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2.LAUNDRY
The cost of linen and its laundering is so high that it is sensible for
anyone responsible for linen to know a little of the work done in a laundry. It is
an advantage if the housekeeper and (or) the linen keeper visits the laundry so
that misunderstandings may be prevented and good co-operation ensured .
FLAT BED PRESSES: These are available in various sizes and can be heated
by electricity or steam. A foot control helps in operating the press. Some are
available as twin presses and rotate from front to back horizontally. An article
of linen is put under one press and then this is sent behind while another article
is put under the press.
STEAM PRESSES: This equipment uses steam and heat to press the cloths.
The neatly folded cloths are sandwiched between two plated, one plate referred
to as the head which gets hot and the other plate referred to as buck through
which steam is passed.
FOLDING MACHINES: folding machines do not fold the linen as such, but
aid the worker in doing so. The machines hold down one end of the linen to be
folded so that the worker can fold it more easily.
CARTS, TROLLEYS: These are used for the transfer of linen from the
laundry to the linen room and from the linen room to the pantries, and so on.
Linen carts and trolleys may be made of aluminum or steel.
3.STAIN REMOVAL
STAINS:
stains are one of the greatest challenges to a housekeeper. Stains
are inevitable in any operation and a housekeepers expertise is judged by her
ability to remove stains of varying types. The process of removing stains is
called spotting.
Absorbed stains:- These are caused by staining agents which are thin in
consistency and penetrate the fabric easily. Such stains are soft and pliable,
except where fair amounts of sugars and syrups are present, when some
stiffening will be noticed. Beverages of all types, i.e. beer, tea, coffee, coca
cola, and medicines such as cough mixtures are few of the causes of this type of
stain.
Built-up stains:- These are caused by liquids which fail to penetrate the fabric
and lie on the fabric surface. Stains of this nature are diverse such as paint,
distemper, tar, sealing wax, lacquers, glues and resinous compounds.
Compound stains:- These are a combination of the previous two types as they
both penetrate the fabric and leave a built-up residue on the surface of the
material. Such stains are found to be of medium stiffness and never quite hard
or soft and pliable. Blood stains are a good example on this type of stain.
Odor:- By the small emitted especially if the stain is given a light steaming,
perfumes, disinfectants and other aromatic stains can be recognized.
Color:- A few of the color stains which help in identification are bright yellow
which is often a sign of medicinal stains.
Reds can be associated with inks, paints and dye-stuffs; blues with
paints, inks and dye-stuffs; black for tar, inks, paints, heavy red oil; and green
for ink, paints or dye-stuffs.
Feel:- It is of considerable help in establishing the origin of stains, as stiffness
denotes the presence of oxidized oils, varnish, sugars and starches. Sugar and
starch turn white when subjected to the treatment of scratching the stains.
Location:- This helps to pinpoint the cause of the trouble. Perfume stains will
usually be located on the lapels of garments and some cases under the arms.
Steep immediately in
All other fabrics. warm water wash.
2. Spread borax on
stain and pour boiling
water through.
3. Bleach with
household bleach.
1. Steep in glycerin
overnight.
Unbleached and
2. Steep in hot solution
colored cotton and of borax.
linen
3. Fast dyed fabrics
may be treated
carefully with diluted
household bleach.
1. Steep in a warm
solution of borax.
2. Steep in a warm
1. Steep in warm
hydrogen peroxide
All other fabrics.
solution.
2. Steep in warm
solution of sodium per
borate.
1. Bleach with
All other fabrics
hydrogen peroxide.
1. Steep in glycerin.
Glass stain All fabrics
2. Steep in surgical
methylated spirit to
remove all the green
coloring (chlorophyll)
Blood and all protein All washable fabric 2. Steep in cold water
strains and salt.
Proportion: 1.
Tablespoonful to 1
quart.
2. Bleach in sunlight.
2. Wash
3. Bleach according to
fabric.
All other fabrics
Iron rust: This is caused by the formation of ferric oxide on the fabric. It is
removed by the action of an acid which forms a soluble iron salt with the oxide.
Iron-rust stains should be removed before the fabric is wetted as dampness
spreads the stain. Liquid household bleach fixes the stain so must never be used.
Iron rust stain White cotton and linen 1. spread salts of lemon
over the stain, pour
boiling water through.
1. Steep in warm
solution of salts of
lemon.
All other fabrics
2. Use commercial rust
remover.
Ink: writing ink generally contains a metal and a dye, hence two treatments are
necessary: treatment with acid to act on the iron and with an alkaline solution to
neutralize the acid and remove the dye.
Condition Fabric Method of Removal
(black ink)
2. Treat with
commercial ink
remover.
Red ink: This stain washes out unless made with a persistent dye.
2. Steep in ammonia
solution.
3.bleach according of
fabric.
Marketing ink: This stain is difficult to remove and should be treated when
fresh.
2. Steep in sodium
thisulphate solution.
Proportion:
1tablespoonful to 1 pint.
2. Cellulose paints
should be steeped in a
grease solvent.
3. Varnish lacquer
paints will dissolve in
methylated spirits.
A benzene-based grease
remover may have
some effect.
Scorch: The fibers of the material are burned in this case but a mild scorch
stain may be reduced by bleaching.
Grease stains
Remove remaining
stain with bleach
suitable for the fabric.
Nail varnish: This usually contains acetone or amylacetate.
4.FLOWER ARRANGEMENT
Flowers arrangement principle, pattern and material:
Back ground: The arrangement may have good style and proportion, but if the
back ground (or) setting in which it has been placed is unsuitable it may lose it
charm.
Texture: Plant material comes in various textures, glassy velvety, dull prickly
and so on. It is up to the still of the arranger how combines texture to achieve
beauty in arrangement.
Physically balance
Visual balance
Rhythm (or) movement: This involves using techniques and materials that guide
the eye from one part of the display to another using covered stems.
Colour: This is one of the first things and noticed when we look at a flowers
arrangement colour is a matter of personal taste, but the application of some
general rules in arrangements.
Emphasis (or) Dominance: This involves having one or more areas in the
arrangement to which the eye is drawn and which it rests for a short.
Mechanizes - Accessories
Equipment - Plant material
Containers - support
Bases
1. Mechanizes: These are items used to keep the flowers, foliage and stems
in place within a container.
2. Flora form: This is also called Oasis it is a cellular plastic material and
few plants such as tulips find water intake difficult when set in form.
3. Green foam: This need to be soaked in water for at least half an hour and
then fresh plant material may be incented into it.
4. Chicken wire: This is also called wire mash or wire netting an fine gauge
wire should be selected to begin with mash may be brought.
5. Pin-holders: These are also called kenzon (or) needle-poir holders.
6. Equipment: Bucket, florists, scissors, watering can floral tape, wire ,
knife, candle holder, cocktail stick, cut flower preservation container vase
and jug, basket.
BASED ON THE ANGLE: On the basis of the angle from which a flower
arrangement is viewed it can be classified as:
1. All around arrangement: This arrangement to be seen from all sides and is
therefore chosen for a table or a room center piece.
2. Facing arrangement: It also called the flat back arrangement and is
designed to be seen only from the front, therefore chosen for placement
on sideboard not too close to the wall.
3. Based on the space present in the arrangement: On the basis of space
present arrangement
4. Mass arrangement: Little or no enclose within the boundary of the
arrangement this arrangement in an all around one and line material is
used to create a Skelton the frame work is more or less covered with
flower and other plant material. Colour, shapes, and other features of
neighbor bloom tend to blend together rather than stand out in sharp
control.
5. Line arrangement: In this style open spaces within the boundary of the
arrangement most of the display line material the line concept originated
in the bust and ruler the basic feature of line design is limited used of
plant materials the design is important and the any spaces contained with
the frame line material are vital to the overall effect of the display.
6. Ikebana: The word literally means making flower live in Japanese. This
style has been practiced for thousands of years these arrangements are
more than aesthetic grouping of plant materials. They are symbolic
representations of an ideal harmony that exists between earth and eternal
life. In each arrangement there is an imaginary triangle.
7. Line mass style: In this style some open space is present within the
boundary at the arrangement only parts of the area between the frame
works of line material is filled with leaves and flowers.