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Martn y Coll grew up in a monastery and eventually became a Franciscan friar. The
last years of his life were spent in the monastery of San Francisco el Grande in
Masdrid. Though primarily an organist, Martn y Coll also wrote a pair of treatises
(1714 and 1734). However, his modern fame rests on four volumes of the Flores de
Msica (Musical flowers), a collection of hundreds of pieces. The works in the fifth
volume of the Flores de Msica, called Ramillete oloroso: suabes flores de msica
are generally assumed to be Martn y Coll's own compositions.
Two of these works are variations (diferencias) on La Folia - a long Diferencias sobre
las Folas and a shorter Folas. Further more, it is sure that the secular works - such as
La Folia - would have been just appropriately played on gamba , with harpsichord
(or organ, or lute) as sustaining instrument.
D D DD D D D
TD D
Theme
T D TD TD TD TD TD
Harps.
?C @
C? @ C? @
?C @
C? @ C? @
?C @
*
I I I I I I
D? D? @ D D@ D? D? @ D? D? @ ?D ?D D? @
?D
D? D? @ D?
?D ?D
Cello
D? C? ?D ? ?
D @ D@ @ D@ @ D@ @ D@ D
TD TD TD TD TD C C D
Harps.
C@ ?C @ ?C @
C? @ C? @ D D D D D D
?
#' Variation I
D D D D D
Cello
D
D D D C? @ D
D D D D D
D D D D D D D
D D D D D D D
I D@ D@ D@ D@ D@
D@ D@
Variation I
D D D . U D
C T D@ D@ D@ D@
Harps.
? ?C @ ?C @ ?C @
D D@ D D CCC @@@ CC @@ CC @@ CC @@
C M
1
$#
D D DDDD DD D D D D D
D
Cello
DDDD
D D D D D D@ D
D D D@ D D@
@
D D D D@ D@ D@
@ @
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D@ D@ D D@ D@ D@ D D@ D@
D D@ D@
Harps.
C?CC @@@ ?C @
CC @@
?C @
CC @@
?C @ ?C @
CC @@ C@ CC @@
?
$)
D D@ D@ D@ DDDDDD -
Cello
D
D D D@ D@ D@ D D D
D D D D@ D@ D@ D@ D
D D D D@
@ C? @
D D@ - C D C D D D D . U I
D
C
D D@ D@ D@
Harps.
? ?C @ DD
CC @@ C@ D D D D D D D C D@ M
@ @ @ @
%% D
D D@ D D D@ @ @D
D@ @ D
D D@ D@ D@ D@ D D D@ D@ D@ D@ D D D@ D D D@ D D D@ D@ D@ D@ D
D D@ D@ D@ D@
D
D D D
Cello
Variation II
Variation II
?C ?D ?C ?D ?C ?D
CCC DDD
CC DD CC D?D CC DD CC DD CC DD CC DDD
? ? C? D? C? C? ?
Harps.
D D D D D D D D
D D D D D D D D
D D D D D
@
D@ D D@ D@ D@ D@
&" D
D D D D D D
D D D
D D D
D D D D D DDDDDD D D D@ D@ D @
D D D D D@ D@
Cello
? ? ? ? ? ?
CCC DD DD @@ D D
DD @@
? ?
D D DD @@ D D
?D @
DD @@ D D ?C
CC D?D CCC @@@
D? D? @ M D? @ D? @ M M D
? M ?
Harps.
D D D@ D@ D@ D@ D@ D@ D@ D@ D@
D D@ D@ D@ D D D D D D
2
&)
D D D D@ D@ ?C @ .
Variation III
Cello C? ?D C? D? C? D?
I I Variation III
DDD DDD
DDD @@@ DDD U D
C D D D D D@ D
D? D D D @ D D? D D D @
Harps.
D D D@ D D ?CC @@ CC @@
?C @
C@
D M ?
'$
C C?
Cello
? ?D ?D C? ?D C? ?D
D D D D@ D D D@ D D D@ D D D@ D?
D D D D@ D D D D D @ D D D @
Harps.
? ?C @ ?C @ ?C @
CC @@ C@ C@ C@
'( I I I I I
C D@ D? D? @ ?D ?D
Cello
? ?D
D? @ ?D ?D D? @ ?D D? D? @ ?D ?D ? ?D
D D D D D DD DD D?D
D
D D D @ D D D @ D D
D@ @ D@
D@ D@ D@ D D D@ D@ ??
Harps.
?C D D D D
CC @@ D C D D@ C D D@ C D
? D@
($
D @ DID
Variation IV
Cello D D D @ DI C @ D D D D D D@ D D
D D D D@ D D D D D D@ D D D D D D@
? ?? ? @ @ @ @
Variation IV CC DD CC DD CC DD
D D DD I U DI - C D
CC
C
DD
D C C D
D? D? ? D D
D D
D @ D
C
Harps.
D D D D D D DD
D D@ M D C D C C D C
D
3
(+
D D D D D D D D D D@ D D D D D D@ D D D@ D
D D@ D D@ D D D@ D D@ D@ D
D D@ D D@ D@ D D D@ D D@
Cello @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@
CC DD CC DD CC
DDD CC DD
CCC DDD CC DDD
C D C D C DDD
CC
C C D C .
Harps.
D D C D D C D@ D@ D@ D@ D@ D@ D@
C C D@ D@
?
D ?C @
)( D D D D D D D D D ?D ?D Variation V
D D D D D D - D . I
D @ DD C? ?D
Cello
@ @ @ @ @ @
Variation V
CC DD CC DD DD DD
DD DD D I D @
D D
D D D U D
C
C D
D M
Harps.
D@ D D D @ DD D C DD D D
C@ M M D@ M DD D D
*% I I
D@ C? D @ D D I
Cello D D ?D M
C? ?D D@ D D C@ D@
D D
D@
D D C D D@ D D C D D@
D D
?C D? D@ D D
M M M M
Harps.
D D
D
D D D D D D
D D D D D D D D D D D D D D
D
+"
I I T-
Cello
C? D? D@
D D C? D? D D D@ D@ D? D
D D@ D@ D? D D
D @ D C
?D
? D@ D D D@ D D D D D@ D@ D D D@ D@ D
? D D D@ D D
D D D@ D D DD
M D
C
M
Harps.
D DDDDD DDDDDD D D D D D D D D D D D D D D
D@ DD
D M
4
@ @ < @
+) <@ D@ <@ D@ <D@ @ <@ D@ <@ D@ <D@ @ <@ D@ <@ D@ <D@ @ <D@ D@ <D@ D <D@ D@ <D@ D@ <D@ D D@ D@ <D@ D@ <D@ D <D@ D@
Variation VI Pizz.
Cello
D D D
D D D D D D
Variation VI
CCC @@@ C@ CCC DD CC @@ CCC @@@ CC @@
?
CC? @@ ? D? C? @ ? C? @
Harps.
D@ D@ D@ D@ D@ D@ D@ D@ D@ D@ D@ D@ D@ D@ D@
D@ D@ D@
@ C
CC @@ C@ CCC DDD C DD CCC DD DD @@ @D D@ D C
D
D
C? @
CC? @@ ? ?
CC? D? ? ? D? @
Harps.
D@ D@ D@ D@ D@ D D D D@ D@ D@ D@ D@ D@ D D D
@ @ @ D@ D@ D@ D@ D@ D@
##) / / /
D I
Cello
@ C D@ C D@ D@ D
C @ D D D D D D D D D D D D
C? ?D ?C ?D
CC DD CC DD CC DDD
CC @@ DD DD DDD
C? ? C? @ D? D? ?
Harps.
<@ D@ D@ D@ <@ D@ @ @ @
<@ D D@ D <@ D <@ D@ D@ D@ <@ D@ @ @ @
D D D D D D <@ D D@ D <@ D D D D D D D
D D
5
#$$
DDDDDDDDDDDD D @ D D@ D@ D?
Cello
D D D D D D D D D D D D DDDDDDDDDDDD
?D ?D ?D
DDD DD DDD DD DDD DD DD DD D?D ?C
CC DD
D? D? D? D
? ? ?
Harps.
D D D D @D D@ @ @
D D D D
D
D D D D D D D D D D@ D D@ D
D ?
#$( C @ Variation VIII
D D ?D ?D @ ?D
D@ D D D D - D D D .
?C D? @ D?
Cello
@ @ ? M
?D Variation VIII
CCC DD DDD DDD
DD DD
DD
DD @@
D@
DD D
D
DD
C U D D D D D UDDDDD
? @ @ @ @ @ @ @ @ @ @
Harps. ?C @
D D@ D@ D@ D D@
?D D? D@ DD ?C @
@ @ ?D M
#%# ? ? ?D ? ? ? ? ?
? ?
D D@ D? C D? @ D? D @ D@ D D@ D? D @ D ?D @ ? ?
D? D @ D
?C T
Cello
M
@ @ @
U D D D D D@ U D D@ D D@ D U D D@ D D@ D U D D@ D D@ D UDDD DD UDDDDD-
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
?C @
C? @ ?C @
Harps.
?C @ ?C @ ?C @
#%) I I
I I I
D
D @ D D@ D? D? DDDDDD D? D
D D D
?D D @ D D@ D? @ D?
Cello
? D? D? ?
?D ?
D@ @ D@ @ D@ @ @D D@ D@ D@ D@ @ D@ D@ D@ D@ @D D@ D@ D@ D@ ?C D?D
?C
D D D U U D U C . D
D D
D D
Harps.
C? @ ?C @
C? @ D D D D D
C? @ D D D D
6
#&& Variation IX
D? @ D@ C? D? D D D D D D
Cello
C? @ D D D C? ?D ? D D D
I Variation IX
D D D D D
U D
C - T D T D D T D T T D
Harps.
D D ?C @ ?C @ ?C @
D@ M C? @ C? @
#'"
D@ DDD DDDDDD C? D D D D D@ C D D D D D@
?D ?D
Cello
@ ? @
Harps.
C@ ?C @ ?C ?D ?C ?D
? C? @ C? ?D
#'( Variation X D D D D D D
C D D D D@ D@ D@ D D D D@ D D@ D D D D D C @ - DDDDDD
Cello
? ?D @ ?
D D D D D
D
Variation X
D D D D I
U D D D U D D D U DD D . U D
C T D D T D D
D D
D D
Harps.
?@ ?
D D D D D D D
D D
D D@ DD
M CCC @@ CCC @@@
? D? D?
#(% ?C ?D @ @ @ @
D D D D D D D D D D D D D
D D@ D D D D D D@ D D D C D.
Cello
T DD DD T DD D
D T DD DD T DD DD T D D T D-
D D
DD D
Harps.
?@ ?C @ ?@ ? ?@ ?
CCC @@ CC @@ CCC @@ CCC @@@ CCC @@ CCC @@@
7
#(+ @ @ @
D D D D D D D D D DD C D D D@ D D I
Cello D
@ @ @ D
D D D@ D@ @
D
? ?D D @ @ D D D D@ D@ D@ D D D@ D
D D D
D D D D D D
T D D T D D T D D T D D C DDD D .
D
D D D
Harps.
C? @ ?C @ I
C? @ C? @ D D D D @ DD D C
#)( Variation XI
D D D@ D@ D D D D D@ D@
D D D D@ D@ D D D D D@ D@ D D D D D@ D@ D D
- D
?C @
Cello
D D D
I Variation XI DD DD D
DD
D D DD
D DD D
U D
C T T T T D D T
Harps.
DD. C@ @
D@ M CCC @@@ C@
CC? @@
@
CCC? @@ CC? @@ CCC? @@
?
#*$
D D D@ D@ D D D D D@ D@ D D ?C D? .
Cello DDDDDD D D D D
D DDDDDD
@ @ @ D@ @ @
D D
DD
D
D
?CC @@
T D D T C@ T T T DD
D D D
DD D
Harps.
DD DD ?C @ ?C @
C@ @ - C@ CC @@ C@
CC? @@ CCC? @@ D? ?
#** D = 72 D = 60 ? ? ? D = 40?
D = 50 = morendo
= = ?=?
D D D D D D DDD
?D D D D
D? D D ?C @ D
D? C - C
=
C@
=
DS
Cello
@ @ DDD D? @ M
rall. @ @ ?
=
?C @ = = =
?D ?
D ?D ?D D? D? D ?D D? C@ C@ C@ D=
T DDD- C@ C@ C@ C@ DS
D DD
rall. morendo
Harps.
? D@ I = = = = =
CC @@ D@ ?D D DDDDD D? D? D S
? ???? C? @ C@ C@ C@ D
8
LA FOLIA
from the fifth volume of the "Flores de Msica",
Antonio Martn y Coll (c.1660-c.1740)
"Ramillete oloroso: suabes flores de msica" (1709) arr. Serban Nichifor
National Library, Madrid, M. 2.267, p. 1357-1360 (SABAM - IPI Name No. 46376567)
arr. for Cello and Harpsichord (ossia Piano, ossia Organ) 17 August 2013
Pioso CELLO PART
Theme
D = 76
D? C?
D? C? D? C? D? C? D? C? D? C? D? C?
*
I I I I I I
D? D? @ D D@ D? D? @ D? D? @ ?D D? D? @
?D C? ?D
D? D? @ ?D ? ?
D?
?D ?D
#' Variation I
D D D D D
D
D D D C? @ D
D D D D D
D D D D D D D
D D D D D D D
$#
DD DDDD DD D
D D D D
D DDDD
D D D D D D@ D
D D D@ D@ D@
D D D D@ D@ D@
@ @
$)
D D@ D@ D@ DDDDDD -
D
D D D@ D@ D@ D D D
D D D D@ D@ D@ D@ D@
D D D D@ C? @
@ @
D
D D@ D D D@ D
D D@ D@
D@ D@ D
D D@ D
@ D@ D@ @ @ D@ @ D D D@ D@ D@ D@ @ @ @ @ @ @
%% D D D D D D D D@ D D D@ D
D D D D D
Variation II
@
D@ D D@ D@ D@ D@
&" D
D D D D D D
D D D
D D D
D D D D D DDDDDD D D D@ D@ D @
D D D D D@ D@
&)
D D D D@ D@ ?C @ .
Variation III
C? ?D C? C? ?D
?D
'$
C C?
? ?D ?D C? ?D C? ?D
'( I I I I I
C D@ D? @ D
? ?D
D? @ ?D ?D D? @ ?D
D@
?D ? ?D ?D ? ?D D? ?D ?
($
D @ DID
Variation IV
D D D @ DI C @ D D D D D D@ D D
D D D D@ D D D D D D@ D D D D D@ D@
? ?? ? @ @ @
1
(+
DDDDDD DDDDDD DD D D D@ D
D D@ D D@ D D D@ D D@ D D
D D@ D D@ D@ D@ D D@ D D@
@ @ @ @ @ @ @ @ @ @ D@ @ D @ @ @ @ @ @ @ @ @ @
@
?
)( D D D D D D D D D ?D ?D D ?C @ Variation V
DDDDDD- D . I
@ @ @ @ @ @ D @ DD C? D?
*% I I
D@ C? D @ D D I
D D ?D M
C? D? D@ D D C@ D@
D D
+"
I I T-
?C D@
D D C? ?D D D D@ D@ D? D
D D@ D@ D? D D
D @ D C
?D
@ @ < @
+) <@ D@ <@ D@ <D@ @ <@ D@ <@ D@ <D@ @ <@ D@ <@ D@ <D@ @ <D@ D@ <D@ D <D@ D@ <D@ D@ <D@ D D@ D@ <D@ D@ <D@ D <D@ D@
Variation VI Pizz.
D D D
D D D D D D
##) / / /
D I
@ C D@ C D@ D@ D
C @ D D D D D D D D D D D D
#$$
DDDDDDDDDDDD D @ D D@ D@ D?
D D D D D D D D D D D D DDDDDDDDDDDD
D ?
#$( C @ Variation VIII
D D ?D D? @ D?
D@ D D D D - D D D .
?C D? @ ?D
@ @ ? M
#%# ? ? ? ?D @ ?D ?D @ D? D? @ D? ?D @ ? ? ? ?
D D@ D? C D? D @ D ?D @
?D D @ D
?C T
M
#%) I I
I I I
D
D @ D D@ D? D? DDDDDD D? D
D D D
?D D @ ? D? D? D D@ ? D? @
?D D? ?
2
#&& Variation IX
D? @ D? D? @ C? D? D D D D D D
C? @ D D D C? D D D
#'"
D@ DDD DDDDDD C? D? D D D D D@ C D? D D D D D@
@ ? @
#'( Variation X D D D D D D
C D? D D D D@ D@ D@ D D D D@ D D@ D D D D D C @ - DDDDDD
? @ ?
#(% ?C ?D @ @ @ @
D D D D D D D D D D D D D
D D@ D D D D D D@ D D D C D.
#(+
D D D D D D D D D@ D@ D@ C D D D@ D D I
D D
@ @ @ D
D D D@ @ @
D
? ?D D @ @ D D D D@ D@ D@ D D D@ D
#)( Variation XI
D D D@ D@ D D D D D@ D@
D D D D@ D@ D D D D D@ D@ D D D D D@ D@ D D
- D
C? @
#*$
D D D@ D@ D D D D D@ D@ D D ?C D? .
DDDDDD D D D D
D DDDDDD
@ @ @ D@ @ @
#** D = 72 D = 60 ? ? ? D = 40?
D = 50 = morendo
= = ?D =
?
D D D D D D DDD
?D D D D
?D D D ?C @ D? C - C
=
C@
=
DS
@ @ DDD D? @ M
rall. @ @ ?