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Esa-Pekka Salonen

INSOMNIA
for orchestra

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CHESTER MUSIC
(part of the Music Sales Group)
14/15 Berners Street, London, W1T 3LJ
tel: +44 (0)20 7612 7400 fax: +44 (0)20 7612 7549
Exclusive distributor: Music Sales Ltd,
Newmarket Road, Bury St Edmunds, Suffolk, IP33 3YB
tel: +44 (0)1284 702600 fax: +44 (0)1284 702592
web: www.chesternovello.com e-mail: music@musicsales.co.uk
rerev. March 06
This work was commissioned by Suntory Limited for the Suntory Hall International Program for Music Composition in 2002,
and by NDR for the first European performance with NDR Sinfonieorchester in March 2003.
World premiere on 1st December 2002 at Suntory Hall, Tokyo, Japan, by the NHK Symphony Orchestra conducted by
Esa-Pekka Salonen. European premiere on 21st March 2003 at the Hamburg Musikhalle, by NDR Sinfonieorchester conducted
by Christoph Eschenbach.

SCORING

Piccolo (doubling flute 3) Timpani


2 flutes (flute 2 doubling alto flute) Percussion (4 players):
2 oboes Perc. 1: Vibraphone, tubular bells, 2 congas, glockenspiel
English horn (doubling oboe 3) Perc. 2: Marimba, rototoms, high triangle, crotales
2 clarinets in B  (clarinet 2 doubling Perc. 3: Glockenspiel, 4 tom-toms, 3 tam-tams, 4 log drums
bass clarinet 2 in B  , and E  clarinet)
Perc. 4: Tuned gongs:

Bass clarinet in B 
?
# # # # #
#
2 bassoons bass drum, mark tree, suspended cymbal,
Contrabassoon Chinese gong in F  , small tam-tam, snare drum
(2 glockenspiels are required)
4 horns in F
Harp
4 Wagner tubas in F
Piano doubling celesta
3 trumpets in C
3 trombones Strings
Tuba

Duration c. 20 minutes

Study score on sale: Order No. CH69663


Conductors score and orchestral parts
are available on hire

COMPOSERS NOTE
Insomnia was written between March and November 2002. Technically speaking, it is a set of variations based on a harmonic
model, separated by a Ritornello-like section which is essentially a pedal point on the note E. The sound is darker and deeper
than that of my other recent orchestral works. I decided to add a quartet of Wagner Tubas to the brass section, for the very
particular sonority that only these rare and weird instruments can produce.
The two basic archetypes of my music, the chorale and the machine, are still an important part of the vocabulary, but now
they are often in a state of flux, as one thing gradually becomes another. Even the Ritornello phrase keeps changing shape and
structure, and only the characteristic harmony remains the same throughout the piece.
The work begins with a woodwind chorale, which is continued in the horns and Wagner tubas. This chorale will reappear
many times, in different guises. The first incarnation of the Ritornello follows, dominated by the (irregular) heartbeat of the
timpani. The music speeds up to a Presto, but first we hear a machine-like structure, which gradually develops into a more
chamber-music-like texture featuring a solo violin in a very important role.
Suddenly the atmosphere darkens as the timpani and the trombones enter. What was once a bright figuration of the solo
violin is now a dark and threatening rumbling in the cellos and the violas. After the return of the Ritornello (again dominated
by the timpani), the machine music is back. This time it filters down to a folk-like clarinet solo. Then we hear a variation of the
woodwind theme from the beginning, this time over (and under) pedal points in all registers of the orchestra. The next
machine accelerates to a wild tutti section dominated by a neurotic trochee rhythm, which continues in the third incarnation
of the Ritornello.
From early in the composition process, I realized that this music was somehow about the night (an early working title was
Nox), but not in an idyllic, nocturnal way. I was more drawn towards the demonic, dark aspects of the night: the kind of
persistent, compulsive thoughts that run through the mind when lying hopelessly awake in the early hours.
The musical processes in Insomnia have a lot in common with the psychology of a sleepless night: some thoughts become prison
cells we cannot escape; others keep coming back, again and again. Towards the end of Insomnia the music finally calms down to
an Adagio, dominated by the mellow sounds of the horns and the Wagner tubas. At the very moment we think that we have
finally arrived at the gates of sleep, the sun rises in its full glory. A new day begins, exultantly.
E-P.S
Dedicated to Christoph Eschenbach

INSOMNIA
Esa-Pekka Salonen
Tempo molto moderato q = 84

Piccolo
pp mf pp mf pp

1



Flutes 1.2
pp mf pp mf pp

1.

Oboes 1.2
p fp f p f f fp f


English Horn

1.

Clarinets 1.2 in Bb
p fp f p f f fp f


Bass Clarinet in Bb

p fp f p f f fp f


Bassoons 1.2




Contrabassoon
p fp f p f f fp f

Horns 1-4


in F

Wagner Tubas 1-4


in F





con sord. (straight)



1.2
mp
Trumpets in C mp pp mp pp
con sord. (straight)

3


mp

1.2
Trombones con sord. (straight)





3
mp
mp pp mp pp
con sord.



Tuba




mp
mp pp mp pp

Timpani

Vibraphone

(very soft mallets)
1

pp
Marimba

(very soft mallets)



Percussion 2
pp

3.4





Harp


p


pp
Celesta

Tempo molto moderato q = 84



Violin I

Violin II







2 sole

non vibrato

Viola
pp mf pp pp mf pp pp mf



non vibrato

2 soli

Violoncello
pp mf pp pp mf pp pp mf



non vibrato


pp pp

pp mf pp mf pp mf
Double Bass 2 soli

non vibrato



pp mf pp pp mf pp pp mf

All rights reserved


Copyright 2006 Chester Music Ltd CH69663 Printed in England
2
7
1 5 ?M ?M BM  '    
Picc. G  = 4 4
!5
4 ? 0 0 0 0
mf pp p

Fl. 1 G 5 = 4 4 ?M ?M BM  '


 4 ? 
 0 
 0 
 0 0 

5
mf pp p
B 5M  5  5 ! BM BM 5
 5
 =M ? BM 5 M 5 5  5 M 5MM 5 
 BM 5 =M 4
 5 5 5 M B
 0  ?  k
55 B
Ob. 1 G   I 
p f p p mf f f
f
5 M 5 5
0 0
Solo
 5 B 5 4 ?  0  0  0 0 
E. Hn. G     
mf p
5 M 5 5 B M $ $
Cl. 1 B
E5 B
 M 5 =M ?  0 BM 5M E5E5  5M  BM 5 =M 4 ?  5 
in Bb
G
I E 5 5M B E5 5 E B
k 5MM 5 
p f p p mf f
f
f
$ BM 5M E5M B
B. Cl. 1
G B 5 M 5 5 B M 
5 B M !5 =M ?
 0 5E5  E5M  BM $ =M 4 ?  5 5 k B

5MM E5 
in Bb I 5 E5 5
p f p p mf
f f f
5
0 0  0 BM 5M 5 5   BM  =M 4 ?  5 5 5M B 
Bsn. 1 5IM E 5 5 EB
k 5MM 5 
p mf f f
f
B 5 M 5 5 B M  M $ =M ?  0 0  0  0  0 0 
Cbsn. 2 5 B 5
p f p

' E5
Hn. 1.2 1G 0 0  0 0  0  ?M '  ! 5 = 4 4 0 
in F 
mp pp
 
 ?M
0 0  0 0  0  ' = 4 4 0 
1.2 G   '  5 

5
W. Tba. mp pp
in F

E' 5
3.4
0 0  0 0  0  ?M '  E5

= 4 4 0 
mp pp

1.2
5
G 5 = 4 4 ?M ?M BM  ' !5 4 ?  0  0  0 0 
pp  BM ' 5I
Tpt. pp
in C p
3 G 5 = 4 4 ?M 0 
 0 0 
 0 
 0 
 0 0 

pp
I5
5 = 4 ?M ?M BM  ' 
Tbn. 3 4 4 ? 0  0  0 0 
pp pp p
senza sord.
Tuba 2

 = 4 4 ?M ?M  5I 4 ?  0  ?M   = 4 4 0 
5
pp
BM ' p ' E5
pp

mp pp
(Vibr.)
1 5 ?M ?M B M 5^ 4 l.v. l.v.
   ?M  
1 G 5 = 4 4 ' ? 0 ' 0 0
'
'
 BM ' 5_ '
p mp
(Mar.) 5^
EE55 = 4 4 ?M ?M BM  ' 5_4
l.v.
?  0  0  0 0 
2
 BM '
Perc. p
3 Tam-Tams l.v.
3 N 0 0  0 0  0  0  BM 0 
p
Tuned Gongs l.v.
4 2
0 0  0 0  0  ?M '  0 0 
mp
5^
E5 = 4 4 ?M ?M BM  0 4
l.v.
?  0  ?M '
G'
l.v.
 E 5 4 4 0 
E5
Harp
-
E5
 = 4 4 ?M ?M
! BM
 0
p
5^ 4 ?  0 
mp
0  0 0 

5 ?M ?M B M  '    
G 5 = 4 4  !5
4 ?  0  0  5 5 M B 5MM 5 
 BM ' 5 55 B
Cel.
- 0 0  0
p
0  0  0
f
 5
E5 5M B E5 5 B 5MM 5 

1  
Vln. I G 0 0 0 0 0  0  0 0 

0 0  0 0  0  0  0 0 
Vln. II G
I5"  B" M ' I"
G  = 4 4 ?M ?M  5 4 ?  0  0  0 0 

pp pp pp
Vla. "  
5I"
"
(2 Sole)
G  = 4 4 ?M ?M M  4 ?  0  0  0 0 
 BM '0 I5
pp
pp pp
"" "" ""
5 ?M ?M BM  
 ?M
 ' !5   ' 
(2 Soli) G 5 = 4 4  4 ?  0 '  5 = 4 4 0 
I pp  BM ' 5I pp
5I
Vlc. tutti div. a4 pp
pp pp ' I5
'
0 0  0 0  0  ?M  5 = 4 4 0 
 I5 BM '
pp pp

?M ?M I
(2 Soli)
5 = 4

4 BM

' G
5
5I 4 ?  0  ?M '
'  55 = 4 4 0 
pp pp pp pp pp
D.B. tutti div. a4 '  I5
   ?M '
  
0 0 0 0 0 E5 = 4 4 0
2
pp pp
3
15
Meno mosso q = 63

Ritard.

Ob. 1
f fp f ppp
pi f
Cl. 1



in Bb
pi f
f fp f ppp
B. Cl. 1





in Bb
pi f
f fp f ppp

3



1
pi f pp mf
Bsn. f mf

2

f mf
pp mf

Cbsn.

f fp
f mf
f ppp mp mf





1
mp pp mp mf 3 f mf



3


2

Hn. mp mf
in F mp pp f mf
3

3


mp mf f mf


3

4
mp mf f mf



1


pp mp mf 3 cresc.
mp pp f




3

2
W. Tba. pp pp
mp mp mf f cresc.
in F

3

mp pp pp mp mf 3
f mf
3

4




mp pp pp mp mf f mf

Tuba





f mf
mp pp pp mp mf

(Vibr.)

1

(T-Tams)

Perc. 3

ppp cresc.
(Gongs) l.v.

4
mf

l.v.



Harp f



Cel.



Meno mosso q = 63 Ritard.



Vln. I

Vln. II

Vla.


vibrato


3 3

pp
pp pp f
Vlc.


vibrato

(div. a4)


pp pp 3 3 pp
f
vibrato 3

3



f pp
D.B. pp pp


vibrato
(div. a4)
3 3








pp pp f pp
4

22 Pesante q = 63

(2+2+2+3)

Fl. 1.2



f ff pp f ff pp f ff pp
f


Ob. 1.2
f ff pp f ff pp f ff pp
f





E. Hn.
f ff pp f ff pp
f ff pp f

Cl. 1.2






in Bb
f ff pp f ff pp
f ff pp f


B. Cl. 1
in Bb



f ff pp f ff pp f ff pp
f




Bsn. 1.2
f ff pp f ff pp f ff pp
f

Cbsn.

ff


a2

1.2



ff mf ff mf ff mf ff






Hns.
in F
3
ff mf ff mf ff mf ff






4

mf ff mf ff mf ff




1.2

















W. Tba. ff mf ff

mf
ff

mf
ff



in F
a2
3.4
ff mf ff mf ff


senza sord.
Tpt. 1-3

in C
ff

mf
ff
senza sord.





Tbn. 1-3



ff mf ff mf ff


Tuba

ff



Timp.



ff
(Vibr.) medium mallets


l.v.
1


ff

(Mar.) medium mallets

2

l.v.



Perc. ff
(T-Tams)
3












ff mp cresc. mp cresc. ff mp cresc.
ff ff
(Gongs)
l.v.


4

ff
l.v.


ff



Harp

Pesante q = 63

div. a2

(2+2+2+3)
sim.

Vln. I

ff tenutissimo
div. a2

sim.



Vln. II
ff tenutissimo


tutti div. a2


sim.

Vla.




ff tenutissimo


div. a2 sim.








Vlc.
ff tenutissimo
unis.















D.B.

ff tenutissimo
5
e. = h Presto q =168


30

Picc.
f





Fl. 1.2

ff pp ffp f



Ob. 1.2
ff pp ffp f

E. Hn.


ff pp ffp f



Cl. 1.2


in Bb
ffp f
ff pp
B. Cl. 1




in Bb
ffp
ff pp


ff f sempre
a2
Bsn. 1.2


ff pp ffp
ff f sempre

Cbsn.

mf sub.

ff f sempre



1.2



mf cresc. ffp
Hn.
in F

3.4
mf cresc. ffp


1.2
ffp ffp
mf
W. Tba.
(a2)
in F

3.4
mf ffp ffp



Tpt. 1-3

in C
ffp ffp
mf

Tbn. 1-3


ffp
mf ffp


Tuba

mf sub. ffp

Timp.







mf sub. ffp
(Vibr.)

8 8 8 8 8 8


1
(Mar.)
8 8 8 8 8 8

2


Perc.
(T-Tams)


3
mp cresc. f
(Gongs)



4



Harp









Piano



ff

f

f sempre



e. = h Presto q =168
4 soli div.


Vln. I




(div. a2)
mf ff f
4 soli div.



Vln. II



(div. a2) mf ff f

4 soli div.





Vla.
(div. a2) f
mf ff


unis. pizz.

Vlc.
(div. a2) ff
mf f sempre

pizz.
D.B.

mf sub. ff f sempre
6




33

Picc.
ff f ff f












Fl. 1.2

ff f ff f






Ob. 1.2
f ff f
ff


E. Hn.
ff f ff f








Cl. 1.2


in Bb

f ff f
ff
B. Cl. 1


in Bb

(a2)

Bsn. 1.2


Cbsn.






1.2
Hn. pp
in F

3.4
pp

1.2

W. Tba. pp


in F (a2)
3.4
pp

Tpt. 1-3


in C
pp

Tbn. 1-3


pp

Tuba

pp



Timp.

p pp

4 Log Drums

3
Perc. f
Bass Drum

4

mf


Harp

ff f ff f
Piano


sim.
Vln. I


(4 soli
div.) ff f ff f


sim.
Vln. II
(4 soli
div.) ff f ff f



sim.

Vla.
(4 soli f ff
ff f
div.)
arco
pizz.
Vlc.

arco
pizz.
D.B.

7








37

Picc.
ff f ff f











Fl. 1.2
f


ff ff f




Ob. 1.2

ff f ff f



E. Hn.
f ff f
ff






Cl. 1.2
in Bb

ff f
f ff
B. Cl. 1

in Bb

(a2)

Bsn. 1.2

Cbsn.


1.2
Hn.
f
in F


3.4
f

1.2
W. Tba.
in F
3.4

Tpt. 1-3
in C


Tbn. 1-3


Tuba
f


Timp.
f


3
Perc.
(B.D.)
4

l.v.

Harp



ff sfz





sfz


ff f ff f
Piano



4 soli

tutti
pizz. l.v. arco
tutti pizz.
arco 4 soli
Vln. I

(4 soli sfz
ff f ff sfz f
div.)
4 soli pizz. arco 4 soli

pizz.
tutti
l.v.
arco tutti

Vln. II
(4 soli
sfz f ff f
div.) ff sfz
4 soli

tutti


arco pizz.

arco 4 soli
l.v.
pizz.
tutti

Vla.
(4 soli sfz

ff f ff sfz f
div.) arco
pizz.
arco
pizz.

Vlc.
f
arco
pizz.
arco
pizz.

D.B.
f
8






42

Picc.
ff f ff











Fl. 1.2

ff f ff











Ob. 1.2
ff f ff



E. Hn.
ff f ff








Cl. 1.2

in Bb
ff f ff
B. Cl. 1

in Bb

(a2)

Bsn. 1.2


Cbsn.


1.2
Hn.

in F
3.4


Tuba


Timp.

2
Perc.
(Log Dr.)
3

(B.D.)
4





Harp


sfz sfz





ff f ff
Piano




tutti pizz.

Vln. I





(4 soli ff f ff sfz sfz
div.)
tutti pizz.


Vln. II




(4 soli sfz sfz
ff f ff
div.)


pizz.

tutti
Vla.
(4 soli sfz sfz
ff f ff
div.)
arco
arco pizz.

Vlc.

arco
arco pizz.

D.B.

9
46



Picc.

f ff f ff come prima f ff sempre

come prima
a2









Fl. 1.2

f ff come prima f ff sempre
f ff come prima



a2

Ob. 1.2




come prima sempre
f ff f ff f ff come prima


E. Hn.

f ff f ff come prima f ff sempre
come prima


a2
Cl. 1.2


in Bb
come prima f ff sempre
f ff f ff come prima
B. Cl. 1

in Bb


(a2)



Bsn. 1.2


Cbsn.



1.2
Hn. f ff f ff
in F



3.4
f ff f ff


Tuba


Timp.

Vibraphone

1

f ff f ff
sfz

sfz sfz

Marimba
2

f ff f ff
Perc. sfz sfz sfz
(Log Dr.)

3

(B.D.)
4




Harp


sfz sfz





sfz


f ff f ff f ff
Piano





4 soli div.

tutti div.
arco

unis. pizz. unis.
arco div.
pizz.
Vln. I

f ff f ff sfz sfz f ff sfz
4 soli div.
arco
unis.
tutti div. pizz.
arco div. unis. pizz.


Vln. II
f ff f ff sfz sfz f ff sfz
4 soli div.
pizz. pizz.
tutti div. arco div.


arco unis. unis.


Vla.
f ff sfz sfz f ff sfz
f ff


pizz. arco (sempre)
Vlc.

pizz. arco (sempre)

D.B.
10







51

Picc.
f ff




a2









Fl. 1.2

f ff


a2

Ob. 1.2

f ff


E. Hn.


f ff



a2

Cl. 1.2

in Bb
f ff

B. Cl. 1

in Bb
(a2)

Bsn. 1.2




Cbsn.


1.2



Hn. f ff
in F
3.4


f ff
Tpt. 1-3
in C
f


Tbn. 3



f

Tuba





Timp.

(Vibr.)


1

f ff
sfz sfz sfz sfz sfz sfz sfz

(Mar.)


2




f ff
Perc. sfz sfz sfz sfz sfz sfz sfz
(Log Dr.)

3
(B.D.)
4






Harp sfz sfz sfz sfz sfz sfz sfz

















f ff sfz sfz

Piano sfz sfz sfz sfz



arco div.

unis. pizz.
arco pizz.
arco
pizz.

Vln. I
sfz f ff sfz sfz

sfz sfz sfz sfz

arco div.
pizz.
unis.
arco arco

pizz. pizz.
Vln. II







sfz f ff sfz sfz

sfz sfz sfz sfz

div. arco

unis.

arco pizz.
arco
pizz.
pizz.





Vla.
sfz f ff sfz sfz sfz sfz sfz sfz



sim.
Vlc.



sim.
D.B.

11
56


Picc.




Fl. 1.2



Ob. 1.2




E. Hn.




Cl. 1.2

in Bb

B. Cl. 1

in Bb

(a2)

Bsn. 1.2




Cbsn.


a2

1.2

Hn.
in F



3.4

Tpt. 1-3
in C


Tbn. 3


Tuba


Timp.






(Vibr.)
1

sfz sfz
sfz sfz sfz sfz sfz sfz sfz sfz sfz
(Mar.)

2







Perc. sfz sfz sfz sfz sfz sfz sfz sfz sfz sfz sfz
(Log Dr.)

3
(B.D.)
4






Harp sfz sfz sfz sfz sfz sfz sfz sfz sfz sfz sfz

















Piano sfz sfz sfz sfz sfz sfz sfz sfz sfz sfz sfz


arco arco arco



arco arco

pizz. pizz.

arco pizz.

pizz. pizz. 0

Vln. I

sfz sfz
sfz sfz sfz sfz sfz sfz sfz sfz sfz
arco
arco

pizz.
arco

pizz. arco
pizz.
arco

arco

pizz. pizz. 0

Vln. II

sfz sfz
sfz sfz sfz sfz sfz sfz sfz sfz sfz
arco arco arco
arco
pizz.

arco
pizz.

pizz. arco
pizz.
pizz.
0

Vla.
sfz sfz sfz sfz sfz sfz sfz sfz sfz sfz sfz


Vlc.


D.B.

12

62



Picc.
f ff

a2
Fl. 1.2
f ff



Ob. 1.2
f ff



E. Hn.
f ff




Cl. 1.2
in Bb

f ff

B. Cl. 1


in Bb
p sub.
sffz


(a2)
Bsn. 1.2

sffz p sub.


Cbsn.

sffz p sub.


a2

1.2
Hn. f ff
in F
3.4








f ff

Tpt. 1-3
in C p


Tbn. 3


sffz

Tuba


sffz


Timp.

sffz


(Vibr.)
1

f ff
sfz sfz sfz sfz

(Mar.)
2

f ff
Perc. sfz sfz sfz sfz
(Log Dr.)

3

sffz
(B.D.)
4

sffz

p sub.


Harp


sfz sfz





sfz sfz




sfz sfz sfz sfz f ff
Piano sffz






arco
pizz.
pizz. arco pizz.
0
div.

Vln. I

sfz sfz sfz sfz f ff ( ff )
p
arco

pizz.
pizz. div. arco
0
pizz.
unis. div.
Vln. II



sfz sfz sfz sfz ( ff )
f ff p
div. pizz.

arco

pizz. arco
pizz.

0


Vla.
sfz sfz sfz sfz f ff ( ff )
p

Vlc.

sffz p


D.B.

sffz p
13
67

Picc.
mp poco a poco cresc.


Fl. 1.2
mp poco a poco cresc.



Ob. 1.2

mp poco a poco cresc.




E. Hn.
mp poco a poco cresc.



Cl. 1.2
in Bb

mp poco a poco cresc.

B. Cl. 1


in Bb poco a poco cresc.
(a2)



















Bsn. 1.2
poco a poco cresc.




















Cbsn.
poco a poco cresc.


1.2
Hn.
in F
3.4


Tpt. 1-3








in C
p poco a poco cresc.


Tbn. 3
p poco a poco cresc.

Tuba








p poco a poco cresc.


Timp.
p poco a poco cresc.

(Vibr.)

1





















p poco a poco cresc.
(Mar.)


2












Perc. p poco a poco cresc.
(Log Dr.)
3

(B.D.)
4
poco a poco cresc.




Harp p poco a poco cresc.




Piano p poco a poco cresc.


arco pizz. pizz.



pizz. pizz. pizz. pizz. pizz. arco
arco arco arco
arco arco
Vln. I


poco a poco cresc.
arco

pizz. pizz. pizz. pizz. arco pizz. arco pizz. arco
arco arco arco

Vln. II

poco a poco cresc.

arco arco arco arco arco arco arco


pizz. pizz. pizz. pizz. pizz. pizz. pizz.

Vla.

poco a poco cresc.



sim.

Vlc.
poco a poco cresc.

sim.
D.B.
poco a poco cresc.
14
72 rallentando

Change to Fl. 3

Picc.
fff

2. Change to Alto Flute 1.
Fl. 1.2

fff f

Ob. 1.2

fff


E. Hn.
fff

2. Change to Eb Clarinet

Cl. 1.2
in Bb

fff

B. Cl. 1

in Bb
sffz

(a2)


Bsn. 1.2
sffz



Cbsn.
sffz


Tpt. 1-3

in C
ff
mf mf mf mf ff


Tbn. 3

ff sffz


Tuba

ff
sffz


Timp.

ff mf ff mf
(Vibr.)

1

ff
(Mar.)

2

f
Perc. ff
(Log Dr.)
3
f
(B.D.)
4

ff mf mf mf mf ff



Harp


ff

Change to Celesta



Piano ff Celesta p

4 desks rallentando

use open strings whenever possible
arco
Vln. I

































p
div.a4 sim.


Vln. II














































































f dim. mp pp

arco sim.


Vla.
f



Vlc.
sffz dim. ppp


D.B.

sffz dim. ppp
15
76 al

1
Fl. mp
3

f mp
solo
A. Fl.
in G

mp

Tpt. 1-3
in C
p

Timp.
p dim. ppp

(Mar.)
2

p pp
Perc.
(Log Dr.)
3
p


mp
Harp


Cel.
mp

al
3 desks 2 desks 1 desk

Vln. I

f

Vln. II


Vla.
p pp ppp niente

Vlc.


D.B.


80 q = 144

1

Fl.
3



A. Fl.



in G

(Log Dr.)

Perc. 3

ppp



Harp


Cel.

q = 144

solo 1

Vln. I



solo 2 0 0 0 0
f
Vln. II

Vla.


Vlc.


D.B.
16
84


1
ff fz p
Fl.


3



ff fz p

A. Fl.
in G


Ob. 1.2
ppp

E. Hn.
ppp

Cl. 1

in Bb

Tpt. 1.2
con sord. (straight)

in C
p

(Vibr.)
1

p
Perc.
Mark Tree l.v. Suspended Cymbal (with brushes)
4
mp p

gliss.

gliss.



Harp


mp


ff


Cel. f

Vln. I
solo 2 (normale) sul pont.



p f

(normale) sul pont.


0 0 0 0
solo 1


p f
Vln. II (normale) sul pont.
0 0 0 0
solo 2



p f

Vla.


3 soli


Vlc.


ppp


D.B.
17
88

1


mp ff mp
Fl.



3
mp ff mp

A. Fl.
in G
mp


Ob. 1.2
mf ppp



E. Hn.
mf ppp mp espressivo

Cl. 1

in Bb
mp

Tpt. 1.2
in C
mp pp

(Vibr.)
l.v.

1

mp
Perc.
(Sus. Cym.) l.v. Mark Tree l.v. Suspended Cymbal
4

mp mp p

gliss.

gliss.




Harp


mp

ff

mp


f
Cel.

(normale)

(solo 1)

p f
Vln. I


(solo 2)
pp

normale

(solo 1)
pp
Vln. II
normale

(solo 2)
pp

Vla.





Vlc.
(3 soli)

mf ppp


D.B.
18
92


1

mp
Fl.


3
mp



A. Fl.
in G

mf



Ob. 1.2
ppp



E. Hn.
ppp


Cl. 1
in Bb

mp mf

Tpt. 1.2
in C

Perc.
(Sus. Cym.)
4






Harp

Cel.


(solo 1)

Vln. I
normale
0 0 0 0


(solo 2)
f


solo 1

pp
Vln. II

solo 2

pp

Vla.

Vlc.


D.B.
19
96

1




f f
Fl.




3
mp

A. Fl.
in G
mp


Ob. 1.2
mf ppp

E. Hn.
mf ppp


Cl. 1

in Bb
mp

Tpt. 1.2
a2

in C p mp

l.v.
(Vibr.)
1


p mp
Perc.
Mark Tree l.v. Suspended Cymbal l.v.
4
mp p mp


l.v.


Harp f

Cel. f mp


(solo 1)

Vln. I

(solo 2)
p



(solo 1)
p fp

Vln. II


(solo 2)
p fp

Vla.


3 soli



Vlc.

p sfzp


D.B.
20
100


Fl. 1
ff


A. Fl.
in G
mp mf


Ob. 1
mp mf

E. Hn.


Cl. 1
in Bb

p pp
mp

B. Cl. 1

in Bb
mp p

Tpt. 1.2
(a2)

in C
ppp

Perc.
Tam-Tam (with brushes)
3
p

Mark Tree l.v. Suspended Cymbal


4
mp p



l.v.




Harp f mp



Cel. f mp mf

0 0 0 0
(solo 1)

p f
Vln. I

(solo 2)
f


(solo 1)
pp

Vln. II


(solo 2)

pp

Vla.




Vlc.
(3 soli)
pp


D.B.
21
104

Fl. 1


A. Fl.
in G
mf mp

Ob. 1


E. Hn.

mp





Cl. 1
in Bb

mf mp f

B. Cl. 1

in Bb
mp

Tpt. 1.2
in C
p

(Vibr.)
1

p
High Triangle

2
p

Perc. Glockenspiel
(Tam Tam)
3

pp

(Sus. Cym.)
4




Harp





Cel.




mp

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
(solo 1)

Vln. I

(solo 2)
f

(solo 1)
p
Vln. II

(solo 2)
p

Vla.

Vlc.


D.B.
22
108

1

p f
f
Fl.
3

p f
f


A. Fl.
in G
f


1

f
Ob.

2
f

Eb Cl.


Cl. 1

in Bb
p

B. Cl. 1
in Bb


pp
mf pp

Cbsn.

pp
mf pp

Hn. 1
in F

Tpt. 1.2

in C

mp pp



(Vibr.)
l.v.
1

mp


(Tri.)

2
Perc. (Glock.)


3

Mark Tree l.v. Suspended Cymbal


4
mp

ss. l.v.
gli





Harp f mp




Cel.



(solo 1)
Vln. I
f

(solo 2)
p f p f


(solo 1)
f p f p
Vln. II

(solo 2)


f p f

Vla.

Vlc.


D.B.
23
112

1

Fl.

3

mp

A. Fl.
in G


1
p
Ob.

2
p


E. Hn.
p


Eb Cl.
pp mp

Cl. 1

in Bb
pp mp

B. Cl. 1
in Bb


pp mp

con sord.
Hn. 1
in F
pp

Tpt. 1.2
in C
p mp pp

(Vibr.)
1

p mp
(Tri.)
2
mp p
Perc.

(Sus. Cym.)
4

Harp



Cel.





(solo 1)

Vln. I

Vln. II


sola


Vla.
p

solo
Vlc.

p


solo

D.B.
p
24
116


1














mp
Fl.
3


A. Fl.
in G

mp


1
mp
Ob.
2


E. Hn.

mp


Eb Cl.
pp

Cl. 1
in Bb

pp

B. Cl. 1

in Bb
pp

1


Hn. p pp p sim.
in F



2
p pp p pp sim.
con sord. (cup) *

1
Tpt. pp p pp p sim.
in C con sord (harmon, stem in) *

2
p pp p pp sim.

(Tri.)
Perc. 2
p



Harp



Cel.












(solo 1)

Vln. I

Vln. II


Vla.
(solo) pp


Vlc.
(solo)
pp


D.B.
(solo) pp

* Trumpets 1.2: If there is not enough time to change the mute, change before measure 107.
25


120

1
mp mf
Fl.

Change to Piccolo
3
mp

A. Fl.
in G
mp


1
pp p pp
Ob.

2
p pp

E. Hn.

pp

Eb Cl.


Cl. 1

in Bb
mp mf

B. Cl. 1

in Bb




1
Hn. p
in F

2
p

1
p
Tpt.
in C

2
p

(Vibr.)
l.v.

1
p
(Tri.)
Perc. 2
p
Tuned Gongs

4
pp



Harp



Cel.



(solo 1)


Vln. I
solo 2



f p
solo 1


Vln. II p f
solo 2



f sempre

Vla.

Vlc.


D.B.
26
124



Picc.
mp mf mp


Fl. 1

mp


A. Fl.
in G



1
p
Ob.

2
pp p

E. Hn.


Eb Cl.
mp


Cl. 1
in Bb

B. Cl. 1

in Bb


mute out
1
Hn.
in F

2

(Tri.)

2
Perc.

(Gongs)

4



Harp

Cel.

solo 1




f
Vln. I




(solo 2)


Vln. II
(solo 1)
p

Vla.

Vlc.


D.B.
27
128 Change to Fl. 3

Picc.

p



Fl. 1





mf ff


A. Fl.
in G


f ff



1
p mp
Ob. f



2
mp
f

E. Hn.
f


Eb Cl.

Cl. 1

in Bb
f

B. Cl. 1
in Bb

f



1

fz
Hn.
in F
2

fz

l.v.
(Vibr.)
1

f
(Tri.)

2
f
Perc.
Tam-Tam (with brushes)
3
mp

Suspended Cymbal (with brushes)



4
mp





Harp



Cel. f




Vln. I
(solo 1)
sim.

ff

Vln. II

Vla.

Vlc.


D.B.
28

132

1
f
Fl.


3
p


A. Fl.
in G

p



1
p mp
Ob.

2









p


E. Hn.
p

Eb Cl.

Cl. 1
in Bb
















p

B. Cl. 1
in Bb

p

con sord. (harmon, stem out)


Tpt. 1-3
in C
mp


(Vibr.) l.v.
1

mf

(Tam-Tam)


Perc. 3

(S. Cym.)
4



Harp mf p

Cel.


Vln. I



(solo 1)

Vln. II

Vla.

Vlc.


D.B.
29
rallentando poco a poco
136

1

ff mf ff mf
Fl.

3

crescendo poco a poco


A. Fl.
in G

crescendo poco a poco

Ob.



E. Hn.
p mf f



Eb Cl.

mp f

mf f

Cl. 1
in Bb
















crescendo poco a poco

B. Cl. 1
in Bb

crescendo poco a poco


Tpt. 1-3
in C
pp

Perc. 3

Harp


ff
Cel. p crescendo poco a poco

rallentando poco a poco


2 soli 4 soli

Vln. I
(solo 1)











p sub. crescendo poco a poco
4 soli

Vln. II

p
2 sole 4 sole

1. sola

Vla.

p crescendo poco a poco

Vlc.


D.B.
30
al q = 126
140


1

f f ff
Fl.
3



Change to Fl. 2

A. Fl.
in G



1


mf ff f
Ob.

2

mf ff




E. Hn.



mf ff f


Eb Cl.


f
mf


Cl. 1






in Bb
mf ff
f



B. Cl. 1
in Bb

mf ff f sub.




1
ff f sub.
mf
Bsn.


2
f

Soli
Hn. 1.2

in F
f espressivo 3


Perc. 1


.
iss

Harp
gl

f ff



Cel. ff

al q = 126
other desks join one by one

Vln. I










mf
other desks join one by one

Vln. II












mf
crescendo poco a poco

other desks join one by one



Vla.








mf

tutti, div.a2

3

Vlc.
f espressivo


D.B.
31
144 a2


1.2
p
Fl.
3








1
p
Ob.


2
p



E. Hn.

Eb Cl.


Cl. 1
in Bb


B. Cl. 1
in Bb

Bsn.


Hn. 1.2
in F
3

(T.Bells)

Perc. 1


p
Harp


Cel.

tutti

Vln. I













mp

tutti

Vln. II














mp

tutte


Vla.









mp



Vlc.

3


D.B.
32
148


1
f f

Fl.



2
f f




1
f
f
Ob.


2
f
f

Eb Cl.

Cl. 1

in Bb


Hn. 1.2
in F
3
p

(T.Bells)
1

Perc. 2

Glockenspiel

3

f





f
Harp




l.v.

Cel. f




Vln. I




f p



Vln. II


















f p



Vla.

f p



Vlc.

3
p


D.B.
33

152

1
p

Fl.



2
p

Ob.



2


Eb Cl.
p


Cl. 1

in Bb
p

3 3 3 3 3
Hn. 1.2
in F
mf f

(T.Bells)
1

mf f

Crotales


Perc. 2
f

(Glock.)
3



l.v.


p
Harp mf f



Cel.



Vln. I



Vln. II
























Vla.


3 3 3 3 3

Vlc.


mf f


D.B.
34

156



Fl. 1.2
f


Ob. 1
mp
Change to Cl. 2
Eb Cl.
f

Cl. 1

in Bb
f
3 3
Hn. 1.2


in F
f
mf
(T.Bells)

1


Perc. (Crot.)
2


l.v.


f
Harp





Cel.







mp


Vln. I

pp


Vln. II

pp












Vla.
3 3
pp


Vlc.


mf f

D.B.


160

Ob. 1


f

Cl. 1

in Bb

f

Hn. 1.2
in F
mf f diminuendo p

(T.Bells)
Perc. 1




Harp


Change to Piano


Cel.




Vln. I

mf









Vln. II





mf





Vla.






mf

Vlc.
mf
p
f diminuendo

D.B.
35
164















1
p crescendo poco a poco


Fl. 2
p crescendo poco a poco




3
p crescendo poco a poco

Ob.

E. Hn.


Cl. 1
in Bb

p


Hn. 1.2







in F
p possibile crescendo 3

(T.Bells)
1

p

(Crot.)

Perc. 2
p

(Glock.)

3
p crescendo poco a poco




Harp


crescendo poco a poco



Vln. I

p crescendo poco a poco




Vln. II
p crescendo poco a poco


















Vla.
p crescendo poco a poco

Vlc.


p crescendo


D.B.
36
168



1
f

p subito


Fl. 2

f p



3

f p







1
p
f
Ob.

2
f p subito


E. Hn.
f p subito

1

f p
Cl. in Bb
2
p subito
f

Cbsn.

Hn. 1.2

in F
f p

Tpt.

in C 2


Tbn. 1-3


Tuba


Timp.

(T.Bells)

1
p

2
Perc. (Glock.)

3

f

4




Harp


Piano

con Ped.

p subito


Vln. I

f p subito


Vln. II
f





p subito



Vla.
f

Vlc.

p
f


D.B.
37
172

1






ff sempre

Fl. 2

ff sempre

3

ff sempre


1

ff sempre
Ob.

2

ff sempre


E. Hn.
ff sempre


1
Cl. in Bb

Change to Bass Clarinet 2 in Bb
2


Cbsn.

ffp

Hn. 1.2

in F
cresc. 3
molto


senza sord.
1

p crescendo


senza sord.
Tpt.

in C 2
p crescendo
senza sord.
3

p crescendo
1.2

Tbn. 1-3
3.

ffp

Tuba

ffp

hard felt beaters


Timp.

ffp sempre secco

(T.Bells)

1

Roto-toms
2


Perc. ffp
4 Tom-Toms


3
ff
Snare Drum
4
ffp


Harp


Piano




ff


Vln. I

f sempre


Vln. II

f sempre

Vla.

3

Vlc.

cresc.

tutti, on the string

molto

D.B.
ffp
38
176

1


Fl. 2


3


Ob. 1.2


E. Hn.

Cl. 1

in Bb

1.


B. Cl. 1.2

in Bb
f
f


Bsn. 1.2


Cbsn.

f diminuendo p


1.2
Hn.
in F
3.4

3 3

1

f diminuendo poco a poco mf diminuendo sempre
3 3
Tpt.
2
in C
f diminuendo poco a poco mf diminuendo sempre
3
3 3 3

3

f diminuendo poco a poco mf diminuendo sempre
(1.2)

Tbn. 1-3

(3) f diminuendo p

Tuba

f diminuendo p


Timp.
f diminuendo p sempre *

(Roto-toms) 3 3
2 3 3

f diminuendo mf diminuendo
(Tom Toms)

Perc. 3
(S.D.)
4
3 3 3 3
f diminuendo mf diminuendo