Fine Art - September 2017 I I

ART
Gabriel Orozco - Fleurs Fantomes

Domaine Chaumont-sur-Loire 2017 ISBN 9782746688308 Acqn 27194
Hb 22x30cm 152pp col ills 57.50
Mexican artist Gabriel Orozcos eponymous, in situ work at Chteau de Chaumont-sur-Loire is

the subject of this book, an installation inspired by the torn and faded remains of wallpapers and
tapestries he found there, in rooms closed off and forgotten since 1938. These modest vestiges
and extremely fragile traces of a living history captured Orozcos imagination, and he was invited
to devise an artistic intervention as part of a special commission. He meticulously studied the
palimpsest of the floral motifs, photographing them in order to detect the traces of lives now long
gone a subtle mediation on space and time in matrix form, hanging on the blemished walls in
plain sight.
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Palestine, First Name Charlemagne - Meshugga Land

Les Presses Du Reel 2017 ISBN 9782840669487 Acqn 27337
Pb 14x21cm 96pp col ills 26.50
A biographical essay which explores the origins and influences of Charlemagne Palestine, as well
as themes related to his life and artistic practice spirituality, music, performance, avant-gardism
together with an analysis of his main works. The study is followed by an interview with the artist,
which provides a clever balance between personal anecdotes and reflection.
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Orgs - From Slime Mold To Silicon Valley And Beyond

Garret Publications 2017 ISBN 9789527222027 Acqn 27739
Pb 11x17cm 130pp col ills 21
'Orgs: From Slime Mold to Silicon Valley and Beyond' is an experimental survey of decentralised
organisms and organisations. It expands upon work that artist Jenna Sutela has been producing
over the past couple of years, layering organisational and spiritual charts, or mazes, and the
navigational intelligence of Physarum polycephalum, the single-celled yet many-headed slime
mold. The publication features contributions by Dennis Bray, Aslak Aamot Kjrulff, Chus
Martnez, Mike Pepi, Venkatesh Rao, Elvia Wilk, and more. An excerpt of Neko-Gusu, a manga
by Shigeru Mizuki is published for the first time in English.
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Bastien Aubry & Dimitri Broquard - L'Aurore Samedi

Perimeter Editions 2017 ISBN 9780995358645 Acqn 27743
Pb 21x30cm 32pp 31ills 25col 29.25
Swiss duo Bastien Aubry and Dimitri Broquard are chiefly known for subjecting artisanal Swiss
ceramics to all manner of gestural "vandalism" and painterly "perversion". Working from their
studio on the outskirts of Zurich, the former graphic designers make sculptures that happily twist
and conflate traditional techniques to forge a kind of punk surrealism, with poetic accidents and
elegantly unwieldy forms butting heads in plain view. We can trace a similar line of thought
through the duo's new artist book 'L'aurore Samedi (The Aurora on Saturday)', a publication that
presents Aubry/Broquard's expanded painting practice.
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To Note - Notation Across Disciplines

Pb 11x18cm 362pp 20ills 28
In December 2015 notation became the focal point of a workshop presented at RMIT Design Hub
in Melbourne, entitled To Note: Notation Across Disciplines. It involved 25 practitioners working
in and across the disciplines of sound, dance, visual art, and architecture/design. Their lectures,
reprinted here in essay form, consider the wider significance, influence, and role of notation
across creative fields. Part reference, part exercise manual, this book, edited by Hannah
Mathews, is a collection of material that both informs and challenges our understanding of
notation and how it exists both historically and currently within and across various fields and
disciplines.
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Apology Magazine 5
Apology Magazine 2017 ISBN 9780985932640 Acqn 27613
Founded and edited by former Vice magazine editor-in-chief and index magazine editor Jesse
Pearson, Apology is inspired in equal measure by the New Yorker under William Shawns
editorship; 1980s and 90s punk zines; the Encyclopedia Britannica, The Peoples Almanac and
MAD magazine. In its first two issues, Apology published work by authors and artists such as
John Ashbery, Bill Callahan, Dan Colen, Jimmy De Sana, Roe Ethridge, Frederick Exley,
Johanna Fateman, Rivka Galchen, Ryan McGinley, Eileen Myles, Raymond Pettibon, Richard
Prince, Terry Richardson, Aurel Schmidt and many more. Apology is a sophisticated alternative
to sophomoric magazines and a sophomoric alternative to sophisticated magazines.
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A Rock That Keeps Tigers Away

ROMA Publications 2017 ISBN 9789491843969 Acqn 27837
Pb 12x17cm 224pp 22ills 2col 20
Curated by Post Brothers with Chris Fitzpatrick, the exhibition A rock that keeps tigers away at
Kunstverein Mnchen includes new and recent works by nine artists: Beth Collar, Tania Prez
Crdova, Jason Dodge, Simon Dybbroe Mller, Laura Kaminskait, Francesco Pedraglio, Adrien
Tirtiaux, Freek Wambacq, and Herwig Weiser. Both exhibition and book survey how artists
identify and consider the relation between causation and correlation in order to connect disparate
phenomena across time and space, how simple shifts in circumstances yield palpable results
elsewhere, and how the juxtaposition of objects modifies their individual meaning, utility, and
apprehension.
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Alex Da Corte - Slow Graffiti. Secession (2 Vols)

Revolver Publishing 2017 ISBN 9783957633811 Acqn 27880
Pb 21x30cm 210pp 200ills 100col 34.50
US-American artist Alex Da Corte creates videos, sculptures, paintings, and immersive
installations with a striking cinematic quality. The engagement with the complexity of human
experience is central to his work, for instance when he explores and exposes questions of desire,
sensuality, and alienation. The artist is interested in both the cultural and psychological qualities
that the everyday objects he manipulates and re-purposes possess, as well as in the suspense
they radiate making space for a state of deception and illusion. Exploring the formal potential of
artefacts of consumer culture, Da Corte twists their immediate affordance so they can unfold new
symbolic powernow as sculptural objects in his videos and installations, for example. Evidently,
colour and textures are used with great skill to affect viewers and the mood in which they
experience the artists environments once they set foot in them.
Slow Graffiti radiates softness, vulnerability, mutability, and transiencelike the verve of an
invisible city, one that exists only in someones imagination but that takes shape here. Against the
backdrop of todays accelerated digital world, the exercised care and communal spirit of making
can be considered a radical act of transgression.
Alex Da Cortes artists book comprises two volumes: a conversation between the artist and the
Los Angeles based writer and critic Bruce Hainley, and Sorcery, a photographic comic strip by
New York based curator and writer Bob Nickas utilising source imagery chosen by Alex Da Corte.
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ART
Ericka Beckman - Game Mechanics. Secession

Hb 24x31cm 144pp 290ills 250col 29.50
The American artist Ericka Beckmans films and videos focus on games and sport competitions
and their rules and structures, featuring the underlying playing fields as an allegory for the
development and maintenance of socio-cultural norms. In her exhibition Game Mechanics,
Beckman presents the film installation You the Better (1983/2015) and her most recent film
Tension Building (2016) as well as drawings.
Now widely recognized as an important representative of the so-called pictures generation,

Beckman studied in John Baldessaris Post-Studio class at the renowned California Institute of
the Arts (CalArts) in the 1970s. New Yorks No Wave scene with its crossover media strongly
influenced her, as did the work of Jean Piaget, the cognitive development psychologist. She has
collaborated with numerous artists of her generation including Mike Kelley, Matt Mullican, Tony
Oursler, and James Welling and was a pioneer of the artistic reflection on new and emerging
technical advancements such as virtual reality, artificial intelligence, and computer games.
In conjunction with the exhibition, Ericka Beckman has designed an artists book that contains
comprehensive documentation of her drawings and paintings related to the films from 1980 to
1999.
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Faktor X - Das Chromosom Der Kunst. 3. Biennale Der Kunstler

What roles do gender and other factors play in the reception of art and its production? How does
the chromosome of art make its presence felt? Some works explicitly portray gender and its
associated roles, and take a playful approach to these ascriptions. Others are more associative in
their approach to the complex subject. An interest in physicality and identities is consistently
present.
This book accompanies the exhibition and extends beyond it at the same time. It refers to the
artistic-sociological, historical and media discourses related to the subject, and is therefore not an
exhaustive documentation of the exhibited works, but rather establishes a dialogue with them as
text and image components.
The project is a collaboration with curator Alex de Vries and artists from Holland.
Participants: Eike Berg, Birthe Blauth, Daniela Comani, Nezaket Ekici, Expedition Medora, Anna
Frydman, Katharina Gaenssler, Patricija Gilyte, Julie Hayward, Rosemin Hendriks, Jan Hoek,
Yuliia Koval, Christoph Lammers, Albert Lohr, Peggy Meinfelder, Monaconomad, Jans Muskee,
Hester Oerlemans, Gregor Passens, Stijn Peeters, Peter Reill, Jacobien de Rooij, Rasso
Rottenfusser, Andreas Rumland, Charlotte Schleiffert, Peter Senoner, Anja Sijben, Em Simonyi,
Alexander Steig, Susanne Thiemann, Stefanie Trojan, Maurice van Es, Lotte van Lieshout, Dries
Verhoeven, Susanne Wagner, Felix Weinold, Anna Witt.
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Emily Ferretti - Walking In Both Directions

The threshing of tensions between lineages, aesthetics, references, techniques, and their various
counterpoints is at the core of arts continual re-imagining and manifestation. During a career that
has spanned the last decade, Emily Ferretti has pieced together a convincing painterly
vocabulary, only to gently rephrase and remould it, time and time again. 'Walking in Both
Directions' arrives at a pivotal time for the artist. Bookending a residency in New York, the
paintings, drawings and installation that feature in this book not only explore her works
increasingly abstract, complex and faceted terrains, but her growing fascination for the aesthetic,
compositional, and philosophical underpinnings of American folk art.
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Laith Mcgregor - S-o-m-e-o-n-e

Pb 23x31cm 184pp 125ills 75col 63
Taking the major 2012 work 'S-O-M-E-O-N-E' as both its title piece and a point of embarkation,
this book offers the first substantial overview of the recent practice of Australian artist Laith
McGregor. The book assumes the similarly rigorous and rambling quality that has come to
characterise McGregors scroll-like drawings, idiosyncratic sculptures, and painted gestures,
honing its focus on a selection of key works created during the last five years. Made in close
collaboration with the artist, it offers an at once critical and playful expression of a practice that is
psychic, layered, and highly personal in its scope.
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Tadanori Yokoo - Prints Retrospective Hanga Jungle

Kokushokankokai 2017 ISBN 9784336061447 Acqn 27582
Hb 24x30cm 260pp 280ills 250col 39.95
Japanese graphic designer, illustrator, printmaker, and painter Tadanori Yokoo achieved
international recognition for his work during the 1960s. His great interest in psychedelia,
mysticism, and the pop culture of the time led him to produce brightly coloured, intensely
autobiographical works using complex, multi-layered imagery, but also posters for events by
leading figures of the counterculture movement in Japan, like Tatsumi Hijikata, Juro Kara, and
Shuji Terayama, that reflect a keen painterly expression. A retrospective look at Yokoos vibrant
oeuvre, this book features more than 250 works, including prints, posters, and paintings, from the
late 1960s up to 1990.
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Alex Israel - B. 1982 Los Angeles

Les Presses Du Reel 2017 ISBN 9782840666738 Acqn 27736
Hb 20x26cm 456pp col ills 77.95
Dedicated to Alex Israel, a multimedia artist whose work takes the city of Los Angeles as both
iconographic source and main subject, this richly illustrated monograph offers a chronological
overview of the artists variegated projects, from paintings, sculptures, and webseries, to
flashmobs, an eyewear brand, and more. Each is introduced by a short text written by Israel.
Mining the food chain of showbiz and celebrity culture while embracing clichs, the artist
interrogates and confounds the fine line between talent and raw material, reframing manufactured
items whose formal and auratic properties are often overlooked. For Israel, the American dream
remains a potent force.
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Katarina Lofstrom O
Art And Text Publications 2017 ISBN 9789188031433 Acqn 27197
Pb 21x28cm 160pp col ills 45
Light, perception, and how we choose to interpret the outside world is a recurring theme in
Katarina Lfstrm's videos, three-dimensional works, and installations, and many examples
feature in this extensive monograph. In her body of work, she examines visual arts inherent
ability to break loose from traditional behavioural patterns and rational thinking, creating meaning
without the use of language or text. The result often imparts a calmness that barely obscures the
brooding desires and traumas underneath, the immobilised curiosity. Dots and circles are
recurring figures in her work, indicative of blurring, a shift or alteration of focus, the displacement
in our visual world.
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ART
Werner Haypeter - Wall Crossing

Annely Juda Fine Art 2017 ISBN 9781904621836 Acqn 27906
Pb 22x25cm 40pp 25col ills 15
Haypeter has, since the 1980s, explored geometric form in discreet works made from resin,
wood, PVC and paper. Engaging with the purely abstract paintings of twentieth-century
Modernism, Haypeters work succeeds in uniting the theories of abstraction with the aesthetic of
mass production.
Works in this exhibition include wall-based, three-dimensional resin works through which acrylic
paint is frozen in horizontal and vertical lines. Dominant is Haypeters trademark yellow, however
we also see bright blues and muted greys. The precise nature of the works is deceiving: all are
handmade in Haypeters studio in Germany and the touch of the human hand can be made out
on closer inspection whilst uncontrolled bubbles appear in the poured resin.
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Sarah Oppenheimerm - S-01

Annely Juda Fine Art 2017 ISBN 9781904621829 Acqn 27907
Pb 22x25cm 36pp 21col ills 15
Buildings are time based. S-011110 and S-010100 change over time. Conceived as switches
within architectures larger network of immaterial flow, they alter the duration of procession and
the direction of vision, ricocheting sightlines across moving glass planes. Each of these works
injects their specific durational change into the cyclical life of the inhabited building.
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The Coney Island Amateur Psychoanalytic Society and Its Circle

Christine Burgin 2017 ISBN 9780977869602 Acqn 26297
On the afternoon of August 28th, 1909, Sigmund Freud visited Coney Islands famous Dreamland
amusement park. A hundred years later, this lively, imaginative book examines his legacy in
Coney Island, a history which might have been. It begins with Norman Kleins reconstruction of
his actual visit, though Freuds real impact appears to have come later, with the founding of the
Coney Island Amateur Psychoanalytic Society. Zoe Beloff conjures up the world of this unique
Society, which would have existed from 1926 through the early 1970s, exploring its activities
(which included recreating dreams on film) and discussing its visionary founder, Albert Grass,
who attempted to rebuild Dreamland according to Freuds theory of dream formation. Aaron
Beebe, former director of the Coney Island Museum, describes how this institution is reviving the
idea of the living museum. Amy Herzog discusses how Freuds theories provide a deeper
understanding of the publics fascination with Coney Islands attractions. The book is illustrated
with previously unseen photographs, drawings and documents.
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Rodney McMillian
Studio Museum Harlem 2017 ISBN 9780942949438 Acqn 26385
Hb 21x28cm 168pp 121col ills 43.95
For more than a decade, Los Angelesbased artist Rodney McMillian (born 1969) has worked in
sculpture, painting, video and performance to explore the intersections of race, class, gender and
socioeconomic policy.
Co-published by the Institute of Contemporary Art, University of Pennsylvania and The Studio
Museum in Harlem on the occasion of Rodney McMillian: The Black Show and Rodney McMillian:
Views of Main Street, this volume offers an in-depth examination of McMillians varied practice
and his meditations on social systems, art history, science fiction and public policy.
In addition to contributions by Elms and Keith, McMillians radical use of post-consumer objects,
video and painting is addressed in essays by leading figures including Charles Gaines, Rita
Gonzalez, Dave McKenzie and Steven Nelson.
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Joe Bradley
Albright-Knox Art Gallery 2017 ISBN 9781887457224 Acqn 26940
Hb 208pp 110ills 100col 43.95
American painter Joe Bradley has distinguished himself among the artists of his generation with
his mutable approach to art-making. With minimal fuss, Bradley works in series, picking up and
discarding styles and oscillating between abstraction and figuration as it suits him. A
retrospective of his work would look like a group show, wrote dealer and collector Kenny
Schachter. Bradleys first large-scale North American exhibition supports this observation: he is
shown moving from expressionistic canvases that record the detritus and spontaneity of the
studio environment to subtly figurative send-ups of Minimalist painting, then to starkly primitivistic
glyphs drawn in grease pencil on unprimed canvas, followed by modular aluminium sculptures
paired with textual directives.
This richly illustrated catalogue, published to accompany Bradleys midcareer survey organized
by the Albright-Knox Art Gallery in Buffalo, presents the full range of Bradleys unique approach
to language, abstraction and the evolutions of style. Joe Bradley includes reproductions of all
works in the exhibitionsome 30 paintings, 8 sculptures and 30 drawingsas well as an
introductory essay by exhibition organizer Cathleen Chaffee, new scholarly essays, an interview
with the artist and an exhibition history.
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Symmetries - Three Years of Art and Poetry at Dominique Levy

Dominique Levy Gallery 2017 ISBN 9781944379131 Acqn 27271
Hb 17x24cm 232pp 91col ills 48.95
This volume gathers poems by Edmund Berrigan, Peter Cole, Brenda Coultas, Erica Hunt,
Vincent Katz, Amy King, Ange Mlinko, Anne Tardos, Anne Waldman and Karen Weiser, among
others.
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Woman Power - Maria Lassnig in New York 1968 1980

Petzel 2017 ISBN 9780986323089 Acqn 27277
Hb 20x27cm 82pp 68ills 49col 31
In 1968 at age 49, the painter Maria Lassnig (19192014) moved from her residence in Paris to
New York City to be in, as she called it, the country of strong women. Although well known in
her native Austria, Lassnig was virtually unheard of in the States and for the next 12 years she
lived in relative anonymity, renting walk-ups in the Lower East Side and SoHo. New York offered
Lassnig a liberation of sorts from the male-dominated art scene of Europe: it gave her the
opportunity to be an artist, not simply a female artist.
This book brings together works and archival material from her time in New York from 1968 to
1980, including films that Lassnig created in collaboration with the Women/Artists/Filmmakers,
Inc. group.
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ART

Gabriel Orozco - Fleurs Fantomes

Mexican artist Gabriel Orozcos eponymous, in situ work at Chteau de Chaumont-sur-Loire is

Palestine, First Name Charlemagne - Meshugga Land

Orgs - From Slime Mold To Silicon Valley And Beyond

Bastien Aubry & Dimitri Broquard - L'Aurore Samedi

To Note - Notation Across Disciplines

A Rock That Keeps Tigers Away

Alex Da Corte - Slow Graffiti. Secession (2 Vols)

Ericka Beckman - Game Mechanics. Secession

Now widely recognized as an important representative of the so-called pictures generation,

Faktor X - Das Chromosom Der Kunst. 3. Biennale Der Kunstler

Emily Ferretti - Walking In Both Directions

Laith Mcgregor - S-o-m-e-o-n-e

Tadanori Yokoo - Prints Retrospective Hanga Jungle

Alex Israel - B. 1982 Los Angeles

Werner Haypeter - Wall Crossing

Sarah Oppenheimerm - S-01

The Coney Island Amateur Psychoanalytic Society and Its Circle

Symmetries - Three Years of Art and Poetry at Dominique Levy

Woman Power - Maria Lassnig in New York 1968 1980

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