Improve the quality of photos 12 strokes

1. To make full use of the tripod

In many cases, photo image blurred and unclear reasons, the photographer presses
the shutter, in a "tremor" or SLR cameras have a plate uplift "earthquake machine"
caused by. If you use a tripod, no matter how shutter speed settings to the "slow" and
even a long period of exposure, can prevent the image because of "dithering" and the
fuzzy image. But bearing in mind that the use of tripod, to the extent possible, the use
of shutter line, ignored this point, there may be in contact with the shutter finger at the
impact of the shock and clarity.

2. As much as possible the use of high-speed shutter

Handheld cameras take pictures in the circumstances, as far as possible, using

high-speed shutter to shot. No experience of the shooting, the shutter speed is set at 1 /
30 s following, the probability of virtual photo shoot larger. Even professional
photographer workers, we can not guarantee that the low-speed shutter shooting a 100
per cent sure. Improve the shutter speed, resolution photos will be a corresponding
increase in the probability. Of course, the increase in the handheld camera shutter
speed of the circumstances, it is bound to open the aperture, and will lose their "depth
of field," but to ensure the photos of clarity, depth of field is no alternative to abandon
the approach.

3. As far as possible the use of "best aperture"

There are different lens any degree of imaging error, the error imaging camera will
enable the image quality by varying degrees of impact. Because of the spherical
curvature different lens, a light lens centre and the marginal due to differences in
refractive index can not focus on the same focus, leading to declining clarity. Such as
the use of the camera filming the maximum aperture, the lens aberration will lead to
the greatest flaw exposed, leading to decreased sharpness of the image, using the
smallest lens aperture shooting, will have the diffraction of light, would lead to
decreased sharpness of the image. To improve the clarity of aberration caused by the
decline, usually used to narrow aperture approach to improving the quality of
imaging. Generally the best lens aperture of the lens aperture narrow stalls around 2 to
3, can take the best of a lens aperture for comparison.

4. As far as possible using manual focus

Most cameras with AF function. However, the depth of field in the special
circumstances of small, often focusing AF inaccurate, particularly in close to the main
focus, the use of long focal length lens, a large aperture shooting portraits Featured
circumstances, to take extra precautions. If the use of AF, "target" insisted on the
figure's eyes, if not very sure, would rather give up AF, and the use of manual focus.
People who do not want photos on the ear or nose is clear, expressive eyes are
blurred.

5. To make full use of Hood

 Hood's use, many people and step up. Used in a positive light, the former Ceguang
or Ceguang, Hood's role is not obvious. But in the backlight side backlight or
shooting, you must use Hood, sometimes even using the Hood, the sun will continue
to direct the lens, causing the screen, "Chong-kwong," a fog Yi, the impact of Pi Sheti
color saturation and Clarity. At this time, should adjust the camera angle lens to avoid
direct light. In addition, Hood also help to prevent injury-mirror, while avoiding
contact with fingers to mirror.

6. Rational use of depth of field

Depth of field is based on the size of the photographer to determine the purpose of
shooting. If the shooting scenery photography, depth of field on the request, is
intended to photograph the scene to clear the scope of the recent far have shown very
clearly. If the shooting is close, the depth of field on the requirements of small to
enable the main photo on the background (and possibly future) of virtual (Fuzzy),
highlight the Pishezhuti. Depth of field to use small performance scenery themes, or
to the depth of field performance Pishe Ti features, from the performance of
photography on the way, just the opposite. How to use reasonable depth of field? »
Remember: The small aperture, the short focal length lens, focusing distance shooting
three ways, the large depth of field. Use of large aperture, long focal length lens,
close-focus shot three methods, the depth of field on small. Use one or two methods
to shooting, but the results did not use three methods together more obvious role.

7. Selection of low sensitivity as far as possible

To obtain high-resolution images, photos appear to have rich texture, in addition to

the option of using high-resolution digital camera and the Picture of traditional
cameras, there is a simple solution, that is, choose low-sensitivity shooting.

Traditional photographic materials and digital video electronic sensor has a

characteristic: that is, the more low ISO sensitivity settings, the film will be fine
particles of the (digital image noise performance for less), photos of clarity on the
relatively high. ISO sensitivity is set higher, the film particles of the greater (digital
image noise performance for the larger), on the relatively low resolution photos. At
present, the film's sensitivity in the ISO25 ~ 1600 of the options; ISO speed digital
cameras, root Zelkowa acuminata manufacturers of low-end, mid-range, high-end
cameras of different requirements, design ISO50 ~ 3200 in different areas. The
traditional understanding of photosensitive materials and digital image sensor of the
characteristics of the camera when the ISO sensitivity is set to low, the clarity of
photos will be significantly improved.

8. Grasp the correct exposure (meter) approach

Excessive exposure or lack of exposure will lead to decline in image resolution and
video color offset. Exposure to be accurate, must have the right metering approach.

Use reflective average metering, sometimes, by exposure metering data will lead
to inaccurate. For example: Do you think the performance of the winter snow (snow
on the screen in the majority), such as reflective metering, shooting a result, snow-
white is not the original, but to show the colors Qianhui, experience tells us that In
such circumstances, it is necessary to provide the metering of the "accurate" data on
some additional exposure, so that the snow showed the "right" white. On the contrary,
you want the performance of black coal (coal account for the majority of the screen)
and as a result, coal was in gray, then, it is necessary to meter on the basis of further
reduction of some exposure, so that the coal looks closer to nature.

In addition, the backlight shooting portraits (a bright background), reflecting an

average use of metering, who often face the lack of exposure. Of course, the use of
"Spot" feature of the camera or "Spot" feature of the meter measuring Pi Sheti table to
the reflected light (measured figures Face), the accuracy of exposure is beyond doubt.

By the incident metering is the principle of direct measurement of Pi Sheti Shutter

on the light illumination. Therefore, Pi Sheti is grey, black or white objects, the
incident-metering by the results, can correctly reflect the impact of Pi Sheti to
reconcile the original color (this reflective than the average metering favorable). But
in the incident metering should be noted that metering table must be moved to the
location of Pi Sheti Spot, at the same time, metering Rubai on the cover sheet to be
the centre to the camera.

9. Reasonable set White Balance

Photo color cast, one of the important reasons is due to temperature deviations. A
"white" light the color temperature of 5500 K. Color temperature is below this value,
the red light, the lower, the more red the contrary, the higher the color temperature,
the light blue. In the use of traditional cameras, the color temperature control, the
choice is "Daylight" film or "lights" film or the use of color filters color temperature
of the solution to the problem.

Digital cameras directly to the menu, the white balance, color temperature control.
The principle is to use color cast light "fill light" to "and" Shade, to achieve the
objective of white. The camera white balance function normally there are three: ①
default white balance (Preset); ② Auto White Balance (Auto); ③ manual white
balance (Manual).

If the light color temperature changes little, more specific, such as sunlight,
cloudy, incandescent, fluorescent lamps (fluorescent points, irritating fluorescent
lamps, cool fluorescent lamps), then, as long as the "default white balance "To"
checkmark admission "on the line. If the light color temperature changes quickly,
such as Mandrax, sunny weather Mandrax dark, rapid changes in the stage lighting so
that the photographer can not be suitable from, at this time should use the "Auto
White Balance."

If the light source for mixed-color temperature or high or low value, "Auto White
Balance" can not resolve the problem, at this time, the best way is to use "manual
white balance." Is to be - not reflective of the White spot on the subject of light, the
lens at a White, shoring full screen, the camera menu "manual white balance," the
instructions, can be set after the completion of filming. The manual white balance,
only a light source in this effectively, for the other source, the need to re-set the white
balance method.
 It is interesting that the use of white balance, "fill-color" principle, can achieve
some kind of unexpected artistic effect. For example, under the sun shooting, in order
to Pianlan, can set the white balance "incandescent" mode, in order to reddish, white
balance settings available "cloudy day" mode. To achieve more color, can be "manual
white balance" to their own settings, such as the blue paper default, the screen showed
yellow results, such as green paper default, the screen results showed the red, and so
on, Can open Photoshop image processing software, select or preparation of the need
to "fill-color" (tens of thousands of colors), stored in the "manual white balance"
standby, those interested can be a try.

10. RAW images as much as possible optional storage format

RAW is a lossless compression file storage format, it can take a moment to the
various parameters, including cameras, lens focal length, exposure, such as the
composition of the original data integrity and recorded.

RAW and TIFF format compared format, RAW format of the biggest advantages
of storage space is smaller than the TIFF format. Although the TIFF format is a
lossless compression file format, and do not have to convert file formats can print
photos directly, but the TIFF format of storage space occupied by the larger. The same
quality of photos taken by RAW format than the TIFF format to make more than 2 to
3 times the amount or even more. Therefore, at present, some producers do not have
the camera on the use of TIFF format, appears to be justified.

RAW format compared with the JPEG format, RAW format image quality is
clearly better than the JPEG format (the bigger picture-a more obvious). Since JPEG
format is a lossy compression file format is compressed and can not be restored. If the
JPEG format changes each time, still use JPEG format, a lossy compression, resulting
in damage to image again, it should be a JPEG file after the completion of all one-
time editor preservation. The larger-size photos, it's best not use JPEG format
photography. But there are still advantages of the JPEG format, small paper on the
fast speed, the number of Zhang, compatibility strong, and can be transferred over a
network.

11. Good use of flash

① to make full use of reflective flash flash is the reflection of the flash in the
ceilings and walls or reflectors, such as reflective flash. Reflective flash advantage is
that even light, natural, soft shadow. However, when used to the attention of: 1. Using
manual flash mode, it is necessary to pay attention to the "flash index perturbation
distance = aperture coefficient" in the formula "perturbation from the" means:
reflection of the flash to add distance to be reflective of perturbation And the distance
from the body. 2. Should be noted in accordance with "the same angle and reflection
angle" optical knowledge, master 射向 reflective of the flash point of view. 3. If room
is too small to avoid the ceiling reflection, or will have orbital shadow and Biying,射
向 walls or reflectors. 4. Must be a reflection of the white, or flash will change the
color temperature, so that Pi Sheti color cast.

② flash diffusion method is used directly in the milky white flash on the
Canadian film and cast a soft white handkerchiefs or gauze, to the Pi Sheti flash. This
flash can produce soft lighting effects. The use of flash diffusion method, in the flash
on the fabric and Mongolia, have slowed down light, therefore, need to increase or
reduce the aperture factor perturbation from the flash approach to make up for the
loss.

③ using flash photography with people shooting night, you must use a tripod
night on flash photography is impossible to resolve the brightness of the background,
if the increased intensity of flash, the figures will be over-exposed face, a dark
background still. The use of the tripod is the secret of the shutter speed, according to
the general brightness of the background to the decision, because the night view of the
general low light, exposure, "Reciprocal law" failure, at the moment the shutter time
set in 1 s or 2 s, photoreceptor density difference is not large. In determining the
exposure rate of background, can make the characters stand at a designated location
shooting, aperture coefficient can be calculated in accordance with the above, such as:
flash index for the 32, who perturbation from the shooting distance of 4 m, calculated,
aperture factor for the F8 The combination of such exposure, brightness suitable
figures, background brightness has been performance.

④ outdoor backlight shooting portraits by flash manually fill light, according

to the shooting distance to determine aperture value (or under the aperture factor to
determine shooting distance), aperture factor too large or too small (or perturbation
from near or far), will Portrait impact of the correct exposure.

⑤ the use of ultra-wide-angle lens photography to the attention of an external

flash coverage of the issue. Flash a lot of models, but have designated the Model flash
focal length scope. For example, a marked 24 ~ 105 mm focal length of the lens used
within the scope of the flash, using 24 mm lens, flash coverage of the show that is no
problem, but the use of more wide-angle lens, flash will only cover the problem of not
enough, For the performance, the center of the photo normal photoreceptor, or 1.40
but the surrounding black, photo edges and uneven Photographic Centre. There are
two solutions, first with built-in flash-wide expansion radio (comes with some flash)
and the other is the use of reflective flash, flash can be used to resolve the wide-angle
lens covers the issue of not enough.

12. Full use of computer-modified photographs defects

Shooting - Dan errors, the use of computers for late repair. In the digital
scanner does not appear before the photos of the modified and the "new form" in the
darkroom are completed, difficult, the low success rate. The rapid development of
digital technology today, this issue has become simple. Today, whether negative or
reversal film or digital video files, can be entered into the computer, through image
editing software modification or creative processing.

提高照片素質 12 招

1. 盡量使用三腳架

很多情況下，照片圖像模糊、不清晰的原因，是拍攝者在按動快門時產生“
手震”或相機反光板抬升產生“機震”所造成的。如果使用了三腳架，無論快
門速度設定 到如何的“慢”，甚至長時間的曝光，即可防止圖像由於“抖動”
而產生的圖像模糊。但要注意，使用三腳架時，要盡可能地使用快門線，忽視
這一點，仍有可能在手指接觸快門時產生的震動而影響清晰度。

2. 盡可能地使用高速快門

在手持照相機拍照的情況下，盡可能采用高速快門來拍攝。沒有經驗的拍攝
者，快門速度設定在 1/30s 以下時，照片拍虛的概率較大。即使專業攝影工作
者，也不能保證在低速快門拍攝時有百分之百的把握。提高快門速度，會相應
提高照片清晰度的概率。當然，在手持照相機提高快門速度的情況下，勢必開
大光圈， 因而會失去“大景深”，但為保證照片的清晰度，放棄景深是不得已
的辦法。

3. 盡可能使用“最佳光圈”

任何鏡頭都存在不同程度的成像誤差，這些成像誤差將使鏡頭的成像質量受
到不同程度的影響。由於鏡頭球面的曲率不同，光線經過透鏡中心和邊緣時因
折射 率不同而不能聚焦於同一焦點，從而導致清晰度下降。如使用鏡頭的最大
光圈拍攝，將導致該鏡頭像差缺陷的最大暴露，導致圖像清晰度下降，而使用
鏡頭的最小光 圈拍攝，會產生光的衍射，也會導致圖像清晰度下降。為改善像
差而引起的清晰度下降問題，通常采用縮小光圈的辦法來提高成像的質量。一
般來說鏡頭的最佳光圈 為該鏡頭最大光圈縮小 2~3 檔左右，拍攝者可對某個鏡
頭的最佳光圈進行比較。

4. 盡可能采用手動對焦

目前大多數相機具有自動對焦功能。然而，在景深特別小的情況下，自動對
焦往往會聚焦不準確，特別是在向主體近距離對焦，使用長焦距鏡頭，采用大
光圈 拍攝人像特寫的情況下，要特別小心。如果此時採用自動對焦，“靶子”
非要對在人物的眼睛上，如果沒有十分的把握，寧可放棄自動對焦，而採用手
動對焦。人們 不希望照片上人物的耳朵或鼻子是清晰的，而傳神的眼睛是模糊
的。

5. 盡量使用遮光罩

遮光罩的使用，很多人並不在意。在用正面光、前側光或側光時，遮光罩的
作用並不明顯。但是在逆光或側逆光拍攝時，必須使用遮光罩，有時即便使用
了遮 光罩，陽光仍會直射到鏡頭上，造成畫面“沖光”，產生霧翳，影響被攝
體的色彩飽和度和清晰度。這時，應調整鏡頭角度，避開直射到鏡頭上的光線。
此外，遮光 罩還有助於防止鏡頭鏡面損傷，同時避免手指接觸到鏡面。

6. 合理利用景深

景深的大小是根據拍攝者拍攝的目的來決定。如果是拍攝風光攝影，景深就
要求大，目的是為讓照片上景物的清晰範圍從近至遠都表現得很清楚。如果是
拍攝 特寫，景深就要求小，目的是讓照片上主體的背景（也可能是前景）虛化
（模糊），突出被攝主體。用小景深來表現風光題材，或用大景深去表現被攝
體特寫，從攝 影表現手法上來說適得其反。如何合理運用景深呢？請記住：採
用小光圈、短焦距鏡頭、遠距離對焦拍攝三種方法，景深就大。採用大光圈、
長焦距鏡頭、近距離對 焦拍攝三種方法，景深就小。採用其中一種或兩種拍攝
方法也行，但效果沒有三種方法合起來使用作用更明顯。

7. 盡可能選用低值感光度

要獲得影像的高清晰度，讓照片看起來具有豐富的質感，除選擇使用高像素
的數碼照相機和大畫幅的傳統相機外，還有個簡便的辦法，即選擇低感光度拍
攝。

傳統感光材料和數碼影像電子傳感元件有個特性：即 ISO 感光度設定得越低，

膠片的顆粒度就越細（數碼圖像表現為噪點較少），照片的清晰度就相對高。
ISO 感光度設定得越高，膠片的顆粒度就越大（數碼圖像表現為噪點較大），
照片清晰度就相對較低。目前，膠片的感光度在 ISO25~1600 範圍可供選擇；數
碼 相機的 ISO 感光度，根椐廠家對低端、中端、高端相機的不同要求，設計在
ISO50~3200 不同的範圍。了解了傳統感光材料和數碼影像傳感元件的這一特
性，在拍照的時候，將 ISO 感光度設定為低值，照片的清晰度會得到明顯的改
善。

8. 把握正確曝光（測光）的方式

曝光過度或曝光不足，都會導致影像清晰度下降和影像色彩偏移。要準確曝
光，必須掌握正確測光的方式。

採用反射式平均測光時，有時，按測光數據將導致曝光不準確。舉個例子：
你想表現冬季的白雪（白雪在畫面中占多數），如用反射式測光，拍攝結果，
白雪 卻不是原本的白色，而是呈現為淺灰的色調，經驗告訴我們，在這種情況
下，就需要在測光提供的“準確”數據上再增加一些曝光，以便使雪呈現“正
確”的白色。 相反，你想表現黑色的煤炭（煤炭在畫面中占多數），結果，煤
炭呈中灰色，這時，就要在測光的基礎上再減少一些曝光量，以便使煤炭看上
去更接近本色。

另外，在逆光拍攝人像（背景較亮）時，採用反射式平均測光，人物的面部
往往曝光不足。當然，用具有“點測光”功能的相機或者用“點測光”功能的
測光表去測被攝體的反射光（測人物臉部），曝光的準確性是毋庸置疑的。

採用入射式測光的原理是測光表直接測量被攝體上的光線照度。因此，無論
被攝體是灰色、黑色或白色的物體，入射式測光所得到的結果，都能正確體現
被攝 體原有的影調和色彩（這比反射式平均測光有利）。但在入射式測光時要
注意，測光表必須挪到被攝體的位置測光，同時，測光表上的乳白罩中心須對
向攝影鏡頭。
9. 合理設置白平衡

照片偏色，其中一個重要的原因是色溫偏差所致。呈“白色”的光線的色溫
度為 5500K。色溫度低於這個值，光線呈紅色，越低，越紅；反之，色溫度越
高，光線越藍。在使用傳統相機時，對色溫的控制，是選擇“日光型”膠片或
“燈光型”膠片或使用各種色溫濾色鏡的辦法來解決。

數碼相機可直接在菜單上控制色溫的白平衡。其原理是利用偏色光的“補光
”去“中和”色光，達到白光的目的。相機的白平衡功能一般有三種：①預設
的白平衡(Preset)；② 自動白平衡(Auto)；③手動白平衡（Manual）。

如果光源色溫變化不大，又較明確，如陽光、陰天、白熾燈、螢光燈（分日
光燈、暖色螢光燈、冷色螢光燈）等，那麼，只要在“預設的白平衡”中去“
對號 入座” 就行了。 如果光源色溫變化很快，如忽晴忽暗的天氣，變化較快
的舞臺燈光，使拍攝者無法適從，此時應運用“自動白平衡”。

如果光源為混合光或色溫值很高或很低，用“自動白平衡”也不能解決，此
時，最佳的辦法就是採用“手動白平衡”。方法是將—張無反光的白紙放在拍
攝對象的現 場光線下，將鏡頭對準白紙，撐滿畫面，按相機菜單中“手動白平
衡”的說明操作，設定完成後即可拍攝。這個手動的白平衡，只有在此一種光
源下有效，換了其他 光源，需要按照上述方法重新設定白平衡。

有意思的是，利用白平衡的“補色”原理，可達到某種意想不到的藝術效果。
比如，在陽光下拍攝，要想偏藍，可用設置白平衡的“白熾燈”模式，要想偏
紅，可用 設置白平衡的“陰天”模式。如果要達到更多的色彩，可采用“手動
白平衡”來自己設定，如用藍色的紙預設，畫面效果呈現黃色；如用青色的紙
預設，畫面效果呈 現紅色；等等，還有可以打開 Photoshop 影像處理軟體，選
擇或配制需要的“補色”（成千上萬種顏色），儲存於“手動白平衡”備用，
有興趣者可一試。

10. 盡可能選用 RAW 圖像存儲格式

RAW 是一種無損壓縮的文件存儲格式，它能在拍攝的一瞬間將各種有關參數，
包括相機、鏡頭、焦距、曝光組合等最原始的數據完整地記錄下來。

RAW 格式與 TIFF 格式相比，RAW 格式的最大優點就是儲存空間要比 TIFF

格式小。盡管 TIFF 格式是一種無損壓縮文件格式，且不必轉換文件格式便可直
接打 印照片，但 TIFF 格式佔用的儲存空間較大。拍攝同樣質量的照片，採用
RAW 格式比 TIFF 格式要多拍 2~3 倍的數量甚至更多。因此，目前有的生產商
在相 機上已不采用 TIFF 格式，看來是有道理的。

RAW 格式與 JPEG 格式相比，RAW 格式的圖像質量顯然要比 JPEG 格式好

（照片放得越大越明顯）。由於 JPEG 格式是一種有損壓縮文件格式，而且壓
縮 後是無法恢複的。如果 JPEG 格式文件每改動一次，仍用 JPEG 格式儲存，
又有損壓縮一次，導致圖像再次受損，因此，一個 JPEG 文件應在完成所有編
輯後 一次性保存。放較大尺寸的照片，最好不要采用 JPEG 格式拍攝。但
JPEG 格式仍有優點，文件小速度就快、張數多、兼容性強，可以通過網路傳輸。

11. 用好閃光燈

① 盡量使用反射閃光法 反射式閃光就是把閃光燈朝天花板和牆壁或反
光板等反射閃光。反射式閃光好處是，光線均勻、自然、陰影柔和。但採用時
要注意：1. 在用手動閃光方式時，要注意“閃光燈指數攝距=光圈系數”公式中
的“攝距”是指：閃光燈至反射物的距離加上反射物至被攝體距離之和。2. 應
注意按照“入射角與反射角相等”的光學常識，掌握好閃光燈射向反光物的角
度。3. 如房間太小，避免向天花板反射，不然會產生眼窩陰影和鼻影，可以射
向牆壁或反光板。4. 反射物必須是白色的，不然會改變閃光燈的色溫，使被攝
體偏色。

② 用漫射閃光法 就是直接在閃光燈上加乳白色柔光片和蒙上白色的手
帕或紗布等，向被攝體閃光。這種閃光能產生柔和的光線效果。使用漫射閃光
法，由於在閃光燈上蒙了織物，光線有所減弱，因此，需加大光圈系數或減小
攝距的辦法來彌補閃光的損失。

③ 用閃光燈拍攝帶有夜景人物拍攝，必須使用三腳架夜景拍攝靠閃光燈
是不可能解決背景亮度的，如果加大閃光強度，人物的面部曝光就會過度，背
景仍漆黑一片。使 用三腳架的秘訣是在快門速度上，一般根據背景的亮度來決
定，由於夜景的光線一般較暗，曝光“倒易律”失效，此刻快門時間設定在 1s
或者 2s，感光密度相差 不太大。在決定背景的曝光速度後，就可以讓人物站到
指定位置拍攝，光圈系數可根據上述公式計算，如：閃光燈指數為 32，人物攝
離拍攝距離為 4m，經計算， 光圈系數為 F8，經這樣的曝光組合，人物亮度合
適，背景亮度也得到了表現。

④ 在室外逆光下拍攝人像用閃光燈手動補光時，要根據拍攝距離來決定
光圈值（或根據光圈系數來決定拍攝距離），光圈系數過大或過小（攝距或遠
或近），都會影響人像的正確曝光。

⑤ 使用超廣角鏡頭拍攝時要注意外接式閃光燈的涵蓋力問題。閃光燈的
型號頗多，但都指定了各型號閃光燈使用的焦距範圍。比如一只標明
24~105mm 鏡頭焦距 範圍內使用的閃光燈，在使用 24mm 鏡頭時，表明閃光涵
蓋力是沒有問題的；但是，使用更廣角的鏡頭，這只閃光燈會出現涵蓋力不夠
的問題，表現為，照片的中 心部位感光正常，周邊或四角卻發黑，照片邊緣與
中心感光不均。解決的辦法有兩個，一是用閃光燈自帶的廣角擴射片（有的閃
光燈自帶）；二是使用反射閃光法， 可以較好地解決閃光燈對廣角鏡頭涵蓋力
不夠的問題。

12. 充分利用電腦修飾照片缺陷

拍攝中—旦出現失誤，可利用電腦進行後期修補。在數位掃描器未出現
前，照片的修飾和“改頭換面”都是在暗房中完成的，難度高、成功率低。在
數碼技術飛速 發展的今天，這個問題變得簡單易行。當今，無論是負片或反轉
片還是數碼影像文件，都可以輸入電腦，通過圖片編輯軟體進行修飾或創意加
工。