Вы находитесь на странице: 1из 59

Ond!

ej Admek

ENDLESS STEPS

was commissioned by LUCERNE FESTIVAL for the LUCERNE FESTIVAL ACADEMY 2008, artistic director Pierre Boulez
Effectif:

3 fltes (la 3e joue aussi piccolo)

3 hautbois (le 3e joue aussi cor anglais)

3 clarinettes en Sib (le 3e joue aussi la clarinette en Mib)

1 clarinette contrebasse

2 bassons

1 contrebasson

4 cors en Fa (1,2 - cors aigus, 3,4 - cors graves)

3 trompettes en Ut (3x wa-wa)

2 trombones tnor-basses (2x wa-wa, 2x muette)

1 trombone basse (wa-wa, muette)

1 tuba contrebasse (sourdine sche)

6 percussionnistes

1 harpe (octave Do3 - Si3 accorde 1/4 du ton plus bas (La 440 = La3))

1 piano (joue aussi dans les cordes)

violons I (16) diviss jusqu' 6 groupes (violon solo - aussi sourdine de plomb)

violons II (14) diviss jusqu' 4 groupes

altos diviss (12) jusqu' 4 groupes

violoncelles (10) diviss jusqu' 4 groupes

contrebasses (8) (dont 5 cordes 4 ou plus) diviss jusqu' 3 groupes

Partitions transpose

La contrebasse sonne toujours une octave plus bas, mme s'il s'agit des harmoniques.
Les cors sonnent toujours une quinte juste plus bas mme s'ils sont nots en clef de Fa.
Les dynamiques expriment l'effort engag, alors ne correspondent pas toujours au rsultat sonore final;
par exemple: son bouch fff du cor va tre aussi fort que son ouvert de cor mf.

Instrumentation:

3 flutes (3rd also piccolo)

3 oboes (3rd also English horn)

3 clarinets in Bb (3rd also clarinet in Eb)

1 contrabass clarinet

2 bassoons

1 contrabassoon

4 horns in F (1,2 - high horns, 3,4 - low horns)

3 trumpets in C (3x wa-wa)

2 tenor-bass trombones (2x wa-wa,2x practice mute)

1 bass trombone (wa-wa, practice mute)

1 contrabass tuba (straight mute)

6 percussionists

1 harp (1 middle octave C4 - B5 tuned 1/4 tone lower (A4= 440 )

1 piano (plays also in the strings)

violins I (16) divided up to 6 groups (solo violin - also metal mute)

violins II (14) divided up to 4 groups

altos (12) divided up to 4 groups

violoncellos (10) divided up to 4 groups

contrabasses (8) (4 or more with 5 strings) divided up to 3 groups

Score in transposed notation

The contrabass sounds always 1 octave lower then written even if it plays harmonics.
The horns sound always a perfect fifth lower, even if they are written in F clef.
The dynamics express the engaged energy and not sound result.
For example: a stop horn in fff will sound as loud as open horn in mf.

Percussion 1 Percussion 1

1 xylophone............................. & 1 xylophone


(sounds 1 octave higher)

(sonne 1 octave plus haut)

1 grand polyblock libre 1 big non-fixed polyblock


(le plus aigu des 6) (the highest one of 6)

?
1 timbale................................. 1 timpani

1 bassine remplie d'eau 1 bowl full of water


1 cloche vache...................... & 1 cowbel

1 cymbale turque 1 Turkish cymbal

1 crotale.................................. & 1 crotale


(sonne 2 octave splus haut) (sonds 2 octaves higher)

Percussion 2 Percussion 2
1 vibraphone 1 vibraphone

&
(moteur rapide allum - (fast motor vibrato ON -
mesures 127-147).................... measures 127-147)

1 grand polyblock libre 1 big non-fixed polyblock

(le 2e plus aigu des 6) (the 2nd highest of 6)
1 timbale..................................
? 1 timpani

1 bassine remplie d'eau 1 bowl full of water

1 cloche vache....................... & b 1 cowbel

1 cymbale turque 1 Turkish cymbal


1 paire des cymbales frapps 1 pair of orchestra cymbals
1 crotale................................... & # 1 crotale
(sonne 2 octave splus haut) (sounds 2 octaves higher)

Percussion 3

Percussion 3

&
1 srie chromatique de


25 cloches vache...................
1 chromatic set of 25 cowbels

1 grand polyblock libre 1 big non-fixed polyblock


(le 3e plus aigu des 6) (the 3rd highest of 6)

?
1 timbale.................................. 1 timpani

1 bassine remplie d'eau 1 bowl full of water

1 cloche vache libre.............. & 1 extra cowbell (non-fixed)

1 cymbale turque 1 Turkish cymbal

1 crotale.................................... & 1 crotale


(sounds 2 octaves higher)
(sonne 2 octaves plus haut)

1 maracas aigu (small egg) 1 high maracas (small egg)

1 gong aigu descendent d'opra 1 high Peking opera decreasing gong


de Peking

Percussion 4 Percussion 4
?
1 marimba.................................
& 1 marimba

1 grand polyblock libre 1 big non-fixed polyblock


(le 3e plus grave des 6) (the 3rd lowest of 6)
?
1 timbale................................... 1 timpani

1 bassine remplie d'eau 1 bowl full of water

1 cloche vache........................ & 1 cowebell

1 cymbale turque 1 Turkish cymbal

1 caisse claire 1 snare drum

&

2 crotales.................................. 2 crotales
(sonne 2 octave splus haut) (sound 2 octaves higher)

Percussion 5
Percussion 5

1 glockenspiel........................... & 1 glockenspiel


(sonne 2 octaves plus haut)
(sounds 2 octaves higher)

8 polyblocks



(ou templeblocks)..................... 8 polyblocks (or templeblocks)


1 grand polyblock libre 1 big non-fixed polyblock
(le 2e plus grave des 6) (the 2nd lowest of 6)

?


1 timbale................................... 1 timpani

1 bassine remplie d'eau 1 bowl full of water

&

1 cloche vache....................... 1 cowbell

1 cymbale turque 1 Turkish cymbal

1 petite cymbale "splash" 1 small cymbal "splash"

Percussion 6 Percussion 6

1 grand polyblock libre 1 big non-fixed polyblock


(le plus grave des 6) (the lowest one of 6)
?
1 timpani

1 timbale..................................

1 bassine remplie d'eau 1 bowl full of water

&
b
1 cloche vache....................... 1 cowbell

1 grosse caisse symphonique 1 symphonic bass drum

?
celui plonger dans l'eau


2 gongs bali (ou java ou tha)... 2 gongs from Bali
(or Java or Thailand)
this one is also water-gong
1 cymbale turque 1 Turkish cymbal

1 cymbale "splash" 1 cymbal "splash"

1 mukubio 1 mukubio

Percussion 1-6, notation


Timbale touffe par la cymbale turque Timpani muted by the Turquish cymbal

!!!!!!!! !!!!!!!! !!!!!!!!


jouer sur la peau de la timbale peau tendue au max. peau detendue au max.

!!!!!!!

the highest pitch the lowest pitch


La cymbale est place
sur la timbale l'oppos Cymbal up side down on the timpani
ENDLESS STEPS
Ond!ej ADMEK
4 q rit.
q rit.
*1979

!

Flute 1 & R # % % % % % % % %
SfZ
!

& R # % % % % % % % %
SfZ
Flute 2

!

& R # % % % % % % % %
Take the Flute
Flute 3 Piccolo
SfZ

& r # % % % % % % % %

Oboe 1

fl
SfZ
& r # % % % % % % % %

Oboe 2

fl
SfZ
r
& # % % % % % % % %
fl
English Horn

SfZ

Clarinet 1 in B b & R # % % % % % % % %
SfZ

Clarinet 2 in B b & R # % % % % % % % %
SfZ
!
Take the Bb Clarinet

Clarinet 3 in E b & R # % % % % % % % %
SfZ

Contrabass Clarinet 4 & r # % % % % % % % %



fl
SfZ
? r # % % % % % % % %

Bassoon 1

fl
SfZ
? r # % % % % % % % %

Bassoon 2

fl
SfZ
? r # % % % % % % % %

Contrabassoon 3

fl
SfZ


Horn in F 1 & R # % % % % % % % %
SfZ

Horn in F 2 & R # % % % % % % % %
SfZ
r
& # % % % % % % % %
fl
Horn in F 3

SfZ
r # % % % % % % % %
&
fl
Horn in F 4

SfZ

Trumpet 1 & R # % % % % % % % %
SfZ

Trumpet 2 & R # % % % % % % % %
SfZ

Trumpet 3 & R # % % % % % % % %
SfZ

Trombone 1
? R # % % % % % % % %
SfZ

Trombone 2
? R # % % % % % % % %
SfZ

? r
# % % % % % % % %
fl
Bass Trombone 3

SfZ
? r # % % % % % % % %
fl
Tuba

SfZ


Xylo.

& # % % % % % % % %
Percussion 1
R
SfZ

Pair cymbales

# % % % % % % % %
Percussion 2
R
SfZ
Cowbell
Percussion 3 & R # % % % % % % % %
SfZ
Marimba
Percussion 4 & R # % % % % % % % %
SfZ
Glock.
Percussion 5 & R # % % % % % % % %
SfZ
? r # % % % % % % % %
Timp.

SfZ fl
Percussion 6

!

& R # K % % % % % % % %
K
SfZ
( )


This octave should be detuned 1/4 tone lower
Harp

& R # % % % % % % % %

"

& R # % % % % % % % %
Piano SfZ
? r # % % % % % % % %


4 fl

4
q rit. q
rit.

col. legno battuto ric. ric.


ric. ric. ric. ric.

b . 3 $ $ .
ric. ric. ric.

$. $ $
ric. ric. ric. ric. ric. ric. ric. ric.

>j
ric. ric.


3 ric. ric. ric. ric. ric. ric.

$
ric. ric. ric. ric.

$ $ $ # $J .
3 ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.

$
ric.

$.
ric. ric.

& J J # J J $ # j . j3 j
ric. ric.

$
3 ric. ric.

J $ m # j j
3
$ j
3 3 3 sul G div. sul tasto

J m. $ $ $ $.
p
Vl. I 1-2
f p .

col. legno battuto
ric. ric. ric. ric. ric.

. .
ric. ric. ric.

3 3
ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. muted

$ $.
ric. ric.

$
ric. ric. ric. ric. ric. ric. ric. ric.

$
ric. ric. ric. ric. ric. ric.

$ $
3 3 ric. ric. ric.

# b J .
ric. ric. ric. ric. ric. ric. ric. ric.

J J J # J J j j j
ric. ric. ric. ric.

$ $ $ $. j
3
J $ # . $ #
3
j j
3 3 3
& $ .
3 div. div. sul tasto


sul G
Vl. I 3-4
p J $ $ $ .
.
col. legno battuto
ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.
ric. ric. ric. ric. ric. ric. ric.
ric. ric. ric. ric. ric.
muted
ric. ric. sul G ric. ric.
j
ric. ric. ric. ric. ric. ric. ric.

# j
ric. ric. ric. ric. ric.

# J . . # J . . $ j j # j . j
j #
3 3 3 3 3
$ j
3
$.
3 3
&
m $ j
3 3 div. div. sul tasto

J J J $ $ $ $ . $ $ $. $ $ .
>
Vl. I 5-8
p f p .
col. legno battuto ric. ric. ric. ric. ric.
ric. ric. ric. ric. ric. ric. ric. ric.
ric. ric. ric. ric. ric. ric. ric. ric. ric.
ric.
ric. muted ric. ric.
j
ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.

j
ric. ric. ric. ric. ric. ric. ric.

# J . $ $ . # . # . j j # j j # j
3 3

3 3 3 3 3
& . j j
3 3 sul G 3 div. sul tasto

J J J J m . m . .

Vl. II 1-2
p ric. f> p muted .
col. legno battuto
ric.
ric.
ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.
ric.
ric. ric. ric.
ric.
ric. ric. ric.

ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.

# j j j # j j # j. j j # j. j # j
3 3 ric. ric.

j j
3 3 3
& j j
3 3 3 3 sul G 3 div. sul tasto

. $ $. b . $ $ $ $. $ $ $ $ m. $ $ $ $ $ . $ $ $ $ $ $ .
.
Vl. II 3-4

col. legno battuto ric. ric.
p ric. ric.
f > p muted ric. ric.
ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.
ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.

# j j # j j # # j.
3 3
j j j j j j j
3 3 3 div.

& j j
3 3 3 3 sul G 3 div. sul tasto

col. legno battuto


. . . . $ $. $ $ $ $ m . . m $ $ $ $ n . .
Vl. II 5-6

ric. ric. ric. ric. ric.


p ric.
ric.
ric. ric.
f ric.> p
ric. ric. ric. ric. ric.
muted
ric. ric.

>
ric. ric. ric. ric. ric. ric. ric. ric.

j j j
ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.


ric. ric. ric. ric. ric.

. . # . . # . . # . # j
3
B $ $ $
3 3 3 3 sul tasto

. $ $
3 3 3 3 3 div.

j
sul C
Vla. 1-2
J J # J J J J J J J J muted . .
p ric.
ric.
f p ric. ric.
sul G
ric. ric. ric. ric.


col. legno battuto ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.

j j j j
ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.

j
ric. ric. ric. ric. ric. ric. ric. ric. 3 3 ric. ric. ric.

. # j
3
B # j j # j. # .
3 3 3 3 sul tasto

$ $ $ $.
div.

$.
3
j j j $ $ $ $ j
3 3
$
sul C
Vla. 3-4
$. $ b . $ $ $ $. $ $ $ $ $ >f # J muted . .
p
col. legno battuto p ric. ric. ric. ric. ric. ric. sul G


ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.
ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. sul tasto

j j j
ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.

j # j
3
.
3
B # # j j # j # . $.
3 3 3 3 3
m . $ $ $
div. div.

j j j j m $ j
3 3 3 sul C

$ $. m . $ $ $ $ $ $ # J J
. . . $ $ $ $ f > muted . .
Vla. 5-6

ric. p p sul G


ric. ric. ric. ric. ric.

$.
ric. ric. ric. ric. ric. sul tasto

> .
ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.

$. . $ $ . .
ric. ric. ric. ric. ric. ric. ric.

j j # j. $
col. legno battuto ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. div.

j $ $
ric.

$.
ric. ric. ric.

? $ $ $
3 ric. ric. ric. 3
$ $ J
3 3 3 3 3
# . $ $ $ # J # J # J
3 3
$ $ $ $ J J J
3
.
3
$ J
sul A

J J # J
p
Vlc. 1-2
f fric. p muted


ric. ric. ric. ric. sul tasto

$. .
col. legno battuto ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.

> sul A
ric. ric. ric. ric. ric.

$ $ $
ric. ric.

.
ric. ric. ric. ric. ric. ric. ric.

b b
ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. div.

$ $ # $. $
ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.

? j $
ric. ric. ric. 3
j # J
3 3 3 3 3
# j # j J # J
3 3
$ J J J J J J
3 3
j j .
3 3

$ $ $ J
. $. $ $ b . $ $ $ . $ $
Vlc. 3

f col. p ric. f p ric. ric.


muted


ric. ric. sul tasto

.
ric.

$.
ric. ric. ric.


legno battuto ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.

$
ric.

> .
ric. ric. div.

$ $ # J
ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.

. # . $
ric. ric. ric. ric.

$.
ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. 3
? j j # J
3 3 3
# j # j $ $ $ # J
3 3 3 3
J J J J J J
3

$.
3
j j J
sul A

$ $. $ $ $ $
f . . . pric. ric.
Vlc. 4-5
f p muted

b.
ric. ric. ric.

$ $
ric.

> j
col. legno battuto

$.
ric.

$
ric. ric. ric. ric. ric. ric. ric.

$
ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.

$
ric. ric. ric. ric. ric. ric. 3 ric. ric. ric. sul tasto

# j . b
ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.

j j # j. $ # b j . .
ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.

? # J
3
$ J .
3
$. $ $.
3
$ J $ $ $ ?
3 3 3 3 3 3
$ $ . $ $ J
3
$ $ & J J J
sul G sul A

J
div.

p J J J
Fcol. legno battuto
Contrabass 1-2

f p
muted
ric. ric.

$. $
ric. ric. ric. ric. ric. ric. ric.
3
$
ric. ric.

.
ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. sul tasto

$ $ # $j . # . .
ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.

? $ $ # & j . .
3
# # j J $ $ ?#
3 3
$ $ $ J
3 3 3 3
j j j j . J
3 3 sul D sul G

$ $ $ .
div.

J J . > J J
F . $ $ b. $ $ $ .
Contrabass 2

p f p
(5 stings)
muted

.
ric. ric. ric. ric. ric. ric.

$
col. legno battuto ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.

$
ric. ric. sul tasto

$ j . # R
ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric. ric.

? $ $
ric. ric.

J j
3
$ $ $.
3 3
# # j m J & # . $ $ $ # $. $ ?
3 3 3 3 3
$>
3
j j j j J J
3 3 sul D sul G div.

$ $. J J . J
. .
Contrabass 3

F p f p
(5 stings)
muted
2


q rit.
q accel.
10

Fl. 1 & % % % % % % % %

Fl. 2 & % % % % % % % %

Flute 3 & % % % % % % % %

Ob. 1 & % % % % % % % %

Ob. 2 & % % % % % % % %

E. Hn. & % % % % % % % %

B b Cl. 1 & % % % % % % % %

B b Cl. 2 & % % % % % % % %

B b Cl. 3 & % % % % % % % %

Cb. Cl. 4 & % % % % % % % %

Bn. 1
? % % % % % % % %

Bn. 2
? % % % % % % % %

C. Bn. 3
? % % % % % % % %

H. 1 & % % % % % % % %

H. 2 & % % % % % % % %

H. 3 & % % % % % % % %

H. 4 & % % % % % % % %

Tpt. 1 & % % % % % % % %

Tpt. 2 & % % % % % % % %

Tpt. 3 & % % % % % % % %

Tbn. 1
? % % % % % % % %

Tbn. 2
? % % % % % % % %

B. Tbn. 3
? % % % % % % % %

Tuba
? % % % % % % % %

Water polyblock

% % % % % %
fast tremollo

Perc. 1 &

&.
Water polyblock

% % % % % %
fast tremollo

Perc. 2
&


Water polyblock

% % % % %
&
&
fast tremollo

.
Perc. 3


Water polyblock
j
% % $ % % %
fast tremollo

&
$
Perc. 4



% % % % %
Water polyblock

&
&

& &
fast tremollo
Perc. 5


?
Water polyblock

% % % %
& & &
fast tremollo
Perc. 6

& % % % % % % % %
Harp

& % % % % % % % %

& % % % % % % % %
Piano

? % % % % % % % %

q accel.
q rit.
This ricc. should create a very soft and continuous texture
going from high to low strings
without any rhythme or accentuation

ric.
10
rit. sul
sul E

% %
sul pont. A sul tasto sul pont.

&
sul D sul G
Vl. 1-8

'
sul E
sul A


ric. sul D sul G

j % % %
sul pont. sul A

&
sul D sul G
Vl. II 1-7

'
J ric.

sul A


sul G
sul D

B # r
5 sul A sul D

% %
sul pont. sul G sul pont.


5 sul C sul tasto


. '
Vla. 1-6

R
ric. K
r
sul pont. sul D


sul A sul C

# . R
sul G

? % %
sul D


sul G sul C sul tasto sul pont.



Vlc. 1-5
5 '
Kr sul G
sul D


sul pont. ric. sul G sul C

?
sul D

% %
sul A sul E sul tasto sul pont.

R
'
Cb. 1-4
5
sul D
sul A
sul E
3

(
q
q accel.
18
r
& . # % % %
air noise

Fl. 1
b. J. n. J. n
f

j j r
& . # % % %
air noise

Fl. 2
J. . K K . b
f
r
Flute 3

j3 . # % % %
3
j J
air noise

& b
3
Flute 3
K b K
f
Ob. 1 & % % % % % %

Ob. 2 & % % % % % %

E. Hn. & % % % % % %

B b Cl. 1 & % % % % % %

B b Cl. 2 & % % % % % %

B b Cl. 3 & % % % % % %

Cb. Cl. 4 & % % % % %


bw

Bn. 1
? % % % % % %

Bn. 2
? % % % % % %

C. Bn. 3
? % % % % %
b
'
possibile


breath noise thrue instrument, no pitch

& % # % % %
H. 1
) R
f

..
breath noise thrue instrument, no pitch

& % # % % %
H. 2
R
) f

breath noise thrue instrument, no pitch

H. 3 & % . #
R
% % %
) f

breath noise thrue instrument, no pitch

& % # % % %
H. 4
J R
) f

breath noise thrue instrument, no pitch

& % # % % %
Tpt. 1
R
) f

breath noise thrue instrument, no pitch

& % . # % % %
Tpt. 2
R
) f

breath noise thrue instrument, no pitch

& % # % % %
Tpt. 3
R
) f
?
% # % % %
breath noise thrue instrument, no pitch

Tbn. 1
R
) f
?
% . # % % %
breath noise thrue instrument, no pitch

Tbn. 2
R
) f
?
% # % % %
breath noise thrue instrument, no pitch
B. Tbn. 3
J R
) f
?
% # % % %
breath noise thrue instrument, no pitch

Tuba R
) f

>
$ > $ >
% @ $@ $ $ $ $ $ $ J

$ $ $ $ @
> .
Perc. 1
(W. polyb.)
) f ) P ) F sub. ) ) f )
$ $ > $ > $
$@ $@ $ $ $ $
$ $ $ @ @
$ . > )
> . .
Perc. 2
(W. polyb.)
) f ) P ) ) ) f )
F F sub.
$ $ > > $ $ $
@ $@ $ $ $ $ J
Perc. 3
(W. polyb.) $
)
$ $ $ @ @ @
f
) P

) F >sub. ) > &
) F
.
)
F sub.
$ $ > > $ $ j
@ $@ $ $ $ $ $ $ $ $. J
$ $ $ $ @ @ @ @
. $ $
> .
Perc. 4
(W. polyb.)
) f ) P ) > ) ) F )
F F sub.
> >
@ $@ $@ $ $ $ $ $ $ $
$ $ $

$ $ $
Perc. 5
(W. polyb.)

$
)
$ $ $ @ @ @ @
f )
P ) >
)

P
&
)
F sub.
$ $ > j
@ $@ $@ $ $ $
Perc. 6
$
)
$ $ $ @ @ @ @
f &
)

) > &
) P )
$
P
(W. polyb.)
F sub.
~
~~~~~
gliss. on the tuning pints (no pitch, just noise)

% % % % %
& ~~~~~~
p
Harp

& % % % % % %

& % % % % % %
Piano

? % % % % % %


( accel.
q
q
This ricc. should create a very soft and continuous texture
going from low to hogh strings
without any rythme or accentuation

non div.
18 non div.


div. ric.
div.

. # ..
ric. ric. ric. ric. ric. ric. ric.

& % r j .
non div.

j .
J
Vl. I 1
.
J > non div. f non div.


ric. ric.
ric. ric. ric. ric. ric.

& rK % . j r # j
non div. div.

j
5 div.
Vl. I 2
. . .
J .
R > J f

non div.

div.
non div.
ric. ric. ric. ric. ric.

B #. j # j .
ric.

r %
non div. div.

j
5

. .
Vla. 1-6

R > f
non div. non div.

div.
ric. ric. ric. ric. ric. ric.

? #5 r % j r # j .
non div.

j j
div.

.. ..
. > . .
Vlc. 1-5

R div. J J
non div.
f ric.

ric. ric. ric. ric.

j
ric. ric.

?j % .. # ..
5 non div. div. non div.

..
Cb. 1-2

J > f

div. ric. non div. ric. ric. ric. ric. ric.

?
ric. non div.

% j # j # j
ric.

.. .. .. .. ..
Cb. 3-4

> J f
4
A
accel.
24

& b$ # $ # $r $r # r # r
$. # j # r r
b $. # # $. j # r r
$ # b $r # % %
slap

$. . m $. . . $. $. m $. $. b $. b$
.
P. p. .
Fl. 1

f F '

r r # r r # r r # j r#
& $ $. # # b$ # # # # r % %
slap

$. b $. $.
. . $. b $. $. b $. $. $. m $. $. b $.
Fl. 2

f F p '

& $ b$ r # n $r # r r # r r # # $r
$. # j b $. # b$ # r # $. # r # % %
slap

. . b $. $ b $. $. . $. . m $. $. m $. $ $ .
P. p.
Flute 3

. f F '

Ob. 1 & % % % % % % %

Ob. 2 & % % % % % % %

E. Hn. & % % % % % % %

B b Cl. 1 & w % % %
K J. .
ppppp

B b Cl. 2 & j % % %
K b w
ppppp
B b Clarinet 3

B b Cl. 3 & % % %
.. w w
ppppp


Cb. Cl. 4 & r # % % % % % %


Bn. 1
? % % % % % % %

Bn. 2
? % % % % % % %

? r # % % % % % %

C. Bn. 3

$ # $ $ $ $ $. $ $ $ # $ $ $ $ %
slap - stop the mouth piese by hand
H. 1
J J R J
f F P p '

$ $. $ $ $. $ $ $ $ $ # $. $ $ $ # $ % %
slap - stop the mouth piese by hand

H. 2
J J J R
f F P p

$ $. $ $ $. $ $ $ $ $ $ # $ $ # $ $ $ % %
slap - stop the mouth piese by hand

H. 3
J R J
f F P p

$. $ $ $. $ $ # $ $ $ $. $ $ % % %
slap - stop the mouth piese by hand

H. 4
J J
f F P

$ $ $ # $ $ $ $. $ # $ $ # $ $ $ # $ $ $ % %
slap - stop the mouth piese by hand

Tpt. 1
J J
f F P p

$ $ $ $ $ $ $ $ # $ $ # $ $ # $ $ $ # $. % %
slap - stop the mouth piese by hand

Tpt. 2
J R R J J
f F P p

$ $ $ # $ $ $ $ # $ $ $ $. $ $ % %
slap - stop the mouth piese by hand

Tpt. 3
J R J J
f F P p

$ $. $ # $ $ $ # $ $ $ # $ # $ $ # $ $ % $ %
slap - stop the mouth piese by hand
Tbn. 1
R J R R
f F P '

$ $ # $ $ # $ $ $ $. $ # $ $ $ $ $. % $ %
slap - stop the mouth piese by hand
Tbn. 2
J J
f F P '

$ $ $ $ $ $ $ # $ $ # $ $ # $. # $ $ % #$ %
slap - stop the mouth piese by hand
B. Tbn. 3
R J R R
f F P '

$ $ # $. $ $ $ $. # $ $ $ $ # $ $ % %
slap - stop the mouth piese by hand

Tuba
J J R
f F P

j
% % %
Water cowbell

J
Misurato

J

. .
Perc. 1

) P ) f ' f f '
(W. polyb.)

Misurato
j $ . j . j j
% $

$
f
Perc. 2

p F ' f ' f ' '


(W. polyb.)


% % %
Water crotale


Misurato


. J
f
Perc. 3

) F f ' '
(W. polyb.)

$ . j
% $ $
Misurato

Perc. 4
(W. polyb.)


&
)
$ $

p

)

'
f .

P
p $
'

Misurato j
% % % J $
Water crotale

Perc. 5


f &
'
' ' f
(W. polyb.)


$
Timp. with cymbale

% %
Misurato

Perc. 6

& &
) p ) )
(W. polyb.)


& % % % % % %
~~~~~


Harp

& % % % % % % %

& % % % % % % %
Piano

? % % % % % % %

A accel.

tutti
solo
24 ric. ric. ric.

r
ric. ric.

# j .
ric. ric.


solo

& J # % %
Vl. I 1-4
.
) solo F F '
tutti ric. ric.
ric.

# J. .
ric. ric. ric.

% %
3 solo 3

& j
f
Vl. I 5-8
) p '
solo ric. tutti ric.

.
ric. ric. ric. ric.
solo

% j % %
3 3
& J .
Vl. II 1-7
) ' P f p
solo
ric.
tutti
ric. F solo

.
ric. ric. ric. ric.
ric. ric.

B % # j . # J %
3

J j

Vla. 1-6
' P F P )
ric.
ric. solo

# J.
ric. ric. ric.

?
ric.

% j # . % %
3
Vlc. 1-5
J
P F
ric. ric.
f ric.
)

ric.

? % % # j . % % %
P
Cb. 1-2
F

ric. ric. ric. ric.

? % % # j . % % %
P
Cb. 3-4

F
5
q
31
r# % % j r # j
J. . . . . . . .
with air

&
air noise 3 ord. 3 6
Fl. 1
J . . . .
' ) f p
% % r# % % Kj j j r # j
3
&
air noise ord. 3 6
Fl. 2
m K b b . . . . b . . . . . . .
' ) f p

% % r# % % %
& b b K j r # j
air noise 3 6
K.
ord.
Flute 3
. . . . . . . . . . .
' ) f p
Ob. 1 & % % % % % % % % % % %

Ob. 2 & % % % % % % % % % % %

E. Hn. & % % % % % % % % % % %

B b Cl. 1 & % % % j % % % % % %
.

B b Cl. 2 & % % % % % % % % %
K. .

B b Cl. 3 & % % % % % % % % %
m. .

Cb. Cl. 4 & r # % % % % % % % % % %



fl
Bn. 1
? r # % % % % % % % % % %

fl
Bn. 2
? r # % % % % % % % % % %
b
fl
C. Bn. 3
? r # % % % % % % % % % %
b
fl

. > >
% $ $. $ % % % % % % %
breath noise only slap
H. 1
f p
. > >
. % $ $. $ % % % % % % %
breath noise only slap
H. 2
f p
. > >
% $ $. $ % % % % % % %
breath noise only slap
H. 3
f p
. > >
% $ $. $ % % % % % % %
breath noise only slap
H. 4
f p
. > > +
r
$ $. $
+
% % % % % % r# r # . . . . #
breath noise only slap harmon


take "harmon" 6 6 3 6 3 3
&
Tpt. 1
J b . . . . . . n . . . . m . . . .
f p p. . . . . . . . . . . . .
. > > +
. $ $. $
+
% % % % % % r# r # r#
breath noise only slap take "harmon" harmon


6 6 3 6 3 3
&
b . . . . . . . . . b . . . . . b . . . .
Tpt. 2
f p p. . . . . . . . . . . . .
. > > harmon

$ $. $
+
% % % % % % % r # r#
breath noise only slap


take "harmon" 3 6 3 3
&
b . n . . . . . . . .
Tpt. 3
f p p. . . . . . . . .
>
. % % $ % % % % % % %
Take Wa-wa Mute


slap
Tbn. 1
f

>
% % $ % % % % % % %
Take Wa-wa Mute


slap
Tbn. 2
f

>
% % $ % % % % % % %
Take Wa-wa Mute


slap
B. Tbn. 3
f

Tuba .. % % % % % % % % % %
f


Water polyblock
> . > j > .
R # % % % % j %
Water crotale


' f p
$
.
Perc. 1
(W. cwb.)
( ) )
> . > j >
Water crotale
.
% % % % j % %
Perc. 2
(W. polyb.)


' f & .
ppppp )
$


Water polyblock
> . > > Water cowbell
.
R # % % % % $
Perc. 3
(W. crot.)

( )
' f &
p )
$ $

> . > > .


% % % $ $ %

' f . $
Perc. 4
(W. polyb.)
p )
> . > > $
$$$$
Water polyblock

$
Water cowbell

R # % % %
6
$ $ $ $ $ $ $ $ $ $ $ $

' . & .
6
Perc. 5
$
(W. crot.)
( ) f p ) 3

Water polyblock
> . > > $
Water polyblock

% % % $ %
Perc. 6

' . f
& $
)
(Timp. Cmb.)

! p
m
& % % % % % % % % % %

Harp

& % % % % % % % % % % %

"

& % % % % % % % % % %

Piano

? % % % % % % % % % % %

q
31 pizz.w alla guitarra w b w b
r
bw bw
& ww w b ww m #
tutti

$ $ R # w % % % %
w
Vl. I 1

pizz. p ) f )
tutti w
w w $
alla guitarra

mw mw bw
& m ww $ $ R #
mw
w w $ m
# % % % %
w
Vl. I 2

pizz. alla guitarra p


tutti b w
)bw f ) r
bw bw w $$
& b ww $ $ R # bw w # % % % %
w mw $ m
m w
Vl. II 1

p
) f w )
m ww m ww w m
pizz. alla guitarra

bw b ww
tutti

B % w $ R # w w B # % % %
&
mw mw w w m

Vla. 1-6

p R
)w
r w b fw )
? $ w bw r
tutti

% b # ?
bw # % % %
pizz.
&
m
) m
Vlc. 1-5

f p
f )
..
Bartok pizz

#
arco

ww
div.

? r# % % % % % r % %
#
Cb. 1-4

p R
)
6 3
B 4

4 4

42
r r
% . . . . . . . . . . . . . # % % % . . . . . . . #
6 6 6
Fl. 1 & J
' p

r # % % % r b
% . . . . . . . #
6
&
6 6
Fl. 2
. . . . . . . . . . . . .
' p

& %
6 6 6
r # % %
6
r # .
. . . . . . . . . . . . . . . . . . .
p. . . . . . .
Flute 3

'

% % % % % % #
Ob. 1 & R
P

% % % % % % b #
Ob. 2 & R
P

E. Hn. & % % % % % % R #
P

% % % % % % . J. b
B b Cl. 1 &
'

% % % % % % b K.
B b Cl. 2 & J
'

% % % % % % L .
B b Cl. 3 & J
'

Cb. Cl. 4 & % % % % %


.

? % % % % r# % %

Bn. 1

fl
? % % % % r# % %
b
Bn. 2

fl
? % % % % r# % %
b
C. Bn. 3

fl

. .
. . . . . . . . . m . $. $. $. $. $. $. $. $. $. $. $. $. $. $. . m . . . . b R
! " +

b . . . . . . . . . . . . . . . . . . . # . . . . . . m . . . R #
+
% % R # #
+ +
H. 1 &
R
6 6 6 6 3
' 3 6 6 ' 3 6 6
. $. $. $. $. $. $. $. $. $. $. $. m # . . .
r . . . b R #
+

b . . . . . . n . . . . . . . #
+ ! "

% % & . . . . . . . . . . . . . #
6 6
R
+
H. 2 R
' 6 6 ' 6 6
6
r m . $. $. $. $. $. $. $. $. # r
b . . . . . . . # . . m . . . . R #
+ ! " +

% % . . . . . . . . . . . b . #
+
& b .
6 6
H. 3 R
'3 6
' 6 6
.
r . $. $. $. $. $. m # r . . .

+ +
. m . m
+
b
! "

% % & . . . . . . . . . . # . . . m # R #
3 6 3
H. 4 R .
' 6 ' 6
. . . . .
. . . . m . . m
.
.
. . . . . . #
+ "

r r
m . . m . . . m . R #
6

& . . . . . . . . . . . . . . . . . . . . . . . . . # . . . . . . . # b . . . . . . n . . m . . . . b . . n . . b . . . . m . . n . . m . . n . . m . . R #
6 6 6
R
6 6 6 6 6 6 6
Tpt. 1
) 6 6 6 '
r . . . b #
. . . . . . m . . .
+ "

& b K n r # # m . . . . m . . m R #
6

. . . . . . . . . . . . . . . . . . m . . . . . . b . . n . . . . . . . m . . . . . . m . . . . . . m . . . .
6 6 6
R
6 6 6 6 6 6 6 6 6

. . . . . . . . . . . . . . . . . . . . . . . . .
Tpt. 2

) 6 6 '
r
m . . . . . . #
+ "

r# m # m . . . . . . R #
6 6 6
&
6 6 6 6 6 6 6 6 6 6 6

b . . . . . . . . . . . . n . . . . . . . . . . . . . . . m . . . . b . . . . . . . . . . . . b . . . . n . . b . . . . . . . . . . m . . . . m . . n . . . . m . . . . . . . . . . . R
Tpt. 3

) 6 '
Wa-wa
$ $ $ $ $ $ $ $ $ $ b $ $ $ $ $ $ $
Tbn. 1 % % % % ?
J
)3 5 3
f decresc. poco a 3poco 5

Wa-wa b
$ $ $ $ $ $ $ $ $ $ $ b
Tbn. 2 % % % % ? b $ $ $ $ $ K $ $
)3 5 3
f decresc.
3 3
poco a poco
5

b $ $ $ $ $ $ $ $ $ $ $ $
% % % % $ $ $ $ $ $ $ $ b
Wa-wa 5
?
3 3
B. Tbn. 3
)3
f decresc. poco a poco
5 3

Tuba % % % % % % %

.
Water polyblock

$ % % %
) $ $
Perc. 1
(W. crot)
)
.
% % % % %
Water polyblock

Perc. 2 $ $

.
$
Water crotale

% % % %
Water polyblock

$ $ $
)
Perc. 3

.
Perc. 4 % % % % $ $ $
%
(W. polyb.)

.
$
Water crotale

% % % $ %
Water polyblock

$
Perc. 5
) $ $

.
% % % % $ $ $ %
Perc. 6
$
(W. polyb.)

!
[slide (gliss) with tuning key (each note striked up)]
approximate pitch
j > > > > b
%

b
b
b b b % %
& j b b b
P F b > > > > > > > b > b > b
> > > sfffz
m
Harp

& % % % % L % %

& % % % % % % %
Piano

? % % % % % % %

3 4

4 B 4

m. !
b
42
j m.
pizz.

muted
b
% j b j % .
Bartok pizz.

b
b
& j b j
b J
b b N
Vl. I 1-4

)
cresc.

m m m !


muted

j
Bartok pizz.

j . . .

% j R # # %
pizz.

& j

J


Vl. I 5-8

)
m !

muted

b
Bartok pizz.

% j j J J % .
pizz.

& j j b
b J J

b J

Vl. II 1-7

)

j
muted


m
B % j j m J j % .
Bartok pizz.

J
m m
pizz.

m m J J & j
B

Vla. 1-6

)

muted
b
? b j j j
Bartok pizz.

% b j j % .
pizz.

J J J J b
Vlc. 1-2
) muted

j

j

? j j
Bartok pizz.

% . % .
pizz.

J J J b b b j j
b
Vlc. 3-5

)