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The word "Romantic" was adopted in the last decades of the 18th century and it is a period in
which ideas and attitudes arose in reaction to the Enlightenment.
English Romanticism covers the period between the French Revolution and the Victorian Age, it
was never a unified movement. It emphasised the subjective and irrational parts of human
nature: emotion, imagination, introspection and a relationship with nature. It led to a new way
of considering the role of man in the universe; there was a growing interest in everyday life and
attention to the countryside as a place where there could still be a relationship with nature, as
opposed to the industrialized town. The nature was no longer something that man could control,
but became a manifestation of a divine power on earth.
In English literature there were two generations of poets: William Wordsworth and Samuel
Taylor Coleridge in the firts; Lord Byron, Percy Shelley and John Keats in the second.
The Romantics were fond of introspection. They exalted the outcast, the rebel and this led to the
cult of the hero, for example the "rebel" in Coleridge" and the "Byronic hero" in Byron, and to
the view that the habits, the values and the rules imposed by a society grounded in reason had
to be abandoned.
Wordsworth was interested in the relationship between the natural world and human
consciousness, he considered nature as a source of joy, inspiration and knowledge, a mother and
a moral guide. He thought that man and nature are inseparable.
Coleridge emphasized the role of the imagination as a creative power. He distinguished between
primary imagination, as a fusion of percepition and the human individual power to produce
images, and secondary imagination, as a poetic faculty which built new word.
He considered nature as a representation of God's will and love, so man had to respect it,
otherwise he could offend God. He believed that natural images carried abstract meanings and
he used them in his most visionary poems.
(The rime of the ancient mariner)
GEORGE GORDON BYRON believed in individual liberty and hated any sort of constraint; he
wished to be himself without compromises and he wanted all men free and so went to fight
against tyrans. He denounced the evils of society by using satirical style, but his themes were
Romantic. In the foregound there is always an isolated man whose feelings are reflected in the
wildest and most exotic natural landscapes, so nature is not a source of consolation and does not
convey any message.
The Byronic hero is a moody, restless and mysterious Romantic rebel who hides some horrible
secret in his past. He is characterised by proud individualism and rejects the conventional moral
rules fo society. He is an outsider and attractive at the same time, of noble birth but wild in his
manners. He has a great sensibility to nature and beauty, but has grown bored with the excesses
of the world.
PERCY SHELLEY believed in the principles of freedom and love as remedies for the faults and evil
of society. He had a passionate devotion to nature, which was a source of enjoyment and
inspiration. It represents his favourite refuge from the disappointment and injustice of the
ordinary world. He tought that poetry was expression of imagination and it could change the
reality of an increasingly material world.
ODE TO THE WEST WIND:
This ode, published with Prometeus Unbound, identifies Shelley with his heroic Titan. By stealing
fire from heaven, Prometheus enabled humanity to found civilisation. In punishment, Zeus
chained Prometeus to a mountain and gave him unending torment: an eagle fed from his
constantly restored liver. Like Prometheus, Shelley hopes that fire, a liberal philosophy, will
enlighten humanity and liberate it from intellectual and moral imprisonment. He writes about
his hopes for the future.
Jude the Obscure: talks about a boy from a poor village, Jude, who works as a stonemason and
studies in his free time. After his marriage to Arabella ends disastrously, he mpves to
Christminster where falls in love with his cousin Sue. They decide to live togheter, though
refusing the institution of marriage. Sue takes in his son, called Little Father Time, whi was born
from Jude's first marriage, and bears him a second son and a daughter. After Jude loses his work,
Sue and the children live ina room while he stays at a tavern. The climax is reached with the
death of their children.
While Dickens' children will survive and want to improve their conditions, Hardy's children are
pessimistics and have not hope. This is visible in the character of Little Father Time, who kills
their brother and their sister and then kills himself.