SCORN AND JEER
AND WHAT MAKES A MAN? ONLY MONSTER ...
J EH AN WHY INVITE THEIR CURSES
He has nobody else. Take him, if you can C ON GREGA TIO N & C H OIR AND THEIR CONSTERNATION?
find it in your heart. WHAT MAKES A MONSTER AND WHAT STAY IN HERE
MAKES A MAN? BE FAITHFUL TO ME IM FAITHFUL
(JEHAN dies.) SING THE BELLS, BELLS, BELLS, BELLS GRATEFUL TO ME IM GRATEFUL
BELLS, BELLS, BELLS, BELLS DO AS I SAY
F ROL L O BELLS OF NOTRE DAME! OBEY
Jehan? Jehan!!! AND STAY IN HERE ...
ILL STAY IN HERE ...
C O NG R EG AT I ON & CHOIR
DIES IRAE FROL L O
DIES IRAE 1996 Wonderland Music Company, Inc. (BMI), Remember, Quasimodo this is your
DIES ILLA Walt Disney Music Company (ASCAP). All Rights sanctuary.
DIES ILLA Reserved. Lyrics reprinted by permission.
SOLVET SAECULUM IN FAVILLA QU A S IM O D O
FROL L O My sanctuary
12
KYRIE ELEISON THE WORLD IS CRUEL
Michael Arden

SAFE BEHIND THESE WINDOWS AND BUT PART OF THEM ... WEAVERS AND THEIR WIVES
THESE PARAPETS OF STONE THROUGH THE ROOFS AND GABLES I
GAZING AT THE PEOPLE DOWN BELOW AND OUT THERE CAN SEE THEM
ME LIVING IN THE SUN EVRY DAY THEY SHOUT AND SCOLD
ALL MY LIFE, I WATCH THEM AS I HIDE GIVE ME ONE DAY OUT THERE AND GO ABOUT THEIR LIVES
UP HERE ALONE ALL I ASK IS ONE HEEDLESS OF THE GIFT IT IS TO BE THEM
HUNGRY FOR THE HISTORIES THEY TO HOLD FOREVER IF I WERE IN THEIR SKIN
SHOW ME OUT THERE ID TREASURE EVRY INSTANT
ALL MY LIFE, I MEMORIZE THEIR FACES WHERE THEY ALL LIVE UNAWARE
KNOWING THEM AS THEY WILL NEVER WHAT ID GIVE OUT THERE
KNOW ME WHAT ID DARE STROLLING BY THE SEINE
ALL MY LIFE I WONDER HOW IT FEELS JUST TO LIVE ONE DAY OUT THERE TASTE A MORNING
TO PASS A DAY OUT THERE
NOT ABOVE THEM OUT THERE
AMONG THE MILLERS AND THE 13
LIKE ORDINARY MEN QU A S IMODO C ON GR E G ANT S
WHO FREELY WALK ABOUT THERE SOMEHOW whose dashing manner and bold swagger
JUST ONE DAY AND THEN, I SWEAR I CAN WANDER THROUGH THIS could not quite conceal the haunted look
ILL BE CONTENT HELTER-SKELTER in his eyes.
WITH MY SHARE WITHOUT FEAR NOW
WONT RESENT NO ONE SEES IM HERE NOW P H OEBUS
WONT DESPAIR OUT HERE IN THE WORLD New to Paris, just back from the front.
OLD AND BENT
I WONT CARE C L OP I N FEMA L E C O NG R E G ANT
ILL HAVE SPENT ONCE A YEAR WE THROW A PARTY One of those handsome fellows to whom all
ONE DAY HERE IN TOWN the girls take a liking
OUT THERE! ONCE A YEAR WE TURN ALL PARIS
UPSIDE DOWN P H OEBUS
EVRY MANS A KING AND EVRY KINGS Thank you, ladies.
A CLOWN
ONCE AGAIN ITS TOPSY-TURVY DAY
(PART I) ITS THE DAY THE DEVIL IN US GETS
RELEASED
2015 Wonderland Music Company, Inc. (BMI),
ITS THE DAY WE MOCK THE PRIG AND
Menken Music & Trunksong Music, Ltd. (BMI) /
Walt Disney Music Company & Greydog Music,
SHOCK THE PRIEST
Inc. (ASCAP). All Rights Reserved. Lyrics EVRYTHING IS TOPSY TURVY AT THE
reprinted by permission. FEAST OF FOOLS!
2015 Wonderland Music Company, Inc. (BMI),
Menken Music & Trunksong Music, Ltd. (BMI) /
REV EL ER S REVEL ERS Walt Disney Music Company & Greydog Music,
COME ONE, COME ALL TOPSY TURVY Inc. (ASCAP). All Rights Reserved. Lyrics
LEAVE YOUR LOOMS AND MILKING reprinted by permission.
STOOLS C L OP I N
COOP THE HENS AND PEN THE MULES BEAT THE DRUMS AND BLOW THE P H OEBUS
COME ONE, COME ALL TRUMPETS FOUR YEARS AT THE FRONT
CLOSE THE CHURCHES AND THE GIVE A MAN A ZEST
SCHOOLS C L OP I N & REVEL ERS FOR A LITTLE REST
ITS THE DAY FOR BREAKING RULES TOPSY TURVY AND RECREATION
COME AND JOIN THE FEAST OF ... JOIN THE BUMS AND THIEVES AND FOR THE CHANCE TO HUNT
FOOLS! STRUMPETS FOR THE SPICIEST
STREAMING IN FROM CHARTRES TO IN THE WAY OF REST
Q U AS IMOD O CALAIS AND RECREATION
OUT HERE
C L OP I N GIVE ME YOUR GIRLS OF PLEASURE
REV EL ER S SCURVY KNAVES ARE EXTRA SCURVY YOUR GRAPES OF MERLOT
SO EXCITING! COLORS, CROWDS AND ON THE SIXTH OF JANU-URVY SHOW ME YOUR WARES AND MEASURE
SMELLS ONE LARGE SAMPLE
C L OP I N & REVEL ERS SAMPLE EM AT MY LEISURE
Q U AS IMOD O ALL BECAUSE ITS TOPSY-TURVY DAY! THIS THREE-DAY FURLOUGH
OUT HERE SHOULD BE AMPLE
P H O EBU S
REV EL ER S Into this crowd strode a young cavalier I HAVE BORNE THE BRUNT
WHERE ITS TWICE AS NOISY AS THE Captain Phoebus de Martin, at your service OF A SOLDIERS TEST
14BELLS NOW IVE MADE MY WAY
WHERE I GET TO PLAY FROL L O DANCE LA ESMERALDA ...
AT REST AND RECREA Captain! Welcome to the Cathedral Guard. DANCE!

(PHOEBUS flashes back to the battleground.) P H OEBU S ES MERA LD A


Im grateful for the opportunity to serve HEY, SOLDIER BOY
FOUR YEARS AT THE FRONT you, my lord. I SEE HOW YOU STARE
FOUR YEARS AT THE FRONT HEY, BUTCHER MAN
FROL L O I SEE YOU ADMIRE
S O L D IER S V OICE S Your early arrival is most auspicious. The
CANNON FODDER LYING IN THE pestilence of these gypsies grows more COME GATHER ROUND
FIELD BELOW THE CASTLE dangerous every day. HEY, JACQUES AND PIERRE
IS THIS THE THIRD WEEK OR THE COME SEE ME DANCE
FOURTH WEEK OF THE SIEGE? CAPTAIN, YOU AND I TO THE RHYTHM OF THE TAMBOURINE
THE AIR FILLED WITH THE STENCH HAVE A TASK WE SHARE
OF BODIES IN A TRENCH STOPPING THEM AND THEIR FLASH OF AN ANKLE
WHOEVER PAYS THE MOST, I CALL: PROLIFERATION FLIP OF A SKIRT
MY LIEGE FEEL THEM EXCITE
SUMMONED HERE TO PARIS NOW, IM FROL L O & P H O EBU S ENFLAME AND INSPIRE
FAR AWAY FROM BATTLE PARIS LOOKS TO US COME SEE ME DANCE
FROM CLOTTING BLOOD AND TO RID HER STREETS OF CRIME HEY, WHAT CAN IT HURT?
ROTTING WOUNDS THIS IS WAR AND THUS ITS JUST A DANCE
OF DEAD AND DYING MEN THERE IS NO TIME TO THE RHYTHM OF THE
FOR REST AND RECREATION! TAMBOURINE
PH OEBUS & S OLDIE RS VOICE S
AND WHATEVER I DO P H O EB U S
ILL MAKE SURE THIS IS TRUE THIS GIRL WHO IS SHE?

PH OEBUS FRO L L O
I WILL NEVER GO BACK AGAIN! THIS GIRL WHO IS SHE?
2015 Wonderland Music Company, Inc. (BMI),
(PHOEBUS shakes off the memory as a Menken Music & Trunksong Music, Ltd. (BMI) / QU A S IM O D O
woman catches his attention.) Walt Disney Music Company & Greydog Music, THIS GIRL WHO IS SHE?
Inc. (ASCAP). All Rights Reserved. Lyrics
DARLING, TO BE BLUNT reprinted by permission. FRO L L O
YOU ARE WITH THE BEST SHE DANCES LIKE THE DEVIL HIMSELF
THATS WHY IVE BEEN BLESSED REVEL ERS
WITH THIS PROMOTION COME ONE, COME ALL P H O EB U S
IVE BEEN WORKING HARD SHE DANCES LIKE AN ANGEL
NOW IM GONNA BE CLOPIN
CAPTAIN OF THE GUARD HURRY, HURRY HERES YOUR CHANCE QU A S IM O D O
AINT THAT A NOTION? SEE THE MYSTERY AND ROMANCE AN ANGEL!
LIKE OTHER TRUE KNIGHTS
IVE GOT AMBITION REVEL ERS P H O EB U S
BUT FOR A FEW NIGHTS COME ONE, COME ALL BUT WITH SUCH FIRE
FUN IS MY MISSION
SO WHAT DO YOU SAY? CLOPIN FRO L L O
CARE TO SHARE A DAY SEE THE FINEST GIRL IN FRANCE SUCH FIRE!
OF REST AND RECREATION?! MAKE AN ENTRANCE TO ENTRANCE
15
FROLLO, QUASIMODO & PHOEBUS ES MERA L DA & REVEL ERS EVERYBODY!
WHO IS SHE? TOPSY TURVY
ES MERALD A & R E V E LE R S
E S M ER AL D A C L OP I N ONCE A YEAR WE THROW A PARTY
MEN OF PARIS UGLY FOLK, FORGET YOUR SHYNESS HERE IN TOWN
BEFORE WE GET OLD
COME FEEL THE HEAT ES MERA L DA & REVEL ERS CLOPIN
COME TASTE THE DESIRE TOPSY TURVY HAIL TO THE KING
FEEL THEM WITHIN YOU
CRIMSON AND GOLD C L OP I N ES MERALD A & R E V E LE R S
GOLD LIKE THE COINS YOU COULD SOON BE CALLED YOUR ONCE A YEAR WE TURN ALL PARIS
YOU WILL TOSS INTO MY TAMBOURINE HIGHNESS! UPSIDE DOWN
WHEN I DANCE
TO THE RHYTHM OF THE TAMBOURINE! ALL CLOPIN
PUT YOUR FOULEST FEATURES ON OH, WHAT A KING!
DISPLAY
BE THE KING OF TOPSY-TURVY DAY ES MERALD A & R E V E LE R S
ONCE A YEAR THE UGLIEST WILL WEAR
(PART II) REVEL ERS THE CROWN
TOPSY TURVY!
1996 Wonderland Music Company, Inc. (BMI),
Walt Disney Music Company (ASCAP). All Rights
CLOPIN
Reserved. Lyrics reprinted by permission. ES MERA L DA GIRLS, GIVE A KISS
(To QUASIMODO) Arent you going to join
in the competition? (Sees his face) My God. ES MERALD A & R E V E LE R S
C L O P IN
ONCE A YEAR ON TOPSY-TURVY DAY
And now, ladies and gentlemen, the pice REVEL ERS
de rsistance! TOPSY TURVY! CLOPIN
WEVE NEVER HAD A KING LIKE THIS!
HERE IT IS THE MOMENT YOUVE BEEN ES MERA L DA
WAITING FOR Well, wouldnt you like to be crowned king ALL
HERE IT IS YOU KNOW EXACTLY WHATS for a day? AND ITS THE DAY WE DO THE THINGS
IN STORE
THAT WE DEPLORE
NOWS THE TIME WE LAUGH UNTIL OUR REVEL ERS ON THE OTHER THREE-HUNDRED-
SIDES GET SORE TOPSY TURVY! AND-SIXTY-FOUR
NOWS THE TIME WE CROWN
ONCE A YEAR WE LOVE TO DROP IN
ES MERA L DA WHERE THE BEER IS NEVER STOPPIN
CLOPIN, ESMERALDA & REVELERS Why not take advantage of what youve got? FOR THE CHANCE TO POP SOME
THE KING OF FOOLS!
POPINJAY
VA RI O U S REVEL ERS AND CROWN A KING WHO PUTS THE
C L O P IN My God! Hes hideous! Is that a mask? Its TOP IN
SO MAKE A FACE THATS HORRIBLE AND his face! TOPSY-TURVY DAY!
FRIGHTENING
TOPSY TURVY!
MAKE A FACE AS GRUESOME AS A C L OP I N MAD AND CRAZY,
GARGOYLES WING Ladies and gentlemen, were in luck! We UPSY-DAISY,
FOR THE FACE THATS UGLIEST WILL BE asked for the ugliest face in Paris, and we TOPSY-TURVY DAY! HEY!
THE KING OF FOOLS! found him: Quasimodo, the Hunchback of
Notre Dame!
Why?
16
RETREATED BACK IN SHOW THEM THE MERCY
THROUGH THE DOORS OF NOTRE THEY DONT FIND ON EARTH
DAME GOD HELP MY PEOPLE
AND THERE FOLLOWED THE GYPSY THEY LOOK TO YOU STILL
GIRL WHOD NEVER BEEN GOD HELP THE OUTCASTS
THROUGH THE DOORS OF NOTRE OR NOBODY WILL ...
DAME
AND SHE STOPPED AND BEHELD C O N GR E G ANT S
2015 Wonderland Music Company, Inc. (BMI), ALL THE BEAUTY I ASK FOR WEALTH
Menken Music & Trunksong Music, Ltd. (BMI) / LIKE A BEGGAR RECEIVING AN ALM I ASK FOR FAME
Walt Disney Music Company & Greydog Music, AND EACH WINDOW AND PILLAR I ASK FOR GLORY TO SHINE ON MY
Inc. (ASCAP). All Rights Reserved. Lyrics AND ARCH SEEMED TO FILL HER NAME
reprinted by permission. WITH LIGHT I ASK FOR LOVE
I CAN POSSESS
FR OLLO ES MERA L DA I ASK FOR GOD AND HIS ANGELS TO
SEE HOW ITS CRUEL THE LIGHT OF NOTRE DAME BLESS ME
SEE HOW ITS WICKED
SEE HOW I SHELTERED YOU ES MERA LD A
FROM HAVING TO GO THROUGH I ASK FOR NOTHING
THIS? I CAN GET BY
HOW COULD YOU DO THIS BUT I KNOW SO MANY
TO ME? LESS LUCKY THAN I
PLEASE HELP MY PEOPLE
Q U AS IMOD O 2015 Wonderland Music Company, Inc. (BMI), THE POOR AND DOWNTROD
Forgive, master. Wont ever leave again. Menken Music & Trunksong Music, Ltd. (BMI) / I THOUGHT WE ALL WERE
Walt Disney Music Company & Greydog Music,
THE CHILDREN OF GOD
Inc. (ASCAP). All Rights Reserved. Lyrics
FR OLLO GOD HELP THE OUTCASTS
reprinted by permission.
NOW, BOY, YOU SEE CHILDREN OF GOD
YOU DONT BELONG WITH NORMAL CHILDREN OF GOD
MEN C H OIR
YOU ARE HAPPY WHEN SALVE REGINA, MATER MISERICORDIAE
YOURE IN YOUR SANCTUARY VITA, DULCEDO, ET SPES NOSTRA, SALVE
AD TE SUSPIRAMUS GEMENTES ET
Q U AS IMOD O FLENTES
SANCTUARY IN HAC LACRIMARUM VALLE

FR OLLO ES MERA L DA 2015 Wonderland Music Company, Inc. (BMI),


BACK TO YOUR SANCTUARY I DONT KNOW IF YOU CAN HEAR ME Menken Music & Trunksong Music, Ltd. (BMI) /
OR IF YOURE EVEN THERE Walt Disney Music Company & Greydog Music,
FR OLLO & QU ASIM ODO I DONT KNOW IF YOU WOULD LISTEN Inc. (ASCAP). All Rights Reserved. Lyrics
NEVER TO COME OUT HERE TO A GYPSYS PRAYER reprinted by permission.
YES, I KNOW IM JUST AN OUTCAST
FR OLLO I SHOULDNT SPEAK TO YOU
AGAIN QU A S IM O D O
STILL I SEE YOUR FACE AND WONDER Can see everything from up here. City
WERE YOU ONCE AN OUTCAST TOO? gates. River Seine.
(Motions to PHOEBUS) Take the boy inside.
GOD HELP THE OUTCASTS
C O NG R EG AT ION
HUNGRY FROM BIRTH
SO THE POOR HUNCHBACK 17
AND SHE IS KIND
AND WERE ADMITTING
WED GIVE THREE CHEERS
TO SEE YOU BOTH
FOREVER SITTING
LOOK AT YOU SITTING
ON TOP OF THE WORLD

ES MERALD A
SEEING LIFE FROM THE
TOP OF THE WORLD
NOTHING NEEDS FIGHTING
AND NO ONE NEEDS PITY
THANKS FOR GIVING THIS MOMENT
TO ME
WHEN JUST FOR A MOMENT
THINGS STOP
HERE AT THE TOP OF THE WORLD
HERE AT THE TOP OF THE WORLD

S TA TU E S & G AR G O Y LE S
QUASIMODO, SAY SOMETHING
TAKE OUR ADVICE
BE BRAVE AND SAY SOMETHING
PLEASE DONT THINK TWICE
QUASIMODO, SAY SOME

Q U A S IM O D O
Esmeralda
Ciara Rene
ES MERALD A
Yes?
ES M ER AL D A THANKS FOR GIVING THIS MOMENT
Yes. It sparkles in the light. Im glad I can
TO ME Q U A S IM O D O
get to ... to see things down there.
WHEN JUST FOR A MOMENT THINGS I I ITS NICE
STOP THE TWO OF US SITTING
GAZING DOWN FROM THE TOP OF THE HERE AT THE TOP OF THE WORLD
WORLD ES MERALD A
SUDDENLY SEEING A DIFFERENT CITY S TA TU ES & GA RGO YL ES THE TWO OF US SITTING
THINGS LOOK TINY AND FRIENDLY FOR ALL THESE YEARS
AND FAIR YOUVE STAYED ALONE S TA TU E S & G AR G O Y LE S
SEEN FROM THE TOP OF THE WORLD AND FREE FROM DANGER THE TWO OF YOU SITTING
WHEN YOU LOOK FROM HIGH ABOVE WE SHARED YOUR FEARS
EVERYTHING SEEMS PRETTY IT WASNT SAFE ALL
SEEING LIFE FROM THE TOP OF THE TO TRUST A STRANGER SITTING ON TOP OF THE WORLD!
WORLD BUT MAYBE WE WERE WRONG HERE
NOTHING NEEDS FIGHTING AND NO COULD SHE BELONG HERE?
ONE NEEDS PITY THIS GIRL APPEARS
18
NDO BIRTO ZHAS QU A S IM O D O
THAI MOL PIYAS SO MANY TIMES OUT THERE
AMARE LOVE DAS IVE WATCHED A HAPPY PAIR
THAI MOL PIYAS OF LOVERS WALKING IN THE NIGHT
THEY HAD A KIND OF GLOW AROUND
2015 Wonderland Music Company, Inc. (BMI), ES MERA L DA THEM
Menken Music & Trunksong Music, Ltd. (BMI) / WITH THE TASTE OF THE WINE IT ALMOST LOOKED LIKE HEAVENS
Walt Disney Music Company & Greydog Music,
Inc. (ASCAP). All Rights Reserved. Lyrics
HOLD ME CLOSE WHILE WERE LIGHT
reprinted by permission. DANCING
I KNEW ID NEVER KNOW
ES MERA L DA & GYP S I ES THAT WARM AND LOVING GLOW
C O NG R EG ANTS WHEN I HEAR YOU SIGHING THOUGH I MIGHT WISH WITH ALL
Frollo began to walk the streets, night after WINTER IS DYING MY MIGHT
night, unable to bring himself to return YOULL KEEP ME WARM UNTIL MORNING NO FACE AS HIDEOUS AS MY FACE
alone to his cold, dark chambers. IN THE DARK OF THE NIGHT WAS EVER MEANT FOR HEAVENS LIGHT
BUT SUDDENLY, AN ANGEL HAS SMILED
F ROL L O (ESMERALDA and PHOEBUS kiss.)
He thought he saw her everywhere AT ME
AND TOUCHED MY FACE WITHOUT A
FROL L O TRACE OF FRIGHT
G Y PS Y BRAZEN, LEWD AND ODIOUS
NDO BIRTO ZHAS THIS VILE, DEPRAVED DISPLAY
THAI MOL PIYAS I DARE TO DREAM THAT SHE
MIGHT EVEN CARE FOR ME
GYP S I ES AND AS I RING THE BELLS TONIGHT
C O NG R EG ANT
IN THE DEAD OF THE WINTER MY COLD DARK TOWER SEEMS SO BRIGHT
Until one night, walking down an unknown
alley I SWEAR IT MUST BE HEAVENS LIGHT
FROL L O
I CANNOT BEAR TO WATCH, AND YET
G Y PS Y
AMARE LOVE DAS
THAI MOL PIYAS
GYP S I ES
I CANNOT TURN AWAY
H E LL F I R E
1996 Wonderland Music Company, Inc. (BMI),
F ROL L O GY PSIE S YOULL KEEP ME WARM UNTIL MORNING Walt Disney Music Company (ASCAP). All Rights
He heard the NDO BIRTO ZHAS IN THE DARK OF THE NIGHT Reserved. Lyrics reprinted by permission.
sound of distant THAI MOL PIYAS IN THE DEAD OF THE WINTER
music and laughter PLEASURE IS FLEETING
SO LIPS WILL BE MEETING P RI ES T S
C O NG R EG ANT COME KEEP ME WARM UNTIL MORNING CONFITEOR DEO OMNIPOTENTI
Coming from within AMARE LOVE DAS BEATAE MARIAE SEMPER VIRGINI
a tavern called THAI MOL PIYAS BEATO MICHAELI ARCHANGELO
SANCTIS APOSTOLIS
G Y PS IES OMNIBUS SANCTIS
La Pomme dEve!
FRO L L O
THAI GILABA BEATA MARIA
THAI MOL PIYAS YOU KNOW I AM A RIGHTEOUS MAN
IN THE DARK OF THE NIGHT OF MY VIRTUE, I AM JUSTLY PROUD ...
1996 Wonderland Music Company, Inc. (BMI),
IN THE DEAD OF THE WINTER
Walt Disney Music Company (ASCAP). All Rights
PLEASURE IS FLEETING Reserved. Lyrics reprinted by permission. P RIES T S
SO LIPS WILL BE MEETING ET TIBI PATER ...
COME KEEP ME WARM UNTIL MORNING 19
FR OLLO DONT LET HER FIRE SEAR MY FLESH HELPING HER
BEATA MARIA AND BONE WILL BE CHARGED AS WELL
YOU KNOW IM SO MUCH PURER THAN DESTROY ESMERALDA
THE COMMON, VULGAR, WEAK, AND LET HER TASTE THE FIRES OF HELL FROL L O
LICENTIOUS CROWD ... OR ELSE LET HER BE MINE AND MINE HUNT DOWN THE GYPSY ESMERALDA
ALONE ... DONT LET HER FLEE
PR IEST S AND VANISH IN THE NIGHT
QUIA PECCAVI NIMIS ... HELLFIRE THESE ARE THE FLAMES OF ESMERALDA
DARK FIRE WHILE SHE IS FREE
FR OLLO NOW GYPSY, ITS YOUR TURN YOUR TORCHES MUST BURN BRIGHT
THEN TELL ME, MARIA CHOOSE ME OR
WHY I SEE HER DANCING THERE YOUR PYRE P H OEB U S & SO LD I E R S
WHY HER SMOLDRING EYES STILL BE MINE OR YOU WILL BURN ... HUNT DOWN THE GYPSY ESMERALDA
SCORCH MY SOUL ... DONT LET HER FLEE
C H OIR AND VANISH IN THE NIGHT
PR IEST S KYRIE ELEISON THESE ARE THE FLAMES OF ESMERALDA
COGITATIONE ... WHILE SHE IS FREE
FROL L O OUR TORCHES WILL BURN BRIGHT
FR OLLO GOD HAVE MERCY ON HER
I FEEL HER, I SEE HER (FROLLO approaches QUASIMODO in the
THE SUN CAUGHT IN HER RAVEN HAIR C H OIR bell tower.)
IS BLAZING IN ME OUT OF ALL CONTROL ... KYRIE ELEISON
FROL L O
PR IEST S FROL L O Have no fear, my boy We will find her
VERBO ET OPERE ... GOD HAVE MERCY ON ME and capture her!

FR OLLO C H OIR THE WICKED SHALL NOT GO


LIKE FIRE KYRIE ELEISON UNPUNISH-ED
HELLFIRE THE HEART OF THE WICKED IS OF
THIS FIRE IN MY SKIN FROL L O LITTLE WORTH
THIS BURNING BUT SHE WILL BE MINE THE WICKED SHALL NOT GO
DESIRE OR SHE WILL BURN! UNPUNISH-ED
IS TURNING ME TO SIN ...

FR OLLO
ITS NOT MY FAULT
PRIE STS
MEA CULPA
E SME RALDA C ON GR E G ANT
ALL THROUGH THE CITY, AT MORE
FEVERED PITCH
IM NOT TO BLAME MEA CULPA 2015 Wonderland Music Company, Inc. (BMI), THAN THE BELLS OF NOTRE DAME
IT IS THE GYPSY GIRL Menken Music & Trunksong Music, Ltd. (BMI) /
THE WITCH WHO MEA MAXIMA Walt Disney Music Company & Greydog Music, P H OEB U S
SENT THIS FLAME CULPA Inc. (ASCAP). All Rights Reserved. Lyrics Two gold pieces for the one who leads us to
ITS NOT MY FAULT MEA CULPA reprinted by permission. Esmeralda.
IF IN GODS PLAN MEA CULPA
HE MADE THE DEVIL O FFIC I A L C ON GR E G ANT
SO MUCH BY ROYAL EDICT, WARRANT OF ARREST: FROLLOS MEN SOUGHT ESMERALDA,
STRONGER THAN A MAN MEA MAXIMA THE GYPSY KNOWN AS ESMERALDA THE WITCH
CULPA BEING UNDER SUSPICION OF SORCERY, WITH THE MIGHT OF NOTRE DAME
WITCHCRAFT
PROTECT ME, MARIA AND THE ARTS OF HELL
DONT LET THIS SIREN CAST HER SPELL ANYONE FOUND HARBORING OR
20
P HOEBUS
Four gold pieces for the one who leads us
to Esmeralda.

C O NGR EGANTS
TILL AT LAST, THEY WERE TOLD OF A
BROTHEL
WHERE THEY SOMETIMES HID GYPSIES
FROM HARM
BUT THE MADAM, THAT WHORE
DENIED IT AND SWORE BY THE SAINTS
THE SAINTS OF NOTRE DAME ...

S O LD IER
Were looking for La Esmeralda.

MA D AM
Never heard of her.

F ROLLO
If you want your house to remain standing,
give us the gypsy girl.

MA D AM
I know nothing of gypsy girls.
Andrew Samonsky
F ROLLO
Very well. Well set fire to it. Burn it. Did promising career?
THE OUTCASTS ES MERA LD A
you hear me, Captain? Captain? Carry out the
OR NOBODY No!
order! WILL
P HOEBUS FRO L L O
AND HE HELD THE TORCH P H OEBU S You see?! There she is!
THAT CRACKLED LIKE THE GYPSYS GOD HELP THE OUTCASTS
VOICE OR NODOBY WILL! GOOD PEOPLE OF PARIS
IVE HEARD THE CALLING OF THE LORD
F ROLLO FROL L O THE TIME HAS COME TO TAKE OUR
Are you disobeying a direct order? COWARD! TRAITOR! GYPSYS PAWN! CITY BACK
YOURE RELIEVED OF YOUR PATROL WELL SAVE OUR PARIS
P HOEBUS EXPUNGE THIS HEATHEN GYPSY HORDE
AND HE KNEW THIS WAS THE MOMENT P H OEBU S BEFORE WERE OVERRUN, WE MUST
HE MUST MAKE A CHOICE Consider it my highest honor. ATTACK!

F ROLLO CHOIR FROL L O FRO L L O , SO LD I E R S


GOD HELP KYRIE ELEISON & C ONG R E G AT I O N
THE OUTCASTS GOD HAVE MERCY ON YOUR SOUL! HUNT DOWN THE GYPSY AND THE
I knew it. Shes bewitched THEY LOOK SOLDIER
you, too. TO YOU STILL Arrest Captain Phoebus. DONT LET THEM FLEE
You would throw away a GOD HELP AND VANISH IN THE NIGHT
21
WELL FIND THE GYPSY AND THE FRO L L O ACT TWO
SOLDIER THE DEVIL DWELLS IN ESMERALDA
WHILE THEY ARE FREE
OUR TORCHES WILL BURN BRIGHT! QUASIMODO & PHOEBUS
OH ESMERALDA, OH
CHOIR
PACEM
E NT RACTE
Q U AS IMOD O ESMERALDA 2015 Wonderland Music Company, Inc. (BMI),
FIRE! FIRE! SMOKE AND FLAME! Menken Music & Trunksong Music, Ltd. (BMI) /
ESMERALDA, WHERE ARE YOU? FRO L L O Walt Disney Music Company & Greydog Music,
IN THIS DARK, I CALL YOUR NAME RESIST HIS CHARM Inc. (ASCAP). All Rights Reserved. Lyrics
IS THAT ALL THAT I CAN DO? reprinted by permission.
QU A S IMODO & C O N GREGA TIO N
PH OEBUS WAKE UP THE CITY AND SOUND THE C H OIR
WHAT HAVE I DONE FOR ESMERALDA? ALARM! LIBERA ME DOMINE
WHY DID I HEAR HER WORDS INSIDE DE MORTE AETERNA
MY HEAD? FRO L L O & S O L DI ERS IN DIE ILLA TREMENDA
AND STILL I THINK OF ESMERALDA WAKE UP THE CITY AND SOUND THE QUANDO CAELI MOVENDI
WITH MY CAREER AND BODY LEFT ALARM! SALUTARIS, SALUTARIS
FOR DEAD LIBERA ME DOMINE
C H O IR DE MORTE AETERNA
Q U AS IMOD O WAKE UP THE CITY AND SOUND THE
OUT THERE SOMEWHERE SHE IS LOST ... PUTABUM ME NUNQUAM
ALARM!
QUOD AURUM CALIDUM
PH OEBUS , F R OLLO PUTABUM ME NUNQUAM
FRO L L O , C L OP I N C H O IR
SOMEWHERE SHE IS LOST ... QUOD AURUM CALIDUM
& C ON GREGA TIO N
THESE ARE THE FLAMES QUAMVIS TOTIS VIRIBIS VELEM
Q U AS IMOD O
OF ESMERALDA DONA NOBIS PACEM NUNC TURRIM VIDETUR SPLENDIDUM
ESMERALDA!
THE NIGHT IS SINGING IURO LUCE CAELI
DONA NOBIS PACEM SALUTARIS, SALUTARIS HOSTIA
QUASIMODO, FROLLO, PHOEBUS,
OF ESMERALDA DONA NOBIS PACEM QUAE CAELI PANDIS OSTIUM
S O L D IER S & CON GRE GA TION
WHERE IS THE GIRL CALLED EVEN THE BELLS SING THE BELLS
ESMERALDA? OF SING THE BELLS OF IBI VIVA IN SOLE
THE FLAMES GROW TALL NOTRE DAME! OF NOTRE DAME! DABIT ME UNUM DIEM
AND SHARP AS FLEURS-DE-LIS IBI DABIT ME

C HOIR OLIM NOS SUADEBIMUS


MISERICORDIA FELIX ERIMUS IN CLARA DIES
USQUE HOC TEMPUS CUM NON
Q U AS IMOD O, FROLLO, PHOE B U S ESSET SOLE
& S OLD IER S VIVUNT IN SPE
ALL PARIS BURNS FOR ESMERALDA NUNQUAM REDONO
VENIET OLIM MUTATIO
QUASIMODO, FROLLO & PHOEBUS AMEN
AND STILL IT ALL
COMES DOWN TO HER AND ME

C HOIR
ET DONA NOBIS PACEM

22
Brent-Alan Huffman & Orchestra

Q U A S IMODO S A IN T A PH R O D I SI U S
Save her? Me? SAINT APHRODISIUS, THE BISHOP OF
BZIERS
S TA TU ES & GA RGO YL ES I WAS BEHEADED BY A MOB IN PLACE
Whats the matter? Are you afraid? SAINT-CYR
Of course hes afraid! And he should be. AND THOUGH I MADE A CHOICE I DID
But thats what makes you a hero doing NOT KNOW WOULD BRING
2015 Wonderland Music Company, Inc. (BMI), what youre afraid of. MY GRISLY MARTYRING
Menken Music & Trunksong Music, Ltd. (BMI) / A hero or a saint I WOULDNT CHANGE A THING
Walt Disney Music Company & Greydog Music, FOR I KEPT SAFE AND FREE
Inc. (ASCAP). All Rights Reserved. Lyrics
reprinted by permission. Q U A S IMODO THE HOLY FAMILY
You mean like Saint Saint Whats your
name again? ON THEIR FLIGHT INTO EGYPT
S TAT UE LAND OF THE DATE AND PALM
You have to save her! I OFFERED SHELTER
23
TO HER WHO IS NOTRE DAME S A IN T A P H RODIS I U S , S TA TU ES Too bad you wont live to talk about it.
IF THATS WHAT I COULD DO & GA RGO YL ES
THEN QUASIMODO, YOU CAN TOO ITS A MAP OF THE CITY FROM ABOVE! MAYBE YOUVE HEARD OF A TERRIBLE
PLACE
Q UAS IMOD O Q U A S IMODO WHERE THE SCOUNDRELS OF PARIS
But even if I could go out there how can Ill do it! Ill go out there while its dark. Ill COLLECT IN A LAIR
I find her? find Esmeralda and bring her back! MAYBE YOUVE HEARD OF THAT
MYTHICAL PLACE
S A INT AP H R ODISIU S JUST LIKE THE ANGEL WHO WARNED CALLED THE COURT OF MIRACLES
The amulet she gave you! JOSEPH HE MUST FLEE
ILL SAVE ESMERALDA HER ANGEL GYP S IE S
G A R GOYL ES WILL BE ME THE COURT OF MIRACLES
But what is it? Just a web and a jewel It ILL GIVE HER SANCTUARY,
doesnt mean anything! SOMEWHERE SAFE TO HIDE C L OP I N
PROTECTED AT MY SIDE BROTHER, YOURE THERE!
S A INT AP H R ODISIU S A LITTLE LIKE A BRIDE WHERE THE LAME CAN WALK
NO, IT MUST BE A CLUE AND THE BLIND CAN SEE
MADE WITH GUILE AND ART S A IN T A P H RODIS I U S , S TA TU ES BUT THE DEAD DONT TALK
& GA RGO YL ES SO YOU WONT BE AROUND
S TAT UES LIKE SAINTS IN STONE AND SONG TO REVEAL WHAT YOUVE FOUND
AND SHE GAVE IT TO YOU WE HAVE A METHOD FOR SPIES AND
BECAUSE SHE KNOWS YOURE SMART! Q U A S IMODO INTRUDERS
THINK, QUASIMODO! FOR HER I WILL BE STRONG NOT TERRIBLY DIFFRENT FROM BEES
IS IT HOPELESS? IN A HIVE
ALL HERE IN THE COURT OF MIRACLES
S A INT AP H R ODISIU S AND (Y)OUR FLIGHT INTO EGYPT WHERE ITS A MIRACLE IF YOU GET
OR MAY LAST (Y)OUR WHOLE LIFE LONG OUT ALIVE!
CAN YOU SEE IN IT SOMETHING YES, THAT FLIGHT INTO EGYPT
YOUVE SEEN BEFORE? WILL LAST GYP S IE S
The ugly hunchback! Hes bad luck! Hes
Q UAS IMOD O Q U A S IMODO cursed! Hang them both! String em up!
Seen before? Wait I know this! OUR WHOLE LIFE LONG
C L OP I N
LOOK AT THIS LINE THATS A BRIDGE, My apologies, gentlemen, for your imminent
THATS A STREET demise. Any last words? I thought not!
AND THIS JEWEL IT MUST SHOW
WHERE WERE SUPPOSED TO MEET! ITS ALWAYS SAD WHEN A LIFES AT
ITS FINISH
S A INT AP H R ODISIU S, STATU E S I HAVE TO ADMIT TO A BIT OF A PANG
& GAR GOYL ES 2015 Wonderland Music Company, Inc. (BMI), BUT WE MUST PROTECT AT ALL COST
YOUVE DONE IT, QUASIMODO! THIS Menken Music & Trunksong Music, Ltd. (BMI) / OUR SECRET
WERE CERTAIN OF Walt Disney Music Company & Greydog Music, ITS OUR LIVES OR YOURS
Inc. (ASCAP). All Rights Reserved. Lyrics
reprinted by permission.
Q UAS IMOD O C L OP I N & G Y PSI E S
ITS A MAP! ITS A MAP! SO YOURE GOING TO HANG!
Look CLOPIN
ITS THE CITY SEEN FROM ABOVE! Welcome to the Court of Miracles! Youre
very clever to have found our little hideaway.
24
MY MIGHT KINDER TO OUR RACE?
NO FACE AS HIDEOUS AS MY FACE
WAS EVER MEANT FOR HEAVENS C L OP I N, E SM E R ALD A, PH O E B U S
LIGHT & GYP SI E S
IN A PLACE OF MIRACLES ?
ES MERA L DA QU A S IMODO
2015 Wonderland Music Company, Inc. (BMI), ALL THIS TIME THIS TIME ITS TIME I QU A S IM O D O
Menken Music & Trunksong Music, Ltd. (BMI) / LEARNED WHERES MY PLACE OF MIRACLES ?
Walt Disney Music Company & Greydog Music,
IVE BEEN CERTAIN NO LOVE WILL
Inc. (ASCAP). All Rights Reserved. Lyrics
reprinted by permission.
THAT MY LIFE BE RETURNED ES MERA LD A & PH O E B U S
WOULD BE TO ONE WHOS IN A PLACE
SPENT ALONE BORN TO BE
P HOEBUS ALONE ALL
HERE WE ARE AND WHATS MORE OF MIRACLES
NEARLY STRANGERS I PRETENDED NOT
FROM TWO WORLDS THAT HAVE TO CARE... WHO LOOKS BOTH
RARELY MET LAUGHABLE AND
BUT SOMEHOW FRIGHTNING ...
YOU HAVE MADE ME SOMEONE NEW
TRAVLING FAR P H OEBU S
ON A JOURNEY BUT NOW IM AND NOW I KNOW
THATS THE LONGEST IVE TAKEN YET HERE BESIDE YOU THERELL BE
NOW IM ASKING IF YOU WILL LET ME NO MIRACLES FOR ME
COME WITH YOU 1999 Wonderland Music Company, Inc. (BMI),
Menken Music & Trunksong Music, Ltd. (BMI) /
THOUGH OUR LIVES ARE TATTERED P H OEBU S & ES MERA L DA Walt Disney Music Company & Greydog Music,
AND TORN NO MORE NEED FOR A Inc. (ASCAP). All Rights Reserved. Lyrics
ALL IM FEELING NOW IS REBORN HEART OF STONE BETTER TO reprinted by permission.
I MUST BE HAVE A HEART
IN A PLACE OF MIRACLES OF STONE C O N GR E G AT I O N
THOUGH WE SET OUT JUSTICE IN PARIS WAS OFTEN DISPLAYED
ES M ER AL D A FOR LANDS
WHERE THE BLIND CAN SEE IN THE SQUARE AT NOTRE DAME
UNKNOWN NOW AS THE WOOD FOR A PYRE WAS
THEYRE LANDS THAT HOLDS LAID
ES M ER AL D A & PHOE B U S WELL SHARE NO HOPE OF
IN A PLACE OF MIRACLES IN THE SQUARE AT NOTRE DAME
HEAVENS LIGHT THERE CAME SOME THERE WHO
P HOEBUS SOUGHT ENTERTAINMENT
C L O P I N , ES MERA L DA , P H OEBU S AND SOME WHO WISHED ALL GYPSIES
A MIRACLE YOUVE BROUGHT TO ME & GYP S IES HARM
WILL WE REACH A FRIENDLIER SHORE? FOR THE RUMOR WAS GROWING:
ES M ER AL D A & PHOE B U S WILL WE FIND A HAVEN ONCE MORE
THE SOLDIER AND THE GYPSY A GYPSY WAS GOING TO BURN
WHERE WELL BE AT DAWN AT NOTRE DAME
LOCKED IN AN EMBRACE IN A PLACE OF MIRACLES?
IN A PLACE OF MIRACLES NOW WE LEAVE OUR HOME
FOR A PLACE OF MIRACLES
Q UAS IMOD O
I KNEW ID NEVER KNOW CLOPIN
THAT WARM AND LOVING GLOW ROMANIES AGAIN MUST ROAM
THOUGH I MIGHT WISH WITH ALL COULD THERE BE A COUNTRY 25
P H O EBU S Q U A S IM O D O
ONE DAY Quiet! Go away.

ES MERA L DA S TA TU E
1999 Wonderland Music Company, Inc. (BMI),
Menken Music & Trunksong Music, Ltd. (BMI) / SOMEDAY Youre the only one who can save her now.
Walt Disney Music Company & Greydog Music,
Inc. (ASCAP). All Rights Reserved. Lyrics ES MERA L DA & P H O EBU S Q U A S IM O D O
reprinted by permission. SOON You know what happens when I try to help.
I only make things worse.
E S M ER AL D A
S TA TU E S & G AR G O Y LE S
I USED TO BELIEVE
You dont believe that.
IN THE DAYS I WAS NAVE
THAT ID LIVE TO SEE
Q U A S IM O D O
A DAY OF JUSTICE DAWN
2015 Wonderland Music Company, Inc. (BMI), How do you know what I believe?
AND THOUGH I WILL DIE
LONG BEFORE THAT MORNING COMES Menken Music & Trunksong Music, Ltd. (BMI) /
Walt Disney Music Company & Greydog Music, WHAT DO YOU KNOW OF ME?
ILL DIE WHILE BELIEVING STILL
Inc. (ASCAP). All Rights Reserved. Lyrics WHAT DO YOU KNOW OF ALL THE
IT WILL COME WHEN I AM GONE
reprinted by permission. THINGS I FEEL?
YOURE ONLY MADE OF STONE
SOMEDAY
C O N GREGA TIO N WHO IS IT THAT YOU SEE
WHEN WE ARE WISER
KYRIE ELEISON INSTEAD OF SEEING WHAT I AM FOR
WHEN THE WORLDS OLDER
WHILE THE CITY SLUMBERED, REAL
WHEN WE HAVE LEARNED
QUASIMODO SAT AWAKE THIS TWISTED FLESH AND BONE?
I PRAY SOMEDAY WE MAY YET LIVE
TO LIVE AND LET LIVE AS THE NIGHT CREPT PITILESSLY
ONWARD GA RGO Y LE
NOT ONE WORD HE UTTERED, NOT But Quasimodo, it wasnt your fault
E S M ER AL D A & PHOE B U S
SOMEDAY ONE MOVEMENT DID HE MAKE
AWAITING THE INEXORABLE DAWN Q U A S IM O D O
LIFE WILL BE FAIRER
KYRIE ELEISON YOURE A LIAR!
NEED WILL BE RARER
GREED WILL NOT PAY
WITH EVRY NEW EXCUSE YOU TRY OUT
GOD SPEED
YOU ONLY MAKE ME WANT TO CRY OUT:
THIS BRIGHT MILLENNIUM
WOULD THAT I WERE
ON ITS WAY
MADE OF STONE LIKE YOU
LET IT COME SOMEDAY ...
S TA TU E & G AR G O Y LE
PH OEBUS
You dont mean that. Just take some time
WHEN THE WORLDS OLDER
to
WHEN THINGS HAVE CHANGED
1999 Wonderland Music Company, Inc. (BMI),
Menken Music & Trunksong Music, Ltd. (BMI) / Q U A S IM O D O
E S M ER AL D A & PHOE B U S
Walt Disney Music Company & Greydog Music, YOU GIVE SUCH GOOD ADVICE
SOMEDAY
Inc. (ASCAP). All Rights Reserved. Lyrics SO WHY HAS NOT ONE SINGLE WORD
THESE DREAMS WILL ALL BE REAL
reprinted by permission. YOUVE SAID
TILL THEN WELL
BEEN ANY HELP AT ALL?
WISH UPON THE MOON
CHANGE WILL COME GA RGO YL ES
Quasimodo, you must try to free yourself! S TA TU E S & G AR G O Y LE S
26 The girl needs your help. Quasimodo
Patrick Page

Q UASIMOD O HE TOLD ME IT WAS CRUEL OUTSIDE MADE OF SOMETHING


AND YOU WHO SOUND SO NICE HE TOLD ME HOW I HAD TO HIDE STRONGER ...
THE MORE YOUR DREAMS AND HIS WORDS WERE COLD AS STONE
FANCIES FILL MY HEAD BUT THEY WERE TRUE QU A S IM O D O
THE FARTHER THAT I FALL NOT LIKE YOU AND NOW IM ON MY OWN
SHUT MY BRAIN DOWN! TAKE ALL THE DREAMS YOUVE SOWN NEVER AGAIN TO WONDER WHATS
IF I WERE SENSELESS, ID PREFER IT TAKE ALL YOUR LIES OUT THERE
ANOTHER GARGOYLE ON THIS TURRET AND LEAVE ME ALONE! LET IT REMAIN UNKNOWN
SPITTING RAIN DOWN AND MY ONE HUMAN EYE
TO THE STONES BELOW S TA TU ES & GA RGO YL ES WILL EVERMORE BE DRY
ALL RIGHT, QUASIMODO UNTIL THE DAY I DIE
IVE WASTED MY FAITH WELL LEAVE YOU ALONE AS IF I
BELIEVING IN SAINTS OF PLASTER ALL RIGHT, QUASIMODO WERE MADE OF STONE!
BUT THE ONLY ONE WORTH WELL TROUBLE YOU NO LONGER
BELIEVING IN YOURE RIGHT, QUASIMODO
WAS MY MASTER WERE ONLY MADE OF STONE
HES THE ONE WHO NEVER LIED WE JUST THOUGHT THAT YOU WERE
27
QU A S IMODO FROL L O
Esmeralda! Captain! Seize the Cathedral.

C H O IR S OL DI E R
LIBERA ME DOMINE But sir, the laws of sanctuary
1999 Wonderland Music Company, Inc. (BMI),
Menken Music & Trunksong Music, Ltd. (BMI) /
DE MORTE AETERNA
Walt Disney Music Company & Greydog Music, FROL L O
Inc. (ASCAP). All Rights Reserved. Lyrics C O N GREGA N T I am the Archdeacon of this Cathedral! I
reprinted by permission. And at that moment Quasimodo decided negate the laws of sanctuary! Open those
doors! Ram them through, if you must!
C H O IR
C HOIR IN DIE ILLA TREMENDA C ON GR E G ANT S
JUDEX CREDERIS QUANDO COELI As the soldiers attempted to ram open the
ESSE VENTURUS MOVENDI SUNT church doors, they suddenly saw Quasimodo
IN TE DOMINE SPERAVI hurl giant stones and wooden beams
NON CONFUNDAR C O N GREGA TIO N
IN AETERNUM He could remain stone no longer. S OL DI E R S
SALVUM FAC POPULUM TUUM Watch out!!!
JUDEX CREDERIS C H O IR
COELI ET TERRA C H OIR
FR OLLO DUM VENERIS JUDICARE DIES IRAE
The prisoner has been found guilty of entering SAECULUM PER IGNEM DIES IRAE
the city of Paris illegally, guilty of stabbing a O SALUTARIS, SALUTARIS HOSTIA
soldier of the Church, and guilty of the crime QUAE CAELI PANDIS OSTIUM FROL L O
of witchcraft. The sentence is death. BELLA PREMUNT HOSTILIA Use them to break down the doors!
DA ROBUR PER AUXILIUM
C HOIR SIT SEMPITERNA GLORIA C H OIR
KYRIE ELEISON SIT SEMPITERNA GLORIA DIES IRAE
SIT SEMPITERNA GLORIA DIES ILLA
FR OLLO GLORIA
I will give you this opportunity to recant GLORIA! (PHOEBUS and CLOPIN rally the crowd.)
and save yourself. Think of what Ive SEMPER SANCTUS!
offered. What is your answer? P H OEB U S C LO PI N
(QUASIMODO jumps, swings from a parapet & C O NG R E G AT I O N
(ESMERALDA spits in FROLLOS face.) to the pyre, and frees ESMERALDA. He HEAR ME,
hoists her over his shoulders.) PEOPLE OF PARIS
C HOIR OLIM DEUS ACCELERE
LIBERA ME DOMINE QU A S IMODO HOW MUCH OPPRESSION
Sanctuary! WILL YOU ALLOW? HOC SAECULUM
FR OLLO SPLENDIDUM
For the justice of the realm and for the C H O IR SOMEDAY
salvation of Paris, it is my sacred duty to SANCTUS! YOUR PATIENCE WILL ACCELERE
send this unholy demon back to hell. FINLLY BREAK FIAT VENIRE OLIM
QU A S IMODO WHY NOT MAKE
(In the bell tower, QUASIMODO sits, still Sanctuary! SOMEDAY COME RIGHT NOW?
motionless as stone, and observes. FROLLO
nods to a soldier, who brings up a torch. C H O IR C O N GR E G ANT S
FROLLO grabs it to light the fire himself.) IN EXCELSIS! The people fought the soldiers, but could
not hold them back. With one final blow,
28 they knocked down the doors
C O N G R EG ANTS CHOIR QU A S IMODO FROL L O
And Quasimodo ran MORS STUPEBIT Can stay inside here forever. It was her choice, Quasimodo. I could have
back and forth, ET NATURA helped her. Even loved her
trying to find a way CUM RESURGET ES MERA L DA
to stop them, until CREATURA I dont think forever You are such a good Q U A S IM O D O
he came upon the JUDICANTI friend, Quasimodo. Love What do you know of love? Who
great vats of molten lead RESPONSURA have you ever loved?
sitting up on the roof. (ESMERALDA dies.)
FROL L O
S O L D IER QU A S IMODO I loved ... I loved my brother! I tried to
My God! Look! Up there! Hes way up there! Yes. Your friend Esmeralda teach him.
Esmeralda, wake up!
Q U AS IMOD O,STA TU E S Q U A S IM O D O
& GAR GOYL ES (FROLLO enters.) You teach him ?
COME ALL YOU SAINTS OF STONE
ALL YOU GUARDIANS AND GARGOYLES FRO L L O FROL L O
BLAZE THE FIRE Is she dead? Yes, as I tried to teach you. But he was
IN THE NIGHT wicked! Weak!
RAISE THE FIRE QU A S IMODO
NOW AND LIGHT Because of you! Q U A S IM O D O
THESE VATS OF LEAD No. You are the weak one You the
STEAMING, BOILING FRO L L O wicked one. And the wicked shall not go
STREAMS OF LEAD It was my duty. unpunished!
BURNING LEAD AND LET
THE FLAMES GROW QU A S IMODO JEH A N S G H O ST
HIGHER Duty? THE WICKED SHALL NOT GO
UNPUNISH-ED
Q U AS IMOD O FRO L L O
OH SAINTS AND MONSTERS Now we can finally go back to the way GYP S Y G H O ST
THE HEART OF THE WICKED IS OF
SHOW YOUR POWER things were.
LITTLE WORTH
HELP ME TO SEND THIS RAGING
SHOWER QU A S IMODO
FROL L O
RAINING FIRE ON THE STONE BELOW ... No never go back.
Let go of me, Quasimodo.
(QUASIMODO releases molten lead from the FRO L L O
C ON GR E G AT I O N & C H O I R
bell tower, dispersing the soldiers. He runs to We will. Youll see.
THE WICKED SHALL NOT GO
where ESMERALDA lies in the bell tower.) UNPUNISH-ED
AT LAST WERE FREE OF ESMERALDA
Weve done it, Esmeralda! Beaten them NOW THAT SHES GONE, HER POISON FROL L O
back! Esmeralda, you are home. DIES WITH HER Quasimodo, let go
NOW THAT WERE FREE OF ESMERALDA
E S M ER AL D A WE CAN GO ON, AS CLOSE AS ONCE C ON GR E G AT I O N & C H O I R
Home WE WERE SOLVET SAECULUM IN FAVILLA
HERE IN OUR SANCTUARY TESTE DAVID CUM SYBILLA
HERE AGAIN AT THE TOP OF THE WORLD SANCTUARY QUANTUS TREMOR EST FUTURUS
TWO FRIENDS ENJOYING THIS QUANDO JUDEX EST VENTURUS ...
BEAUTIFUL MORNING QU A S IMODO
IN MY EYES, YOU ARE BEAUTIFUL TOO Sanctuary ? No sanctuary without her Q U A S IM O D O
SHARING THE TOP OF THE WORLD I told you, master I am very strong!
29
F ROL L O AFTERNOON SPLENDIDUM BALLADEERS
You dont want to hurt me GOD SPEED AND THE BELLS OF NOTRE DAME
THIS BRIGHT ACCELERE FIAT
S TAT UES & GA RGOYLE S MILLENNIUM VENIRE OLIM C O N GR E G ANT S
Yes, you do HOPE LIVES ON AND WE WISH WE COULD LEAVE YOU
WISH UPON THE MOON A MORAL
C O NG R EG ANTS LET IT COME LIKE A TRINKET YOU HOLD IN YOUR
Quasimodo raised his two huge hands ONE DAY ... PALM
and with a great bellow threw his master
over the edge of the roof into the abyss Q U A S IMODO ALL
below! SOMEDAY BUT HERE IS A RIDDLE TO GUESS IF
YOU CAN
F ROL L O C ON GREGA TIO N SING THE BELLS OF NOTRE DAME
Damnation! SOON WHAT MAKES A MONSTER AND WHAT
MAKES A MAN?
(FROLLO falls to his death.) CLOPIN SING THE BELLS, BELLS, BELLS, BELLS
MORNING IN PARIS, A NEW DAY WHATEVER THEIR PITCH
S TAT UES & GA RGOYLE S APPEARS YOU CAN FEEL THEM BEWITCH YOU
THE WORLD IS CRUEL SING THE BELLS OF NOTRE DAME THE RICH AND THE RITUAL KNELLS
THE WORLD IS UGLY ENDING THE TALE OF YOUR POOR OF THE BELLS OF NOTRE DAME!
BUT THERE ARE TIMES
AND THERE ARE PEOPLE
WHEN THE WORLD IS NOT
AND AT ITS CRUELEST
ITS STILL THE ONLY WORLD WEVE GOT
LIGHT AND DARK
FOUL AND FAIR
Live dramatic performance rights for
Q UAS IMOD O The Hunchback of Notre Dame
OUT THERE are represented exclusively by Music
Theatre International (MTI)
(QUASIMODO lifts ESMERALDA and
carries her out of the Cathedral and into the 421 West 54th Street, New York, NY 10019
square. At first, the crowd recoils. But then, mtishows.com
one by one, they approach QUASIMODO
with compassion.) For licensing information,
please call (212) 541-4684
C O NG R EG AT I ON GYPSY GHOST
& CH OIR
or email licensing@mtishows.com
OLIM DEUS
ACCELERE
HOC SAECULUM
SPLENDIDUM
SOMEDAY
LIFE WILL BE KINDER OLIM DEUS
ACCELERE Studio Cast Recording based on the American Premiere
LOVE WILL BE
BLINDER production directed by Scott Schwartz at La Jolla Playhouse
SOME NEW
30 HOC SAECULUM in Fall 2014 and Paper Mill Playhouse in Winter 2015.
Clockwise from top left: Michael Arden / Ciara Rene,
Andrew Samonsky / Ciara Rene,
Patrick Page, Michael Arden / Congregation
31
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32
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