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The Intro
When the music begins, so does the performance, which
introduces Gows theory of enhanced-performance, as Goerge
Michael combines narrative with song and dance. This could also
show Goodwins theory of the record label requiring close-up shots
of the artist(s).
The camera is used to track Michael, and frames him in the middle
of every shot making him the focal point. As he walks through the
street you can see people in the background watching him as he
sings, and dances. Having the audience makes it look unorganised
in a comical way as passer-by's are wondering what hes doing, but
this could have been directed.
Personally, I really like this 1:1 perspective with Michael giving us
direct gaze. This makes the video feel more personal its not just
the audience watching, but we are also being shown and joining in.
Shots are juxtaposed along side George
Michael dancing and singing in the street
of everyday life. These everyday sites are
unusual shots to use, especially in a pop
music video. Instead this shows an
informal approach, but also a realistic
depiction of everyday life which the song
subject is challenging.
Later on in the song a reference is made to
Mr Average, and the man in the top
photo on the right is a good example of
average business man in the city.
When Michael enters Ridgeleys house, we see a very good example of
Goodwins theory of relationship between the lyrics and the visuals.