42 St

(LusvrxtLfjrLdcrarxced.
yK^e lo die lf<3rogtessivt Etudes

Jo

jcc*l is t0

COMPRISING VERY ADVANCED TECHNICAL STUDIES

FOR EXTREME VELOCITY DESIGNED TO FOLLOW
(To/en tyJtle Iodic t&ProJressii/elZ fades,
FOR GAINING COMMAND OF EXTREMELY RAPID
TECHNIQUE AND TEMPOS
Ufith accompcuument far ^Second Harp or Piano

i?
Gertrude ls\ Robinson

BOSTON CARL FISCHER NEWYORK

COOPER SQUARE
Chicago
}UU) WABASH Avt
i8oJ8^ Bovuvror* st
 HAROLD B. LEE LIBRARY
BRIGHAM YOUNG UNIVERSITY
PROVO, UTAH
:-

Twenty Advanced

Melodic and Progressive Etudes

FOR

HARP

Comprising very advanced technical studies for

extreme velocity, designed to follow
TWENTY MELODIC AND PROGRESSIVE ETUDES
for gaining command of extremely
rapid technique and tempos.

With accompaniment for second harp or piano

BY

Gertrude Ina Robinson

PUBLISHED BY

Carl Fischer
boston NEW YORK Chicago
2
HAROLD B. LEE LIBi
BRIGHAM YOUNG UNI'
P R OVO. U T Al

Preface

It is directly intended that these TWENTY ADVANCED

MELODIC AND PROGRESSIVE ETUDES shall carry on
the work begun in TWENTY MELODIC AND PROGRESS-
IVE ETUDES, and they are graded for that purpose.They
become gradually more difficult in technique and tempo,and
these two books cover practically all the common technical
forms.
This book has been specially written to assist in the forms
used Godefroid and Hasselmans solos, and those used
in the
in the harp and piano arrangement of the Choral by Widor.
When these studies are mastered, and can be played in Met-
ronome tempo, and with good phrasing and style, a pupil may
consider that he has arrived at a point where the great diffi-
culties are well understood; and will find that upon applying
these principles to the best solos, they become comparative-
ly easy, and can soon be played in an artistic manner.

The Author

21953-85
 1

Twenty Advanced
Melodic and Progressive Etudes

Theme
No -
Gertrude Ina Robinson
Benmarcato (J = 72) _
1 S 2 IS 3 1 Z 1 2 3 2*2
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i^fe * *
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21953-86
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21953 - 86
 Var.m
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55

sVar. Ill
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No. 2
Poco meno vivo (J = i6o)
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21953-86
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10

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No. 3

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Harp

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21953- 86
 12

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21953- 86
 13

Tempo primo

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21953-86
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21953-86
 IB

No. 4
Andantino Jr96

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21953-86
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21953-86
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21953-86
 1

No. 5
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21953-8 6
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 81

21953-86
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31953-86
 23

No. 6
Con moto J= u ^

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31953- 86
 *
24

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21953- 86
 25

p #n y f\y JV A y ^r f ^y JV JV f~ \5\y ^\y F\y S\y

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21953- 86
86

No. 7
Andantino J: 104
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31953-86
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31953-86
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21953-86
 *9

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21953-86
30

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21953-86
 31

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21953- 8G
32

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21953-86
 33

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31953-86
 ^
34

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31953-86
 #

No. 8

Harp
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Animato J=isa

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21953-85
36

a tempo

ism fe
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219 53-85
 :J7

No. 9

Moderate* J = 72
43 2

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2195:1-85
38

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21953-86
 39

fe
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31953-85
40

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?!953-S5
 41

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31953-85
42

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21953-85
 43
No. 10
Allegro J>=9e

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21953-85
i i^^


44

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21953-85
 .

45

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31953-85
46

7
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31953-86
 ,

48

m*
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2.1953-So
 43

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31953-85
50
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31953-85
 51
No. 12
Allegro J = 130

Harp
iJ'
1
m
iT^V^jlV ifJWr"* ]
n a
^ 1 ,"
f"
:

Allegro J = i2o

b* flffiyj gpy 3=1 f^ fJufjiry^

Piano
J "*
J
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Lfl
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9 r+ f

21953-85
52

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21953-85
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m
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21953-85
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ii tf
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a
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21953-85
 '

55
a temj>(L.

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31953-85
56

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21953-85
 57

fi
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fi
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molto rit.v-
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s:

m 111^W$& "MMMmm n
f && &
No. 13
Tranquillo J>=i44

v m
Harp mf
~zi

P P T p

Piano
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^m
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w.
/
i
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21953-85
58

m- 1
I \f m V * m^

H^ i
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pm is:
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21953-85
 #

59

&
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21953-85
 i P
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21953-85
pp

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61

No. 14

m
Andantino

7 JHTh
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giJ
t-^t-
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as
Andantino J>= 132

Piano
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p^ 3^
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31953-85
 r
62

mm
Agitato

-y y- yy-
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21953 85
I
 63

f
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m rit.

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b i
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a tempo

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21953 85
64

2'-
il
P JlJl
fe fc
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y

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P m ^^ p^ /-?/.
1

^
No. 15
*"
Allegro J = 1^0

*^m* p ^ p
< j>" vffl i
Harp "if
Gj}

=& i
r r ^
Allegro J = 130
=
Piano
P J ^

* ? !ff^

r r
f

m / Gt FJJ
m SB 3 3

w i^ i *= fe=ji

=4
y S
te
*

"52
V *E
is:

31958 85
 1

65
8-

tW^W B^ dim.
dfe

g i * yw<
* iECtfr
^p
ftcrWUa
HEZZ3
P
a^'m.

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s
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y cresc.

*t r
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i _
u J r i
-

iJ|jj rr f rr rfp^if.rtf.rff r^ c
r[ innni Irl
r
J ijj jjj J : JJ rll LelP 1
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ffi 1

/* cresc.

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^ ^
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4
2
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as
gaga^y
rit.
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I
JJlJ^Jffli
3*?>>?4
I
77
21953 85
66

Maestoso

^ Ht fte
jM
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i 9-^
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==1
f }
,/ a tem^o
p / n =*
m Maestoso
m
^ i t^FT? feE*

*

^g
0* ft~P
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frr?'

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fr-fftfP'
rn fr
fffrffifr-fi r
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*f\k

^^ ^
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nnm i m -
^^^

m

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P j

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^
*':

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afo
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ffrit.
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/
ff fkfi
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^
cen do
1
a'1
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jiT '-*
E

^^3 ** !=e S* ^P E

Tempo primo
1-

m-U^j*+*+-T Jffl rrfrrfi i*^ pj

^==^=-===- W^T
IT

b=B~ -- :

>-
_> > >
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1
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h- u 1
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-0

J =4=
*
J
*

Tempo primo

ffi
**
r ^ fm J^
J
RJj JJ
J ffl
LLJ LH^ n rrffr
^
aH
0-

ilfl
JJ
FPi
UU=

^_^
^/ 1"
S
.2
i
i =1
^ * cJ

21953-85
 67

No. 16
Allegro con moto J= 100

Harp

Allegro con moto J = ioo

*E 3 VT+ ^=^
Piano */
^m ^

i
^ &^p ^
=
e p r ^
s cs cli

f
p
ffi
*
s
w
aeii
f
31953-85
68

* On j m
J
*

4 3 3
^p

4
a D#
^g
Dl,
cresc.
I' ^

t D{J

m<
w
th

& >b
i
Jt j
^L/Lri
cresc.

Ei!
? r T T P

p
i

L

Dtf
^g ^tt^
==
Csitf s
ffl^ffl
^ w/'
dl^
/
maim
*
pi eg
p

7V=nf
It ti
r*

p
S

^F5 ://

s *

i3 3S "nnn W frfr-fr-j
a
p ctf -*
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p i
e

<p

^ H

I
# i>
s
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/
4i
r
if
;

2E*=iEE^ * X i
21953-85
 *

69

\i
v- . nj r,>^1- 1
0-
0--
1
m
1
#p
Clu D
J-H

1
^
- f~
Ctf
P

-
tt
p^R

p_=

- \

4t- t -f ,P-
y =
c_j 1
1
U

$ m p p
3L
f ^=im
/
3zz

f
mm i i

i_
S 3 EC
G* G^ CK r*y.
D-l|

pa i
P
^ ^f ^t
/-e'/.

^ i
^ i

a tempo

rWT
3k^
4&re


J-^^J-l'
c
I
m S
Ji

^ E
AI
u ^
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a tempo

% * i
mi * *
21953- 85
70

sNfea
i
CD
At
^^
m
AX

4
* i *
$ I
* 1 i i

21953-85
 71

No. 17
Dolce J>=io4

*I I **&
Harp
==== as aa WWWS tfifiricrtf

Piano

LsruerLETLfl" icTtf'itfift [tfltfto' lfii ffff^S

21953-85
72

T^l

^ LtibLdUJ m& d 3-
. f

cresc.
IE
==
G*
==dt JL ir
m
*=a
* I 3* =1
cresc.
^
^
21953-85
 73

21953-85
21953-85
 *
75

No. 18
Moderato J = 152

Harp

Moderato J = 153

i
E3E p i

Piano
t /; / :

ft * * * * * *
7 h
1,
J r |

# e m

s
-Bb
Eb
~ ^ E*

yii
m f
P^
y
m
4
f i 7 f-
J J j
1

P
-TT

S-- 1 i i

S 2 ^ /
lt -rfcJ l

-^t^t^t^r
V
r%g
_^_ m |

f
.....
t g g
m
1 irCrCrgrCi
m m m

):,>
/ b J
1 f Jfpf t S
f9 J f r ?
j r 3. r 1
j '
1
1 1
j 1 1
j 1

\J? i> f f r * ip r f p-=fP= r i c r f p=i

/"

f f f f
r r
N r r r r r

31953-85
 "
78

;i
v w
^ #-#-

B!|
:
F4
fgffl
J*
Bb
_ .
I

:^ee

i r i
Hr J, r

^ I
Piu mosso
Maestoso /C\

k=F=>
^-
J)
fe II i
* i^ f ^pp
p 3
b

^b 1
'
.#

y J'B

Maestoso
? P7
m !&
I W^u^$
r,ff
r\
>
p

Piu mosso
Lento
ml
iiffi m
i

W M I n
\>rmfl
0-* 71 -

Eb
FT Bh *\
W
^ PJpP' t 1)

g
W-jnr
?

21953-85
 r r |

77

Lento

iNi 1$W i 6^
poco rit.
jfB { ^ rit.

k
) * V p P
r
^
r

Tempo I g. 8-

rf-li^r^rK :
fc
-F^i
[ 0r t^C^ gfg V 1
p 'j
-- - -pggg p-g-p-g-i
* t
Q 1I 3* EJ tr^- /- .
,

=^fef--
1*
v
PD .

"i
1
t-sr-k
9-^-P

r
=
-%
f
-
j P
t^"
J
:
f 1

jf
-J-
r? i

rempo I

->**-* =-
- '

4
# 1
-m P pf = :
m * v P
_J
/
f9 f t :
t9-
^-b
-
5
=*=E=f
=
T^T^- ^=M - 9
s
r
f r f

s X
li i> r CCPP^f^ifbCCFPrlpi , Lf ,r f r

41:
^-4>
1,

r

f J=j=j
L_J
J
f J
^ f 1 1
JfJf
J J
r p i j j=B

ft LL L=L=
tm f " r 1 P =^=^\0 f =P=fl

Li:
7
1,

> m
f J
!

r
p
<

ii '
r '
= r f r f -0
f f
'
f
m
31953-85
 #

78
No. 19

Andantino J = 100

*a
m w
r mm
p con
^
B
Harp

^
espresstone Dfc

=fc gfe gjj* < l

j
feE?

Andantino J = ioo

Piano
teI
peon espressione
m *=m

^m
f*
ine *
#
P$^0
Bt> Db

i=t ^ =*
rit.

^
-

a^ i

P* S ^^ #

i
S ry.

a temi>o J = 88

^^s
jftEf
ff
5

"JVL
* S

Bij Dij
1
1
Bh
P=
I

# i
?wi e s; ^F*
^P *
a tem^o J = 88
fcfc
i^e i
,#
1 v
gi !== ^F
21953-85
 broaden

J'
1

'
J

ff
f
w
rv /TN
s ^: J

t
.we f- cFc i i r i

mm T
J: 100 [,

^*
# S IE* P
f
frrf

^P^
rit. _
b!|D!]
P Bb Dl>

v-'^
P
^ r r^ T y *

J = 100
*=
Pf Sfe

i 5kfc^ ^ ^
gg * r i

iB M>=

:
r=
Bl|
S
D!| Bt Db

^EEEE* *=fr
^
^#
&
31953-85
80

a tempo

ini fe s
im
rit. -
^ 1
t*
m f& ^r^
^

a tempo
22
B^

e m m m p

m 3
up
*=l J 1^
m& ZT32
/-?'/.

m
^r
9
&m

iSp ^iz

f
*

sr *f
i
A^

s PP J5^
Bl>

3:

T^
P B i * *=

s JF
*

fe^ =*
/>' "j
sftH> * ^-0-

3=3 PP f
S
At>

pp f
3:

-#- -9-
*

fe =f
1

^ J ! J>
I
21953-85
 Broaden

a tempo

1
Blj D-

^ b

Jff ' * fgfe PP = 3=3=

a tempo

s
i>

/TV

Ht* M r tlXr *

^ ^
B\> Dl. rallent. -

3=f Si gyi *=
/7\

a* f fe
rallent. -

21953-85
88

No. 20
VivO i= 132
8

Harp p con moto e delicatezza

i m r

if 1 ^^
VivO J"=133

^&E1 f I
Piano o moto

mm
jt?

p# ^w y^s

* ^ r ; <f
^ 7
p:
^ 1
y ^ i
t5e
r

i kv4t
*-z
r
i
P m
a^
21953-85
 83

m ^
cresc. ^ ^S t>oco 1

m *& m 1 2. y

f
fr-N* y 9

m *=* >

f
t

cresc.
f =F=
poco

p ^^ m?
31953-85
84

31953-85
 bb
8-
a tempo

wmm8? ife
m r i 1 I \. *

?a tempo
$
fttff W ?
f-

^S

ywrt
21953-85
86

21953- 85
El B

TEN CLASSICS
FOR

HARP a ORGAN

"Praise him with stringed instruments

and organs. Praise ye the Lord."

ARRANGED BY

GERTRUDE INA ROBINSON

PRICE, $2.50 NET

CARL FISCHER S?XS NEW YORK

BOSTON CHICAGO
380-382 Boykton St. 33S-339 So. Walwk Aw.

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 BRIGHAM YOUNG UNIVERSTY

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