THE ANALYTIC OF SUBLIMES PLACE INSIDE CRITIQUE OF JUDGMENT
Rodney Ferreira
FFLCH/University of So Paulo
rodney.ferreira@usp.br
Objective
The systematic investigation proposed in our project aim
to find not only a clear vision of Critique of Judgments
general articulations and its relations with other works of
the critique project, but almost enfatize its singular link
between art and truth, it is, of art in agreement with
reason. What make this possible is a previously lecture
of sublime as a moment where imagination and its
aesthetic dynamic point and make itselves the key of the
possibility of affirmation of mans rational destine and his
moral superation, being a factual prove of the mediation
made possible through reflexive judgement.
Materials and Methods
Our methodology have three moments: 1. General
investigal of the work, and then an identification of its
immediate references, in order to treat the concepts as it
appears inside the kantian project and, too, the history of
concepts. 2. Systematic exposition of the analytics of
beauty and sublime, that give us the ground where our
project questions are putted on. 3. A final approachment
of analytic of the sublime since its central concepts, in
order to resolute the central point of our investigation.
Results
Our results are, yet, reflections about the ways that the
concepts of Kraft and Vermgen appears inside 1995.
Kants work. Also, a lecture of the analytics and the
identification of the object of our work as a conclusion of
that lecture.
Conclusions
We conclude, thus, that our investigation
has been a work of comprehension of the
principal concepts of the third Critique, as
well as its evident link with the whole of the
kantian project.
Although we are investigation question
around more properly of the analytic of the
sublime, it is essential to a possible answer
a comprehension of the analytic of the
beauty and the aesthetic judgment. Since
we already did it, our objective is now
properly put in orbit the possible resolutions
to the question, on which we actually did,
the reasearchs textual body, an exposition
reasonably insistent, that will guarantee to
the future reader a comprehension of our
aims and possible resolutions.
References
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origin of our ideas of the Sublime and
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HEGEL, G.W. Enciclopdia das Cincias
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