Introduction

The Bikenjutsu is the heading for a group that is made up of Kenjutsu, Kodachi, and
Jutte. The Juttejutsu is the most important part of the Bikenjutsu. The Jutte also has the
Tessenjutsu. It is important that the Taijutsu is mastered before the Jutte can be used
effectively. Some of the Kukishinden Ryu Densho books appear on the second color page
at the front of the book on Bojutsu by Hatsumi Masaaki. These Densho books are titled as
such (from left to right):

1. Kukishin Ryu Happo Biken no Jutsu 1.

2. Kukishin Ryu Happo Biken no Jutsu 2.
3. Kukishin Ryu Happo Biken no Jutsu 3.
4. Kukishin Happo Biken no Jutsu 3.
5. Hon Tai Kukishin Chosui Ryu, Kukishin Ryu Dakentaijutsu Gokui no maki 2.

The Chosui in number 5, was one of the warrior names used by Takamatsu, the 25th Soke
of the school. He took the name Chosui when he learnt the Okuden level of the
Dakentaijutsu. May 4th 1575 (Tensho 3), the 9th Soke Kuriyama Ukongen Nagafusa was
a Samurai from the Kurama Ryu serving in the army of Oda Nobunaga. It was during the
battle of Nagashino that he fought against Suzuki Tango no kami Katsuhisa, a Samurai in
the service of Takeda Katsuyori. Suzuki carried a Tachi which was Sanjaku Gosun long
(3 shaku 5 sun = 96.2cm). Kuriyama and Suzuki were both on horseback Kuriyama used
a red Oak octagonal Rokushakubo. Suzuki cut the Bo in half at the centre, but as he
raised his Tachi to Daijodan no Kamae to cut down at Kuriyama again, Kuriyama struck
upwards with his Hanbo (the halved Bo) at Suzuki's hands. This caused Suzuki to drop
his Tachi. A retainer of Suzuki's who was near by passed. Suzuki a Yari (Spear), when
Suzuki thrust the Yari at Kuriyama, Kuriyama moved to the side so that the Yari blade
would miss him. Kuriyama moved to the side, and he struck Suzuki on the head with the
halved Bo (Hanbo) which caused him to fall from his horse bleeding from his head and
mouth. He died soon after. After this incident Kuriyama went on to create the Hanbo and
instigated it's use in the Kukishin Ryu. Kukishinden Ryu Happo Hikenjutsu. This
however is not to be mixed up with the Kukishinden Hyoho which was transmitted from
Ishitani to Iwami Nangaku. Takamatsu only received Menkyo kaiden in this school.
The Kuki family originated from Ise and Shima. It was during the time of the 12th Soke
of the Kukishin Ryu Kuki Ohsumi no Kami Takatsune, which the Kuki family was sent to
Tanba and Ayabe by the Shogunate. The Kukishin Ryu continued to exist and operate in
its new area.

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 History from the Kukishin Ryu

DENKEI
1. Izumo Kanja Yoshiteru
2. Izumo Koshiro Terunobu
3. Izumo Matsushiro Teruhide
4. Izumo Bungo Yoshiteru
5. Izumo Kanja Yoshitaka
6. Izumo Kanja Yoshiteru
7. Ohkuni Kisanata Kiyosumi
8. Tsutsumi Hakushi Mori Ritsuzan
9. Kuriyama Ukongen Nagafusa
10. Arima Kochinosuke Masayoshi
11. Ohkuni Kogenta Yukihisa
12. Kimura Ittosai Kanesuke
13. Arima Daisuke Taddaki
14. Kazama Shinkuro Hidechika
15. Ohkuni Kihei Shigenobu Genroku era 1688
16. Otone Sakon Yasumasa
17. Otone Genpachi Yoshihide (Yasuhide)
18. Otone Gengoro Yasuhira
19. Awaji Nyudo Chikayasu
20. Kurama Kotaro Genshin
21. Ohkuni Izumo Mori Shigehiro Kokwa era 1844
22. Sugino Juheita Kanemitsu
23. Hisahara Genjuro Yoshitane
24. Hisahara Kotaro Nobuyoshi
25. Ishitani Takeoi Masatsugu death 1905
26. Ishitani Matsutaro Takekage b.1844? - 1908
27. Takamatsu Toshitsugu Uoh b.1887 - 1972
28. Hatsumi Masaaki b. 1931 Present

9TH Soke: Kuriyama Ukongen Nagafusa .Concerning the second story of the creation of
the Hanbo in the Kukishinden Ryu, takes place on 4 th May 1575 when a Samurai in the
service of Maeda Toshiie fighting for Oda Nobunaga, a Kuriyama Ukongen Nagafusa
(9th Soke of Kukishinden Ryu Happo Biken, 9th Soke Kukishinden Tenshin Hyoho, and
10th Soke Tenshin Soden Kukamishin Ryu), fought against Suzuki Tango no kami
Katsuhisa of the Kurama Ryu, a vassal of the Takeda. Suzuki used a type of Tachi known
as a Sanshaku Gosun Tachi (3 shaku 5 sun, approximately 3ft 5in - 96.2cm in length),
Kuriyama and Suzuki were both on horseback. Kuriyama used a red Oak octagonal
Rokushakubo (6ft 1.8m staff). Suzuki cut the Bo in half at the centre, but as he raised
his Tachi to Daijodan no Kamae, Kuriyama hit at Suzuki's hands. This caused Suzuki to
drop his Tachi. A retainer of Suzuki's who was near by (a common practise at that time

2
was for senior ranks to be followed into battle by a number of personal retainers who may
not have been of Samurai rank, but who carried his extra weapons and came to his aid if
required) passed him a Yari which he used to strike at Kuriyama. Kuriyama moved to the
side, and he struck Suzuki on the head with the halved Bo (Hanbo) which caused him to
fall from his horse bleeding from his head. Suzuki later died from his injuries. Some
research is currently under way to confirm if Kuriyama Ukon was also known as
Takayama Ukon another Samurai known to have been in the service of Maeda Toshiie, at
the same time as Kuriyama. Apart from the Kukishinden Happo Biken, Kuriyama is to be
found recorded in the lineages of several other Ryu-ha. Three of these are listed below.

9th Soke Kukishinden Tenshin Hyoho

10th Soke Tenshin Hyoho Kukishin Ryu
10th Soke Tenshin Soden Kukamishin Ryu

The Kukishin Ryu itself is made up of 4 Densho which may possibly have been written
sometime around the mid Edo era. These four books are collectively known as Shiten no
maki, and this is divided into two sections, Hyoho Bujutsu, and Hyoho Gungaku. These
two sections are then divided into sub sections these are...

Hyoho Bujutsu
Kenpo - Swordsmanship
Tokenjutsu - Throwing blades
Sojutsu - Spear techniques
Naginatajutsu - Halberd techniques
Bojutsu (and Hanbojutsu) - Long staff, and half staff
Taijutsu - Unarmed technique
Hijutsu (Kajutsu) - Use of fire
Suijutsu - Use of water
Bajutsu (and Kishajutsu) - Horsemanship, and archery on horseback
Teppan Nage - Throwing blades or various types

Hyoho Gungaku
Tenmon - Astrology
Chisei - Topography
Chikujo - Castle construction
Jin-ei - Quarters/camp
Gunryaku - Military strategy

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 HAPPO HIKENJUTSU
The Happo Hiken groupings have been different from time to time (re-organized by the
Soke at the present time). So far I have seen three different versions.
1. Taijutsu, Hichojutsu, Nawanage. (Moving the body), (Leaping), (Rope throwing)
2. Karate, Koppojutsu, Jutaijutsu. (Unarmed Combat), (Breaking bones), (Throwing)
3. Sojutsu, Naginatajutsu. (Spear fighting), (Halberd fighting)
4. Bojutsu, Jojutsu, Hanbojutsu. (Stick (180 cm) fighting), (Stick (120 cm) fighting),
(Stick (90 cm) fighting)
5. Senban Nage, Tokenjutsu, Shurikenjutsu. (Senban throwing), (Blade throwing),
(Throwing stars)
6. Kajutsu, Suijutsu. (Fire and explosives), (Watertraining)
7. Chiku Jo, Gunryaku Heiho. (Fortress design & penetr.), (Military tactics)
8. Onshinjutsu, Hensojutsu. (Hiding away), (Use of disguice)
9. Ken, Kodachi, Jutte. (Swords), (Short blades), (Sword catcher, baton)

1. Gunryaku, TenmonChimon.(Battle strategies), (Study of weather)

2. Jojutsu, Hanbojutsu. (Stick (120cm) fighting), (Stick (90cm) fighting)
3. Rokushaku-bo, Ma Ai. (Stick (180cm) fighting), (Distancing)
4. Naginata, Bisento. (Halberd fighting), (Large Halberd)
5. Kodachi, Juttehutsu. (Short Sword), (Metal Truncheon)
6. Bajutsu, Suijutsu (Horsemanship), (Water Techniques)
7. Shuriken, Senbanjutsu, (Throwing Stars), (Throwing blades)
8. Sojutsu (Spearfighting)

1. Gunryaku Heiho, Tenmon Chimon.(Battle strategies), (Study of weather)

2. Jojutsu, Hanbojutsu. (Stick (120cm) fighting), (Stick (90cm) fighting)
3. Rokushaku-bo, Ma Ai. (Stick (180cm) fighting), (Distancing)
4. Kodachi, Juttehutsu. (Short Sword), (Metal Truncheon)
5. Shoto, Jutte. (Short sword, (Metal truncheon)
6. Bajutsu, Suijutsu. (Horsemanship), (Water Techniques)
7. Shuriken, Senbanjutsu. (Throwing Stars), (Throwing blades)
8. Onshinjutsu. (Invisibilty techniques)
9. Taijutsu, Kenpo. (Unarmed combat), (Swordsmanship)

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 Kukishinden RyuDakentaijutsu
(Yoroi Kumi Uchi)
Reiho
Shinzen Rei (Standing Bow)

From Shizen, bring hands together in front of chest and bow head, return hands to side of
body.

Seiza Rei (Kneeling Bow)

From Shizen, lower left knee to ground placing hands on thighs, move into seiza, place
left hand then right on ground then bow, return right hand then left to thighs, and stand
into Shizen.

Jinchu Rei (1/2 Kneeling Bow)

From Shizen, go to left Nage placing left hand on ground and bow, stand into Shizen.

Ritsu Rei (Standing Bow)

From Shizen, bow head.

Kukishinden Ryu Kihon Waza

(Beginning Techniques)

Hoken
(Secret Fists)

Shuto ken (Wake up rolling strike)

Use the sides of the hands, with the hand open approx 60 Degrees. Snap the hand open on
impact. (The strike is used a lot.). From Seigan strike the tree with Fudo Ken, Shukki (no
step), Shuto (no step). Step back to Seigan and repeat.

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Fudo ken (Spiritual blade)

Use the clenched fist for punching, and striking. From Seigan no kamae, strike the tree
with Fudo Ken (Thumb on top). Step back to Seigan and repeat.

Note: The fists involve more than just striking with the hand. By moving the legs, the
speed of the fist is doubled.

Boshi Ken (Thumb drive fist)

Use an extended thumb that is supported by a fist to jab, and strike muscle areas, and
nerve endings. Size up the distance with the right hand, and foot forwards. Yoko Aruki
with the left foot, and strike with a left Boshi ken. Yoko Aruki back, and right Boshi ken.
Repeat.

NOTE: The right foot does not move.

Shako Ken (Claw strike)

Use the palm, and the finger tips to strike and rake. then change this into a fist. From
Hoko no kamae, keep the knees bent, and with switch stepping, strike the tree, with
Shako ken.

Note: In this five finger fist, the five fists of the fingertips as well as the one fist of the
palm hit the target.

Kikaku Ken (Demon horn strike)

Using the thick bone on the forehead, sides, and the back of the head, in a smashing
butting action. Step forwards, and strike with Kikaku ken. The left leg then comes up and
kicks with the inside edge of the foot (from the ankle anywhere up to the chest). Two
steps back and repeat.

Note: The forehead is also a fist. Of course the fists rest on the attitude that "I am a fist",

and thus one proceeds to toughen all of one's body. That is how one trains.

Soku Shin To (Toe sword)

Use the tips of the toes to strike, or jab the target. Sometimes it is best to first use Hicho
then the geri.

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Sokuyaku Keri (Sole of foot)

Use the bottom ball, heel (sole) of the foot, to shove into the target. The heel contacts
first. From standing launch yourself upwards, and kick at chest height with a right or left
Sokuyaku.

Kiri Gaeshi (Shin \ instep kick)

Kick by just lifting the leg as one, not as a snap kick.

Atemi no Tanren
(Body Conditioning)

(Strike training)

Use the rolling to condition, be able to roll on any surface at any time.

Taihenjutsu
(Art of Changing the Body)

(Body movement)

Zenpo Kaiten Forward roll.

Koppo Kaiten Gymnastic type.

Ko Kaiten Almost sideways shoulder hits first come up and strike with one hand.

Koho Kaiten Backward roll.

Sokoho Kaiten Sideward roll on axis.

Yoko Nagare Extended leg sideward roll.

Zenpo Ten Kai Taihen Gata Forward hand spring.

Sokoho Ten Kai Taihen Gata Cart wheel.

Koho Ten Kai Taihen Gata Backward hand spring.

Zenpo Chi Nagare Ten Kai Taihen Gata Forward flips.

Koho Chi Nagare Ten Kai Taihen Gata Backwards flip.

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 Tobijutsu

Happo Ten Chi Tobi Taihen Gata All directions leaping.

Try digging a hole and jumping out of it, then add weights to your legs.

Kukishinden Ryu Goho No Kamae

(Five way postures)

(5 Postures)

1. Katate Hicho No Kamae

(One Handed Flying Bird Posture)

(Single crane postrue)

Same as Seigan no Kamae, except the right hand is open. The left foot, can come back
near to the right foot.

2. Kosei No Kamae

(high/low combat posture)

As in Jumonji No Kamae, one hand held high to shield eyes, other as Boshi Ken at waist.

Henka: Left hand is Shikan Ken above the eyes. The right hand is by the heart in Shikan
Ken.

3. Hira No Kamae

(Receiving posture)

(Flat posture)

The feet are apart, approx shoulder width. Both hands are in Fudo Ken, and palms facing
the body they both rest just on the inside near the hips

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4. Hira Ichimonji No Kamae (Flat number one posture)

Stand with the knees bent with the feet facing slightly in. The arms are out stretched
to the side of the body held at shoulder height.

Note: In the Kukishinden Ryu, the hands are in Shikan Ken so that the fingers will not get
cut off. Also, it is almost impossible to make a Fudo Ken wearing armour. In the
Shindenfudo Ryu the hands are open. A different variation also exists in the Koto Ryu.

Kuden: with both hands open and spread out to the right and left, your eyes stare into
the opponent's eyes. Giving it this name and making it a kamae of space is also an
expression of the oriental, horizontal consciousness.

a) Roppo no kamae (6 ways posture). This kamae is done is 6 ways left to right
b) Taka no mai (Dance like a Hawk)
c) Taihenjutsu
d) Do the motion of Goshin (Satori)
e) Kihon Happo
f) Honshu Kihon Gata,
g) Kosshi Kihon Gata Henka

5. Seigan No Kamae (Straight Eye Posture)

Body leans slightly back, one arm in front, hand open, other hand at waist line in Boshi
Ken.

Henka:

The body is side on to Uke. The left hand points at Ukes eyes, the right hand in Shikan
Ken, rest on the heart.

Note: Combine all five so that they are postures not poses

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 Kukishinden RyuTai jutsu
Kihon Gata
Omote Oni Kudaki

(Outer Demon Crusher)

A: Migi tsuki

D: step to inside raising left arm on to As wrist pushing up to bend put right armunder As
right elbow and clap hands. turn to left to throw.

Ura Oni Kudaki

(Inner Demon Crusher)

A: Migi tsuki

D: step to out side placing left wrist on top of As right wrist pushing down and sliding
arm through to hold.

Sayu = left & right

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 Kukishinden Ryu Dakentai Jutsu
Shoden No Kata
(Initial Transmission Forms)

1. Seion (Living Sound)

A: Grab left lapel.

D: Grab left lapel.

A: Cover under hand.

D: Cover under hand, change right grab to Boshiken to throat, right leg kick out A's right
leg to take down.

Seion (Living sound)

Uke holds Tori in Kumi Uchi. Tori hold the collar with the right hand, and Uke's right
collar grab with the left hand. The right thumb, presses into the nerve in the side of the
neck, as he does this, Tori shifts the left foot to the left, pulling Uke's right arm straight,
and making his own right arm straight Tori then and places (kicks) the right foot, against
the right knee (or hip). Pressing the nerves, push out the foot, and turning Anti clockwise
Tori throws Uke onto his back.

Seion Henka

Instead of placing the foot on the hip, Tori places it behind Ukes Right leg, and throws
him.

Seion Henka (Yoroi)

Face each other using Hira Ichimonji no kamae, the right hand grabbing the shoulder
strap, and the left hand either the elbow, or the protective plate on the back of the hand.
The left hand lets go, comes in underneath and strikes to the tendons on the inside of the
wrist, to knock it clear (this is a short movement). Take hold of the inside of the sleeve by
the elbow, then the right foot, is placed behind the back of the right foot with the calves
touching. Uke is the forced backwards.

Note: Hold the strap high on the shoulder. As the right foot is placed on the ground, Ukes
balance is pushed backwards. The left foot, can come in to be close or on to the Ukes
right foot. As you grab in Kumi Uchi, the body weight sinks a little.

11
 2. Suiyoku (Water melon)

Uke strikes from Seigan with a right Jodan Tsuki. Tori is in Hira, and moves back into
seigan, and a left Jodan Uke. Uke then strikes with a left Jodan Tsuki, Tori does a right
Jodan Uke, and grabs the wrist after the block. Uke does a right kick, Tori responds with
a left Gedan Uke, and straight up to strike Kirigasumi, with a left Boshi Ken. Tori then
steps forward with the right foot, and kicks with the left to Ryuge. With draw the right leg
to kneel and Uzimaki.

Note: Kirigasumi - below the ear Ryuge - ankle bone outside calf

3. Suisha (Water wheel)

Uke does a right Jodan Tsuki, Tori does a left Jodan Uke (Daken Style), and ducking low
strikes to Nasai. Uke then strikes with a left Jodan Tsuki, and a right Jodan Tsuki. Tori
does a right then a left Jodan Uke grabbing the wrist with the final block. Tori then kicks
the left leg with his right foot to Sai. Tori then grabs the neck, and finishes with Uchi
Mata

4. Kubiwa (Collar)

Uke does a right Jodan Tsuki, and a left Keri. Tori is in seigan, and does a left Jodan Uke,
and grabs the wrist, and a right Gedan Uke, with a right Boshi ken from the inside to
Ryumon. Tori then take hold of the neck, and twists Uke down to the left, by stepping
back with the left leg. Tori then apply a lock to the arm with the knee, and re-applying the
Boshi ken.

5. Ho Setsu (Destroying Snow)

A: Right punch, left punch, right kick, right punch.

D: Block inside x4, punch right kick, left punch to throat.

A: Come around under to block with right hand.

D: Grab right wrist, swing down to change hands, continue circle motion of arm while
turning to strike right elbow to A's back (right arm can be either on left shoulder or above
head), pull down on arm to throw back.

Ho Setsu

(Destroying Snow)

Uke and Tori are in Kosei no Kamae. Uke strikes with a right Jodan Tsuki, Left Jodan
Tsuki, and right Keri. Tori, does a left Jodan Uke, right Jodan Uke, and a right Fudo Ken
to Nasai, Uke then does a right Jodan Tsuki. Tori does a left Jodan Uke then grabs the

12
right collar with the left hand straight after the Uke. Uke swings his right arm down the in
and up to knock clear Tori's grab. Tori grabs the right hand with his left hand in Omote
Gyaku, turns clockwise so that his back comes to Ukes. Tori strikes with a right elbow to
Butsumetsu, holding the left hand high above his head. The right hand joins the left, and
pulls Uke down on the right side to his back.

Ho Setsu Henka

Same start, Tori grabs the left wrist with the right hand after the strike to Nasai. Tori lift
the wrist he holds, and grabs the arm with his left arm, swings it out to the right to stop
the Jodan Tsuki. Switch hands on the wrist, and apply a choke with the right hand, turn
the body so that you can start a seio Nage. Uke pulls away. Tori goes under and throws
with Ippon Seio Nage.

Note: (YOROI) When Uke is down, the cresting or the wings of the helmet can be held to
restrain him, and restrict his mmovement.

6. Iso Arashi (Storm hitting a beach)

Uke grabs the collar with his left hand, and a right strike. Tori in a form of Kosei, does a
left Jodan Uke. Uke then does a right kick, and Tori does a left gedan Uke. Tori locks the
hand on the collar, and strikes to the face with a left Shako ken. Tori steps back with the
right foot, and does Uzi maki, lock the hand on the knee to finish.

7. Fu Buki (Snow storm)

Uke starts the same as Iso Arashi. The defense is the same, but take the hand in Omote
Gyaku. Take hold of the elbow with the left hand, and force it upwards, and kick to right
Nasai. Turn under the arm to throw with Seio Nage.

8. Kata Ho (One side)

Uke does a right then a left Jodan Tsuki, and right keri. Tori does a left, then right Jodan
Uke., and a right Fudo ken to Nasai. Uke then does a left Keri, and tori respond with a
left Fudo ken to Nasai. Uke then does a right Jodan Tsuki. Tori blocks with Jumonji Dori,
and applies Oni Kudaki. Tori then steps out to the side and do Osoto Gari. Straddle Uke,
and lock the arm.

9. Tatsumaki (Tornado)

Starts the same as Kata ho, until the last right Jodan Uke. Tori applies the Jumonji Dori,
but Uke strikes with a left Jodan Tsuki. Tori steps to the side, and does a Jodan Uke to
Uko, with omote Shuto. Tori then takes hold of Daimon, steps out, and kicks with Kakato
Keri (backward hook) to the hip ot upper thigh. Tori kneel, and pulls Uke down across
the hips.

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 KUKISHINDEN RYU BOJUTSU

NYUIBO
Made of wood, and about 6.5 foot long, covered in leather and covered in metal studs.
They were used a lot in the battle fields. They were used to smash down on to the men in
armour, and knock them back. If struck hard enough it would knock them out. It could
also be used to stand behind to protect one's self from being struck by sword, arrows, or
other weapons. It could break things such as swords, and bones. A long cloth tassel was
attached to the end, to distract, and to help throwing it over the shoulder.

KUKISHIN RYU BO (Bo with 9 metal bands)

The Bo has 4 bands at each end, 1 in the middle. They are spaced out so that the gap
between each is the width of the hand. Apart from being able to increase the impact
power of the Bo it will also help strengthen the ends.
Bo with small hook on the end This can be used to hook onto cloths or armour, and help
keep the enemy at a distance. It can also be used to slam into the side's of the enemies
body to wound / injury him.

SHUGENJA BO
This is a monk's walking stick, which has a large ring with 9 small rings looped into it.
The end of it has a metal spike. The whole end and rings are made of metal. The end can
be used to poke, and strike the enemy. In effect it can be used as a small Yari.

DAISHARIN
This is a wheel and axle, used for the launching of ships or boats into the sea. It floats to
the surface after the boat has sail off. The axle is approx 10 foot long, and the wheels 2
foot wide, and 3 inch thick.
The whole assembly can be rolled along the ground knock people over, or one end can be
rolled, while the other is held.

KUKI GYOJA BO
This is from the Kukishin Ryu, and is also known as a Donryu Bo. Four metal blade like
spikes are attached to one end, with the sides reinforced by metal bands, which are
studded. The end of the Bo is hollow, with a 4 foot chain with a weight is hidden inside.
This can be flipped out when needed. The opposite end of the Bo has nine studded metal
bands with a metal pointed end.

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 Chudan No Kamae Jodan No Kamae
Gedan No Kamae

Heito No Kamae Hira Ichimonji No Kamae Seigan No Kamae

Ichimonji No Kamae Ihen No Kamae Tenchi No Kamae

1. JODAN NO KAMAE - Upper level posture

Lift the Bo so that it is held above the head, with the rear hand above the crown of the
head. The Bo is angled down forwards.

Note: The balance of the body can be shifted from one foot to the other to allow
distancing, and balance to change. The Jodan (upper level) posture uses the knees to
move. This is also known as the totoku posture. It is said that it may have been used for
dodging arrows. The hands should be evenly spaced apart on the Bo.

2. IHEN NO KAMAE - Posture of change

From Jodan no kamae, drop the Bo to the side of the head, with the rear hand out a little.
The Bo is angled down, but across to the front of the body.

15
Note: When the Bo is held it follows the same angle, and line as the body. A henka is to
do the kamae in complete reverse, with the rear end down, and the front raised with the
rear hand near the Obi.

3. HEITO NO KAMAE -
The Bo is held in the central position. The Bo is then held at 90 degrees across the back
angled upwards on one side. The toes of the lead foot point forwards.

Note: The Bo is held at a tangent to the body. If Uke moves and you keep your feet in
their original place, the Bo is moved, but kept at the same tangent as before, but now in
line with Ukes movements. It is still Heito no kamae. This is a sutemi posture. Similar to
Gedan No Kamae, but the Bo is behind your body so it sticks out behind and to the sides
of body. Kamae names generally used two names or more. For example, in the Hon Tai
Kukishin Ryu, we can see names such as Ichimonji /Shizen /Yoko Ichimonji etc all are
the same Kamae. So this is very confusing! Other examples include Gedan no kamae
(Okasaki no kamae, Kyohen no kamae) and Heito no kamae itself is also known by these
different names Choda no kamae, Harai, Kyohen, and Wangetsu.

Bojutsu

SABAKI KATA (Movement forms)

1. Goho (Five methods)

1: Shiho Bo furigata
2: With right leg forward strike Ashi Barai to his front leg
3: Without stepping forward strike Yokomen Uchi
4: Step forward with the left foot and strike Ashi Barai
5: Without moving the feet perform an overhead Ashi Barai

Hatsumi

Before striking the first ashi barai form a Tenchi type kamae with the left leg forward
then step through with your right leg to perform a more powerful strike.Then use the
right hand as a fulcrum rotating the left hand anticlockwise to perform the Men Uchi.

Then after the penultimate ashi barai draw the bo back using your body and rotate to
perform an overhead ashi barai.

2. Ura Goho (Inner five Methods)

1: Shiho Bo furigata
2: Tsuki with left leg forwards as he move into jodan no kamae from seigan no kamae.
3: Step forward with your right leg and strike Yokomen uchi

16
4: Step forward with the left leg striking up at his hand (Age uchi)
5: When stepping forward with the right foot lift the bo so it is vertical and change hands
by placing left hand below the right and strike Yokomen uchi.

3. Sashi ai (Meeting Thrusts)

1: Chudan no kamae with the left foot forward

2: Tsuki
3: Step forward with right foot and strike Do uchi
4: Drop down to a kneeling position without stepping forward and perform Age uchi.

Hatsumi

When you tsuki rotate your back hand so that the palm moves from facing your torso to
facing the ground. Then strike Do uchi. Hatsumi then stepped in hitting to either the groin
or the hands (Age uchi).

4. Funabari (Boat Brace)

1: Gedan with left foot forward

2: Step forward with right foot and strike Do uchi
3: Step forward with left foot and perform Tento uchi
4: Step forward with right foot and strike Age uchi
5: Step forward with left foot and strike Tento Uchi

Hatsumi

One can hit Do uchi by striking from both high and low or by lifting the bo to guard the
torso.

5. Chonoissoku (One Step Of The Crane)

1: Tenchi kamae.Kneel down so that your right leg is forward and strike Toko uchi.
2: Holding the Bo inthe middle with the right hand pick up and strike Ashi barai
3: Stand up and step forward with your left foot and strike Yokomen uchi
4: Perform overhead Tento uchi without stepping forward
5: Step forward with left and strike Yokomen uchi
6: Over head Ashi barai.

6. Uranohitoashi (Inner Step)

1: Gedan no kamae with your left foot forwards

2: Step forward with your right foot and perform Ashi barai
3: Step forward with your left foot and perform Ashi barai
4: Step forward with right foot and perform Tento Uchi

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5: Step forward with your left foot and strike Ashi barai
6: Step forward with your right foot and strike Ashi Barai
7: Strike tento uchi without changing your feet
8: Small Tsuki to his eyes.

Hatsumi

In this technique keep the Gedan Kamae low by lowering your hips. With the Tento uchi
strikes pull the Bo back as far back as possible and lean back with your body and flip the
Bo over to strike (i.e. you more or less throw the bo) and pull it back immediately into
seigan and Tsuki to your opponents eyes.

7. Suso otoshi (Hem Drop)

1: In Chudan no Kamae-Tsuki
2: Overhead Do uchi while stepping forward with the right leg
3: Step back with the right leg into Gedan no kamae,Tento uchi(with out stepping
forwards)
4: Step forwards with your right leg Ashi barai.

Hatsumi

Tsuki and pull the Bo back quickly with your right hand so that it slides through your
left .When you lift the staff into a vertical position to perform the overhead Do uchi make
sure that the Bo is right against your forearm using just the one arm to lift it.

8. Ura Suso otoshi (Inner Hem Drop)

1) Left foot forward, Tsuki

2) Step forward, Ashi Barai
3) Step forward Ashi Barai
4) Step forward Ashi Barai
5) Step forward Ashi Barai
6) Tento Uchi without changing feet
7) Draw back into Chudan no Kamae without changing feet and Tsuki.

Hatsumi
After each Ashi Barai pull the Bo back quickly (into a kind of Tenchi no Kamae).Use the
whole body to strike.

9. Ippon Sugi (Lone Cedar)

1) Tenchi no Kamae with the left leg forward

2) Kneel so that the right leg is forward, strike Toko uchi
3) Ashi barai without changing feet
4) Without changing foot position perform overhead Do uchi

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5) Step forward with your left leg and perform Kasumi uchi (from up to dowm i.e.
moving the Bo in a clockwise manner)
6) Without changing feet strike Tento uchi

Hatsumi

When the Ashi Barai is hit away leave go with your left hand and turning (i.e. let the
momentum from the block take the Bo) the Bo clockwise and extend the Bo to strike
Kasumi Uchi.

10. Taki Otoshi (Cascade Drop)

1) Chudan with left foot forward

2) Tsuki
3) Pull Bo back with both hands so that it is at your left side with your left hand upper
most on the Bo (with your left elbow bent and pointing up and back). Leave go with the
right hand and keeping the elbow bent turn the Bo so it lies across your back (from right
shoulder to left waist). Regrip top of bo at your right shoulder with your right hand.
4) Pull the Bo over your back with your right hand whilst leaving go of it with your left
hand and strike Kasumi uchi.
5) Repeat step 3) but on opposite side.
6) Assume Chudan.

Hatsumi

When the staff is over your back the end should point to your opponents eyes.

11. Koku (Empty Space)

1) Chudan with left foot forward

2) Tsuki
3) He cuts Tenchi giri
4) Use Ukemi with your left foot forward
5) Turning your body clockwise, and without changing position of your feet strike either
to the back of his head or his wrists.

Hatsumi

In Chudan.Aruki towards your opponent.He hits the Bo up in the air from below.So now
you are facing him with your left foot forward in a type of Ukemi. He then strike tenchi
giri and you turn your body clockwise by swinging your right leg behind you while
performing ukemi.Without changing the position of your feet strike to the back of his
neck.Step in with your right foot so that you are standing on his right foot and strike to
the front of his neck to throw him.

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12. Kasa no Uchi (Inside the Bamboo Hat)

1) In Seigan no Kamae with your right foot forward

2) Step forward with your left foot and strike Do uchi
3) Step forward with your right leg and strike Do uchi
4) Bring Bo back so that it is at your left side (i.e. Turning anticlockwise) leave go with
your right hand and re-grip below your left (continuing the turn) step forward with your
left foot and strike Age uchi to the Underneath of hiw wrists either knocking the sword
away or up in the air (so that you end up in Seigan with your left foot forward)

Hatsumi

Move whilst pointing the Bo at his eyes.

13. Tachi-otoshi (Sword Drop)

1) Ichimonji with your left foot forward.He is in Dai Jodan and strikes Tenchi giri.
2) Shift back and out switching foot position and perform ukemi.
3) Step back with your left leg so that your right leg is forwards.Turn Bo clockwise
(leaving go with the left hand) and regrip with the left hand striking to the top of his
wrists.

Hatsumi

Insted of shifting back into ukemi,step diagonally forward with right leg into ukemi.
Continue as above then tsuki.

14. Harai (Sweep)

1) Seigan no kamae with your left foot forward

2) He cuts in from Dai Jodan, Tenchi giri
3) Switch step so that your right foot is forward and rotating the Bo (so that the right hand
travels in an upwards motion) strike to the top of his wrists.
4) Step forwards with your left foot and strike Age Uchi to the underneath of his wrists.
5) Step forward with your right foot and perforw an overhead Do uchi.

Hatsumi

On initial strike you can either use a long section of the bo by sliding your hands,or a
shorter section by not sliding your hands so that you are in closer.

15. Yama Te Tsuke (Apply To the Forearms)

1) Chudan no Kamae with your left foot forwards

2) Tsuki
3) Step forward with your right foot and strike Do Uchi.

20
4) Without stepping forward perform Tento Uchi
5) Step forward with left foot and strike Age uchi to the wrists

Hatsumi

On the Tsuki you can throw the Bo or use your elbow or hand on the end of the bo to
thrust.Then use one hand to lift the Bo (with it lying down your forearm) to come in for
the Do-uchi.

16. Mukozume (Cramming Forward)

1) In Seigan no kamae with your left foot forward.

2) Step forward with the right foot and perform Tento uchi.
3) Leave go with your left hand and rotate the Bo clockwise, re-grip with your left hand
and keep staff rotating whilst you change your foot position.Leave go with the left and
rotate to end up back in Seigan with your left foot forward.This sequence is repeated 3
times.Finish with a step forward with the right foot and strike Tento Uchi.

17. Ke age (Kicking Up)

1) Ichimonji with left foot forward

2) Tento uchi without changing foot position
3) Step back with left foot and strike Tento uchi
4) Step back with your right foot and strike Tento uchi
5) Step forward with your right foot and strike Tento uchi
6) Bring your left foot next to your right foot then step forward with your right foot and
perform an overhead Do uchi.

18. Geiki ryu (Attack and Halt)

1) Seigan no Kamae with your left foot forward

2) Tsuki
3) Without stepping forward strike Kasumi uchi
4) Step back with your left foot into Gedan no Kamae
5) Step forward with you rleft foot and strike Age uchi
6) Step forward with your right foot and strike Do uchi

19. Tsuke Iri (Follow Up And Enter)

1) Seigan no Kamae with your right foot forward

2) Tsuki
3) Step forward with your left foot and strike Do uchi
4) Leave go with your right hand and rotate the Bo anticlockwise 180' and re-grip with
your right hand
5) Tsuki

21
Hatsumi

The Do-uchi looks to be a fake or just a transition to the next Tsuki. i.e. do the movement
all in one.

20. Gorin Kudaki (Gorin Kudaki)

1) Jodan no kamae with your left foot forward

2) Rotate the Bo using the right hand, using your left hand as a fulcrum
3) Step forward with your right leg and strike Do-Uchi
4) Step forward with your left leg and strike Do-Uchi
5) Step forward with your right leg and strike Do-Uchi

Hatsumi

When blocking with the sword it should point down running accross the bent arm for
Support.

21. Tenchijin (Heaven, Earth and Man)

1) Tenchijin no Kamae with the right leg forward

2) Step forwards with your left leg and strike Do-Uchi
3) Tsuki, Kasumi uchi without changing the position of your feet.
4) Draw the Bo back in your Hands
5) Step forward with your right foot (Yoko aruki) so it just passes your left foot
6) As soon as your right foot touches the floor pull it back and Tsuki at the same time to
the opponents eyes.

22. Mae Hiro (Front Wide)

1) Chudan no Kamae with your left foot forward

2) Step forward with your right leg and strike Do-Uchi
3) Pull Bo back in your hands and strike Tento uchi without changing the position of your
feet.
4) Step back with your right foot into Tenchi no Kamae
5) Kneel down so that your left leg is forwards and strike Toko-Uchi
6) While still kneeling perform a Tsuki to oppoenets Gorin.

Hatsumi

In Chudan you step in closing the distance between you and the oppoent and at the same
time pulling the Bo back in your hands to create Kyojutsu. Koho Tobi into Tenchi no
Kamae

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23. Ryokote (Both Hands)

1) Chudan no Kamae with your left foot forward

2) Strike Age-uchi to your opponents wrists while stepping forward with your right foot.
3) Leg go with your left hand and turn your right wrist to strike Kasumi Uchi
4) Step forward with your left foot striking Age-uchi to his wrists.
5) Step forward with your right foor and strike Age-uchi to his wrists.

Hatsumi

As in Mae Hiro move in,closing the distance as you pull the Bo back in your hands.Step
in Age-uchi.Step forward with your left foot and strike Tento-uchi (without sliding the Bo
in rour hands).Step back with your left foot and strike Age-uchi to Suzo. Step forward
with your left foot and strike Age-uchi to Suzo controlling the opponents body with your
left elbow

24. Uranami (Inlet Waves)

1) Ichinmonji no Kamae with your left foot forward

2) Tsuki
3) Step back with your left foot into Gedan no Kamae and strike Tento-uchi without
changing your foot position.
4) Draw the Bo back in your hand
5) Tsuki
6) Lift your left hand to your ear so the Bo is vertical.Leave go with your right hand and
pass Bo Behind your back so you are in an Otonashi like Kamae.
7) Step forward with your right foot and leave go of the Bo with your left hand and strike
Do-Uchi

Hatsumi

When you Tsuki pull the Bo back quickly. If you can't pull the Bo back then pull back
using the body. This Forward-Backward movement is important.

25. Tamagaeshi (Ball Counter)

1) Ihen no kamae
2) Tsuki. Pull the bo back in your hands
3) Tsuki. Pull the bo back in your hands
4) Step forward with your right foot and strike Do-uchi
5) Strike overhead Do-uchi without changing your foot position
6) Ashi Barai without changing foot position
7) Kneel down so that your right leg is forward and strike Age-uchi to Suzo.

Hatsumi

23
When the Do-uchi is blocked then leave go with the left hand letting the block turn the
Bo as to strike Kasumi Uchi.You don't have to hold the bo with the back hand when you
strike you can use the elbow to support the bo.

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 HANBOJUTSU (Three Shaku staff)

REKISHI - History

Battle, recorded in the Nihon Shoki and Kojiki (which are two of typical chronicles of
Japan) occurred in the 8th century A.D. Prince Yamato Takeruno Mikoto planned to
defeat a brave warrior of Izumo, Izumo Takeru. Prince Yamato went to visit the warrior
and sought to shake hands with him to show Izumo his good will and friendship. The
Prince then invited Izumo to take a cold bath with him, saw that they might speak of
battle strategies in they're nakedness (Japanese have a saying "naked companionship"
which means to hide nothing from each other.) while the Prince and the Izumo warrior
were bathing, one of the princes retainers carried out the princes plan; he exchanged
Izumo's steel sword for a look alike akagashi (red oak) would sword (which I suppose
looked like an iron sword). To put the action into a ninjutsu term, he used "mokoton no
jutsu" (a technique practiced by the use of wood). The Prince and Izumo were absorbed
in a heated discourse on combat strategies. One would tell the other about a foregone
battle and how he won it by using this or that technique. Then the other would say in that
circumstance another technique would have been a more efficient. In this fashion, the
Prince led Izumo into a trial at physical confrontation.

They got up out of the water to fight. Izumo unaware of the Prince's plan, swung at the
Prince with the wooden sword. The steel sword of the Prince was broken in half by
Izumo's wooden sword and the Prince was soon sadly defeated. In this way a warrior,
through cunning and guile, used a wooden sword to defeat another warrior who originally
had a steel sword.

In 1339, another story involving another possible origin of the half staff was recorded in
the battle journal (Senki) of Japan. In January of the third year of Engen(1336-39),
Ashikaga Takauji and his army attacked Kyoto. Defending the city was Yuuki Chikamitsu
and his troops. One of Yuuki's retainers, Ookuni Taro Takehide battled with "Gooketsu"
(an extremely strong and unusually large man) of the Ashikaga army. Ookuni was using a
tachi (a fat sword) over three feet long. The "tachi" came down on Ookuni's spear with
the power of a giant axe and left only a three feet long stick. Ookuni held the stick in one
hand spread his arms in the "Hira no kamae" and then bid the " gooketsu " to attack. The
Gooketsu, angered by the boldness of Ookuni, raised his "tachi" high in the air and
brought the blade down with the power that would have split the warrior in two, armor
and all. Ookuni remained calm; he used "Taihen jutsu" to avoid the blade and forced his
staff into an open space in the Gooketsu's armor to throw it off. In the return stroke of the
staff after throwing the armor off, he struck the top of the Gooketsu's head, cracking his
skull. This story is one of the theories of the origin of the half staff.

In the Kukishinden Ryu the Hanbojutsu is broken down into 3 Kamae, then three sets of
formal Kata, Shoden no kata, Chuden no kata, and Okuden no kata. The Shoden is
defense against Kodachi/Wakizashi; the Chuden and Okuden katas are defense against

25
katana. You should learn to keep a firm grip on the Hanbo but a loose feeling of the staff.
Let it move freely.

KUKISHINDEN RYU - SANSHIN NO KAMAE (Three hearts postures)

1. KATA YABURI NO KAMAE (Form breaking posture)

Also known as Hira Ichimonji no Kamae, Kachimi no Kamae, Kata Yaburi no Kokoro
Kamae.

2. MUNEN MUSO NO KAMAE (No intention, no thought posture)

Also called Shinshin no Kamae, Shingi no Kamae, Mushin no kokoro Kamae, Mushin no
Kamae Mugamae.

3. OTONASHI NO KAMAE (Soundless posture)

Also called Shizen no Kamae, Danpi no Kamae, Kage no Ippon no Kamae, Otonashi no
Kokoro Kamae, Otonashi no Kamae Mugamae.

KUDEN: Shinden Amatsu Tatara Ryu's Hanbojutsu which is based on the Amatsu Tatara
Kangi Den uses 3 Kamae. Kata Yaburi, Munen Muso, and Otonashi. These go by the
collective name Sanshi Den, Sanshin no Kamae, and Sanso no kata. Takamatsu
Toshitsugu called the three Kamae Sanshin no Kamae.

26
 SHODEN NO KATA - Initial Transmission forms
KATATE UCHI (Single strike)

Uke has shoto in his right hand and steps forward with his left leg and grabs Tori`s collar
with his left hand. Uke then steps forward with his right leg and executes a Tsuki with
shoto, Tori responds by stepping back with left leg and brings the right side of Hanbo up
to Uke`s left elbow releasing the grab. (All in one movement).

Henka;
Uke has the shoto in the right hand. Uke steps forward with left foot, and grabs the collar
with the left hand. Uke then steps forward with the right foot, with Chudan Tsuki with a
shoto. Tori steps forward, and out to the right. The left foot comes across to the left, and
steps behind the right. Tori bring the Hanbo up striking just above the elbow on Uke`s
right arm.

TSUKI OTOSHI (Strike and drop)

Uke has the shoto in his right hand and steps forward with his left leg and grabs Tori`s
collar with his left hand. Uke then steps forward with his right leg and executes a Tsuki
with a shoto, Tori responds by stepping back with a left leg and brings the right side of
the Hanbo up to Uke`s left elbow releasing the grab (all in one movement). Then Tsuki
the right end of the Hanbo at Uke`s chin (move the body forward when striking the chin).

Henka:
The start is same as in Katate Uchi. After the strike, Tori release the left hand, and turn
the Hanbo over to the right. Catching again with the left hand, Tori strikes with the tip of
the Hanbo into Ukes throat. Tori moves forward for the Tsuki.

UCHI WAZA (Hitting technique)

As Uke steps in to Tsuki with Shoto, Tori steps back 45 degrees with his left and turns the
Hanbo so that the left side strikes the wrist, the left hand releases the Hanbo, the right
side moves horizontally around so that the right end is caught in the left hand, slight step
forward and Tsuki to right Kasumi.

Hanbo:
Uke steps forward with Chudan Tsuki. Tori steps out to the left. The right end of the
Hanbo strikes down on the top of the Ukes` hand. Uke releases the left hand, and turns it
so that he can catch the right end of the Hanbo. Tori does a slight step forward, and Tsuki
to Kasumi.

27
 NAGARE DORI (Flowing drop)

As Uke steps in with the Shoto, Tori steps forward with his right foot releasing the Hanbo
with his left hand. Hanbo strikes the inside of the elbow (the Hanbo is vertical with the
hand at the top) the left hand grabs right hand controlling the Shoto, the right hand comes
down moving the Hanbo and use Koshi Ori (breaking the hip). The left leg moves back
anti-clockwise applying pressure to the arm and takes down.

5. KASUMI GAKE (Haze trap)

6. IKI CHIGAE (Walking past)
7. KAO KUDAKI (Face crush)
8. ATE KAESHI (Striking counter)
9. SAKA OTOSHI (Reverse drop)

CHUDEN NO KATA - Middle Transmission forms

1. KOTE GAESHI (Hands against)
2. SAKA OTOSHI (Reverse drop)
3. HARAI WAZA (Sweeping technique)
4. SOTO WAZA

OKUDEN NO KATA - Inner Transmission forms

1. HANE OTOSHI (jump and drop)
2. MATA GAKE
3. KOTE HARAI (Disposing of the hands)

28
 KUKISHINDEN RYU JOJUTSU
1. JUMONJI (The cross)
Uke begins in Sword Seigan no Kamae - Tori is in Jo Ihen no Kamae. Tori strikes to uke's
left Kasumi - which is blocked and then to left Do, which is also blocked. He then
switches position to strike to Uke's right Kasumi (blocked). He then rotates Jo to strike to
right Kasumi again (blocked). Next rotate Jo in opposite direction and changes body
position to strike at left Kasumi.

2. ROPPO (Gedan Nagashi) (Six ways)

Tori is in Gedan, and does a right step forwards, and does a Kasumi Uchi. Uke jumps
back to avoid this strike. The strike continues past Uke, and Tori releases with the right
hand. Uke stops the Jo when it rests across the top of the shoulders. Tori takes hold of the
Jo in the right hand (both hands hold the Jo, one at each end). Tori release the left hand,
so that the Jo flips around for a Yoko Men Uchi to Kasumi. The left hand catches the Jo
on impact. The left releases the Jo, and the right rotates the Jo to the right side of Tori.
Uke comes in from Daijodan, and Tori do a Tsuki to finish.

NOTE: Tori can drop to the knee for the Tsuki. To cushion the Jo across the shoulders,
drop the weight onto the left leg. This technique can be seen on the old video "Ninja
secrets of the Grandmaster"

3. KYUHO (Nine ways)

Tori is in Chudan. Tori does a right step forwards, and a Ashi Barai, to Uke's lead leg.
Tori then rocks back onto the left leg, and do Age Uchi to the groin or wrists. Tori pulls
the Jo back to Gedan on the left, and steps forward with the left, and does Tento Uchi
(keep the weight on the left leg after the left step). Tori steps forward with the right, and
strikes with Ashi Barai to Uke's rear leg (keep the weight on the left leg). Tori releases
with the left hand, paddles the Jo back to Chudan with a right step back.

NOTE: Use the paddle back to knock Uke's sword away if it is close to Tori.

4. HIRYU (Flying Dragon)

Tori is in Tenchijin no kamae. Tori does a right step and a Jodan Kiri style strike with the
Jo. Tori pulls the Jo back so he holds both ends of the Jo, and steps forward with the left
foot, and Tento Uchi. The jo is on the right, and Tori throws a Tento Uchi forwards. Tori
pull the Jo back on the right, and with no step does a Do Uchi. Tori then does a switch
step, and strikes up with Age Uchi (right hand in front). Tori does a switch step and
strikes with Kasumi Uchi (left hand in front), another switch step, and a Ashi Barai,
switch step, and Do Uchi to Uke's right side. Tori paddle the Jo to Chudan and finish.

NOTE: The paddle is the same as that from Roppo.

29
5. TSUKI IRI
Tori is in chudan. Tori steps forward to the right Slides the Jo through the left hand, and
rotating the Jo anti clockwise, strikes in a full circle, to the back of Uke's head. Tori rotate
the Jo above his head, in the right hand, and strikes Uke on the same side. Tori shift his
weight onto the left leg, and slides the Jo to Chudan on the right side. Tori switches step,
and slides the hands forward, and strikes with a form of tento Uchi, pulling the Jo back to
Chudan on the left side. With a right step forwards Tori brings the Jo anti clockwise
across the body, to strike up to Uke's left side Kasumi. Tori rotate the Jo above the head
in the right hand, and strikes to Uke's left Kasumi again. Tori lets go with the left hand
and regrips below the right, and strike with the Jo on top of Uke's head.

6. UDE GAKE (Arm trap)

Tori is in Ichimonji no Kamae, Uke is in Daijodan, and does Jodan Kiri. Tori shifts to the
left, and lifts the Jo vertical, with the right hand at the top. Tori release the left hand,
rotates the Jo clockwise, catching the other end of the Jo in the left hand, and drops it
down on top of Uke's wrists.

NOTE: Strike with the edge of the Jo to the hands. When shifting to the left place the
weight on the left leg. The hands slide to the ends of the Jo. As you release the Jo flip it
like a spring over. Depending on distance, rock the weight back in on to the right leg.

7. KOTE GAESHI (Hands against)

Tori is in Seigan, and does a Tsuki, by shifting the left leg forwards. Tori then pulls the Jo
back on the right to Gedan. Tori rocks forward on the left leg, Tori rotate the Jo overhead,
for a Kasumi Uchi.

NOTE: For the Kasumi Uchi the hands are crossed.

8. TACHI OTOSHI (Standing drop)

Tori is in Chudan. Tori slide the Jo through the hands to Tsuki. Tori then steps out to the
right slightly forwards, Tori rotates / paddles the Jo in a counterclockwise motion to strike
the back of the head, Tori then does a over head Do Uchi. Tori steps back with the right
foot. He the steps forward and repeat this without the Tsuki. A third attack is undertaken,
but instead of the overhead Do Uchi, Tori slides the right hand to the middle of the Jo (jo
is on the left), releases the left hand, the right hand rotates the Jo vertically for a Tento
Uchi.

NOTE: When doing the paddling aim for the back of the head, or if Uke moves back
strike down on top of the wrists. When it is done the third time the final attack will
surprise Uke, as he expects you to attack with the Do Uchi, and should leave himself
open.

30
 KUKISHINDEN RYU SOJUTSU
KAMAE (Postures))
1. SEIGAN NO KAMAE
2. RYUSUI NO KAMAE
3. CHUDAN NO KAMAE
4. JODAN NO KAMAE
5. TAIHEN NO KAMAE
6. YARI GEDAN NO KAMAE

KEIKO GATA (Kata of practice)

1. RYU HA
2. YARI TAI HEN

KAI SETSU GATA (Kata of enjoyment)

1. KANPO
2. SHIHO WAZA
3. HICHO HAKU
4. HITOTSUKI YAKU
5. ICHU SANTO
6. HASSAKU
7. HISO
8. TENCHI KAKU
9. HANE DORI YAKU

GOKUI GATA (Kata of secrets)

1. ICHIMONJI
2. KIKU MIZU
3. MAKI DZUTA
4. ONI ZASHI
5. HI RYU
6. TSUKI FUSE
7. INCHO
8. MITSU DAMA
9. NANAMI NO HA

MENKYO KAIDEN - HENCHO GATA (Kata of changing lessons passed from

teacher to student)
1. YOKO DAOSHI
2. RYU TO
3. TOMOE
4. KUGI NUKI

31
5. ARASHI
6. SHIN MEI
7. TAKI OTOSHI
8. YOKO NAGE
9. TACHI NAGE
10. NICHI GETSU

KUKISHINDEN RYU SOJUTSU

KAI SETSU GATA (Kata of enjoyment)

1. KANPO (restraining method)

Uke is in Seigan with a Katana. Tori is in Seigan with a Yari, and does two short Tsuki to
Chudan. Tori then goes to Jodan no kamae, and Chudan Tsuki. Tori then steps out to the
right, and brings the left leg to the rear, dropping to the left knee, and strikes with the
Ishizuki to the back of Ukes knee.

NOTE
The two Tsuki at the beginning are to test Ukes strength. The step to the right can also be
a jump.

HENKA
After the second Tsuki, Tori steps across to the right with the right foot, and pulls the Yari
down to his right Obi (both hands together in the middle of the Yari. Tori then steps
forward with the right to Tsuki to Ukes stomach (do not alter the hand position). Tori then
drops down on the left knee, striking up with the Ishizuki. For strength, Tori release the
left hand on the Yari, and holds it out to the side with the elbow bent 90 degrees. The
binding drops into this bend in the arm.

NOTE
From the last movement the Yari can be flipped over to point the blade forwards.

HENKA (Kodachi)
This is the same as the Kata, except Uke has to keep moving to his right to find an
opening. Tori is in Kodachi Seigan no kamae. As The Tsuki come in Tori uses footwork
to keep away from the reach of the Yari. The Kodachi parries the Yari right, left right.
With the last Parry Tori steps in and slides the Kodachi down the length of the Yari to
Ukes hands. Then slicing over the hands to Tsuki Uke in the ribs. Use the left hand on
Ukes right shoulder to control him if needed.

The Kukishin Ryu itself is based upon the teachings of a school that was mastered by the
founder Yasushimaru, this being Tenshin Shoden. The principle teachings of this schools
was the use of the Naginata. It was from the Naginata that the Yasushimaru created his
Bojutsu for which the Kukishin Ryu became famous.

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 BI-NAGINATAJUTSU

In the Kukishinden Ryu the section on Naginata is known as Bi-Naginatajutsu (Secret

art of the Naginata). There are five Kamae and nine Kata for the Naginata.

KAMAE (Postures)
1. Hira Ichimonji no Kamae
2. Ichimonji no Kamae
3. Hasso no kamae
4. Seigan no Kamae
5. Naka Seigan no Kamae

KIHON

1. While in Hira Ichimonji no Kamae (Jisen Gata), walk forwards, keeping the posture
throughout, low and precise.

2. As in 1. But use Yoko aruki

Note It is most important that the Naginata does not bounce up and down, or sways from
side to side. It must remain horizontal.

3. When moving the Naginata blade from one side of the body over to the other side,
bend the knees, and shift your balance in the direction that you are turning the Naginata.
Note This is important if the weapon is heavy or if you are for instance on a ship that is
rocking.

4. With several people armed with Naginata, practice walking forwards together, and on
the fifth step change the Kamae, avoid clashing the Naginata, while changing the Kamae.
Practice using all kamae.

KIHON (Waza)

1. Uke is in Seigan or Daijodan, and cuts with Jodan Kiri. Tori is in Hasso or Hira. As
Uke cuts Tori steps back into Hasso, to block the sword upwards with the base end of the
Naginata.

2. Same as 1. But instead of hitting the sword strike up to Kote, Te, or Hoshi.

3. Move to Hasso and block the sword. Step across with Yoko Aruki, moving the Katana
as you step to open him up.

4. Use 1. then sliding the left foot to the rear of the right, cut down to Kote or Hoshi.

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5. Use 2. then sliding the left foot to the rear of the right, cut down to the neck on the
left side.

6. From Hira, as Uke does a Tsuki, Tori brings the left foot back to the rear of the right
foot. The Naginata blade is brought down on top of the Katana. With a slight right step,
turn the blade flat, and cut back across the throat.

7. Use 6., then cut down the arm/shoulder joint.

8. Cut with Ura Kesa Giri L-R (right foot forward), left step across, and turn hip upwards,
and cut across the throat, sweeping the left leg back, cut down Kesa Giri (R-L). Practice
both sides.

9. Uke cuts with Do Giri with theNaginata. Turn to face the Naginata, bend the knees (as
if sitting on a horse), and hold the Sword out in front of yourself, with the elbows tucked
in. Block the Naginata. Turn the sword edge to yourself, right step back, and dropping the
sword down a little sweep the Naginata, across the front of your body to the right. Stop
your sword so that it points at the Naginata (45 the front right).

KYU-HO (Nine ways)

1. Nagi Taoshi (Mowing and dropping)
2. Hataki Taoshi (Slapping down and felling)
3. Hane Taoshi (Snapping up andfelling)
4. Suri Age (Hooking and rising)
5. Ashi Barai (Leg sweep)
6. Kuri Taoshi (Winding and felling)
7. Sashi Chigae (Exchanging stabs)
8. Tobi Kiri (Jumping cut)
9. Zengo Nage (Front and back)

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 BISENTOJUTSU

The Kukishin Ryu has a weapon called "Bisento", which is similar to the Naginata. The
difference between the two is that it is much heavier, and a lot larger, with the blade
reaching up to 3ft (1m) in length. Because of it's length, and weight, it made it simpler to
knock it down and opponent, and smash through any armour that was being worn, it is
also used to take horses down in the battlefield. Due to it's size, normal Taijutsu is not
enough to wield the Bisento. Body turns, and more footwork are needed to aid the use of
this weapon. It is used to ram, and bludgeon rather than cut, and slash like the Naginata.
According to the Kukishin Ryu history, the Bisento was brought to Japan, from China, by
a warrior called Tetsujo. He is supposed to have taught Yoshiteru in the Totori province,
who had escaped there after being defeated by Fujiwara Tadamitsu. The legend of the
Bisento states - Izumo Kanja Yoshiteru was defeated by Fujiwara no Tadamichi, chief
adviser to the emperors Toba to Go- Shirakawa (1108 - 1156). He escaped to a cave in
Izumo (where he gets his name from). Here he met a Chinese Tang master Tetsujoso (Tie
Zhang Seng). He was taught the use of the Bisento by Tetsujoso. The Bisento is
extremely heavy and therefore calls for smooth supple movement of the body. The
Bisento is not swung about with just the use of the hands. Swing with the hands. Use
skilful movement (Sabaki) of the body. Their are only 9 kata for the Bisento, and they
appear to be more of training forms than fighting forms which the Naginata kata
resemble. It is possible that the Bisento Kata are used for use in much the same way a
runner puts weights on his ankles when he trains. The weights are removed and the
lightness makes him run that little bit faster. May be the Bisento is the extra weight, so
the Naginata is so much lighter in the hands when used, and will flow with exceptional
speed when used.

KAMAE
1. Seigan no Kamae
2. Hasso no Kamae
3. Ichimonji no Kamae
4. Yoko Ichimonji no Kamae

OUSHIN (Deep and broad swinging)

Three opponents armed with Daito in Seigan no kamae. In seigan with the Bisento on
your left side, step back with the right foot into hasso no kamae, step forward with the
right foot to cut Yokomen uchi to the middle swordsman, koho tobi, step forward with the
left foot turning the Bisento on your right side to strike Yokomen uchi to the swordman
on the right side ( your arms should be crossed), step forward with your right leg
unwind your arms to strike Tento uchi to the third swordsman.

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KAKUGYAKU (Parting reversal)

This is a technique which cuts down to the opponents shoulder (Kiri Sageru).

Any Kamae is okay to start from.Start with the Bisento on your right side. Step forward
with the right foot bringing your right hand to jaw level (with the elbow tucked in) the
right hand acts as a fulcrum with the left hand pushing the other end down, Then the
blade is allowed to drop to cut, raise the bisento into a vertical position change hand step
forward with the left leg and drop to cut again.

CHI KUSHA (Bamboo diagonal)

The meaning of this technique is the movement of cutting bamboo diagonally.

Start in Hasso with the left foot forward.Step forward cutting diagonally against the body
then using the right hand as a fulcrum push the bottom end of the bisento with the left
hand at the same time using the body by stepping into Shizen change hands and cut the
other side. Repeat this many times.

NAMI BA (Wave blade)

This technique is similar to the above but this time you manoeuvre in the manner of a
wave.You yourself dont make the wave its as though something is being carried by or
being pressed on by the sudden changes of a wave. It is the same as the above but has a
more Rhythmic feel to it. Also the strength of waves can differ.

BATTO (Drawing a sword)

Hasso with the blade on your right side.The top of the bisento rests on your right shoulder
now you strike to Toko using the bottom end of the bisento 1-3 times then step forward
with the right foot and cut diagonally at his neck.

GI SEN (Sunlight tip)

Chudan no kamae (Right foot forward ), push the left elbow down so the blade of the
bisento rises, swordsman parries it, step out to the left with the left foot, turn the body to
cut with the bisento (Gyaku kesa giri to his wrists) turn your body anti clockwise
stepping back and around in an arc with the left foot and cut to his right leg.

SHIN TOU (Stretching sword)

Chudan no Kamae with the right foot forwards.Swing,using the legs, the bisento up, he
goes to parry it, step out left with the left foot and cut Do uchi from left to right.

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SEITOU (Clean sword)

Chudan no kamae with the right foot forwards. He goes to cut, step back and to the right
with the left foot in an arc, at the same time push down with the left hand to raise the end
of the bisento then left it drop (using both hands) onto his wrists.

MI KEN (Bewitched sword)

Hasso no kamae with the left foot forwards. Drop your right shoulder so that the blade
drops and turn so that the blade cuts up this should be done with a leap so that the right
foot is now forwards .

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 JUTTEJUTSU
BASIC MOVEMENT OF JUTTE

Stand as in Kenjutsu "Hasso no kamae" with the Jutte in the right hand hidden behind the
right leg. Step forward with the left foot, and raise the Jutte so that the right arm is
straight out in front of the body with the Jutte at shoulder height. The body posture is
low.Then step forwards with the right foot, and bend the right arm lifting the Jutte so that
it is raised higher than the head, with the Jutte vertical. The knees are bent and the posture
is low. The body turns to face the rear (the legs stay the same, but the feet move to face
the other way). The Jutte is dropped to the shoulder height position. Continue the rest of
the exercise. The Yoko Ha is upwards, with the thumb braced next to it.

The Jutte in the Kukishinden Ryu involves catching the sword, or clubbing your attacker.
In the Kukishinden Ryu Densho regarding the Jutte, it say's before you can be effective
with the Jutte you must first master your taijutsu.

Place the thumb on the shaft on the opposite side of the hook (Yokoha). This will brace
the Jutte when you strike or catch with it. In the Bujinkan the Jutte can be adopted to be
used in any in any of the kata from the nine schools. As in all weapon training the Jutte
must be treated with respect.

KUKISHINDEN RYU JUTTE KARADE KAMAE

1. MUSO NO KAMAE

2. SUICHO NO KAMAE MIZU TORI NO KAMAE Water bird posture

The left foot is forward, and both knees are bent. The left hand is close to the left knee
and is just to the right (inside) of it. The Jutte is in the right hand, pointing straight down,
at the side of the right knee (inside). The body leans slightly forward. The posture is low,
and looks strong.

3. ICHI NO KAMAE - Number 1 posture

The left foot is forward, and both knees are bent. The left hand is inside and just above
the knee. The right arm is straight out at shoulder height pointing forwards with the Jutte
pointing straight at Ukes throat.

4. SEIGAN NO KAMAE

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5. TEN NO KAMAE - Heaven Posture
The body is the same as Ichi no kamae. The Jutte is in the right hand. The right arm is up
in front of the body with the forearm vertical. The Jutte points to the rear, at 60 degrees.

Note: All Kamae, except Muso no kamae are squat and low down with plenty of
strength in the thighs/legs.

JUTTEJUTSU
1. KIRI NO HITO HA
2. RAKKA
3. MIZU DORI
4. GORIN KUDAKI
5. MAWARI DORI

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 BIKENJUTSU

GEDAN NO KAMAE Low-level posture

This posture is the same as Chudan no kamae , except the sword is held level below the
obi. The arms are held in as if they are holding something under the armpit (very close to
the body).

Notes:
Keep the arms down so the ribs and weak areas such as Wakitsubo are protected. Hatsumi
has stated that the Chudan no kamae and the Gedan no kamae in the Kukishinden Happo
Biken are the same, with the only difference between Chudan and Gedan being
approximately 3cm in height. Chudan no kamae has the sword above the navel, and
Gedan no kamae has the sword below the navel. The Gedan (Lower level) is to use this
kamae to stop your opponent from making his first move by maintaining the position of
your sword.

Kukishinden Ryu Kodachi

SEIGAN NO KAMAE (Correct eye posture)
Stand side on to your opponent, holding the Kodachi in the right hand. The tip of the
Kodachi points to the heart. The left hand is on the hip.

Notes: When facing your opponent and you are in the kamae, make sure you rotate the
tip of the kodachi blade around. This will aid as a distraction and annoy your opponent.
It is vital to use Mutodori, and forget that you have a weapon. Since the Kodachi is only a
shorter blade compared to the katana, it is important to leap in to a very close range due
to the short length of the weapon. Use it as if doing a Shuto or Fudo Ken. Because of the
size of the Kodachi, it is the best weapon to use against pole arms (Yari, Naginata etc),
because you can move in faster. It is extremely effective against Yari.

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