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Volume & Tone Control FAQs
What is the difference between 250K & 500K pots?
Either 250K or 500K pots can be used with any passive pickups however the pot values will
affect tone slightly. The rule is: Using higher value pots (500K) will give the guitar a brighter
sound and lower value pots (250K) will give the guitar a slightly warmer sound. This is because
higher value pots put less of a load on the pickups which prevents treble frequencies from
"bleeding" to ground through the pot and being lost. For this reason, guitars with humbuckers
like Les Pauls use 500K pots to retain more highs for a slightly brighter tone and guitars with
single coils like Stratocasters and Telecasters use 250K pots to add some warmth by slightly
reducing the highs. You can also fine tune the sound by changing the pot values regardless of
what pot value the guitar originally had.
What is the difference between Audio and Linear taper pots?
Audio and Linear taper pots have the same total resistance but differ in which position of
rotation the pot will reach the 50% value. Linear pots are usually marked with a B or Lin
(examples 250KB, B250K, 250K Lin) and will reach 50% of its total resistance in the 50%
rotation point. Audio taper pots are usually marked with an A or Aud (examples 500KA, A500K
500K Aud) and will decrease most of the resistance in the last 50% of the rotation. This can
give a more gradual audio reduction is some cases. Some manufactures like Fender use Audio
taper pots for both volume and tone controls. Gibson on the other hand uses linear taper pots
for both volume and tone. And still others use Linar taper pots for volume and Audio taper pots
for tone. However, if a problem of exists where a volume or tone pot has no effect on the
sound, try a changing the taper. How to check the taper with an ohm meter: Set the pot to
the center position (50% rotation) and measure the resistance between the center pin and each
of the outer pins. If the the resistance is equal (50% of the pots value) the pot is linear. If the
values are not equal, the pot is an Audio taper.
What is a Fender TBX tone control and how does it work?

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Some Fender guitars come equipped with a special pot called a TBX Tone Control T (treble) B
(bass) X (Cut) that cuts either treble or bass instead of a tone pot that cuts treble frequencies
only. This is done with a ganged 500K-1M ohm control pot that is wired to work as a low-pass
filter in one direction and a high-pass filter in the opposite direction. A center detent in the
middle position is provided for the off or "flat" position. Although Fender altered their Start tone
configuration to have the TBX control the middle and bridge pickups, it can be also be wired as
a master treble/bass control. The TBX can also be used in place of any standard tone control
on any guitar.
What is a Fender No Load tone control and how does it work?
The Fender No Load Pot is used on some USA Strats, Teles and Fender basses and is wired
like a standard tone control. From settings 1-9 it works like a standard tone then clicks in at 10
(full clockwise/ bright setting) and removes the pot and capacitor from the circuit. This
eliminates the path to ground that exists with standard pots even in the full treble position. By
eliminating the path to ground thru the pot, the only load on the pickup is the volume pot. So if
250K pots are used, the load is reduced from 125K to 250K and if 500K pots are used, the load
is reduced from 250K to 500K (high resistance = low load) The reduced load allows more
power output from he pickup and reduces the amount of high frequencies that bleed off to
ground. This gives a noticeable increase in brightness and output in the full treble setting. The
no load pot can be used in place of any standard tone control on any guitar or bass.
How to choose the right tone capacitor for guitar and bass?
Most guitars and basses with passive pickups use between .01 and .1MFD (Microfarad) tone
capacitors with .02 (or .022) and .05 (or .047) being the most common choices. The capacitor
and tone pot are wired together to provide a variable low pass filter. This means when the filter
is engaged (tone pot is turned) only the low frequencies pass to the output jack and the high
frequencies are grounded out (cut) In this application, the capacitor value determines the "cutoff
frequency" of the filter and the position of the tone pot determines how much the highs
(everything above the cutoff frequency) will be reduced. So the rule is: Larger capacitors will
have lower cutoff frequency and sound darker in the bass setting because a wider range of
frequencies is being reduced. Smaller capacitors will have a higher cutoff frequency and sound
brighter in the bass setting because only the ultra high frequencies are cut. For this reason,
dark sounding guitars like Les Pauls with humbuckers typically use .02MFD (or .022MFD)
capacitors to cut off less of the highs and guitars like Strats and Teles with single coils typically
use .05MFD capacitors to allow more treble to be rolled off. Keep in mind that the capacitor
value only affects the sound when the tone control is being used (pot in the bass setting) The
tone capacitor value will have little to no effect on the sound when the tone pot is in the treble
setting.
How does the number of control pots used affect the sound?
Yes: Since the load on the pickups is determined by the total parallel resistance of all pots that
are being used at a time, using fewer pots will reduce the overall load and give a slightly
brighter sound. Also, connecting more pots is the same as using lower value pots, two 500K
pots will loose or "bleed" the same amount of treble frequencies as one 250K pot. To lessen the
effect, switching should be designed (when possible ) to remove pots from the circuit when the
related pickup is not selected. An example of this is the Les Paul: bridge controls are out of the
circuit when in the selector is in the neck position and the neck controls are out of the circuit
when the selector is in the bridge position.
What does a volume "treble bleed" capacitor do?
A volume "treble bleed" capacitor is used on a volume control pot to prevent treble frequency
loss as the volume pot is turned down. This is done by placing a small capacitor (usually .001
MFD) between the input and output terminals of the volume control pot. As the volume is
reduced, the capacitor allows high frequencies to bleed through to the output and keeps the
tone from getting muddy at lower volume settings.

Pickup & Switch FAQs


What is the difference between single & four wire humbuckers?
Single wire humbuckers, (also called single conductor) have the link between the two individual
coils hard wired together internally. They also have one coil lead hard wired to ground. This
means the pickup can not be coil split, reverse phased or switched to parallel. These pickups
usually have a metal braided coaxial output wire. (braid=ground and the center wire=hot) Four
wire humbuckers have both wires from each coil plus a ground wire (usually bare wire) all in
one cabel to allow thw cois to be split, reverse phase or switched to parallel with custom and
optional switching. For standard humbucker wiring (series-in phase) two of the wires (series
link/ coil tap wires) are connected together and the remaining two wires are used as hot and
ground. (the wire used as the ground is combined with the bare ground wire and soldered to
the back of the volume pot or other ground spot. The wire used as hot is soldered to the pickup
switch or volume pot.
What are the differences between coil tap, series/parallel & reverse phase?
With a single 4 wire humbucker, there are six possible modes.
1. Series-In Phase This is the standard humbucker wiring. Maximum power output with strong
bass and smooth attack. (hum canceling)
2. Single Coil (South) Just the South coil of the pickup alone. Good traditional single coil tone
with a sharper attack. (not hum canceling) Use in combination (series or parallel) humbucker in
"North coil mode" or a standard single coil (north) for a hum canceling Strat/ P.R.S. style tone.
3. Single Coil (North) Just north coil of the pickup alone. Almost the same tone as the south
coil but slightly different due to its different position. (not hum canceling) Use in combination
(series or parallel) with another humbucker in "South coil mode" or a standard single coil
(South) for a hum canceling Strat/P.R.S. style of tone.
4. Parallel-In Phase Great single coil style tone with no hum. Best option for clean, bright tone
without the noise of standard single coil wiring. Strong treble with crisp attack but lower power
output. (hum canceling)
5. Series-Out of Phase Thin "phased" sound with good power. Great for funk. (not hum
canceling)
6. Parallel-Out of Phase Thinner "phased" sound with low power. (not hum canceling)

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