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Music Investigation
Compliance requirements
Students must base their Investigation Topic on, and their examination program must include, one
work selected from a current VCE Music Prescribed list. The examination program must include at
least four contrasting works that relate to the Investigation Topic.
Music Performance
Compliance requirements
Students who select to perform as a soloist for Units 3 and 4 and select Electric Bass as their
instrument must choose all solo works for Units 3 and 4 Outcome 1 from this list. All works
performed in the end-of-year performance examination must also be selected from this list or be
approved as alternative works.
The program for the Music Performance end-of year performance examination for Electric Bass
must consist of at least five works. The program must include at least:
one work from the Baroque category
two works from the original works, arrangements and transcriptions category
one unaccompanied work
two works with accompaniment.
Sample programs
Sample programs for Music Performance are provided as advice only. The works need not be
performed in the order listed. Sample programs for Electric Bass are provided at the end of this list.
2017 update
This list is for use with the VCE Music Study Design 20172021. The study and associated
documents are available on the VCE Music pages of the VCAA website.
Note the new category names.
Works to be deleted from 2018 are identified as [DELETE2018].
Each title listed constitutes one work.
Editions listed are for identification purposes only. Any recognised edition is acceptable. Before
using an alternative edition, students and teachers should check that it is in fact an edition of the
listed work; that is, it is not a simplified version or an arrangement of the work.
Students should use information provided in the music by the composer, arranger and/or an
editor appropriately. Details added to the original score by an editor, such as fingering or
dynamics, may be varied to achieve the students intended interpretation of the work
In many cases, the works on this list are specific transcriptions or arrangements. These
arrangements have different musical and technical challenges from the original works. The
listed works are to be performed as notated. Other editions or arrangements are not acceptable.
Any different arrangement is subject to approval in the Alternative Works process.
Repeats are optional. Accompanists are not required to play all bars of the introduction or
lengthy passages following the conclusion of the solo part. Ornamentations and embellishments
are encouraged in the Baroque works.
In 2017, the closing date for Alternative works and Alternative instrument applications is
Wednesday 1 March.
The Electric Bass list is reviewed on a regular basis. Suggestions of works for inclusion or
deletion should be sent to curriculum.vcaa@edumail.vic.gov.au with the subject line Attention
Performing Arts Manager, Electric Bass list. For suggestions of works to be included on the list
please:
provide a copy of the sheet music, publication details and, as appropriate, a description of
the lines/parts to be performed
indicate which category the work should be listed in
briefly describe why the work should be included on the list.
Categories
Baroque works
Original works, arrangements and transcriptions
Instruments
Students may use more than one electric bass during the examination.
Accompaniments
The accompaniment may be provided live by a single instrument such as piano, keyboard, guitar,
drum kit or another bass. Where a second bass is used, the work of the student must be clearly
identifiable. Alternatively, students may use a pre-recorded accompaniment. The recording may
include sounds of one or more instruments. The recording may be purchased as a pre-recorded
CD or students may present their own pre-recorded accompaniment. The backing track must not
include a recording of the notated parts that are to be performed by the soloist. The content of the
accompaniment will not be assessed in performance. All recorded material used in the examination
must be audible to the assessors. Notes in the list provide further advice for specific works.
Improvisation
Some Electric Bass works include a section for an improvised solo. In performance students will be
expected to perform the unstructured sections in an appropriate style within the style of the work as
a whole. The assessment will be based on performance skills demonstrating an understanding of
styles not the nature of the musical ideas arising within the improvised sections. The improvised
material should embellish the performance of the work rather than demonstrate an open-ended
concept of improvisation.
Electric Bass
Baroque works
At least one work must be selected from this category.
BACH, JS Six Suites for Violoncello Solo, No 3. Any edition for double bass Simplified versions must not be used.
Courante, repeat optional, played at
approx. crotchet = 144 or Bourees 1 and 2
played at approx. crotchet = 80. Da capo
repeat must be played, other repeats
optional.
BACH, JS Invention No. 8, to be performed as a duet Any edition for double bass Simplified versions must not be used.
with either live or pre-recorded performance
of the 2nd part. The soloist may perform
either part.
BACH, JS, Chromatic fantasy Essential Jaco Pastorius Hal Leonard Bass Recorded This edition must be used.
arr. PASTORIUS, J Versions. HL.690420
CLARKE, Stanley Any of: The Stanley Clarke Collection Hal Leonard, HL672307 May be performed as accompanied
Song to John: Part II or unaccompanied works.
Bass folk song
CORNIOLA, Frank Any of: Rhythm Section Drumming Hal Leonard (HL 06620036) Must be performed as accompanied
Bon voyage works using either the supplied CD
or by a drummer who performs the
Complex city notated accompaniment.
Fusion boulevard
Highway to funk
Oakland Drive
Odd time journey
Quiet town
GOLSBY, John Yesterdays [DELETE2018] Bass Notes Jamey Aebersold Jazz, 0304104109 Must be performed as accompanied
All the Things You Are [DELETE2018] works. Supplied backing track may
be used.
Do Nothin Till You Hear From Me
[DELETE2018]
HUBBARD, Joe (ed.) Dune Tune, KING, Mark Any edition may be used.
Rio Funk, RITENOUR, Lee, perform from May be performed as accompanied
Dal segno sign into the Coda or unaccompanied works.
Run for Cover, MILLER, Marcus
KAYE, Carol Either or both Electric Bass Lines No. 2 Gwyn Publishing Must be performed as
Come together unaccompanied works.
Hicky burr
PASTORIUS, Jaco and Any one of: The Essential Jaco Pastorius Hal Leonard, HL00690420 This edition must be used. These
JEMMO, Jerry Portrait of Tracy works must be performed as
unaccompanied works.
Donna Lee
Finish on beat 1, 2 bars before letter B,
remainder of work is optional. Work must be
performed at minimum tempo crotchet = 140
Continuum
AB must be played, remainder is optional
Amerika
PATITUCCI, John Either or both: John Patitucci Artist Transcriptions Hal Leonard, HL00673216 Must be performed as
Backwoods Series Bass unaccompanied works.
REID, Rufus Either or both: The Evolving Bassist Warner Bros. Must be performed as a duet. If
Almost but maybe accompanied, the supplied backing
track may be used.
Waltz for Doris
Both parts must be performed.
SHER, Chuck, ed. Any of: From The New Real Book (C-Vocal Sher Music May be performed as accompanied
Matinee idol version) or unaccompanied works.
FERRANTE, Russell
Modadji
GRUSIN, Dave
Rush hour
FERRANTE, Russell and FORD, Robben
Boogie down
JARREAU, Al and OMARTIAN, Michael
VARIOUS Michelle From The Great Bassists, 20 Great Hal Leonard, HL 02500114 Must be performed as
LENNON, John and McCARTNEY, Paul Songs (with CD) unaccompanied works.
(solo by Billy Sheehan) [DELETE2018]
Terminal beach
composed and performed by HAMM, Stuart
[DELETE2018]
Brick House, [DELETE2018] Le Freak Bass Play-Along Series Funk Hal Leonard 00699680
[DELETE2018] and Higher Ground
Pride and Joy, The Thrill is Gone and Bass Play-Along Series Blues Hal Leonard 00699817
Born Under a Bad Sign
WOOTEN, Victor Blu-Bop [DELETE2018] From The Best of Victor Wooten Hal Leonard, ISBN 1-57560-413-2 To be performed unaccompanied.
Amazing Grace Repeats not required.
Classical Thump
Stompin Ground
Cherokee [DELETE2018]
Sample program
No 1
BACH, J.S Praeludium (Baroque) Baroque
No 2
BACH, J S Invention No. 8 Baroque
CLARKE, Stanley Song to John: Part II OAT
PETERSON, Oscar Nigerian Marketplace OAT
TRADITIONAL Amazing Grace OAT, unaccompanied
LENNON, John & McCARTNEY, Paul Come Together OAT, unaccompanied
GOLSBY, John Yesterdays OAT, accompanied
No 3
BACH, JS arr. PASTORIUS, Jaco Chromatic Fantasy
PASTORIUS, Jaco & JEMMO, Jerry Donna Lee
HAMM, Stuart Terminal Beach
LENNON, John & McCARTNEY, Paul Michelle
MILLER, Marcus Run for Cover
VAUGHAN, Stevie Ray Pride and Joy